Tubbs’s Film Reviews

8089 Films have been rated or reviewed by Tubbs.

Bullet Train (2022): There is a familiarity to it from start to go – a casual approach to violence and death with comedy thrown in. The early James Bonds did it well and with a touch of class.
Sapphire (1959): An interesting slice of time screenplay with a very solid selection of character actors.
Elvis (2022): The Parker character got a bit lost in the two and a half hours which was some relief. The soundtrack was pretty good, especially in the early blues influenced days.
Fall (2022): Idiots.
Lancaster (2022): It is good the have these eyewitness accounts in the archive.; DVD $29.95
Little Nellie Kelly (1940): There are a couple of very good songs sung by one of the best around at the time. The screenplay has a fantasy element and the odd comedy scene – overall it is okay but not great.
Mr. & Mrs. Smith (1941): It has Lombard but little else.
Notte, La (The Night) (1961): The empty characters become tiresome after a while but the outdoor locations are wonderfully shot – everything from traffic jams to derelict sections and buildings.
Colour of Pomegranates (Color of Pomegranates) (1969): Art House.
Crash (1996): I remember the film's impact on release. A different kind of screenplay with the right cast to do the job. Great work by a busy makeup team left many a scar.
Villain (2020): Although not overburdened with originality the first half was good. Thanks to good casting and the quality of the supporting actors that are available the British gangster characters are usually believable and these guys are no exception.
In The Aisles (In den Gängen) (2018): Most of the first hour was very good – an interesting look behind the scenes – probably my first serious supermarket film. The last hour was not so interesting and the ending when it finally does arrive was not that strong.
Songs for Drella (1989): Dusting off The Velvet Underground.
Bootmen (2000): The stars are for the dance segments – forget the rest.
Garage Days (2002): Not great but you will see a lot worse.
He Got Game (1998): The screenplay has some good, mainly cynical, segments but overall it is too long and that is maybe one reason it doesn't work.
Harold and Maude (1970): The casting, not only of the odd couple but those in support is excellent – all are on the same wavelength and come to the party – they do justice to the offbeat screenplay.
Alamo, The (1960): The screenplay has a lot of speeches but the action sequences once they do arrive are well done. A great Hollywood ending. A lot more of Richard Boone would have helped.
Blaze (2022): Young Blaze is very good and the screenplay although a bit uneven is never boring if only because of its psychedelic presentation.; DVD $29.95
House of Gucci (2021): Well produced but it needed to lose half an hour – it doesn't matter which half hour – any half hour would do.
In Plain Sight (TV Mini-series) (2016): The story is told competently and the screenplay keeps the dramatics under control as far as it can.
Hoop Dreams (1994): A bit long for a non basketball fan but as a documentary it is commendable.; DVD ~~$19.95~~ $14.95
Memoria (2021): I bet Tilda was the first one thought of and probably was the first in line when this was cast.; DVD $29.95
Always (1989): An average screenplay but even though they have done much better elsewhere Goodman and Hunter are on the always watch list.
Schindler's List (1993): A good production but far too long because it often repeats itself – particularly the war crimes aspect. The ending is never ending and is melodramatic Hollywood at times and should have been pruned. The bonus feature "Voices From the List" is excellent
Calamity Jane (1953): There are some decent songs and the padding in between is entertaining thanks to an energetic Doris Day.
Black Phone, The (2022): The screenplay has borrowed from others and there is some unnecessary distasteful violence.
Jimi Hendrix (A Film About Jimi Hendrix) (1973): Made in 1973 when memories of those who knew him were still fresh.
Risk (2016): Although much of the material used in the documentary is familiar and there are no earth shattering revelations, and no matter what your opinion of Assange is, the world of leaked information is inherently interesting.
Queen of Versailles, The (2012): Overall it is an entertaining documentary. She is hard to dislike and he at least has the courage to admit that he was instrumental in getting the younger Bush into the White House.
In Your Eyes (2014): The two leads are fine and the sprinkling of fantasy in the screenplay certainly helps.
Look of Silence, The (2015): Who needs fiction(?).
Georgia Rule (2007): The screenplay is a bit uneven but the casting choice for the three female generations makes it worthwhile.
Love Hurts (2009): Even though it is not a strong screenplay you are entitled to expect better from this cast.
Last Wave, The (1977): Wear a raincoat it is one of the wetter screenplays. Although the ending is not as strong as it promises the screenplay for the most part is well written and interesting.
Big Steal, The (1990): Aussie films are known for their supporting character actors and this one is no exception. The comedy, unusually, actually gets stronger with a climax worth waiting for.
Showgirls (1995): Other than its production values there is little to admire but that is not to say that it might not be enjoyed if in the right mood. A bit overlong all the same.
Certified Copy (2010): Although the two performances were fine the talking heads format was okay for about an hour. The only real interest after that was the threat that the kid might make a reappearance.
Once Upon a Time in Anatolia (2011): A road movie on Anatolia time. Humans seem out of place dwarfed by the nothingness surrounding them. The screenplay has plenty of time and space to spotlight human frailties.
Nude Tuesday (2022): A bit of satirical fun.; DVD $29.95
Hunt, The (2012): Probably made with good intentions but the screenplay soon becomes a bit predictable.
Deadly Mr. Frost (1990): The screenplay needs patience in parts but is always interesting. The casting of Goldblum, Bates, and Baker should be tempting enough.
Stories We Tell (2012): I'll watch it again – the first time didn't make much of an impression.
Proof of Life (2000): Another screenplay that shoots itself in the foot by being too long for its material. There is a good supporting cast though which adds some much needed interest.
Mass (2021): Ann Dowd must have one of the saddest faces recorded on celluloid.; DVD $29.95
Tangiwai: A Love Story (2011): The screenplay is a bit melodramatic at times during the cricket sequences but overall the production values are excellent and it does capture a slice of 1950s New Zealand.; DVD $20
Smash Palace (1981): The screenplay does have an NZ 80s feel to it but the screenplay does not "brake" on any new ground. The "Making of" is quite good.
Robin and the Seven Hoods (1964): Extremely well made. The dance numbers compensate somewhat for the modest songs.
Quiet Girl, The (An Cailín Ciúin) (2022): The screenplay wasn't perfect but overall it did the little things well and its pacing was spot on. The main strength however was in the performances. All nine year olds should be like Catherine Clinch & the other parts were performed to near perfection.; DVD $29.95
Cats (2019): It has a couple of good tunes, the dancing is fine, and the wardrobe makeup teams do a noticeably good job. That is all fur now.
Dogtooth (Kynodontas) (2009): One original screenplay – that is until I saw " Castle of Purity" (1973).
Sunshine State (2002): Well written – the two hour plus running time doesn't drag at any stage. The characters are believable with Edie Falco taking the performance honours.
Beast (2022): Idris has had stronger material but this is not too long.
Silver Bears (1977): An interesting mix of European and American performers dressed in suits.
Albino Alligator (1996): The cast have all done better elsewhere and have had better material elsewhere.
Northman, The (2022): Mainly indistinguishable from the others in the genre where all the males have beards or are wanting to grow one. Plenty of yelling and screaming and ooohing and arrring.
Black Swan (2010): The screenplay is unfortunately dominated by a routine male pig character. Natalie can be seen to be trying her best and the dancing segments add some interest to the proceedings.
Bathory (2008): Long but thankfully it doesn't cover the full body count and it is never boring.
Dangerous Lives of Altar Boys, The (2002): The screenplay has a good balance between drama and lighter stuff with a cast that fits the bill.; DVD $19.95
James May's Big Ideas (TV Series) (2008): It is the kind of material that will necessarily date but it is still entertaining and worth watching.
My Cousin Rachel (2017): The screenplay was pretty dead other than for an occasional outburst from the leading characters when somebody stood on their toes if only metaphorically.; DVD ~~$20~~ $15
Rocket, The (2013): A popular offering with a reasonable story and characters and even better shooting locations.
Ace in the Hole (The Big Carnival) (1951): Douglas is Douglas. Jan Sterling is very good as well & takes everything Douglas throws at her including a couple of smacks in the chops. The screenplay is solid & although the ending is a bit over dramatic it should last the test of time for a while yet.
How to Train Your Dragon: The Hidden World (How to Train Your Dragon 3) (2019): A very consistent and entertaining series.
Chris Rock: Kill The Messenger (2008): He gets a good reaction from his audience.
Blast from the Past (1999): The first half, when Walken has more screen time, is better than the second but the entertaining plot idea does work thanks to the likeable cast and some good writing.
Never Ever (Circle of Passion) (1998): Sandrine is in it.
Isola (Tajuu jinkaku shôjo) (2000): It was okay but there are several familiar threads in the screenplay.
Everything Everywhere All At Once (2021): End to end action but it all gets a bit overwhelming and repetitive. A shorter version would have been better but the production values are very good throughout.
Every Little Step (2008): A decent enough documentary that includes plenty of dancing and dramas and sometimes both at once.
It Must Be Heaven (2019): A couple of the skits work but those that don't, usually promise to do so. It needs patience particularly when the format becomes repetitive.; DVD $29.95
Crimes of the Future (2022): That it is a David Cronenberg film is always obvious. Not an easy watch and a second viewing will be not be wasted time.; DVD $29.95 | Blu-Ray $34.95
Working Woman (2018): It had a message but the screenplay was hardly enthralling.; DVD $29.95
If These Walls Could Talk 2 (2000): Vanessa's performance is memorable.
Babe, The (1991): Whatever faults there are in the screenplay there is still an in form John Goodman and some splendid production values to admire.
Wajib - The Wedding Invitation (Wajib) (2017): The screenplay was okay but a bit shallow and commercial.
Between Two Worlds (2022): Not the strongest of screenplays but it does work – just – thanks to some believable performances and the fact that it doesn't stray into the usual romantic subplot.; DVD $29.95
Dixie Chicks - Live from the Kodak Theatre (2002): My introduction to the Dixie Chicks.
Conspiracy (2001): Extremely well written and the casting does it justice. A terrific battle of egos.
Labyrinth of Lies (2014): It could have saved half an hour if it hadn't repeated itself and not gotten sidetracked. The basic story is a good one, however.; DVD $29.95
Mister Lonely (2008): Not all of it worked but it deserves credit for some originality in the screenplay.
Absolute Power (TV Series) (2003): SI and S2: Not the first to take a satirical view of British politics but it is well written and cast.
Taming of the Shrew (1966): The two leads are fine and there is also talent in support such as the excellent Michael Hordern. The wardrobe and set designs are commendable. An entertaining romp.
Gun and the Pulpit, The (1974): It has a lighter theme than usual for the genre and a more than useful supporting cast.
How to Make an American Quilt (1996): Even non romantics will find attraction in the strong female cast that includes Bancroft, Burstyn, Ryder, Nelligan, et al.
Meet Me in St Louis (1944): The music, the wardrobe, and the set designs.
Next (2007): The scenes where Cage sees into the future not only slow proceedings down but give Cage more screen time.
Thunderpants (2002): Whilst you might need to clear the air at times the screenplay is ironically fresh and the support casting of Callow, Fry, Beatty, Imrey, Hardy, etc. is very attractive.
Eye of the Beholder (2000): The screenplay had some good periods but was uneven overall – frustratingly so.
Under Siege (1992): Well produced but silly.
C'Mon C'Mon (2021): Heavy on talk, but because of the involvement of the kids, probably made for the right reasons.
Ted K: The Unabomber (2021): The bizarre soundtrack played over quite a bit of the narrative when Ted was philosophising with himself – hopefully, that narrative wasn't important. The beautiful Montana location shooting served as a backdrop to Ted's actions.; DVD $29.95
Lucky (2017): File under "Philosophy".
Atomic Submarine (1959): Don't go too deeply into what is happening here – relax and enjoy it.
Slime People, The (1962): Includes the usual highlight of the biggest part of the budget creature.
Fantastic Beasts and Where to Find Them (2016): The special effects and the set designs are admirable.
Moonstruck (1987): Another Italian New York community offering. The best bits involved the excellent Olympia Dukakis and Danny Aiello.
Fatherland (1993): Although the screenplay doesn't quite do justice to the idea the plot is always interesting. The set designs and wardrobe are commendable as is the casting. Peter Vaughn's sneer is a scene stealer.rn
Morricone Conducts Morricone (2004): Playing his compositions back to back emphasises his contribution to film music.
Abba - Gold: The title is correct.
À Nos Amours (To Our Loves) (1983): There is not a great deal of depth to either the characters or the screenplay. However considering her age, a very young Sandrine does well in anchoring the film.
Escape from Mogadishu (2021): There have been a few of these escape from type of dramas – this one follows the formula pretty much.; DVD $29.95
Crazy for You (Vision Quest) (1985): The wrestling angle was reasonably fresh but appropriately the screenplay never really got off the ground.
April Fool's Day (1986): A little bit different plot wise than the norm for the genre plus it has some genuine horror moments.
Cat People (1982): It is too long for the material. There are some genuine cult segments however and Malcolm McDowell can never be boring.
Tokyo Drifter (1966): The plot is very familiar but the production has that kind of charm associated with films made cheaply but creatively.
Amazon Women On the Moon (1987): Cheesy but genuine cult cinema.
Hoax, The (2006): The drama is diluted somewhat by the fact that the story and its ending is well known but it is interesting nevertheless and the support casting is above average.
Life, Above All (2011): The straightforward storytelling helps convey the messages, particularly through a young daughter who has had to grow up quickly and a life weary mother.; DVD ~~$19.95~~ $14.95
County, The (2020): The screenplay was okay but at no stage did it break new ground.; DVD $29.95
Laramie Project, The (2002): Proceedings are a bit static at times – a bit of a blow by blow description of events – but there is a terrific cast on hand to ease things through.
Japon (Japan) (2002): The camera was inventive and unusual at times which made the screenplay that more interesting but its main strength was capturing the impressive landscapes.
Third Star (2010): A well performed/written bittersweet screenplay set in an attractive location.
Benedetta (2021): The photogenics are rolled out but not a fresh screenplay.; DVD $24.95
Sorry Angel (2018): It is hard work watching characters who are not doing anything useful with their lives.; DVD $29.95
Quo Vadis, Aida? (2020): The dramatisation did good work portraying the UN (some similarities to Rwanda) inadequacies, the Serbs, & in particular, the murders. I don't think the subplot about the translator protecting her family added any meaningful value to the overall message.; DVD $29.95
Eiffel (2021): File under "Romance".
Rose Plays Julie (2019): The screenplay is a bit overwrought at times but is well intentioned and performed.
Memoirs of an Invisible Man (1992): A decent enough screenplay using a common childhood fantasy well aided by some decent special effects.
Lucky One, The (2012): The suds in my eyes made it difficult to watch.
Blue Crush (2002): A good advert for the sport is highlighted by the excellent photography of the rolling waves.
Marry Me (2022): If the screenplay requires a lot of nose to nose contact you would think it only fair that the leading lady should have a say in the casting of her dueling partner.
Nanook of the North (1922): It probably influenced later documentary makers. I now know how to build an igloo.
Now, Voyager (1942): For non–romantics, the screenplay may not be that interesting but it is worthwhile because of the quality of the casting. The scenes between Bette and her mum were the best for me.
Demetrius and the Gladiators (1954): Although a melodramatic Jay Robinson puts some life into proceedings (as well as taking lives out) screenplays of this ilk really do need Peter Ustinov.
Foolish Wives (1922): The screenplay is a bit sluggish in parts but there is some excellent location shooting and Erich von S playing a great cad.
Jackboots on Whitehall (2010): The puppetry was very well done and the alternative history was entertaining.
Urban Cowboy (1980): An average screenplay but one which at least has a fresh angle. Glenn's character represents the male pig but there is some compensation to be found on the female side in Debra Winger early in her career. A terrific soundtrack anchors the proceedings.; DVD $24.95
Drive My Car (2021): It sparks into life every 100 km or so.; DVD $29.95
Mania (The Flesh and the Fiends) (1959): The screenplay is solidly written and doesn't get sidetracked (other than to go off into side streets and alleys for nefarious purposes). Donald P's performance is memorable.
Scooby-Doo 2: Monsters Unleashed (Scooby Doo 2) (2004): A reasonable sequel but maybe too dependent on Scooby's character.
Jock of the Bushveld (1992): There is plenty of shooting at anything that moves and the dog needed a muzzle.
Son of Flubber (1963): If you can go along with the silliness it is entertaining. MacMurray is spot on with good character support from Keenan Wynn and Paul Lynde.
Reversal of Fortune (1990): Very well written – this drama is based on an interesting "did he do it?". This screenplay is not run of mill courtroom and should be worthy of attention for years to come.; DVD ~~$14.95~~ $11.20
Citizen X (1995): An excellent cast but as non–Russian speakers, the dialogues do not run smoothly and hinder the storytelling somewhat.
Flee (2021): The screenplay's mixed format worked okay. In the refugee segments the corruption, the bullying, and the helplessness came through well.; DVD $29.95
Guerilla: The Taking of Patty Hearst (Neverland: The Rise and Fall of the Symbionese Liberation Army) (2004): The documentary is well researched and put together in a logical sequence. It will probably have archival value for criminologists.
Candyman (2021): It was okay but did we really need another one?
Succession (TV series) (2018): S1: Nothing wrong with the casting but these characters are tiresome over a series. A mini–series perhaps.
Promotion, The (2008): Not the worst but certainly not the best.
Separation, A (2011): Despite easy on the eye photography & an excellent performance from Bayat the screenplay mainly comprises people finger pointing & arguing. The children provide some relief but the adults interactions soon get repetitive & should have been cut by an hour.
Saw IV (Saw 4) (2007): The only reason I can think of why this sequel was made was that IV rhymes with Saw.
Humans (TV Series) (2015-2018): S1: The screenplay becomes too obvious pretty early in the proceedings.
Hereafter (2010): Well done to the special effects team for the opening tsunami. After that, it never really came back to life, particularly with Damon at his somnolent best.
Belfast (2021): There is a mountain of news footage on the Troubles that has been shown publicly plus documentaries and dramatisations. Leave the Troubles alone to heal with time.
Transformers - Revenge Of The Fallen (Transformers 2) (2009): A challenge to get through – its excessive length was only one of the problems.
Sahara (1943): Although the screenplay is a bit simplistic the action sequences are handled quite well.
Capital in the Twenty-First Century (2019): A comprehensive economic history of why we are where we are today as part of the 99%. Great use of archival film and quality analysis and views from the experts with author Piketty the standout.
Pervert's Guide to Ideology, The (2013): An intelligent "dissertation" that is always entertaining and which makes use of a variety of film stock.
Copycat (1996): The screenplay is uneven but the talents of Weaver and Hunter make it watchable.
How Do You Know (2010): It is too long for the material on top of which that annoying Wilson is one of the leads putting his nose in where it is not wanted. Reese does her best.
F9 (The Fast and the Furious 9) (2021): It follows the formula for the ninth time.
V (TV Series) (1983): Original Mini–Series: The screenplay is decent enough and it included ideas that have still some relevance 40 years on. The special effects may or have gained cult status.
West Side Story (2021): The singing and dancing were okay but the standout was the set designs – the street scenes the dilapidated buildings etc.
Past, The (2013): It is about a family having a domestic.
King Ralph (1991): A good natured but far fetched screenplay may not have worked without John Goodman who is in royal form.
Umbrellas of Cherbourg, The (1964): The colours are heavy but beautifully shot as are the wet street locations.
Mysterious Skin (2004): It handles some delicate material extremely well and in a low key way.
Studio 666 (2022): It starts slowly but the mayhem does come to those who wait.
Stripes (1981): Although the last few scenes were a bit silly it was pretty good entertainment otherwise. Murray, Oates, and Candy are a pretty strong trio in that regard.
I Am Alfred Hitchcock (2021): The biggest drawback with this documentary is that he is one director whose story has been told before but it is no problem viewing another version – especially the archival footage.
Lamb (2021): Their sheepdog looked confused.; DVD $29.95
Eleni (1985): A fine performance from Kate Nelligan highlights this historical drama which may be the impetus for further reading for those of us who have forgotten about this particular civil war.
Forgiveness of Blood, The (2011): It is about an old law of blood feud which unfortunately seems to be operated by men. Sindi Lacej is terrific as the daughter as are the rural settings and the horse and cart.
Circle, The (2017): It doesn't go anywhere.
1 Nite (2004): It might have some appeal to locals.
La Ceremonie (Judgement in Stone, A) (1995): Nothing wrong with Sandrine B's performance but the film's energy level went up when Isabelle arrived on the scene. The screenplay was mostly okay except the final scenes were a bit weak.
Julien Donkey-Boy (1999): This passed the Dogme 95 test – say no more.
Day Watch (Dnevnoi Dozor, Daywatch) (2006): Helter Skelter.
One Against the Wind (1991): A solid screenplay anchored and highlighted by a Judy Davis performance.; DVD $24.95
Brothers Bloom, The (2008): There are some reasonable attempts at humour in which the two female leads are the more successful. The screenplay runs out of steam more than once before coming to life again and maybe needed better writing/editing.
Figures in a Landscape (1970): The opening scenes are the best after which the screenplay as well as the characters lose their way. Having said that it is a film that you are more likely to remember than a million others not least because of the stunning filming of the landscape.
Mean Streets (1973): Harvey K, as one of the suits, does well and anchors the storyline but it is the location shooting in the streets that stands out.
Cardinal, The (1963): The production values help ease the pain of the long running time. The opulence of the church's abode and other odds and ends can be admired.
Female Yakuza Tale (Yasagure anego den: sôkatsu rinchi) (1973): The female characters are heavily exploited but at least there is some measure of comeback in this one.
Jock the Hero Dog (2011): A reasonable story and animation.
Osbournes, The (TV Series) (2002): S1: It should find an audience.
Spirits of the Air (1989): Unsurprisingly it was made in Aussie.
Ailo's Journey (A Reindeer's Journey) (2018): Although the documentary follows formula Lapland has certain natural advantages for the documentary maker to exploit.
Legend of Boggy Creek, The (1972): 50 years on it is more of a curiosity piece but it is still (and perhaps deserves) worth a watch. It does create an eerie atmosphere at times.
Noel (2004): Susan and Penelope do their best but the screenplay is hampered by some weak/creepy male characters or poor performances (Williams and Thomas in particular).
Sky Kids (The Flyboys) (2008): The action sequences are okay but the editing is incomplete as the film climaxes and then continues for several scenes before finding an ending.rn
King Richard (2021): The court re–enactments were well done. The strongest point of "Venus and Serena" (2012) was the bonding between the sisters – this dramatisation includes their three half–sisters & the family bonding was obviously a great springboard for their careers.
Silent Night (2021): Jo–Jo Rabbit was awful and should have been skinned or at least re–directed to another career choice like deep sea diving. The screenplay had its moments but there are far better black comedies around.; DVD $29.95
Friday After Next (2002): Aka "The Gathering of the Motor Mouths".
Shame (1988): Although the general gist of the plot is indistinguishable from other dramas with the same theme this does have segments that are better than average and it is 80's Australian so it is worth a try.
Wound (2010): It tried to shock its way to success – it was okay in that at least some of its material was fresh.
Dogville (2003): The screenplay is long but refreshingly different and the proceedings are greatly aided by the distinctive voice of John Hurt.
Children Of The Silk Road (The Children of Huang Shi) (2008): A series of adventures are handled okay but the highlight is the landscape cinematography.
Utopia (TV Series) (2014): Season 1: Extremely well written with just the right amount of satire and with just the right exaggeration to the characters.
Cockleshell Heroes (1955): The first hour is pretty good light entertainment with Victor Maddern standing out – the wartime action makes up the last half hour and is competently made.
Critters (1986): A good mix of horror and comedy – as usual, Emmet Walsh is a plus.
I've Heard the Mermaids Singing (1987): Its likeability (especially the casting) far outweighs its faults.
Mary Queen of Scots (2018): Our two ladies are fine as is the wardrobe and makeup but this story has been thrashed to death.
End of the Affair, The (1954): Poor Deborah lumbered with another romantic role – she is better than that. She does well however and John Mills is good in a supporting role.
Awake (2007): Awake but not alert to making the most of a good plot idea.
Baby Driver (2017): The screenplay has been thrashed to death many times before but the film is helped by having a strong supporting cast in Spacey, Foxx and Hamm.
Bandidas (2006): It is a good concept for a story and it is entertaining throughout.
Indiana Jones and the Temple of Doom (1984): Used to be seen on a Saturday morning at the flicks with a whole bunch of other screaming popcorn stuffed kids rolling jaffas down the aisles.
Casino Royale (2006): By losing its panache & humour this instalment brings the franchise back to the field. After setting the standards for so long it is now indistinguishable from the wannabees in the genre although the stunt people can still hold their heads high.
Piranha 3DD (2012): Plenty of annoying slow motion camera work. There are attempts at humour but some of it is insensitive.
General's Daughter, The (1999): The script at times is too simplistic even for the military characters. James Woods is the only worthwhile thing about this.
Lucky Miles (2007): The screenwriter does not include any well trodden paths for our intrepid heroes to follow so there are a few entertaining missteps along the way.
Breaking Bread (2020): Another cooking documentary but this one to its credit does have good political intentions.; DVD $29.95
Jolson Story, The / Jolson Sings Again (1946): Parks, Keyes, and Demarest are very good but the strength is in the singing of the wonderful songs. In the sequel, the singing of the wonderful songs continues although the screenplay is not as strong.
Wedding Speech, The (Le discours) (2020): The screenplay seems longer than it is because the lead character gets a tad tiresome but Sara Giraudeau has reasonable screen time and helps alleviate proceedings.; DVD $29.95
Elizabeth: A Portrait in Parts (2022): It was well done using extensive library film both formal and informal and shown at a good pace.; DVD $29.95
Torment (L'Enfer) (1994): A watchable but weak screenplay.
Main Street (2010): A modest screenplay but Ellen Burstyn and Patricia Clarkson are in form and make it worthy of a look.
Bullet for Sandoval (Vengeance is Mine) (1969): No real surprises and fans of this subgenre of the Western will probably not be disappointed.
La Bamba (1987): The soundtrack is not too bad plus there is the casting of Elizabeth Pena to bolster the acting ranks.; DVD $24.95 | Blu-Ray $29.95
Proof (2005): What an intense bunch of characters.
Thief of Bagdad (1924): A relaxing and dreamy viewing experience. The set designs and the early special effects can only be admired.
Night Train to Lisbon (2013): Couldn't always follow the complex screenplay but there is Jeremy Irons to admire (once again) and a pretty good supporting cast.
Hotel Transylvania 2 (2015): It is pretty decent for a sequel.
Producers, The (2005): Not quite up there with the original but it is not far away. A great mix of satire and music.
Jean Grémillon: During the Occupation (Remorques, Lumière d'été, Le Ciel Est à Vous) (1941-1944): One of the wetter screenplays and that doesn't just apply to the romantic segments; A romance but a well written one; I thought the screenplay had some loose ends but for a film made in wartime 1944, you can't expect perfection.
Merci Pour Le Chocolat (Nightcap) (2001): Not a particularly strong screenplay.
Promise, The (Wu ji) (2005): The visuals and the reasonable running time make it worth a look.
Austenland (2013): You got the feeling that it was unsure what its boundaries were, and how much it could get away with. The cast enjoyed making it and for the most part, it should succeed with its audience.
My Name is Gulpilil (2021): Refreshingly honest self criticism.; DVD $29.95
Lady and the Tramp (1955): It is Classic Disney and deserves to be seen at least once.; Blu-Ray $29.95
Thieves Like Us (1973): Although the scenes between Carradine and Duvall tended to take the impetus out of the screenplay the film was very well written, shot, and cast. Louise Fletcher was terrific without seeming to make any effort.
Rio 2 (2014): Beautiful rich colours clothe the delightful chirpy bird characters.
Cat Ballou (1965): Although Marvin's character makes an inauspicious entry it is a memorable one and sets the tone for the rest of the proceedings.
Once Upon a Time in Hollywood (Once Upon a Time... in Hollywood) (2019): It is entertaining in parts and the screenplay's format enables you to dip in and out of it at any stage without losing the thread of proceedings.
Boys from Brazil, The (1978): Peck is like a concrete post with makeup. Olivier's accent is awful but James Mason having played Rommel a couple of times is okay. An interesting screenplay but it doesn't really fire.
Teddy Bear (10 Timer til Paradis) (2012): The screenplay is okay but unadventurous and lacks any surprises.
Le Bonheur (Happiness) (1964): I can't say that I've seen a screenplay quite like it – with such a depth of innocence on the surface.
Trial of Joan of Arc, The (Procès de Jeanne d'Arc) (1962): Compact and competent.
Bonnie and Clyde (1967): Very well shot. One of the reasons it is still watchable 50+ years on is the casting of the 5 leads.; DVD ~~$20~~ $15
Some Girls (1988): It is not as bad as it looks but Dempsey being the romantic target is not really convincing – the girls must have been desperate.
Mt. Zion (2013): Well shot and the musical segments are worthwhile.
Cria Cuervos (1976): A study of a small slice of time and place through the eyes of an eight year old girl. Static but very well done.
Once Upon a Time in the West (1968): The opening scene (before Bronson interrupts things and decimates some great casting) is a classic with Jack Elam's battle with the fly memorable. Once again Monument Valley is used to great effect and Morricone provides another classic score.; DVD ~~$25~~ $18.75
Postman Always Rings Twice, The (1981): Nicholson portrays the ugly male animal and Jessica responds well as the target but the highlight of this remake is the production values where time and place are reconstructed very believably.
Young Ones (Bad Land: Road to Fury) (2014): The screenplay was good in patches and although Hoult was okay it really needed a full time Michael Shannon.
Angel Heart (1987): Not the strongest in the genre but as to be expected from the director it is well produced – the street scenes are a standout.
Bugsy (1991): Very good production values are wasted on the story of a thug. A black and white crime documentary would have been more appropriate.
Perrier's Bounty (2009): Although the screenplay disappoints, for me, Gleeson and Broadbent are compulsory viewing.
Cobain: Montage of Heck (2015): A bit too much footage from home videos but otherwise entertaining enough.
Barbershop (2002): Not all of the characters make the cut but overall it is not a bad ensemble piece.
Eight Below (Antarctica) (2006): The dogs were noisy at times but otherwise fine as were the shooting locations at times.
Donkey Skin (Peau d'âne) (1970): A beautifully filmed fantasy with the wardrobe department excelling.
Utu (1983): The locations distinguish it from similar action films. The best segments are those involving Bruno Lawrence.
Hero (2002): Similar in some respects to "Crouching Tiger, Hidden Dragon" (2000)
Loose Cannons (1990): Although the screenplay fails to fire it is inoffensive and the casting is pretty attractive.
Show, The (2020): It is a bit different but it seems to have tried a bit too hard to be different.
Clerks (1993): It made an impact on first release and whilst not aging too well is still worth a watch.
Out of Time (2003): The screenplay had a relatively low body count and was probably written for light entertainment purposes than for anything else.
Murundak - Songs of Freedom (2010): There is a good balance between musical performances and library news footage.
Dead Man Walking (1996): An over the top Penn ruined this film.
Bostonians, The (1984): Well produced as you would expect but the screenplay is a bit stodgy. However on the plus side is the quality casting of Redgrave, Shawn, Hunt, and Tandy.
Thelma (2017): There is an interesting mix of ingredients in the screenplay which although steadily paced for the most part seems to slow unnecessarily in its final stages.
Isolation (2005): Thanks to an intelligent idea and screenplay it is an above average horror.
Lion in Winter, The (TV Mini-series) (2003): Two bits of a family whose members are at loggerheads with each other and themselves. Excellent performances.
Man Who Cried, The (2001): A well produced and interesting screenplay. There is an excellent cast from which the irrepressible John Turturro manages to stick his head above the parapet.
Uncharted (2022): I didn't find a great deal to maintain the interest, particularly over two hours.
Cleaner (2007): It hardly leaves a mark.
Carnage (2011): It is a talkie but a well done talkie.
Angela's Ashes (1999): The poverty, the weather, the prejudice, the hypocrisy. The set designers and builders do an exemplary job with the streets and dwellings – the opening scenes hit you between the eyes.
Going the Distance (2010): Drew must have been broke or bribed to do this. The writing is poor and it relies on toilet humour, self abuse, kissing, and stuff like that. Didn't witness humping dogs though – not sure why.
Collective (2019): I asked myself on more than one occasion whether this story could really be true.; DVD $29.95
Worst Person in the World, The (2021): Spending two hours with these characters was hard work.; DVD $29.95
355, The (2022): It would be indistinguishable from the rest if not for the fact that it probably holds the world record for the number of gunshots. Let us hope that its record is not broken so that we are not in line for a sequel.
Stillwater (2021): I dozed off reading the title.
Ghostbusters Afterlife (2021): It seemed to be aimed at a young audience. It was okay but it played like a sequel.
Daisy Miller (1974): Has mixed reviews but it has excellent production values, some talent in the supporting cast e.g. Nicholas Jones, Cloris Leachman, and Eileen Brennan and it is not overlong.
See No Evil, Hear No Evil (1989): For a single gag scenario, it doesn't do too badly.; Blu-Ray $19.95
Hippopotamus, The (2017): You'd expect better use of the English language from people who can afford to be educated. There are other annoyances but the casting carries it through.
Dangerous Parking (2007): It gave the impression that it wanted to achieve mixed reviews.
Swimfan (2002): Predictable and unoriginal.
Matewan (1987): The screenplay doesn't aim to establish heroes and it results in a believable well written historical drama.
Wait, The (L'attesa) (2015): Nothing happens but it is well done.; DVD $29.95
Not Another Teen Movie (2001): One or two of the skits had comedy potential but most were comprised of immature material. The skit on football concussion wasn't in good taste.
Festival Express (2003): A gem from the archives. Witness some legendary line ups on and off stage as they were in 1970.
Within the Whirlwind (2009): Screenplays based on the actions of idiotic regimes can be frustrating, for those looking in from the outside, to watch. You are thinking how can they be so stupid? and believability is at risk no matter what the truth.
Limbo (2020): It has a touch of the Kaurismäki's at times.; DVD $29.95
Miss Congeniality (2000): Likeable with Sandra B a good choice.
Emperor's New Clothes, The (2015): Very well written and entertainingly presented.
Mexican, The (2000): The screenplay doesn't work overall and is too long as it struggles to find an ending. A very good supporting cast helps, however.
Turning Tide (2013): Another yachting drama. I found some relief by watching the waves even those inserted by the studio later.
Gold (2021): The makeup people do a good job. The screenplay is best seen with a bottle of water handy.
Only the Animals (Seules les bêtes) (2019): Bonnard's character (the one with the nose) just wasn't believable. Some segments of the sliced up screenplay were more watchable than others.; DVD $29.95
Ma Nuit Chez Maud (My Night at Maud's / My Night with Maud) (1969): A talkie but there are some street scenes that provide some relief.
Strange Brew (1983): Uneven but the pair is hard to dislike.
Survive Style 5+ (2004): I'm still not sure whether it is better to watch this sober or completely plastered.
Diamond 13 (2009): Depardieu provides some interest but the screenplay is not memorable.
Secret in Their Eyes, The (El Secreto de sus Ojos) (2009): Although the screenplay weakens slightly the first 90 minutes are strong with the highlight being the interaction between Soledad Villamil, Guillermo Francella, and the consistent Ricardo Darín.
A Home at the End of the World (2004): A bit too much hugging and kissing but it does have other segments that make it worthwhile.
Young Savages, The (1961): The screenplay is serviceable but it does have some memorable New York street scenes, particularly at the opening of the film.
Secret Ceremony (1968): Not in the top bracket of the Director's canon, but it does have an interesting screenplay and a hard to ignore cast.
Crusades, The (1935): To watch it was a crusade.
Simple Life Of Noah Dearborn, The (1999): Written to be soppy but the cast keeps the soppiness to a bearable level.
Munster, Go Home (1966): The challenge is to take a black and white TV show away from Mockingbird Lane change it to a coloured feature and locate it in England. It is not successful but it does have some worthwhile segments.
Intersection (1993): There is no surprise as to which direction this screenplay takes.
Faust (1926): A strong story is well told with the special effects very commendable as is the performance of Emil Jannings who with a bit of help from his character stole his scenes.
Side Effects (2013): It was okay but Law and or his character just got annoying.
Mud (2012): It is long and too long for me for a screenplay driven by two boy characters but the shooting locations help to add interest. Matthew hard to spell McC is okay in this one.
Much Ado About Nothing (1993): I'm not qualified to comment on the adaptation but it is beautifully shot and the casting mix is interesting with Emma Thompson the standout.
Charge of the Light Brigade (1968): The casting includes royalty playing the officer class roles and some talented supporting actors playing the cannon fodder. However, the main strength of the film is its excellent production values in both peace and war.
Mystery of Henri Pick, The (Le mystère Henri Pick) (2019): Typical of mystery writing is that you get the run around instead of the story simply going from A to B.; DVD $29.95
L'Argent (1983): It is effective but you do not get much change out of the director's style.rn
Oliver! (1968): Ron Moody anchors the performance side of things and is helped by a cast of excellent character actors but the strength is in the songs some of which will continue to be timeless.; DVD ~~$19.95~~ $14.95
Assassination Tango (2002): It doesn't quite work but to its credit, it doesn't follow any well trodden path to any degree.
In a Land of Plenty (2002): Another quality documentary from Alister Barry. This one is particularly hard hitting.
Edge, The (1997): A decent enough actioner that has good stunt work and an upset grizzly bear.
Ishtar (1987): I think the comedy misfired but it does have supporters who believe the comedy to have been misunderstood. Even as a misfire it does have some reasonable segments though.
Promising Young Woman (2020): Carey was fine but the material wasn't the strongest and has been used before.
Perfect Strangers (Perfetti sconosciuti) (2016): The characters need patience and the script is not particularly witty.; DVD ~~$19.95~~ $14.95
Someone Else's Country (1996): I thought the documentary was noticeably unbiased with both major parties' mixed performances during a period of noticeable upheaval being put under the critical spotlight. A valuable archival source for students.
I Sell the Dead (2008): Not in the "Shaun of the Dead" class but entertaining and well worth a look.
Perfect Man, The (2005): With this title you could develop a long running series: Ep 1 Searching for the Perfect Man; Ep 2 Still searching for –––.
Blind Ambition (2021): The tasting segments were only mildly interesting but the documentary does include some hard hitting Zimbabwe scenes.; DVD $29.95
Ema (2019): Mariana di Girolamo is terrific in this hard to categorise film. A film that will probably be even better with a second viewing.; DVD $29.95
Hot Air (2013): The legacy of this documentary is that it puts on permanent record, for future generations to witness, those who tried to do the responsible thing and just as importantly to identify those who succeeded in their deliberate campaign to do the opposite.
Logan's Run (1976): It is a pretty solid story and the set designs and effects still hold some charm.
Natural Born Killers (1994): Whatever its faults at no stage is the screenplay boring. A terrific performance from Juliette Lewis helps.
Nitram (2021): The screenplay has a slow build up that culminates in an equally slow but impressive (anti)climax. A very good performance from Caleb Landry Jones to compliment the always great Judy Davis.; DVD $29.95 | Blu-Ray $34.95
My Blueberry Nights (2007): It was okay but the only memorable thing about it was that considering who the director was it wasn't memorable.
Barton Fink (1991): The cast is excellent in particular John Goodman who gives another memorable performance. The writing and characters are of Cohen standard and the set designs are commendable.
Heroic Losers (2019): A mostly good natured and undemanding screenplay. As you would expect Jack Thompson to appear in an Aussie film likewise you can expect Ricardo Darín to appear in an Argentinian film.; DVD $29.95
Dissident, The (2020): The documentary tells the story without frills and in the memory of Jamal Khashoggi deserves to be seen.; DVD $29.95
Conte De Printemps (A Tale of Springtime) (1991): It is very good for its type. Beautifully photographed.
Miss Pettigrew Lives For A Day (2008): The screenplay is forgettable but Frances and Amy are quality chalk and cheese. Throw in Shirley Henderson and Ciarán Hinds et al. plus excellent period details and your admission money is covered.
Anna and the King (1999): The screenplay has thankfully more drama than romance – the 1860s in Siam is depicted as being very unsettled. The production values are excellent and the casting of the two leads works well with strong support from Randall Duk Kim & Geoffrey Palmer.
Open Grave (2013): The opening scene had depth and promise but this dissipated not long afterward.
Dirty Sanchez: The Movie (2006): You can tell that these guys have had a lot of hands on experience.
Conte D'hiver (A Winter's Tale) (1992): A good performance from Charlotte Véry and the characters have slightly more substance than a number of the Director's other romantic offerings. Overlong if you are not a romantic though.
Rendezvous in Paris (1995): The best part of the screenplay is that it at least offers some welcome escapes onto the streets of Paris.
An Unexpected Love (El amor menos pensado) (2019): Despite the attractive leads, even for romantics, this might seem to go on forever.; DVD $29.95
An Autumn Tale (1998): Not unusually the highlight is the photography.
Claire's Knee (1970): It would have been great to have seen this beautifully shot location without the characters (except Claire's knee) and the motorboat.
Regarding Henry (1991): Another melodrama about a medical condition but at least this one has Annette Bening.
Bye Bye Morons (2020): It does its best work in its early scenes but although the screenplay does weaken, it is never boring and is served well by the three leads.
Green Ray, The (Summer) (1986): There is a generous amount of location shooting to provide some interest for the viewer.
Love in the Afternoon (L'Amour l'après-midi) (1972): The highlight is the beautiful easy on the eye soft coloured photography.
The Marquise of O (Die Marquise von O) (1976): A gentle comedy, a bit dragged out, but easy on the eye and worth a try.
Very Thought of You, The (Martha, Meet Frank, Daniel and Laurence) (1998): It had early promise with Hollander and Sewell in good form but it then went down the rom/com trail.
A Summer's Tale (1996): The script is not great but at least it fits the characters.
Black and White (2002): An interesting screenplay is well served by some good performances from David Ngoombujarra and Charles Dance who I don't remember being better. Excellent support from Roy Billing and Chris Haywood add flavour.
Crossroads (2002): Not sure how Dan Aykroyd found his way into this, maybe he took a wrong turn, but although he looks a little lost and out of place, he does provide some relief.
Comfort and Joy (1984): A gangster feud but no one gets hurt – no blood spilled only ice cream. Delightful.
Family Stone, The (2005): A pretty good female ensemble lightens the load somewhat.
Another Woman's Life (2012): It needed the strength of Juliette's screen personality to make the screenplay watchable.; DVD $29.95
Chorus, The (Les Choristes) (2004): Although this kind of plot is quite familiar it has good period details and a fine voice.
Devil's Brigade, The (1968): The plot idea is familiar.
Flame and Citron (2008): The first hour and a bit were very strong but the screenplay gradually began to repeat itself. Excellent production values though do help throughout.
Civilization of Maxwell Bright, The (2005): The screenplay doesn't always work but at least it is different if a bit trying at times. There is a good cameo from Jennifer Tilly and Carol Kane pops in as well.
Fearless (Jet Li's Fearless; Huo Yuan Jia) (2003): Well made, and the screenplay has its interesting elements but the choreography is its strength.
Angel Baby (1995): Jacqueline McKenzie excels with a performance that is spread over several different moods – some easy some difficult. A very good screenplay that has some genuine drama and a soundtrack that is intelligently used.
Camille Rewinds (2012): It is a comedy it is romantic it is French.
Fun With Dick And Jane (1977): A mild comedy.
Pickpocket (1959): For those of you on Pickpocket 101, this is the advanced course.
Bye Bye Birdie (1963): An energetic screenplay that includes one excellent ensemble dance number.
Metro Manila (2013): The early series of scenes where the family arrives and tries and find its feet in Manila are terrific. Unfortunately, the screenplay follows formula after that and the closing scenes are not very strong.
Rose Maker, The (La fine fleur) (2020): Catherine Frot is dependable and usually worth a watch. The content here is light but it does have some interesting snippets of information about roses.; DVD $29.95
Helmut Newton: The Bad and the Beautiful (2020): He obviously could snap photos – it is a pity he didn't use his talent on something that may have benefited society such as recording poverty and working class living conditions.; DVD $29.95
Imaginaerum by Nightwish (2012): It is different it is a fantasy and is both visually and musically interesting.
Paper Planes (2014): A pleasant enough family outing – the paper planes add some much needed weight to the proceedings.
Rio (2011): The birds are a colourful delight.
Dangerous Liaisons (2012): The cinematography might blind you to the thin screenplay and even thinner characters.
No Man of God (2021): Although the screenplay largely relies on two characters talking to each other it should have been more interesting than it was considering one of them was a serial killer.; DVD $29.95
Venom: Let There Be Carnage (2021): Hardy, Willams, and Graham you would normally spend money to see in anything – but not this.
Paddington (2014): Extremely well made with a top cast in support.
Prime Mover (2009): The screenplay offers no surprises but is watchable.
Lola (1960): A never sit still title character is only really challenged by the interchange between the mother (Elina Labourdette) and her grown up 14 year old daughter.
June Again (2020): The plot idea is fresh and a feisty mum keeps things interesting.
Paris (2008): A good case of overkill in relation to casting and running time especially when you see little of Paris.
Hail Caesar! (2016): Although it is handled lightly I don't think it works as well as it could have as a comedy. Never boring though and the sailor's dance scene was excellent.
Licorice Pizza (2021): Well produced and the loose screenplay enables you to dip into those bits that arouse your interest from time to time.
Re-Animator (1985): The director is given his head.
Monsters (2010): The creature special effects are extremely well done and make the trip worthwhile.
August Rush (2007): The soundtrack is very good.
Jeff, Who Lives at Home (2011): The in your face (male) camera work was annoying.
Slaughter Rule, The (2002): Although the characters seemed to be more excited about the proceedings than I was at least it had a screenplay that wasn't painted by the numbers and David Morse was in fine form.rn
On the Job (2013): This actioner is based on a well written and interesting screenplay.
Guyver - Dark Hero (1993): The creatures look cheap and are all the better for it.
Sirens (1994): Dated and is now a curiosity piece but it is worth a look.
Faculty, The (1999): This is just a little bit better than average for its type.
Little Things, The (2020): Denzel sleepwalks through this but I guess that is understandable.
Nightmare Alley (2021): Well produced but It is not obvious why it needed two and a half hours to tell the story.rnA more charismatic lead would have eased the burden.
40 Days and 40 Nights (2001): It seemed longer.
Mrs. Palfrey at the Claremont (2005): The screenplay is fine, if a little familiar in parts, but Dame Joan is acting royalty and you need no other reason for watching this.
Class of 1999 (1989): It is a worthy member of its genre with the characters performed by John P. Ryan and Stacy Keach of most interest.
Prisoners of the Ghostland (2021): It doesn't always work and maybe none of it works but it is entertaining, zanely different and I suspect the cast enjoyed making it.
Harry Potter and the Order of the Phoenix (2007): There is a dream adult casting and they make it worthwhile even for nonfans of the franchise.
Finding Steve McQueen (2019): Fimmel has been watching too many Paul Newman movies as his expressions resembled PN rather than McQueen. As with all watchable heist movies the action tended to be handled with a light touch.
Reservoir Dogs (1992): There doesn't seem to be a halfway house with the screenplay – it is either full on action or heavy on dialogue. Not great but there are some memorable segments and the casting and soundtrack are spot on.
Kiss Kiss Bang Bang (2005): Entertaining – an action film with a light touch.
Lower Depths, The (Donzoko) (1957): It does not try to hide its origins as a play – the story unfolds in a limited amount of space, it is very heavy on dialogue and there is a good amount of melo/dramatic acting.
When We Were Kings (1996): It includes quite a bit in its economical running time – as well as the fight it sets the scene with musical items, interviews, monologues from you know who, and describes the political scene in Zaire.; DVD ~~$19.95~~ $14.95, $19.95
Diving Bell and the Butterfly, The (Le Scaphandre et Le Papillon) (2007): It must have been a physically and mentally challenging part for Mathieu Amalric to perform. The director does well to keep things from being over sentimental and to mix the scenes to avoid too many being staged consecutively in the hospital.
Skulls, The (2000): There is quite a bit of movement in the bowels of this campus.
Waltz With Bashir (Vals Im Bashir) (2008): The animation technique was impressive and was effectively used to complement an ambitious screenplay that for the most part works.; DVD ~~$19.95~~ $14.95
Musketeer, The (2002): No contest between Chambers (a flower pot) v Roth (a terrific baddie). A fairer match up would have been Roth v Curry the baddie from "The Three Musketeers" (1993).
James & Isey (James and Isey) (2021): Charmingly done. A slice of a long life.
World According to Garp, The (1982): A more compact screenplay would have kept the better scenes closer together. Lithgow raised the interest level twofold.
Day Will Dawn, The (1942): The screenplay is watchable and has the expected romantic distraction but this does allow a bit of screen time for Deborah Kerr. There is also talent in the supporting cast which does help you get through the night.rn
Three Men and a Little Lady (1990): Moving the screenplay across the water enabled the casting to be boosted with talents such as Fiona Shaw and others in the supporting roles.
Belle Et La Bete, La (Beauty and the Beast) (1946): The screenplay has a solid story as its base and visually it can be admired to the extent that it should stand up to repeat viewings.
Conspiracy Theory (1997): Gibson is miscast and not very good. Unfortunately, he has one of the lead roles, and his melodramatics and other antics are just a distraction and do not help with the overlong viewing experience.
Three Musketeers, The (1993): Good production values and reasonably entertaining with Tim Curry the standout.
Myth, The (San Wa) (2005): The battle scenes have been done a few times before, and possibly with the same warriors, but overall the production values are very good.; DVD $29.95
Mother, The (2003): Anne Reid deservedly won critical acclaim for her performance.
Atlantic City, USA (1981): Those walks down the boardwalk make this film memorable.
Miracle of Morgan's Creek, The (1944): It is an old school comedy – a mix of perfectly timed lines and pratfalls. Hutton and Demarest are outstanding.
Five Graves to Cairo (1943): A bit dated but still worth a look.
Billy Rose's Jumbo (1962): Modest musically wise but the circus acts are worth seeing.
Toy Story (1995): Highly regarded and groundbreaking.
Settlers (2021): The screenplay wasn't particularly different in any way and didn't need to be set on Mars, except for the tin can on wheels I suppose, and I bet it was shot on Earth anyway.
Baby Done (2020): Pregnancy is a popular vehicle for comedies. Rose Matafeo is appealing as the mum to be.; DVD $29.95
Incitement (2019): The screenplay portrays very well a person whom it seems his every day is overly influenced by politics and religion.; DVD $29.95
Nanny McPhee and the Big Bang (2010): To some ears, the kids might get a bit screechy but it is great fantasy entertainment otherwise.
Debt, The (2010): Unfortunately, the nature of the beast (the screenplay) meant that Helen Mirren didn't really have any say until well into proceedings. Jessica was fine but the story whilst she was at the helm couldn't steer a straight course and got distracted.
Lord of the Flies (1963): The screenplay still resonates 60 years on – the behaviour of the young Tories doesn't need a great stretch of the imagination to be believable.
Intouchables, The (2011): Although the material is light to its credit it is not too mawkish. The screenplay touches bucket list territory but I'm surprised it didn't get more mileage (or French kms) out of the Omar character's family to add a bit more substance to proceedings.; DVD ~~$20~~ $15
Junebug (2005): The screenplay requires patience but that task is made easier by the performances of Adams, Davidtz, and Weston.
A Most Wanted Man (2014): Based on a Le Carre novel it therefore needs concentration. Hoffman's accent was annoying and I don't see how this kind of falseness can be seen as a positive for anyone or anything.
Wild Goose Lake, The (Nan fang che zhan de ju hui) (2019): Most of the screenplay takes place in the dark so we will have to take it on trust that it was about the Wild Goose Lake and not something else.
Hellraiser (1987): A pretty good body horror screenplay with a few rats and other undesirables thrown in. Excellent work by the makeup people.
Immoral Tales (1974): The episodes vary in interest but are never boring whilst 'Erzsebet Bathory' and 'Lucrezia Borgia' have commendable production values.
Mad Hot Ballroom (2005): They reminded me of my peak.
Gun Shy (1999): Not all of it works but it is different and worth a look.
Fright Night (1985): I thought it got the basics right and it wasn't too ambitious in anything and the mix of performers, characters, and writing worked. Special mention should be made of the skills exhibited by the Make–Up Department.
Merantau (2009): Some good stunt work but the one man army concept soon wears thin and just gets silly.
Wizard of Oz, The (1939): Ever set out on a walk whistling "We're off to see the Wizard "?
Fast Food Nation (2006): The format of the screenplay all but ensures unevenness but it is a film that should be commended for its intentions and one that most of us should see at least once.
Beast, The (La Bete) (1975): The screenplay lacks a bit of substance but if in the right mood it could entertain. The photography is excellent.
Lilting (2014): The cultural barriers, especially the need to use a translator, also make it a frustrating watch but they do help to get the point of the screenplay across.
Matariki (2010): The way it started out I thought it was a comedy but most of the lightness disappears shortly after only to reappear in flashes during the drama some of which is quite heavy. Not great but watchable.
Masques (1987): Watchable but the screenplay isn't particularly strong.
Last Night in Soho (2021): When arriving in the big smoke Thomasin McKenzie looks suitably in awe and lost. She then combines well with Anya Taylor–Joy in negotiating everything the writers throw at them, Terence Stamp included. The soundtrack is worthy of the period.
Sex, Lies and Videotape (1989): The characters have minimum interests in life and they themselves just aren't interesting – they deserve each other.
Tune, The (1992): Okay, but the animation is not particularly strong in comparison with some of his other works.
Let Him Go (2020): The main interest was the casting of the talented ladies Lesley Manville & Diane Lane and they might make it worthwhile.
Mad Detective (2007): The screenplay should please action fans.
Back to Stay (2011): At its best when the sisters are bitching at each other.
Vivre Sa Vie (My Life to Live) (1962): The screenplay is interesting enough and there are plenty of 60's Paris street scenes as a bonus.
Pig (2021): After the character of the title disappears there isn't a great deal left.; DVD $29.95 | Blu-Ray $34.95
Shoplifters (Manbiki kazoku) (2018): Sakura Andô and young Miyu Sasaki give eye catching performances in this screenplay about Family. I thought the closing scenes, after the arrest, were a bit anti–climatic but the final scene is a Killer.
Duel (1971): A simple suspense premise that should embarrass bigger budget projects.
Julia's Eyes (2010): Anchoring a horror plot line on someone with impaired vision is pretty lazy writing.
Mojo Working - The Making of Modern Music (1992): The only criticism is that it featured no blues harmonica players.
42nd Street (1933): 90 years on and the musical numbers stand the test of time. The camera work during the dancing is terrific, and the script and characters are entertaining.
Cup, The (1999): A crowd pleaser.
Jane Eyre (TV Mini-Series) (2006): A very efficient portrayal of this enduring classic of literature.
Midnight in the Garden of Good and Evil (1997): The running time is the killer. Although the book might not be easy to bring to the screen the screenplay & performances need to be spot on to keep an audience for over two hours. However there are some good scenes & the photography throughout is quality.
Stormy Weather (1943): The classy Lena Horne anchors this parade of talented musicians with the climax being the outstanding dance routine of The Nicholas Brothers.
Saawariya (Beloved) (2007): The set designs were very good but with the exception of one female ensemble number, the musical side was disappointing.
Annette (2021): The music was hard work and unfortunately, it was there for most of the long running time and was a real distraction. On the positive side, there were some good set designs and artwork.; DVD $29.95, $34.95
Youth (2015): There are some worthwhile segments, particularly on Keitel's side of the screenplay, and whilst Caine gets over sentimental this drama will certainly have a following.
East Is East (1999): Bassett is terrific but Om Puri has the more difficult task of portraying the wife beating husband & ignorant male. The street scenes are exceptional & the other aspect that is handled bravely is the culture clash between Pakistani & Fish and Chips Brits.
Girl on the Bridge, The (2020): Well done to all those concerned with the making of this documentary.
Marley (2012): Could well be the benchmark documentary about Marley.
Pocketful of Miracles (1961): Unfortunately, the screenplay is a little drawn out diluting the comedy effect but the casting at all levels can be admired – for example, to be found in the supporting roles are Peter Falk, Mickey Shaughnessy, and Edward Everett Horton.
Cloudy with a Chance of Meatballs 2 (2013): Perhaps not as strong as the original but pretty good as far as sequels go.
American Honey (2016): The early scenes promised something similar to "Fish Tank" but the longer this drama went on that hope dissipated. It does have worthwhile segments but it would have been better if they had been closer together & the running time shortened.
House of Pleasures (House of Tolerance) (2011): It has a good look to it, especially the period's props and wardrobe, but the screenplay is too long for the material.
Jo's Boy (2010): It was better than a lot of other "hard to dislike films".
Manchurian Candidate, The (2004): Although you miss the black and white of the original this updated screenplay does have a better cast overall and is also able to do justice to the terrific plot scenario of the novel.
Towering Inferno, The (1974): Enjoyable because the screenplay could have more flaws than floors.
How I Live Now (2013): The screenplay is a little bit better than those that have a similar theme but admittedly this one boasts Saoirse Ronan as its lead performer.; DVD $29.95 | Blu-Ray $34.95
Saving Mr. Banks (2013): It doesn't quite succeed in telling both Travers's story and that of the making of the film but the production's values are good as is the performance of Emma T.
I Want To Go Home (1989): I couldn't get onto the same wavelength – perhaps another day.
How To Deter A Robber (2020): It is easy to watch and it falls into the category of "you could do a lot worse".
Hey Good Looking! (Comme t'y es belle!) (2006): Thanks for the compliment.
Melancholia (2011): Some passages linger a bit too long but the casting is a big plus. I always find Gainsbourg, Rampling, and Hurt compelling.
Camille Claudel, 1915 (2013): Although it could be said that the pacing moves as quickly as a work of sculpture it also reflects the time and place. Binoche excels without the aid of wardrobe trappings and a hairdo.
Brother (Brat) (1997): I like the economical running time brought about by slick editing and a to the point screenplay. Also, there are some great mundane indoor and outdoor ( a lot that are wet) shooting locations with a soundtrack that fits.
Lost Boys, The (1987): The first half, with the bridge scene the highlight, is better than the second but the latter does showpiece the terrific work of the makeup department.; DVD ~~$20~~ $15
Mary Poppins (1964): The musical numbers are excellent – the choreography / the set designs – and I enjoy them more with each viewing.
Spellbound (1945): Whilst the screenplay is far from convincing you overlook its weaknesses in the cause of entertainment and root for Ingrid trying to hold things together plot holes and all.
Hair High (2004): More talented mayhem from Bill Plympton aided by a bouncy soundtrack.
Born to Fight (Kerd ma lui) (2004): For action fans full stop although the stunt work is hard to resist (watching that is).
Artist, The (2011): A very good and refreshing idea that is delivered with excellent production values.; DVD ~~$20~~ $15
Far from Men (2014): The screenplay is okay but it lags somewhat behind the shooting locations as the main attraction.; DVD $29.95
Rick (2003): A bit hard to follow on a first viewing.
Conversations with Mother (Conversaciones con mamá) (2004): This kind of screenplay is so easy to stuff up. This one doesn't become sugary but is delightfully written and performed.
Star Wars: Episode III - Revenge of the Sith (2005): The lead Christensen is not much chop but thankfully it is not an actors film and the special effects, the design work, and the creature people make it all worthwhile.
Dinner in America (2020): I think it misses the mark, but not by much and it does deserve credit for trying to be different.; DVD $29.95
Ill Manors (2012): Excellent title. It does well to pull the threads of the several stories together (mostly succeeds) and the characters are believable but what it does best is the synchronised rap soundtrack.
Bedevilled (2010): The killings were overviolent and could be laughed off but the wife beating was distasteful.
Yellow Sea, The (2010): Overlong for the material which is mainly violent with little else.
Great Train Robbery, The (1978): Entertaining throughout. Just sit back and admire the period details.
Sleepers (1996): Admittedly courtroom scenes do tend to extend running times a bit but this one would have benefitted from being shorter. A good plot but one which would have had more impact when it was published in 1995.
Wind in the Willows, The (1983): The characters are a delight.
Paddington Bear (TV Series) (1975): A kiddie's classic.; DVD $14.95, $14.95, $14.95, $19.95
Irma Vep (1996): I don't think the screenplay quite worked in places but the plot idea was interesting enough and there were some good performances from the female members of the cast.
Last Tango in Paris (1972): The screenplay isn't that interesting and although there is some good camera work the two hour running time is overlong.
Getting of Wisdom, The (1978): A competently made period piece.
Lady in the Van, The (2015): Perhaps a touch too long but a combination of Alan Bennett's material and Maggie Smith's performance is hard to resist. Alex Jennings is very good and there is support from a quality troupe of character actors.
Sleeping Beauty (2011): Well done to Emily Browning for undertaking a risky and vulnerable role. She succeeds in delivering with aplomb as does Rachael Blake as the classy pimp.
Three Summers (Três Verões) (2019): It has a political edge, and although not great, it is always watchable thanks to an energetic anchoring performance from Regina Casé.; DVD $29.95
Up The Yangtze (2007): Although there are some stunning shots of The River – the opening scene of the vessel moving through the lock is memorable – the story belongs to the Peasants who are being relocated from their soon to be flooded homes.
Agora (2009): It has some worthy scenes, mainly those that contain intelligent discussion, but for too much time the screenplay prefers to concentrate on religious bigotry and the bloodshed that often goes with it.
Hong Kong 1941 (Dang doi lai ming) (1983): There are some good visuals but the story of Hong Kong during this period deserves to be told through documentary rather than drama.
Yogi Bear (2010): There is good interaction between the human and bear characters. Cavanagh and Faris are good casting choices and also interact well.
Love and Other Impossible Pursuits (The Other Woman) (2009): The title is not too bad.
Egyptian, The (1954): As expected Peter Ustinov appears and is the best part of this along with the set designs.
Lourdes (2009): "Tomorrow morning is a free half day. You can choose to go either to the baths or confession". The screenplay has some lovely deft touches but importantly they are not overdone.
Gainsbourg (2010): The dramatisation has some clever stylised touches that add even more interest to this bio of the influential but hard to categorise musician.
United 93 (2006): It is a pretty good attempt at a recreation of the events with confusion and panic to the fore.
Smallfoot (2018): The characters are a delight and the story is entertaining throughout.
Last Detail, The (1973): Not much of a comedy but the screenplay is not without interest.
Blue Ruin (2013): This independent production tells the story much more efficiently than a studio would have done and much more realistically.
Nomadland (2020): Frances McDormand is the drama's anchor and keeps us interested for 100 mins by just being Frances McDormand.
In the House (2012): Written as a schoolboy fantasy but one which becomes a little tiring long before the finish.
Amour (2012): Starts well but the middle scenes need patience, as the screenplay aims for authenticity in portraying the caring of a loved one. However, the ending is worth the wait & the two veteran performances are good enough to push the great Huppert to one side.
La Haine (Hate) (1995): The screenplay could be based, and the characters found, in any number of different urban locations around the world.
I Served the King of England (2006): It has excellent period production values, a well written satirical screenplay and it is topped off with a spot on performance from Ivan Barnev.
Battle of Britain (1969): Amusingly the hierarchy of the British acting royalty is reflected in the rankings of the airforce and civil service roles. Good production values though and the air action looks convincing.
Land (2021): An unoriginal screenplay but Robin is fine as is the scenery.
In Cold Blood (1967): Very well written with good use of lighting by the black and white camera. The Robert Blake character was chewing gum during his execution scene. I guess he came to a sticky ending.
K-Pax (2001): The screenplay is intelligent and Spacey. without doing an out of this world performance. nails the lead character.
Le Grand Soir (The Big Night) (2012): There are some nice touches to the humour even if the satire doesn't always work. A good try all round and at least the material and the approach is fresh.
Disclosure (2020): Plays like a play with plenty of arguing and bickering.; DVD $29.95
127 Hours (2010): Some good studio special effects and good use of the camera add to the suspenseful situation although things are diluted somewhat by the dream sequences and other diversions.
Une Affair Des Femmes (a Story of Women) (1988): The time and place are captured in such a believable way as are the circumstances that the female characters find themselves in.
Futurama - Into The Wild Green Yonder (2009): Garish colours and characters coupled with a bouncy soundtrack make for an interesting experience.
7 Boxes (2012): For the most part, the screenplay seems to be aimed at a young adult or even a family audience but for some reason, an unnecessary killing or two or three is thrown into the pot.
Bonnie's Kids (1972): A modest screenplay but one with 70s cult interest.
Six Minutes to Midnight (2020): The screenplay is not devoid of good things – it has some good production values and casting – but it appears to have some editing/continuity issues. A shame because the story is an interesting one.; DVD ~~$19.95~~ $14.95
Justice of Bunny King, The (2021): The first half was good but the screenplay then loses its freshness and goes downhill on a well trodden path.; DVD $29.95
John Q (2002): I believe there were good intentions behind the screenplay but it missed the mark even with quality in the cast.
Saint Maud (2019): The material isn't original but it is arranged in such a way as to make the proceedings at the least interesting.
A Quiet Place Part II (A Quiet Place 2) (2021): The original plot idea was fine but whether it was worth a sequel is debatable.
A Quiet Place (2018): Considering the main theme of the plot was quietness this drama was noisy – this was in no small part because of the soundtrack. However at least the screenplay was based on a fresh idea and the writer should be complimented for that.; DVD ~~$15~~ $11.25
Trader Hornee (1970): Silly and harmless.
Thin Red Line, The (1998): At Malick length, the screenplay does require patience (as do some of the characters) but there are some excellent segments that should carry you through to the next excellent segment. The battle scenes lean toward authenticity & are mainly well done.; DVD ~~$25~~ $18.75
Another Round (Druk) (2020): It doesn't go anywhere.
Buena Vista Social Club: Adios (2017): The documentary stuffs around but there are some good historical sequences and musical segments to make it worthwhile.
Black Hole, The (1979): It has curiosity value looking back on it from 40 years on – especially the special effects. Reasonably entertaining thanks to the robots.
Diary of a Wimpy Kid: Long Haul (2017): The kids were good in this installment and the parents played it right.
Darkness (2002): The sound effects are the basic core of the horror.
Tale of Tales (2015): It would be pretty hard to be bored watching this as it has plenty of variety and unexpectedness in the content. It is well presented and the cast is also an interesting mix.
Assassin, The (2015): It is worth watching for its exceptionally high production values.
Personal History Of David Copperfield, The (2019): An interesting take on the story. The production values are fine and there is a fine trio of talented performers in Peter Capaldi, Tilda Swinton, and Hugh Laurie in reasonable form.
Painter and the Thief, The (2020): The concept of the documentary was fine but it just meandered so much. If it had to meander I wish it had been done in her direction and spent the time on her beautiful art.; DVD $29.95
Jean De Florette (1986): It is well made and it has a good story. Auteuil's performance is the pick out of a strong cast.
Made in America (1993): The material is showing its age 30 years on but Jennifer Tilly's bit parts won't age.
Alice in Wonderland (1999): An oft filmed tale but of the ones I've seen this is up there with the best. The special effects are very well done but the casting is superb with Miranda Richardson showing not for the first time how a Queen should be played.
South Pacific (1958): The soundtrack is 5 stars.
Housekeeper, The (Une Femme de Menage) (2002): Full of surprises and hard to predict what will happen next.
Howards End (1992): The production is immaculate and the casting could hardly have been bettered. The scene between Vanessa Redgrave and Emma Thompson is one to be treasured.
Star Trek IV - The Voyage Home (1986): It has a good balance between comedy and environmentalism.
Last Stop For Paul (2006): There are some good location shots but these are few and far between and you need a bit of patience to get through the padding in between.
Where the Wild Things Are (2009): The kid was awful and he should have been animated. Good work by the creature people though.
Queen Margot (La Reine Margot) (1994): Spending two hours with these characters was hard work. The screenplay soon became repetitive and it was difficult to sympathise with any squabble over religion.
Toys in the Attic (2009-2012): Stop–motion to the layman appears to have an extra layer of skill level.
Casanova (2005): An entertaining romp with an attractive cast and production values.
How the West Was Won (1962): Probably not intended as a history lesson – you would hope – and it needs to be seen on the big screen for the photography to be fully appreciated.
Curse of the Dragon (1993): An okay summary of Lee's life – the interviewees are not impartial but they are interesting all the same.rn
Big Deal (2021): It is aimed at an Australian audience but it will be relevant at least in spirit to other countries with lobbyists.; DVD $29.95
Wushu - The Young Generation (2008): A bit gimmicky but there are attempts at humour that help things along.
Great Expectations (1946): The graveyard scene is a classic in my book but the downside is that it is very early in the film and everything that follows is an anticlimax but an anticlimax that is very well done.; DVD ~~$19.95~~ $14.95
Departed, The (2006): It is half an hour too long because it has too many lead characters. This is apparent when it struggles to find an ending and in a panic massacres most of the remaining characters quick time.
Man in the Hat, The (2020): It is a good idea but one that runs out of steam and, although Ciaran looks confused throughout, it doesn't stay the course. Beautifully photographed though.; DVD $29.95
Rocketman (2019): The lead performance is believable and overall the dramatisation is entertaining both in its script and its musical segments. Elton is one of the Executive Producers.
Love (Love 3D) (2015): The screenplay has its ups and downs.
Run Lola Run (1998): The difference in the format of the screenplay from the norm is impressive.; DVD ~~$20~~ $15
Delicacy (2011): Not just another French romantic comedy but another French romantic comedy with Audrey in it.
Youth Without Youth (2007): The screenplay perhaps tries a bit too hard in whatever it is trying to achieve and ends up being untidy. However, to its credit, it doesn't follow any well trodden path.
Gunpowder Milkshake (2021): Appropriate for our times – a comedy about killing with a child thrown into the mix.
Sid and Nancy (1986): The antics get a bit repetitive, the musical segments are for the initiated only but for the rest of us there are great performances from Sid and Nancy to admire.
Last Picture Show, The (1971): The characters are believable and well cast. A slice of time in small town USA.
Bloodsport (1987): Some of the action sequences are okay, some are comical and some border on the distasteful.
Harder They Fall, The (1956): The well written screenplay you suspect will continue to age well and it stands up well in comparison to others based on the boxing industry.
Last Duel, The (2021): Aka "The Clash of the Tin Cans".rnIt has a lightweight cast and the screenplay is not worth the 2 and a half hours.
In The Heights (2021): The musical segments are worthwhile and are full of energy.
Comet (2014): An excellent plot idea is only partly done justice by the screenplay and script.
Meet Joe Black (1998): It is probably hard to portray a character like Black's over 3 hours (Earth time) but reducing some of the romantic subplot would have helped. Hopkins as expected is fine.
A Hard Day's Night (1964): A quickie production. Great "direction" from Richard Lester allows the Group to do their thing. The novel screenplay achieves a balance between the music and comedy helped along by a terrific supporting cast.
Immortal Beloved (1994): Not a particularly flattering view of Beethoven but it is always interesting and there are good performances in particular from Oldman and Krabbe.
I'm Not There (2007): Brave filmmaking. Although some segments don't work as well as others the plot idea deserves credit and there is always the music providing the backbone.
Sarah's Key (2010): Good production values – the roundup scenes early in the piece are particularly well done and Kristin is as solid as ever.
Wuthering Heights (2011): The older Heathcliff character just got annoying and you wish he would just wuther off. The Yorkshire location shooting however makes it worthwhile.
Giants, The (2011): A modest screenplay but one that is not too long, beautifully photographed and it has a very good soundtrack.; DVD $29.95
Black Dahlia, The (2006): The best thing about this production are the period details which are extremely well done.
Patience Stone, The (2012): The lead performance of Golshifteh Farahani is fine but the screenplay is disappointing and the script pretty ordinary at times.
Assistant, The (2019): Julia Garner was terrific in the demanding "Ozark" (2017–22) and she doesn't let her fans down in this understated role. The office situation as portrayed was very believable.
Agent Cody Banks 2 (Destination London) (2004): Cody Banks was a bit annoying and it probably would have been better without him.
First Cow (2019): The design work for the time and place looks to be spot on as is the pacing of the screenplay. The terrific soundtrack is used sparingly but intelligently.; DVD $29.95
Gettin' Square (2003): Spall heads a very good cast of character actors but it is Wenham that steals the show.
Blackfellas (Day of the Dog) (1992): The screenplay offers no surprises but it is not without interest.
Old Joy (2006): The best bits are where the scriptwriter is unemployed.
Herself (2020): A very good first half is followed by one that uses common ground. However, Clare Dunne's performance is worthy of attention throughout.; DVD $29.95
Blancanieves (2012): The production is a delightful change. The characters, especially the evil Encarna, are all very well performed, and the bullfighting segments are extremely well handled.
Rampart (2011): Whilst Harrelson's obnoxious character dominates the film, and it doesn't make for easy viewing, the production has attracted a very fine cast and its uncommercial approach deserves credit.
Swimmer, The (1968): The plot idea is fresh but the script at times is pretty ordinary.
Whisky Galore! (1949): Such a simple but wonderful story played out by a terrific Ealing cast in a location that is close to being out of this world.
White Balloon, The (1995): When I first saw this I got so frustrated that I swore that I would never see it again. However, I couldn't get it out of my mind and did see it again and loved it.
Juan of the Dead (2011): The majority of the screenplay follows formula but there is the occasional fresh idea such as the underwater scene.
Fantasia (1940): The episodes after the passing of 80 years vary in appeal but some such as "The Sorcerer's Apprentice" are timeless.
Yella (2007): A well written psychological drama helmed perfectly by Nina Hoss.
Lapsis (2020): It failed to hold the attention.
Days of the Bagnold Summer (2019): This kind of comedy has been done quite successfully by the American Independents. This offering compares reasonably well.; DVD $29.95
Those Who Wish Me Dead (2021): The screenplay writers showed no respect for what you can and cannot do in the proximity of fire and smoke.
Hunger Games: Mockingjay Part 1 (2014): The series has got flat.
Old (2021): Although the plot idea didn't work out too well it at least was a little different from the norm.
Death Wish (1974): The killing in cold blood including shooting people in the back was handled quite well but the getting together of Bronson and his victims was contrived more than once. Some good 70s shooting locations though.
For Love of Ivy (1968): The screenplay is okay but 50 years on it has lost the impact it undoubtedly had.
Read My Lips (Sur Mes Levres) (2001): The screenplay is overlong for the material and has plot contrivances but things are helped along by two good lead performances plus there is Olivier Gourmet lurking in support.; Poster (VG) $12.95
Kite Runner, The (2007): The first half is much better than the second but it retains an edge to its political message. The stand in shooting locations are superb.
Mighty Quinn, The (1989): Because of its Caribbean shooting location, there was always going to be some attraction with its music as the icing on top. The screenplay isn't great but the casting includes the interesting bad guy M. Emmet Walsh & is worth more than a passing glance.
Straight Story, The (2000): Deliberately paced – it is a relaxing watch – told without complications and without the Director's customary sleight of hand.; Blu-Ray $29.95
Ratcatcher (1999): From the grazed knees of the kids to the mouse flying to the moon everything was so believable.
Mod Squad, The (1999): Nothing wrong with the casting but the screenplay never really took off.
Mirai (2018): The story was interesting enough and the animation was of a quality expected from Japan.; DVD $29.95 | Blu-Ray $34.95
Ferryman, The (2007): The acting is enthusiastic and provides most of the entertainment – however, there is a chance that the screenplay could appeal to some horror fans.
Careful, He Might Hear You (1983): The scenes with Robyn Nevin and those with the children only work best. – helped in no small way by some great camera work.
Honey Boy (2019): It was an okay plot idea but it became repetitive and it didn't need an hour and a half of dramatics to get its point across.
Sky Is Falling, The (Cielo cade, Il) (2000): The greatest challenge the screenplay offers is the screeching kids. However, they are beautifully photographed.
Showdown in Little Tokyo (1991): These depend on how good the bad guy is and in this they have a good 'un in Cary–Hiroyuki Tagawa.
How to Be a Good Wife (2020): Feathers were flying in one scene and that was as heavy as it got.; DVD $29.95
Vive la France (2013): The characters have plenty of energy and there are no breaks in the comedy.
An American in Paris (1951): The Gershwin and the dancing 'twas Wonderful.
Independence Day (ID4) (1996): Aka as The Longest Day but the special effects provide some interest.
[REC] Genesis (REC 3) (2012): The characters are not the only things that are not fresh.
Father, The (2020): It is well written, and although the filming locations are limited, this is not a problem when two top drawer performers are centre stage.; DVD $29.95 | Blu-Ray $34.95
Dr. Dolittle (1967): There are some musical segments and scenes that work well but there are also others that don't. A more compact screenplay should have been prescribed.
Molokai - The Story of Father Damien (1999): A story of impressive personal courage that is well worth telling. The casting is impressive, there are some beautiful shooting locations, and the makeup department does a great job.
Forever Young (1993): Other than Jamie Lee Curtis there is nothing else to recommend in this.
Chocolat (1988): The scenes between the house boy Protee & young France are beautifully done. Although the screenplay has some untidiness once the number of characters increases its depiction of a racist society toward the end of colonialism is telling in a low key way.; Poster (F) $7.95
Tetsuo II: Body Hammer (1991): I didn't feel much of a blow but there are some good surprising elements to it.
Place Beyond the Pines, The (2012): The plot idea is not fresh but the writing is just good enough to survive the running time. Gosling ensures his segment is the strongest and Mendelsohn and Liotta are hard to ignore.
Booksellers, The (2019): All books can be collected traded and loved but the rare ones are those you don't put your coffee cup on (and don't have turned down pages).; DVD $29.95
Cirque du Freak: The Vampire's Assistant (2009): It at least tries to be different and is never boring. The makeup people do a great job.
Jack Goes Boating (2010): It is okay but it never really leaves safe ground and hardly pushes someone with the talent of PS Hoffman.
Corpus Christi (2019): It starts off okay but once the single joke scenario kicks in it gets repetitive and the endless church services are a real turn off.; DVD $29.95
Agent Carter (TV Series) (2015): It is worth a try as it is stylishly made and Hayley Atwell doesn't disappoint.; Blu-Ray $49.95, $49.95
Kelly's Heroes (1970): Excellent casting for this kind of caper with Donald Sutherland excelling. It also has one of the better theme songs.
M.W. (2008): Instantly forgettable.
Three Men and a Leg (1997): There are some reasonable comedy segments and it is worth a try.
Love Sarah (2020): Screenplays based on cooking and romance have not only been overdone but are also now a bit stale. However, having said that, because of the fine casting, some ingredients in this do work.
Prick Up Your Ears (1987): Extremely well written with a terrific cast that delivers the goods. The versatile Alfred Molina is outstanding.
Damned United, The (2009): Extremely well produced and the period and place are convincing as is the terrific cast. A must see for soccer fans but it should also appeal to a wider audience.
Gunda (2020): I must change my diet.
I Am Greta (2020): She starts off small but ends up taking no prisoners confronting the World's leaders. Go Girl!; DVD $29.95
Plan 9 from Outer Space (1956): It is not very good but you can get a better appreciation of Ed Wood from watching the excellent documentary "Flying Saucers Over Hollywood: The Plan 9 Companion" (1992).
Drummer, The (Zhan. gu) (2007): It plays like two films bundled together. The Zen segments are well worth watching and it gets another credit for keeping the violence to a minimum.
Little Romance, A (1979): Diane Lane does well but the boy needed a kick up the bum. The uneven screenplay is helped along by a good supporting cast and some shots of Venice.
An American Werewolf in Paris (1997): How did Julie Delpy get caught up in this? At least the screenplay picks up when the werewolf appears.
Long John Silver (1950): Robert Newton has a bit of a field day and is a good reason for giving this a try.
Waru (2017): Not unusual with this kind of format the quality differs from segment to segment but the better ones make it worthwhile.
Ninja Wars (Iga ninpûchô) (1982): There is a bit of this and a bit of that – overall it is not great but it is entertaining enough.
Volunteers (1985): The material is only modest and even John Candy struggles to get anything out of it.
Chaos Walking (2021): It could have utilised the concept of hearing each other's thoughts a bit better than it did – although translating the concept to film doesn't necessarily make for an easy viewing experience.
Sweeney Todd - The Demon Barber of Fleet Street (2007): Musically it is not very strong but the artwork and the period's set designs more than compensate. The casting of Depp, Carter, Rickman, and Spall is hard to resist.; DVD ~~$20~~ $15
Summerland (2019): The screenplay doesn't quite last the distance but it is very good for the most part. The Sussex locations are a shoe in as is the casting of Gemma and Tom Courtenay.; DVD $29.95
Savages (2012): There is plenty of violence but it loses its effectiveness long before the excessive running time expires along with many of the cast.
Juno (2007): Well written and even the smallest parts were well cast.
Ned Kelly (2003): A watchable no surprises screenplay but one that gets sidetracked at times. The very good casting helps.
Marwencol (2010): The documentary concentrates on one layer of Mark's personality – his art, and it does it intelligently – but there are other layers to the man it only touches upon.
Tie Me Up, Tie Me Down (Atame!) (1989): There is little substance in the screenplay and even less in the characters.
I Know What You Did Last Summer (1998): Ryan Phillippe was annoying but otherwise, this is a pretty solid entry for its genre.; DVD $20
Accidental Hero (Hero) (1992): The screenplay is well written and is satirical but it loses much of its effect by being drawn out.
Dry, The (2020): Watchable but it was always hard to escape some contrivances in the screenplay.
Suspension (2008): Although it has an excellent plot idea it has one of those screenplays that hovers between a short and feature length. It doesn't quite last 95 mins but it does well all the same and deserves to be seen. There is good work by the special effects team.
MirrorMask (2005): I gave up trying to follow the plot and just relaxed and admired the creativity and the art/design work.
Blade Runner (1982): The Directors Cut – The rainy street scenes are masterful.
Mr. Pip (2012): It is a good reminder of the Bougainville civil war but it also has a strong fantasy thread that could have warranted a screenplay of its own. Authenticity & fantasy rubbing shoulders keep things interesting & are helped by two good lead performances.
Woman in Black, The (2012): The scariest moments were when the director didn't use loud sound effects. The set designs were very good.
Safety Not Guaranteed (2012): Aubrey Piaza is very good but the rest is pretty humdrum.
Wild Target (2010): Nothing wrong with the casting and not a waste of time but it could have been better. Black comedies operate on a thin line.
Judas and The Black Messiah (2021): It is a worthy addition to the canon of racial injustice.
Quartet (2012): Although the screenplay only passes muster the casting is sublime.; DVD ~~$20~~ $15
Silver Brumby, The (1992): The story offers no surprises but it is shot on good location and overall is good family entertainment.
Martha: A Picture Story (2019): One thing I did like about her was her respect for her subject – asking permission first and not being intrusive. The documentary includes some wonderful 70s N York location shooting.
Trip to Greece, The (2020): It is just as good as its predecessors in the series.; DVD $29.95
Silent War, The (2012): The screenplay is a little drawn out but its basic premise is interesting enough to hold the attention.
No Country for Old Men (2007): It is so well written and the characters are so well drawn that the violence and the high body count seem par for the course for this part of the world. The casting and the characters are seamless.
A Rainy Day in New York (2019): The rain was fine.
Blackbird (2019): An excellent female ensemble but the material is not that interesting.; DVD $29.95
Flaming Brothers (Jiang hu long hu men) (1988): The early scenes showed promise but it didn't really depart from the normal after that.
Keeping Mum (2005): The very capable and perhaps underrated Kristin Scott Thomas anchors this well written comedy and is at ease working alongside an acting dame and a very successful comedian.
Rosie (2018): Aims for realism and succeeds.; DVD $29.95
Nusrat Fateh Ali Khan (1996): An excellent starting point for anyone interested in Qawwali music.
White Ribbon, The (Das weisse Band) (2009): There is a draconian hierarchy between male & female & between adult & child. The males at the top are full of faults & the women & children consequently are vulnerable. That this not unusual scenario is captivating for over 2 hours is excellent work.
Excalibur (1981): It is as good as any other production I have seen on the legend – the power casting certainly helps.
Freddy's Dead: The Final Nightmare (1991): The title does offer some hope.
Jubal (1956): The screenplay is more solid than interesting but the casting always holds the attention.
On the Waterfront (1954): Some scenes still pack a punch nearly 70 years on. A solid story but an even more solid cast.; DVD ~~$24.95~~ $18.70
Wrath of Man (2021): Ritchie's films are at their best when the characters do the talking, not the guns. Compare the quality of the character actors employed in "Lock Stock" & in "Snatch" with the casting in this & you can see why the emphasis has shifted toward the gun.
Supernova (2020): Although the story has been done before the casting and the photography will probably make it worthwhile.; DVD $29.95 | Blu-Ray $34.95
2001 Maniacs (2005): It doesn't take itself seriously and is harmless.
Paterson (2016): It has a believable screenplay and characters, especially the marriage relationship. Other than the odd growl from Marvin and a scuffle with a toy gun it is also refreshingly free of violence.; DVD $29.95 | Blu-Ray $34.95
Code Unknown (2000): The breaking up and mixing of different but loosely related stories into short sharp scenes works well as it keeps your attention in not knowing what comes next.
22 Bullets (L' Immortel) (2010): It is over reliant on violence to fill out the screenplay and some of it is distasteful.
Pinocchio (1940): A good story with fun characters that are excellently animated. The musical numbers are also memorable. Timeless.
Bridge on the River Kwai (1957): There is more than one reason to see this but if for nothing else see it for Guinness's performance. The screenplay dies a bit when it is away from the POW camp & shortening those segments would have helped & it would not have diluted the overall message
Cheri (2009): There is not much to the screenplay or the characters but the production details are commendable and there is Kathy Bates from time to time.
Curse of the Golden Flower (2006): The excess bloodshed was demeaning to the high–quality production values. The colours in the quality set designs and wardrobe were stunning.
Criminal (2004): Well written for the most part with anchor Reilly very good.
Samson (Sansome) (1961): It has some strength in certain areas.
Dark Star (1974): A genuine cult offering that probably doesn't give a stuff whether it is liked or not.rn
Passchendaele (2008): This is another example of writer/director/leading man. Passchendaele makes an appearance after an hour but even then has to share screen time with the romantic leftovers from earlier.
Boudu Saved from Drowning (1932): The best compliment I can pay it is that it is still well worth watching 90 years on. The screenplay is very good and as it is played out whimsically it is also very entertaining.
Enigma (2001): Although the true story of the code breakers is now reasonably well known this dramatisation is well worth it considering the quality of the cast and the production's period details.
California Split (1974): The screenplay has aged pretty well and the gambling den scenes are very believable and strong.
Kagemusha (1980): Although the screenplay is a tad overlong the basic plot is an interesting one and the stunning visuals will maintain interest.
Lover, The (1992): The films location shooting is 5 star. The indoor screenplay is pretty ordinary however, and it is a pity that everything wasn't shot outdoors, even if this meant launching a mattress on the Mekong.
Three Amigos (1986): A little uneven but it has some worthwhile comedy segments.
Late August, Early September (Fin août, début septembre) (1998): Characters wasting their lives and wasting your time.
Leftovers, The (TV Series) (2014): Season 1: The basic premise has intelligence and the screenplay doesn't dip to any noticeable extent. There is nothing wrong with the casting.
Long Goodbye, The (1973): Gould (the one with the permanent cigarette) is well cast in this at times untidy screenplay. Not great but it is probably a film you could see more than once without being bored.
Matrix Revolutions (2003): The interest level was raised when Hugo was on screen.
Watership Down (1978): Pretty basic but the story is related satisfactorily.
Murder In Coweta County (1983): The screenplay doesn't get sidetracked nor does it skirt around the issue of racism and the characters are very believable.
Misbehaviour (2020): Well produced and entertaining but not at the expense of getting its message through.
French Exit (2021): It failed to hold the attention. A bit more of Imogen would have helped.
Penguin Bloom (2020): It is hard to dislike thanks to Naomi's level headed performance and the magpie training people.
Nine Lives of Fritz the Cat, The (1974): Offbeat and has genuine cult status.
Escape Artist, The (TV Mini-Series) (2013): I didn't think the screenplay was always convincing but the production values and the casting made it worthwhile.
Happiest Season (2020): A pretty good cast – no surprises in the screenplay but a relaxing watch.
People Vs. Larry Flynt, The (1996): The director keeps the screenplay entertaining whilst still respecting the issues. Courtney Love and Woody Harrelson are excellent.
Goodbye Mr. Chips (1939): Very well written with Robert Donat providing the anchor but it is Greer Garson who lights up the screen.
Major Dundee (1965): Its chequered making is apparent at times but although overlong it never really gets boring thanks mainly to its above average character actors in supporting roles and the well handled action sequences.
Crimson Petal and the White, The (TV Mini-Series) (2011): The screenplay has its ups and downs but the set designs and other period details are impressive.; DVD $34.95
Double Lover (L'amant double) (2017): It has a weak screenplay and the characters offer no compensation.; DVD ~~$29.95~~ $15, $29.95
Welcome Home, Soldier Boys (1972): For the most part, it has a good feel to it but the climax scenes are just silly.
Basic Instinct 2 (2006): Whatever its shortcomings it is not the fault of the casting director.
Donnie Brasco (1997): It was okay when seen on release but the characters haven't aged too well and are now (in 2022) two a penny. Although it is well produced some of the violence is over the top.
A Star Is Born (1954): Judy's musical performance is backed up by a good support cast, particularly in Mason and Carson.
Jesus Christ Superstar (2012): There are a couple of tuneful tunes and plenty of energy overall.
Oxford Murders, The (2008): It may have an intelligent screenplay but the casting of Wood was bizarre & a distraction. When he appeared I went into Enid Blyton mode. Tragically Anna Massey is limited to a cameo but there is John Hurt & the dependable Jim Carter to get you through.
Clique, The (2008): The sparring in the early scenes isn't too bad but the rest is pretty predictable.
Hide and Seek (2004): Dakota is fine but the content is familiar.
Old Dog (2018): Hopefully, it will be seen overseas – a very good advert for the country.
Night At The Museum 2 (Night at the Museum: Battle of the Smithsonian) (2009): Although Amy Adams and Hank Azaria beef up the casting there is not enough material for a sequel.
Inheritance (2019): I thought the screenplay was a mess but then again as I couldn't follow it I might be wrong.; DVD $29.95
Buoyancy (2019): Hard hitting and believable. The scenes on the fishing boat were very suspenseful thanks to the skipper who kept throwing his crew on a one way trip overboard.
Spirit - Stallion of the Cimarron (2002): A beautifully told story using traditional animation.
Sudden Death (1996): Not just another dumb actioner – this one includes an ice hockey game and hence an intelligent play on words with the title.
Money Train (1995): It follows the buddy formula but not as well as elsewhere.
A Civilised Society (2007): An extremely well produced documentary proof of which is that it is still involving as a watch in the 2020s even though the events happened decades ago.
Catfish (2010): From a sociological aspect, the documentary has little value. If you are prepared to see this one through there is some satisfaction in seeing the irritating characters get led around the mulberry bush.
Another Mother's Son (2017): It is above average for its type. The screenplay and characters are low key and the period production details look to be right but the clincher is the excellent performance of Jenny Seagrove.
Killers (2014): The only thing on offer is violence and with women included among the victims.
Nutcracker, The (2010): Largely forgettable but there is some appeal in the casting.
Adele - Live at the Royal Albert Hall (2011): The voice is fine and the concert includes a couple of good numbers.
Rocky (1976): The early scenes are very good and are the best, particularly those shot on the working class streets of Philadelphia and those depicting the seedy side of boxing.; DVD ~~$19.95~~ $14.95
Shrek's Thrilling Tales (2012): Good entertainment for the family.
Children of Dune (TV Series) (2003): It was noticeable how many characters got stabbed in the back. The visuals are very good and are worth waiting for.
Evel Knievel (1971): Mr. Knievel probably deserves better.
Broken Wings (K’nafayim Shvurot) (2002): A competent and believable family drama.
Das Boot (The Boat) (1981): The "Making Of" makes you realise how extraordinarily difficult it must have been to film the scenes in the interior of the submarine. A fine film but the use of sound and silence is a standout.
Bee Movie (2007): The animation is fine but more variety in the character types would have helped.
Atonement (2007): A very fine cast makes the most of top rate production values.
Strictly Sinatra (Cocozza's Way) (2001): A cast of Hart, Cox, MacDonald, and Armstrong is wasted because of a lack of a decent screenplay.
A White, White Day (2019): The freshness of the screenplay is aided by the shooting locations. The best scenes are between grandfather and granddaughter and young Ída Mekkín Hlynsdóttir's performance is outstanding.; DVD $29.95
Melody Time (1948): A smorgasbord of entertaining short pieces.
Equity (2016): The screenplay offers no surprises and the characters are all cut from the same usual cloth.
Nobody (2021): It follows the usual path with this kind of screenplay but perhaps it exaggerates things a bit.
BFG, The (Big Friendly Giant) (1989): Delightful storytelling by traditional animation.
Secret of the Grain, The (Couscous) (2007): Two & a half hours & no violence. It is obvious early that the female characters will dominate & they do so mainly in the ensemble pieces where the characters are so true to life – plenty of bickering & bitching. The musical climax is outstanding.
Face (2002): There are some good segments but overall you can't escape the feeling that it has been produced to appeal to a popular audience.
Dolittle (The Voyage of Doctor Dolittle) (2020): Entertaining throughout and the animal action is particularly well done.
Crush, The (1993): Although the screenplay lacks originality Alicia keeps things buzzing and at no stage do things go flat.
La Vie de Jesus (Life of Jesus) (1997): A low key but effective racism drama. The young bored characters are very believable.
Her (2013): It has a very good setup but then wastes its promise with a middling script.
April and the Extraordinary World (2015): An interesting setting for a story with characters refreshingly drawn by European animators.
Joe's Apartment (1997): It is very silly – enjoy.
Desert Rats, The (1953): Standard stuff but competently made. The story is reasonably well known but there is an attraction in the casting.; DVD ~~$19.95~~ $14.95
Conan the Barbarian (1982): If you will excuse the contradiction in terms there is a healthy body count.
Woman at War (2018): Quirkiness with an edge.; DVD $29.95
Immortal Story, The (1968): More modest than immortal.
Nutcracker and the Mouse King, The (2004): The characters and narration are entertaining.; DVD $14.95
Sailor Who Fell from Grace with the Sea, The (1976): The interesting screenplay is beautiful to look at (Douglas Slocombe) and coupled with an excellent performance from Sarah Miles makes this well worth watching.
Weird Al Yankovic - The Ultimate Video Collection (2003): Talented and entertaining.
Boccaccio '70 (1962): In the Monicelli the young married couple put off a holiday to Venice to save money. They proclaim "Venice isn't going anywhere"– it brought on an unintended laugh.
Adventures of Ichabod and Mr Toad (1949): Excellent animated entertainment.
Guess Who's Coming to Dinner (1967): 50 years on it is more of a curiosity piece but still worth a watch. I never tire of listening to Sidney Poitier's voice – it is very easy on the ear.
Marriage Italian Style (Matrimonio All'italiana) (1964): Although the screenplay runs out of steam it remains watchable. The soft colour photography is easy on the eye.
L'Avventura (1960): The screenplay takes its time, and although the characters are a waste of time, the saving grace is the high standard of the camera work in particular some stunning panoramic shots.
Whale Rider (2003): Beautifully photographed and the story should be appreciated by all age groups and cultures.; DVD ~~$24.95~~ $18.70
Story of a Love Affair (Cronaca di un amore) (1950): Competent story telling rather than memorable.
Hidalgo (2003): The screenplay is long and not exactly groundbreaking. The shooting locations help to maintain the interest.
Truth About Cats and Dogs (1995): The three leads work well together in this thrashed to death story and at least make it watchable.
Aladdin (2019): Although more suited to animation the production does have some good musical numbers and the wardrobe people do a colourful job.; Blu-Ray $59.95
Stieg Larsson: The Man Who Played with Fire (2018): The documentary has a good balance between the man and the political situation pertaining in Sweden in the later years of his life.; DVD $29.95
I am Cuba (1964): Although it hasn't aged very well, particularly its propaganda segments, it has some good scenes and is worth a watch.
Fatman (2020): It could have been much better.; DVD $24.95
Anita and Me (2002): Young Chandeep Uppal is a revelation – although there is a strong adult supporting cast – she anchors this comedy in her first film role. A very well written screenplay has just the right amount of political edge to it.
Monsters: Dark Continent (2014): It offers little for those interested in sci–fi and not much more for action fans.
Boss Of It All, The (Direktøren for det hele) (2006): Commendable for being different but the joke drags out too long.
Prime (2005): A walk in the park for Uma and Meryl.
Skin I Live In, The (2011): A reasonable screenplay (at least it is different) but it should have ended sooner rather than being over explanatory.
Boot Hill (1969): Mildly amusing but the viewing is helped by an interesting supporting cast.
Valdez Is Coming (1971): A reasonable screenplay anchored by another typically solid performance from Burt Lancaster.
Vikings, The (1958): Standard screenplay but the beautiful locations are kept to the fore particularly with the photography of the master Jack Cardiff.
Muppets Take Manhattan, The (1984): I don't believe the fans will be disappointed. Go Animal!
Crossroads (1986): A serviceable screenplay that does the job of showpiecing some great blues music.
High Ground (2020): The story has been done a few times before in other parts of the world but the photography (particularly the aerial shots) is stunning.; DVD $29.95 | Blu-Ray $34.95
Deep Blue Sea, The (2011): Rachel is fine but the strength of the film lies in the production detail – for example, her room with the depressing wallpaper is spot on (as Spike Milligan would note – you turn the light on and the room gets darker) as is the bomb damage in the street.
Greenland (2020): It compares pretty well to many others in the end of the world genre.
Godzilla: Final Wars (2004): It is very ordinary when the screen is occupied by photogenic humans. It is very much better when there are monsters and cheap special effects.
New Mutants, The (2020): It didn't grab you and hold your attention.
Howling II, The (Your Sister Is A Werewolf) (1985): Most of the howling came from the audience.
Clan, The (2015): A better than average screenplay for a kidnapping film, an impressive performance from Guillermo Francella, and the proceedings are topped off by an unexpected bouncy soundtrack.
Ottolenghi and the Cakes of Versailles (2019): I couldn't relate to these people – do they live on the same planet? Hope they get jelly up their nose.; DVD $29.95
Eureka (1981): The screenplay falls away post Hackman but up till then it is Nicolas Roeg and Gene Hackman in good form (what more is there to say but Eureka!).
Fanny Lye Deliver'd (The Delivered) (2019): The story doesn't really go anywhere but the time and place are portrayed very strongly. You are in rural 17th century Shropshire. The misty photography is beautiful and the score spot on.; DVD $29.95
Casper (1995): A spot–on cast for this kind of thing whilst the computer generated special effects do the job.
Salvation, The (2014): The violence was for violence's sake and by its excess, it lost any meaning.; DVD $24.95 | Blu-Ray $29.95
Despicable Me 2 (2013): The Minions do it again.
Legend of Sarila, The (2013): The production values don't rate highly compared with other animations but it does tell the story adequately.
Klondike Annie (1936): Mae is in a strong partnership with the excellent character actor Victor McLaglen in this entertaining caper.
I'm No Angel (1933): Not her best but the inimitable Mae is never boring with the court scene the highlight in this one.
Hunter, The (2011): The screenplay flattered to deceive – it threatened to produce something special but didn't and with Willem Dafoe and Frances O'Connor in the cast, it was all the more surprising things turned out flat.
Picking Up the Pieces (1999): For once there is a title that accurately reflects its screenplay.
Darby O'Gill and the Little People (1959): The screenplay and the performances are a delight – excellent family entertainment.
Minari (2020): Although the ending was a bit weak, the screenplay, which was anchored on the bickering relationship of a husband and wife, was very believable.; DVD $29.95 | Blu-Ray $34.95
Ice Age (2002): The characters are comical and in crisp clear animation.
Nut Job, The (2014): Nut too bad.
Last Outlaw, The (1994): Maybe this really is the last outlaw as there has been more than one – let us hope so.
King Rat (1965): A well written psychological drama that is well serviced by its quality casting.
Key, The (1958): Whilst the three leads will always be an attraction the scenes at sea were extremely well done and convincing.
Lady and the Duke, The (2001): The screenplay handled that fine line between life and death, typically found during unsettled times, very well.
Godzilla vs. Mechagodzilla II (1993): The screenplay has some good lighter moments around the baby monster.
Great Expectations (2013): Maybe not the best version but it is Dickens and there is HBC and others and the British do tend to get the period details right.
Valmont (1989): There is nothing wrong with the casting, in fact, there is quality in the supporting roles looking for something to do – the issue is with the lead characters all of whom lack substance and they become tiresome long before the screenplay runs its course.
Strawberry and Chocolate (Fresa y Chocolate) (1994): Well written with some light touches in the right places. The performances are fine in particular that of Jorge Perugorría.
Miss Congeniality 2: Armed and Fabulous (2005): A tad long for the material – the first hour is the best and then it runs out of a bit of steam – but you will see a lot worse.
Shaun the Sheep Movie (2015): Another Aardman delight.
Rodan (1956): I'd be upset if someone dropped a bomb and woke me up. Go Rodan!
Godzilla vs. King Ghidorah / Godzilla vs. Mothra (1991-1992): The Monster segments are worth the watch.
Dogs Don't Wear Pants (Koirat eivät käytä housuja) (2019): I found the daughter character more interesting than that of the father and wish hers could have had more screentime.
Just Ask for Diamond (1988): Hard to dislike particularly with a strong cast of British character actors in support.
Steel Magnolias (1989): The excellent female ensemble cast keeps some interest maintained but if the screenplay had have found an earlier finish that would have helped.
Gemma Bovery (2014): Nice to look at but the characters need to find something useful to do in life.
Caine Mutiny, The (1954): Solid.
Saturday Night Fever (1977): Whilst the film might bring back bad memories for those of us who survived the disco error the dancing segments are well done and there are some great location shots of 70s Brooklyn.
Human Capital (2019): The screenplay was clunky and consequently, there was a cost in that it was a bit hard to follow at times but the casting helped to maintain the interest.
Irresistible (2020): The story has been done before.
[REC] (REC) (2007): It is more noisy than scary.
Oliver Sacks: His Own Life (2019): The documentary wasn't attention grabbing but at least it did highlight the major aspects of his diverse life.; DVD $29.95
Hounds of Love (2016): There was not enough in the material to justify a running time of 100+ minutes and it was certainly too long to maintain its suspense.
Ab-Normal Beauty (Sei mong se jun) (2004): It was okay but there was nothing memorable about it as was the case with "Ringu" (1998).
Jaws (1975): Watched this again 45 years on and the screenplay has lost some of its suspense but it is still very watchable.
Scratch (2001): Well worth watching even for nonfans of this form of music.
And Justice for All (1979): It is entertaining with some good comedy moments which often means that Jack Warden is not far away from the action.
Under the Lighthouse Dancing (1996): Jack Thompson was in his mid 50's when he made this romance and didn't really look as if he fitted in – however, he is always watchable. The screenplay should please romantics and the shooting locations can be enjoyed by everyone.
Enemy Mine (1985): The story is a simple one, and although it might not blow you away, it keeps your interest up to the end.
Rent-A-Pal (2020): For the most part, the screenplay and the characters had some freshness about them but toward the end, things get a bit silly and a touch distasteful.
Island in the Sky (1953): A competent adventure screenplay that is strengthened by the shooting locations.
Only Way is Essex, The (TV Series) (TOWIE) (2010): S1: Although there is nothing there it is inoffensive.
Sisterhood (2008): Emily Corcoran pulls off the character of the rough diamond from down under with panache.
She Dies Tomorrow (2020): A good idea but one hard to translate to the screen.; DVD $29.95
Premonition (Yogen) (2004): Whilst the screenplay doesn't break too much new ground in the ideas department it is well worth a watch.
Above Suspicion (2019): It was okay – not rememberable rather than forgettable.; DVD $29.95
Gentleman Jack (TV Mini-Series) (2019): A powerhouse performance from Suranne Jones heads this well produced drama. A real tempter to read the life of Anne Lister.
Petulia (1968): Not too bad but the kookiness of the title character wears a bit thin. The slick editing likewise is a bit overdone. Richard Chamberlain looks a bit lost.
Tokyo Sonata (2008): The first half hour was very good with some gentle touches of humour but the screenplay then started to lose its way – maybe it took on too much.
Across The Hall (2009): The slow moving screenplay and the limited (gloomy) shooting locations require viewer patience to see it through.
Versus (2001): It just needed a bit of originality.
Babyteeth (2019): Four good performances and it has a better than average terminally ill screenplay.; DVD ~~$25~~ $18.75
Woman, A Gun and a Noodle Shop, A (2009): An interesting remake, and being one of a Cohen, it has its curiosity value. Whether the screenplay succeeds or not the stunning landscapes and photography should see it through.
Little Big Soldier (2010): A good mix of action and comedy – Chan is never boring – but it is indistinguishable from others of its type.
Shame (2011): The screenplay isn't particularly memorable but the scenes where the two talented leads interact are worthwhile.
Kung Fu Hustle (2004): A good mix of comedy and martial arts – it should entertain most audiences.
Moon (2009): It is a good intelligent story that is well performed and it does well to entertain with a minimum number of characters.
City Under the Sea (1965): Aka "War–Gods of the Deep". I guess you could find Vincent Price most places.
October : 10 Days That Shook the World (1928): There are still segments, particularly the crowd scenes, that can still be admired decades later.
Ammonite (2020): Another terrific performance from Kate Winslet – she doesn't need words. An actress who doesn't mind rolling her sleeves up and taking on unglamorous parts. A very good female supporting cast helps plus there is great period work by the filmmakers.
David Crosby: Remember My Name (2019): Its honesty is creditable and so is the lack of fawning which is often associated with documentaries of the musically famous.; DVD $24.95
Legend of the Suram Fortress (1984): Probably an overused and an even inadequate description – poetic. Some of the scenes are stunning.
Carlito's Way (1993): Pacino is not too bad in this one but the screenplay, even if it lost half an hour, has been done better elsewhere.
Limitless (2011): The screenplay has its moments but overall it is unconvincing – perhaps a stronger lead casting would have helped.
Dance of Reality, The (2013): The screenplay was overlong but it was peppered with creativity and great moments.
Razorback (1983): It can hold its own with many others in the genre and there is the bonus of some beautiful photography.
Three Popular Films by Jean-Pierre Gorin (Poto and Cabengo, Routine Pleasures, My Crasy Life) (1980-1992): One of the twins grasping the hand of her mate when needing reassurance was a beautiful moment; It is a little bit long for the material and runs out of steam at times; An interesting format – good sharp end story telling.
Wendy (2019): The opening scenes were great but then the kid started yelling and destroyed a lot of the enjoyment of what followed. A real pity and bad judgment by the filmmakers.; DVD $29.95
Churchill (2017): We didn't need another film about Churchill or indeed one with Churchill in it but watched this out of respect for the hard working and talented Brian Cox. Miranda Richardson is a bonus.
Amazing Extraordinary Friends (TV Series) (2006): Series 1: Unashamedly unoriginal with the right level of silliness. Entertaining.
Originals, The (TV Series) (2013): The screenplay goes on for a lifetime, which is okay for the characters as they have more than one, but not for the rest of us.
Bomb Girls (TV Series) (2012): The period details – hairdos, etc – are well done – as are the set designs. The screenplay is at it best when the women are as an ensemble.
Once Were Brothers: Robbie Robertson and The Band (2019): Robertson fronting it might have been a mistake – an independent interviewer could have asked the right probing questions – well worth seeing though for the archival footage.
Lord Of War (2005): It will have been made with good intentions but misses the mark – not a waste of time but the voice over was a challenge and should have been undertaken by someone who can enunciate clearly.
Cold Blood (TV Mini-series) (2007): The casting is very good and it carries the screenplay through its less than convincing segments.
Beautiful Country, The (2004): I would say it was made with good intentions and thanks also to an excellent performance from Ling Bai it is well worth a look.
Glorias, The (2020): The screenplay, because of the flashbacks, was stretched out a bit but the period details looked good. Hopefully, the film will raise interest in her story and encourage further reading.
Joanna Lumley: Girl Friday (1994): It has curiosity value.
Patton (1970): The production is fine but it is Scott's performance that gets you through the long screenplay.; DVD ~~$20~~ $15
Shadows of Forgotten Ancestors (1965): The photography is sumptuous and the very busy soundtrack is excellent.
Wild Mountain Thyme (2020): An interesting casting mix and the screenplay has the odd good offbeat moment but it has to fall back on the location shooting at times.; DVD $29.95 | Blu-Ray $34.95
Aelita: Queen of Mars (1924): "I'm flying to Mars tomorrow".
Fail Safe (1964): A capable cast, in the hands of a top director, does justice to a very strong plot idea.
Savage (2020): Although the characters weren't that interesting it does a pretty good job with the period details, particularly the '60s.; DVD $29.95 | Blu-Ray $34.95
Final Fantasy VII: Advent Children (2004): Not an anime fan but this looked good.
Into the Blue (2005): Everything is pretty obvious without the need to go too deep.
Happy Feet (2006): Cuddly but cold but will warm your heart.
In My Country (Country of my Skull) (2004): Didn't need the romance nor the rich casting but the work of the Commission and the disturbing archival footage is worth seeing.
This Boy's Life (1993): Unfortunately, the characters depicted here are not far from the truth in some "families" relationships.; DVD $14.95 | Blu-Ray $19.95
Rembetiko (1983): The music was wonderfully sad and the biopic also highlighted the expected role of women in a male dominated society.
Les Rendez-vous D'anna (Anna's Meetings) (1978): There is some wonderful concrete post acting, some romantically clumsy males, & some bleak railway stations (we have all pulled into a deserted station late on a Sunday night). What should have been a boring two hours was just the opposite.
Monos (2019): The early scene where the midget was reviewing the troops was really promising and was potential Monty Python material but what followed failed to live up to the adventurous start. Worth a look though.; DVD $29.95
Je tu il elle (I, You, He, She) (1975): In a first half hour segment Chantal is alone in her bedroom reorganising her space, letter writing and eating sugar – she does well to maintain audience interest in these bland activities but after that the attention waned.
You Don't Nomi (2019): I don't think all the arguments put forward were convincing but it was entertaining enough. If you pronounce a film as bad enough times it is bound to have a cult following.
News From Home (La Chambre, Hotel Monterey) (1976): An unflattering look at an ordinary New York – streets of gas guzzlers v jaywalkers – backs of drab coloured (colored) buildings – the run–down subway system graffiti & all with men seated and women standing. Terrific stuff. A valuable historical record.
Reunion (2020): It is okay but indistinguishable from others in its crowded genre.
White Riot (2020): A reminder of how bad things were and still are.
Young Winston (1972): Even if you are not interested in Churchill it is a beautifully shot quality production in the hands of Richard Attenborough an experienced biopic director. It is also a chance to watch the Roberts Shaw and Hardy and a regal Anne Bancroft.
RocknRolla (2008): The screenplay limits itself to familiar ground but the casting of an in form Tom Wilkinson with good support from Mark Strong and company make it worthwhile.
Deceiver (Liar) (1997): Not a bad plot idea but its execution is below par even with the talented Tim Roth on board.
Australian Dream, The (2019): The racism aspect is well handled. Very sad.
Footloose (1984): Not particularly strong musically and the dancing isn't memorable. As a time capsule drama, it starts off promisingly but weakens out.
Cousins (2021): The period details are well done and the ladies do justice to an interesting screenplay.
Marksman, The (2020): A bit of a miss.; DVD $29.95 | Blu-Ray $34.95
Buddy Holly Story, The (1978): The drama in the main doesn't seek to flatter its subject and it is all the better for it.
D Train, The (2015): The material was weak but it wasn't out of place.
Phantom Punch (2008): Not great but as the cover says "Ving Rhames is Sonny Liston".
Pinocchio (2019): Whilst it is easy to say that of necessity some of the performances were wooden there is still much to admire in its design and production. Benigni, although not required for much of it, is excellent.; DVD $29.95
Calm With Horses (The Shadow of Violence) (2019): While the story is fine without being original the performances are what make it worthwhile and for me, Niamh Algar topped the lot with Ned Dennehy close behind.; DVD ~~$15~~ $11.25
Frighteners, The (1996): The serviceable special effects are a major reason for the enjoyability of the film. Although it is probably a touch long for the material its "don't take me seriously" attitude stays the course.
Waterloo (1970): Although it took a little while for the battle to get underway (we had to wait for Steiger to do his thing) the battle scenes were waiting for.
Daylight (1996): Not bad for its type.
28 Weeks Later (2007): Two days later and I couldn't remember what this was about.
Red Cliff (The Battle of Red Cliff) (2008): Although there is some excitement to the extent that some of the characters lose their heads the slow motion cinematography soothes things down again. Excellent work by the special effects team. Part II is a chance to see the things you missed in Part I.
Sixth Sense, The (1999): The screenplay wasn't too bad with one creepy scene but I really couldn't take too much of the kid – don't know where they dug him up from.
White Tiger (2012): A strange screenplay, but one not without interest, and worth a try.
Funny People (2009): If it is any consolation to Sandler and company – I don't think real comedians would have been able to do much with the material either.
Non-Fiction (Non Fiction) (2018): The debate around publishing was good but we just needed more of it and less of the other stuff.; DVD $29.95
A Hidden Life (2019): The story was okay but it is a pity it took so long to tell.
Concert For George (2003): My only quibble was that it climaxed far too early after the superb performance of Anoushka Shankar.
Sunshine (2007): The special effects and the set designers see it through.
Antebellum (2020): If you don't know what "Antebellum" means (I guessed and was wrong) look it up and at least get some value out of your time if you watch this.
Prom Night (1980): 40 years on this is tame, probably because of the surfeit of slasher movies, but it is not too long and not a waste of time.
Anzio (1968): Little here for the military historian as most of the screenplay concerns itself with a war correspondent (admittedly one who was dishing out orders and hobnobbing with the generals) together with a Rangers corporal skirmishing with the enemy.
Sex and Death 101 (2008): Oh for more Ryder and for less Baker.
Farewell to the Night (L'adieu à la nuit) (2019): Catherine coasts her way through this. When we were young we used to get rid of our extra energy and frustrations by playing cowboys and Indians and then sport.
My Big Gay Italian Wedding (2018): Undemanding and inoffensive and light.; DVD $29.95
Ice Age 2: The Meltdown (2006): Thanks to some great characters it is very entertaining.
Lucky Grandma (2019): Tsai Chin's character is refreshing and it distinguishes this from other capers.
Palo Alto (2013): Little exciting happens which lends a certain authenticity to the proceedings.
Sniper (1992): Mildly exciting actioner with the jungle setting making a change to the normal urban sniper locations. Firing slow motion bullets draws out the tension.
Peanut Butter Falcon, The (2019): Okay but forgettable – a good soundtrack though.
Scarlet Street (1945): Solidly made. The durable Edward G plays an out of character role and gives way for once to a stronger character in Dan Duryea.
Underwater (2020): There is little new in the plot. Another example of Kristen playing a strong female character and doing it well.
House On Haunted Hill (1958): I had watched Vincent Price for years before I learned he was American & not British – Never really forgiven him for that. The only one to give him a run for his money in this cast was Elisha Cook Jr. who gave a worthwhile performance as the neurotic.; DVD ~~$15~~ $11.25
Emma (2019): It is refreshing to see a drama where the female characters hold sway. Having said that it was interesting how little Bill Nighy had to do but you could not ignore his presence. An entertaining version with the wardrobe & hair departments well employed.
Ladies in Black (2018): Excellent production values and the screenplay is able to entertain throughout its running time.
Current War, The (2017): The dramatisation was presented in such a flashy way that it could only pass as entertainment rather than educational. It is a pity because Tesla was a genius and Westinghouse and Edison both made important contributions to technology.
Donbass (2018): By presenting the drama in episodes the filmmaker had more flexibility and was able to use a wide range of emotions ranging from comical to distasteful.
And When Did You Last See Your Father? (2007): A screenplay that will be remembered for its excellent casting and the performance of Jim Broadbent (yet again). A special mention though for Juliet Stevenson – she was the right choice to play the overshadowed wife and in this, she was spot on.
Curse of the Gothic Symphony, The (2011): Fairly interesting and not too long (I'm referring to the documentary).
I Used to Go Here (2020): There was quite a bit of talking but I couldn't detect much else happening.; DVD $29.95
Hart's War (2001): A plot with a difference but the screenplay needs a bit of patience.
Motherless Brooklyn (2019): The title is not too bad and there is plenty of time to reflect upon it.
Seven Swords (2005): A mix of soft music and soft eyes with dramatic well choreographed action. However, the photography proves to be the film's main strength.
Craft: Legacy, The (2020): It is not too bad if you haven't watched too many of these already.
Stand and Deliver (1988): The early scenes are very good but then the screenplay is reduced to predictability.
Big Empty, The (2003): The off–beat screenplay and the casting come together seamlessly.
Close Encounters of the Third Kind - Special Edition (1977): The plot idea is very strong and doesn't follow the usual pathways either here on earth or to the skies. The special effects of over 40 years ago can still be admired. Dreyfuss and Garr work well off each other.
Buck and the Preacher (1972): Not great but a watchable screenplay but the casting means it has definite curiosity value.
Rescue Dawn (2006): The screenplay was very believable but let down by the commercial homecoming scenes at the end. Bale and Zahn were terrific.
Haggard (2003): Not my cup of tea but it will find an audience with young "adults" in particular.
Cirque du Soleil - Dralion (2000): Another winner.
So Close (Chik yeung tin sai) (2002): It has the usual photogenic casting for this kind of thing plus one of the contradictions of cinema – an action director in love with the slow motion camera.
J. Edgar (2011): I thought Leonardo was more J.Edgar as his character aged but overall did a reasonable job. Not a scintillating watch but people like Hoover could never be boring.
Pirates of the Caribbean 3: At World's End (2007): I never tire of watching Geoffrey Rush but this is far too long and much is a repeat of what has been done before in the franchise.
Ong-Bak 3 (2009): The original was over violent and this is little better. The blood letting just gets silly.; DVD ~~$29.95~~ $19.95
Shirley (2020): I failed to get interested in the screenplay and its characters.; DVD $29.95
Lizzie (2018): Obviously the screenplay contains some speculation as to the events described but it is solid, well produced and performed.
Things of Life, The (Les Choses De La Vie) (1970): It is not a comedy. Elsewhere this is listed as a romance – don't be put off – it is better than that. Michel Piccoli is quality. The staging of the accident and the accident scene segment of the screenplay is superbly done.
Shipping News, The (2002): Didn't dislike it but for some reason, despite the quality casting and the shooting location, the screenplay lacked appeal.
Empire Records (1995): There is plenty of energy from the young cast – entertaining.
Benidorm (TV Series) (2007-2009): S1 The comedy had just the right amount of exaggeration to be both funny and recognisable.
Proxima (2019): The casting of Zélie Boulant as the vulnerable 8 year old daughter was spot on. The screenplay is all about mother and daughter with the space programme as a backdrop.; DVD $29.95
Tyrannosaur (2011): This sets the gold standard for romantic films.
Les Miserables (1998): Unspectacular but solid with the two main protagonists in the capable hands of Rush and Neeson.
King of Staten Island, The (2020): It is heavy on dialogue but it is well written and has the cast to deliver. Marisa Tomei is the icing on the cake.
Sweet Smell of Success (1957): The well written and compact screenplay was filmed correctly in black and white to make the most of the streets of New York and its nightlife.
Boyfriends and Girlfriends (My Girlfriend's Boyfriend) (1987): Typically with this Director, the characters have only one interest in life.
Les Miserables - 25th Anniversary Concert (2010): Whilst not one of the tuniest of musicals this concert makes up for it in other ways.
House of Cardin (2019): Another fashion designer. The documentary follows a similar track as the others with a similar bunch of interviewees with similar laudatory comments.
Scoob! (2020): Scooby–Doo has done better but this is still enjoyable.
Diego Maradona (2019): Cocaine 1 Maradona 0.
Capone (2020): The screenplay isn't easy to watch and may not prove popular but what is on display is another excellent performance from Hardy. His makeup team also deserves commendation.
El Topo (1971): The screenplay is not conventional but original and even bizarre in places. In a nutshell, it is never boring. Visually – if you can see past the bodies and the blood – it is stunning at times.
Jumanji: The Next Level (2019): The animal and bird bits were okay as was some of the design work.
Willy's Wonderland (2020): If the screenplay had a bit more to it and not been so repetitive it could have been a decent horror/comedy.; DVD $29.95 | Blu-Ray $34.95
Miss Fisher and the Crypt of Tears (2020): Good escapism helped by some excellent production values.
Against the Wall (1994): Above average for a prison film helped considerably by some excellent casting.
Rover, The (2014): If you lived remotely what difference would a global economic collapse have on you (?)
There Will Be Blood (2007): Daniel Day's stand out performance enhances a well written screenplay in which hypocrisy is to the fore.
Modern Romance (1981): These heavy with dialogue "films" should be left on the stage.
Fred Dagg - All Purpose (1974-2006): His political comedy may not travel very far internationally but locally I haven't seen anyone better.
Cirque du Soleil - Varekai (2002): There is little that this splendid troupe can't do.
Man in the Gray Flannel Suit, The (1956): The long screenplay had flashbacks that took too long and Peck at his stodgy best ensured things were never going to happen quickly. Except for its length, it is well written though, and there is a good supporting cast.
Lowdown Dirty Criminals (2019): It tries a little too hard to raise a laugh but it is inoffensive.
Holocaust (TV Mini-series) (1978): A well respected series that balances out respect for the victims and the needs of the viewer reasonably well. The lead castings are fine but the supporting cast in most cases is sheer quality.
To Live and Die in L.A. (1985): I'm sure there were plot holes but things went too quickly to spot them. Great camera work and choreography to complement the stunt team.
Never Look Away (Werk ohne Autor) (2018): There is plenty of time to admire the excellent production values but there is not a great deal else to justify the running time. The screenplay easily gets distracted and it was like watching a mini–series where padding is inserted to extend things.
American, The (2010): It is easy on the eye but easy to forget – however, the screenplay doesn't lack intelligence.
Unhinged (2020): A plump Crowe is well cast behind the wheel.
Magic of Belle Isle, The (2012): One of those hard to dislike films – the two adult performers keep a handle on things to avoid too much soppiness. Importantly the kids are watchable.; DVD ~~$29.95~~ $19.95 | Blu-Ray ~~$34.95~~ $24.95
King of Comedy, The (1982): Grew up watching Jerry Lewis as an excellent visual comedian so it was a bit of an eye opener when I first saw this very good dramatic performance. On the other hand, De Niro's character is a bit one dimensional & repetitive but Lewis makes it worthwhile
Bamboozled (2001): There were segments that were dialogue intensive and they hindered the flow of the film. The screenplay needed to be tighter and for the dancing to do more of the talking.
Alien Nation (1988): It is a very good concept for a screenplay and it deserves a try.
Elephant White (2011): Poor Thailand – depicted as a den of iniquity as usual.
Jurassic World: Fallen Kingdom (2018): The lead was a prat but the supporting cast included the great Toby Jones and Rafe Spall et.al and the dinosaur people don't do a bad job. Watchable.
Seven (Se7en) (1995): An interesting screenplay with the excellent Morgan Freeman playing Morgan Freeman the glue.
Idol, The (Ya tayr el tayer) (2015): The childhood scenes are very good and the best. The singing contest segments are familiar territory but the singing saves the day.
Honest Thief (2020): A time filler but Liam makes it watchable.
Kursk (2019): It is okay but the suspense is too drawn out to be fully effective.
Taking the Waewae Express (2008): It was hard to get involved in the screenplay.
Butterfly Crush (2010): It has plenty of energy but not a great deal else.
My Way (2011): The emphasis is on the dramatic, melodramatic, and anything else that rhymes.
Portrait of a Lady on Fire (2019): Although little happens it is beautifully made. A very undemanding but worthwhile two hours.
Looking for Alibrandi (1999): Very watchable with the first hour the best when there is more interaction between the kids.
Scarlet and the Black, The (1983): A reasonably interesting screenplay but it is unfortunately too long. However, there is compensation in that there is more time to admire the performance of Christopher Plummer.
Midwife, The (Sage femme) (2017): Adding Olivier Gourmet into the mix and there are 3 fine actors who are used to carrying films on their own and are really the main reason for watching this screenplay.; DVD ~~$29.95~~ $22.45
Videodrome (1983): Not all the scenes work but those that do should leave an impact. What can't be denied is its originality and the high standard of its special effects make it memorable.
Blade Runner 2049 (2017): Ridley Scott is one of the producers which would have helped. Very long but visually impressive.
Foxtrot (2017): It didn't make much of an impression on a first viewing.; DVD $29.95
Broken Hearts Gallery, The (2020): There are some fresh faces in the cast and the lead is personable enough but the material is not strong enough for the running time.
Maiden (2018): One of the better yachting films.
Lost Command (1966): Well made with the battle scenes handled professionally.
Clockers (1995): When I first saw this in the 90s I thought it was okay, if overlong, but that it didn't offer anything new. A rewatch has done nothing to change that opinion.
Mapplethorpe (2019): There is more than one documentary available on this artist so a dramatisation will find it hard to add knowledge.; DVD $29.95
Anne Of Green Gables (2016): Young Anne is not irritating and the production is well made.
Horrible Histories: The Movie - Rotten Romans (2019): The material is of a reasonable standard including the musical numbers.; DVD $29.95
That Obscure Object of Desire (1977): The suave Fernando Rey anchors this uneven screenplay – it has an unnecessary slapping scene and there is some repetitive interaction between the three leads –, but it does contain some expected Bunuel touches.
Love and Other Drugs (2010): Even for a rom–com, the material is weak.
Matter of Life and Death, A (1946): For a film made in the 1940s, the special effects were well produced. Of equal excellence was the writing & the casting of Livesey & Massey for the crucial trial scene was spot on. 75 years on & this excellent piece of filmmaking is still to be admired.
A Beautiful Day in the Neighborhood (2019): It was so uninspiring that it was hard to maintain interest.
Scream, Queen! My Nightmare On Elm Street (Scream Queen! My Nightmare On Elm Street) (2019): The documentary never lacks for interest and It has encouraged me to re–watch the original film.
Seberg (2019): I hadn't heard the story before so it was interesting and Kristen Stewart fulfills her part very well.; DVD $29.95
Ultraviolet (2006): It was okay but it was not that distinguishable and will not stay in the memory long.
Mrs Henderson Presents (2005): The screenplay has some uneven segments, particularly towards the end, but the production values are excellent and there is nothing wrong with the casting.
Touching the Void (2003): Difficult to sympathise with extreme adventure sports people but the camera work is good and the shooting location is outstanding.
Trouble With You, The (En liberté!) (2018): A hard to resist group of four attractive performers will ensure its popularity.
House That Jack Built, The (2018): It does have some artistic bits but most of it should have been left in the basement.
Phantom of Liberty, The (1974): An absurdist comedy that will stand the test of time for a while yet.
Mauri (1988): The screenplay is uneven but because the film has been sincerely made it has value as a record of the lifestyle that is depicted.
Inbetweeners Movie, The (2011): Some good parts but not enough to overcome the grubby parts.
Ruben Brandt, Collector (2018): Full of fresh ideas and characters – probably will be even better on a second viewing.
Insult, The (2017): Very heavy on the politics with plenty of name calling and melodrama – worth a look.; DVD $29.95
Tristana (1971): Fernando Rey in the "The French Connection" could have walked off the set of "Tristana" without a hair out of place.
This is 40 (2012): The only funny thing about this is labeling it as a comedy.
Le Quai Des Brumes (Port of Shadows) (1938): A reasonable screenplay, if a bit sluggish in parts, but the strength of the film is in the port itself. A bit of wet weather adds to the atmosphere.
Jour Se Leve, Le (Daybreak) (1939): After a good start, the screenplay becomes sluggish for the most part. Some excellent outside location shooting though.
Climax (2018): Original. A special mention for the camera work.; DVD $29.95
Mission: Impossible - Rogue Nation (Mission Impossible 5) (2015): Another light Cruise.
Modern Love (2006): The flame is pretty dull.
Donovan's Reef (1963): Some beautiful location shooting but the rest is routine unless Marvin is in the scene.
C'est La Vie (Le sens de la fête) (2017): Very light fare, a commercial offering. The characters were also light except for their verbosity.; DVD $29.95
In Fabric (2018): Although the segment with Marianne Jean–Baptiste was the strongest – she was excellent – the screenplay and the characters throughout were refreshingly different.
Murder On the Orient Express (1974): Top production values and good rail action but I would suggest the screenplay could have worked just as well with fewer characters.
Great Race, The (1965): Some footage, particularly those with Lemmon's double, could have been cut to bring the running time to a more sensible length. The barroom brawl is a classic. Wynn and Falk provide relief and an alternative to Curtis and Lemmon.
Back to Burgundy (Ce qui nous lie) (2017): Except for some squabbling and bickering, it is an easy to watch feel good film.
Heiresses, The (2018): Solidly made and performed but the screenplay was uninspiring and it was hard to maintain interest.; DVD $29.95
Altitude (2010): Aka "The High and the Flighty".; Blu-Ray $24.95
Duplicity (2009): My second viewing and although the writer/director has good credentials this just doesn't work as well as it should. Although there is Tom Wilkinson's talent in support the Roberts/Owen lead combo is not strong enough to carry it through
Extracted (2012): A good plot idea but the ordinary performances do not help in its execution.
Phantom Empire, The (1935): An entertaining smorgasbord. Everything looks wonderfully cheap.
Edwin: My Life as a Koont (2013): John Clarke, you are sorely missed.
Through the Olive Trees (1994): A screenplay in which very little happens but it is all done so well in the hands of a master.
Vexille (2007): The animation style was okay but not my favourite but the screenplay is intelligent.
Jet Lag (2002): From what? It doesn't go anywhere.
Assassin(s) (1997): The first killing wasn't convincing with fingerprints all over the place. The plot idea wasn't very tasteful and you don't really gain anything from the screenplay unless you are a budding assassin.
Four Enchanting Stories by Roald Dahl (1990): Delightful storytelling assisted by distinctive animation.
Akira (1989): Animation to be admired – in particular the street scenes.
Session 9 (2001): A little different to others of its type with two good leads.
Play It Again, Sam (1972): It is a good plot idea, it is shot in San Francisco and it is not too long. Loved Diane's hat.
Dragons Forever (1988): Sammo and Jackie can do these in their sleep – the choreography is of the usual high standard but there is little else.
In Search Of A Midnight Kiss (2007): and a life.
Radio Flyer (1992): It is a shade long for its material but it is well produced and worth a try.
Fiddler On the Roof (1971): Most of the music segments are very good but what goes on in between is overlong including males yelling at each other instead of acting.; DVD ~~$20~~ $15
Would I Lie to You Again? (2001): Harmless – the content and the performances are very light.
Secret Garden, The (2020): It takes a while to find the Garden and then they don't spend too much time in it.
Night Watch (Nochnoi Dozor, aka. Nightwatch) (2004): Not as good as the first time I saw it on the big screen 15 years before but worth a try on DVD.; Blu-Ray $29.95, $44.95
Scent of Green Papaya, The (1993): The scenes of the 10–year–old Mui (Man San Lu) are the strongest. The wonderful photography captures her beautiful, innocent, inquisitive face. The comparison with the two well off potentially psychopathic sons is well done. The soundtrack is distinctive.
Knight and Day (2010): Cruise has a nose for this kind of role.
20,000 Leagues Under the Sea (1954): Based on a timeless tale it is well produced, cast, and filmed.; DVD ~~$20~~ $15
Moulin Rouge (1952): The dancing segments are great but there are long periods without any.
Orlando (1992): The production was immaculate and Tilda handled everything that was thrown at her and him with aplomb.; DVD ~~$25~~ $18.75
Chant of Jimmie Blacksmith, The (1978): It doesn't maintain the strength of the first 40 minutes or so in which it really hits hard with some political punches. The segment featuring Ray Barrett is the most memorable as is his performance.
Greed (2019): Michael Winterbottom has done much better. The big challenge watching this is tolerating the characters.
Burnt Orange Heresy, The (2019): An ageless Donald Sutherland does some scene–stealing as part of an interesting casting mix that plays a group of characters to whom you really don't care what happens. However the screenplay is intelligent.
Halloween 5: The Revenge of Michael Myers (1989): This is the one after Halloween 4 although it doesn't really matter what order you see the sequels in.
Hills Have Eyes 2, The (2007): Watch the 1977 original.
This Town (2020): I suspect I know what kind of comedy it wants to be – it is a type that is hit and miss with the viewer. On a first viewing, it misses for me but it will find an audience.; DVD ~~$29.95~~ $15, $29.95
Cellular (2004): Evans is miscast but there is nothing wrong with the casting of the rest of the leads. The screenplay is an entertaining time filler at best.
Advise and Consent (1962): A solid enough screenplay but the highlight is the strong casting particularly that of the great Charles Laughton in his farewell.
King's Choice, The (2016): It is well produced and it tells its story in a somber and respectful fashion.; DVD $29.95
Salt of the Earth (1954): A simple story that deserves to be seen. Well done ladies.
Dementia 13 (1963): Because of the Director, it has curiosity value and this helps maintain the interest throughout the uneven screenplay which admittedly does have some worthwhile segments.
Tommyknockers, The (1993): It has its moments but not enough to last out the running time. The leading male was uninspiring which didn't help.
Hunters, The (1958): It is difficult to associate Mitchum with a romantic role. A routine screenplay with okay flying sequences.
Kansas City Confidential (1952): The screenplay was competent enough but needed a bit of urgency at times but there was an attraction in the bad guys Neville Brand, Jack Elam, and one of the greats Lee Van Cleef.
Arthur and the Invisibles (Arthur et les Minimoys) (2006): The animation side and the design work of the production are very good.
Bagdad Cafe (1988): Sägebrecht & Pounder work extremely well together in a screenplay that doesn't lack original ideas. The photography makes great use of colours & the only real negatives are an anti–climatic ending & Palance's character, which is a bit of a spare part.
And Then There Were None (1945): A good cast of character actors but some roles don't last that long.
Discreet Charm of the Bourgeiosie (1972): You can't see this dating as the Bourgeoisie will always be with us.
Extraordinary Measures (2010): Fraser, The Mummy, outperforms Ford.
Monsoon (2019): There is hardly a flutter – nothing much happens.; DVD $29.95
Cercle Rouge, Le (The Red Circle) (1970): Competently made with the pacing never quicker than steady – the jewelry break–in felt as if it was shot in real time no doubt to maintain the tension.
Mile 22 (2018): Even among action films, it is forgettable.
Cooties (2014): It is on familiar ground but it is entertaining.
Syriana (2005): The screenplay is complicated and needs and probably deserves another watch.
Harry Potter and the Deathly Hallows: Part 1 (2010): The two boys struggle in their performances whilst frustratingly a terrific adult cast is underused. Splendid production values as per normal.
Once Upon a Time in America (1984): Good in parts but there is far too much meandering in the storytelling. However the street scenes are remarkable & the music score, make–up (for the ageing), & wardrobe (particularly the crowd scenes) are excellent. The whole thing just needed a hurry up.
Shrek 2 (2004): For a sequel, it has a pretty high standard in entertainment.
9 (Nine) (2009): The set designs are bleak, the animation style unusual and the characters are different. Well worth a watch.; Blu-Ray $29.95
Hoodwinked! (2005): Funny looking animation but it does the job – grannie leads the entertainment.
Fallen (1998): Great cast but the screenplay goes off the rails somewhat.
Batman: The Dark Knight (2008): It is long very long.
Sexy Beast (2001): Three tough characters three tough performances.
Wicker Man, The (1973): The writing is intelligent with a slow build up but heating up at the finish. The Scottish shooting locations take your breath away as does the final scene which they would have had to get right the first time as there is only one Edward Woodward.
Puzzle (Rompecabezas) (2009): It is about jigsaw puzzles – it should have been as exciting as watching paint dry but it isn't thanks in the main to an excellent lead performance.
Ghost, The (Ryeong) (2004): It has the usual photogenic casting and noisy noise effects. It is okay but there are few surprises.
Cimarron Kid, The (1952): Budd Boetticher is one of the better western directors but this is far from his best.
Army of Shadows (L'Armée des Ombres, aka Army in the Shadows) (1969): Even though the screenplay is not always convincing you feel you are always part of the world of men in the greatcoats and hats.
Ong-Bak (Muay Thai Warrior) (2003): A festival of violence.
St Trinian's (2007): It complements the original classic well – the casting is spot on with Everett & Firth, who are vanity free, excellent. You get the impression from the "making of" that everyone enjoyed making it with the female cast having a ball. Watch the music video
Visitor, The (2007): The first half of the screenplay sets up the relationship between the characters whilst the second packs a political punch. At all times the characters are believable, the pacing is just right and the dramatics are justified.
Testament of Youth (2015): It is all a bit too romantically commercial at the expense of the more serious things that were happening at the time but that is not to say it is not worth a look as the production values are excellent.
Military Wives (2020): The two leads make it watchable but the amateur choir thing has been done a few times before.
American Woman (2018): One powerhouse performance with an excellent supporting cast being the cream on top.
Night of the Hunter, The (1955): It has genuine suspense even after rewatches and 60+ years. There are some great black and white performances from Mitchum, Winters, and Gish plus you can imagine the camera work influencing directors like Tim Burton.
It's a Wonderful Life (1946): There is a whining voice in most scenes that threatens to destroy the film & it gets worse when it turns hysterical in the later stages. Although the screenplay is soppy in parts this is a great chance to see Barrymore, Mitchell, Travers, & Grahame et.al.
Goya's Ghosts (2006): The cruelty and stupidity of religious hypocrisy have been thrashed to death on film quite a number of times so it would have been better if this had have more focus on something intelligent.
Girl on the Train, The (2016): The screenplay is overly complicated and it confuses itself but there is some compensation in Emily's performance.
Mermaid, The (2016): Suspend belief, sit back, and enjoy.
Pushing Daisies (TV Series) (2007-2008): The scope of the comedy is pretty limited and there is not much variety but it might grow on you.
Sunchaser, The (1996): From the 20 minute mark, the screenplay becomes quite loose and doesn't really cover any new ground (metaphorically speaking considering it is a road movie).
Child 44 (2015): Great casting but the chance to make an interesting screenplay based on a time and place not too often in the limelight is missed.
In the Electric Mist (2009): The Director's Cut should reveal what is missing from this version of the screenplay but this casting, particularly Goodman, is hard to ignore. Unsurprisingly the soundtrack is bluesy.; DVD ~~$19.95~~ $14.95 | Blu-Ray $19.95
Hop (2011): The mix of animation and live is extremely well done. The bunny and chick steal the show.
Dante's Peak (1997): Although it doesn't rise to any great heights it is a reasonable time filler.
Harry Potter and the Goblet of Fire (2005): There is an understandable drop off in performance when proceedings are left in the hands of the younger cast members. The adult casting is impressive as are the set designs and other art work.
Amelia (2009): Excellent production values and both Amelia and Hilary are great but the screenplay is too easily sidetracked.
Chinese Ghost Story, A (2011): A good first half before the screenplay loses a bit of its structure.
High Note, The (Covers) (2020): Dakota J is not too bad and she makes you feel less guilty spending the time watching it.
$9.99 (2008): I found the screenplay hard to focus on but the stop–motion as an art form deserves to be admired.
Grow Your Own (The Allotment) (2007): These British character actors you feel haven't had to stray too far from their roots. A light bitter but mostly sweet.
Born On the Fourth of July (1989): The "I love my country" bits and the hysterical segments got a bit tiresome but it can be commended for its anti–war theme.
Milky Way, The (1968): Some delightful religious satirical segments – not as hard hitting as Monty Python but perhaps the latter were influenced by and owe a debt to Bunuel (?)
Extraordinary, The (The Specials, Hors normes) (2019): It weakens a bit toward the end but for the most part, it avoids the usual melodramatic pitfalls.; DVD $29.95
Muppets Most Wanted (2014): A passable plotline is helped by some bouncy musical numbers and the main muppet characters doing their thing.
Brave (2012): Needless to say, the animation is excellent and even though this is Pixar not at its best the two lead characters of father and daughter are interesting enough to carry the film.
Twilight: Breaking Dawn Part 1 (2011): It plays like a soap.
Diva (1982): Whatever faults there are in the screenplay it is never boring – snappy editing and interesting camera angles help in this regard.
Children of a Lesser God (1986): Starts off really well but it doesn't deliver much more than a love story when all said and done.
Adventures of Tintin: Secret of the Unicorn (2011): I think there was a charm in the animation in the original French/Canadian series that is missing here but it is entertaining enough and well produced.
Sleepless (2017): Sleepless and it showed.
Despicable Me (2010): Go the Minions.
Aqua Teen Hunger Force - The Movie (Colon Movie Film For Theatres) (2007): It is bizarre and that is its strength.
One True Thing (1998): Over sentimental commercial fodder.
Best in Show (2000): The comedy style will probably not stand up well to repeated viewings but it deserves to be seen at least once.
Servant, The (1963): A good example of a top screenwriter's work put in the hands of the right director and then performed by a spot on cast – in this case, Bogarde, Fox, Craig, and Miles.
Halloween 3 - Season of the Witch (Halloween III) (1982): There is an interesting soundtrack plus some eye catching/gouging moments. It is not great but it is not a total clone either and worth a chance.
Inherent Vice (2014): You suspect the screenplay was made to be as difficult to follow as possible but surprisingly even considering its length it was still watchable. For me, that came down to the compulsory casting of JP in the lead.
Starman (1984): Pure fantasy but intelligent and entertaining. It should not date too quickly.
Zentropa (Europa) (1991): There are some memorable bleak scenes particularly early in the film but the generally interesting screenplay lost its impetus about two–thirds of the way through. The running time needed to be a shade shorter.
Man to Man with Dean Learner (TV Series) (2006): The material is not particularly strong but it has some original aspects and it should find an audience.
Missing, The (2003): The title refers to originality in the screenplay.
Thirteenth Tale, The (2013): The ingredients were there, and although worth the watch, it really failed to deliver as much as it should have.
Superman Returns (2006): The flying bits are okay but the rest of the two and half hours don't rise to any great heights.
Spongebob Squarepants Movie, The (2004): Spongebob is distinguishable within the animated family and there is something "old school" about it all.
Burke and Hare (2010): Excellent casting and the period details look to be spot on. If you are allowed to make a comedy about sinister deeds then this succeeds.
Cry-Baby (Cry baby) (1990): Bouncy musical numbers combined with offbeat characters prove a winner.
Cars 2 (2011): Beep beep.
TiMER (2009): An interesting concept but its sands run out before the end.
King, The (2005): I have mixed feelings about this but it deserves to be watched & for people to make up their own minds and to add to its mixed reviews.; DVD $34.95
Richie McCaw: Chasing Great (2016): It has the usual quota of home video footage and quite a bit of rugby action replayed in slow motion (not that you would notice a great deal of difference).
Apron Strings (2008): A competently made family drama enhanced by a good soundtrack.
In the Soup (1992): It is one of those low budgets that embarrass the big budget productions. Buscemi and Cassel are terrific blending into the cheapness and doing great service to the well written screenplay.
Lost in Translation (2003): Even though located in an exciting city the screenplay gets across the feelings of loneliness and boredom that can be experienced when away from home. To its credit, it also accomplishes this in a low key manner.
Super Size Me (2003): The originality of the approach for one thing makes it memorable.
Incredibles, The (2004): It gets better with repeated viewings and worthy of Pixar.
Shark Tale (2004): There is better animation around but this does the job and the characters are appealing enough.
Mafia! (Jane Austen's Mafia) (1998): There are some risque elements but these are mild compared to what else is around. Able to be enjoyed if the mood is right.
Serenity (2005): It took a while for the special effects to get going and fire things up.
Romantic Road (2017): I never get tired of viewing the beautiful Indian landscapes with or without a Rolls.; DVD $29.95
Priceless (2006): Pure fluff but Audrey ensures it is quality fluff.
Stickmen (2000): Watchable but keeping an audience stuck inside pool and barrooms, to add authenticity I would assume, comes at some risk.
Allie Eagle and Me (2004): A friendly interviewing technique brings out a good mix of the artist's work and her involvement in the feminist movement in particular.
Vanilla Sky (2001): There is good sci–fi in there somewhere but the emphasis of the screenplay is more on Cruise which because he is one of the producers I suppose is understandable. More quality, rather than commercial appeal, in some casting decisions, would have helped.
5x2 (Five Times Two) (2004): The usual middle age fluff with the usual insatiable characters.
Lou Reed's Berlin (2007): Not great Lou Reed but it is still Lou Reed.
To Be or Not to Be (1942): The plot idea is original and the screenplay is very well written with some witty one liners. However, for the comedy to work, it needs timing and for this, the casting is spot on.
Harpoon (2019): Although these three characters deserve each other and to be stranded together they didn't need to take a camera with them.
Akeelah and the Bee (2006): Keke Palmer as the young speller is very good and makes the padding scenes in between the spelling contests watchable. The contest scenes follow the usual formula but the ending is soft.
Birdy (1984): The director doesn't seem to make two films alike (intentionally I think). The screenplay is intelligent, well written, and not predictable.; DVD ~~$20~~ $15
Hard To Be A God (2013): I believe the work of the camera crew is extraordinary working in wet cramped conditions shifting the focus between several characters. A screenplay to lift your spirits. I think the late Ken Russell would have been proud of this one.
X-Men 3: The Last Stand (2006): A clear step down from the original of the series.
American Beauty (1999): After a good start, the screenplay loses its momentum, and even with an attractive cast, it ceases to appeal.
A Man in a Hurry (Un homme pressé) (2018): The first half is not too bad with some clever work with the scriptwriting but it all gets a bit too commercial after that.
Nim's Island (2008): Solid family entertainment with Abigail Breslin in acting terms very mature for her age. Jodie helps by not cramping her space.
Island, The (2005): The first hour is pure sci–fi and better than the second when the action gradually takes over but although the action is well done it goes on for far too long. Buscemi steals his scenes.
Van Wilder - Party Liason (2001): It has to resort to toilet humour and the anatomy of a dog for laughs.
Brassed Off (1997): It has more than its share of cringe worthy moments but particularly in its first half, there is some wonderful verbal sparring to complement brass banding at its best.
Gallants (2010): A light and refreshing change from the countless other martial arts movies.
Mr. Morgan's Last Love (Last Love) (2013): I know Michael won't be able to play Alfie again but this is taking things a bit too far.
Swimming Upstream (2002): Whatever shortcomings it has at the helm is two of Australia's finest and the screenplay to its credit does not shirk from portraying the rough edges of the characters.
Antichrist (2009): Another tough day at the office for Charlotte. The screenplay was reasonably interesting until the couple had their domestic.
Separation City (2009): Although the characters are recognisable they are a waste of space.; DVD ~~$19.95~~ $14.95
Michael (1996): It is not for the want of trying but except for a couple of segments, the comedy just doesn't work.
Paycheck (2003): There looked to be an interesting story in there somewhere fighting to get out.
Lore (2012): It is not easy to describe my feelings about this except to say I won't forget it, I wouldn't want to have been in the time and place and the direction/editing is a bit different from the norm.
Christmas Wife, The (1988): It is a made for cable production but it is adequate for the short running time. Although the screenplay consists mainly of an interaction between two characters the writing is fine and the performances are in the hands of two fine actors.
MacGruber (2010): It is rated quite well in some quarters.
Bill and Ted Face the Music (2020): Very silly very enjoyable – the partnership continues to work well and the supporting cast is up to the mark as well.; DVD $29.95 | Blu-Ray $34.95
Brabham (2019): As an environment killer, it should only rate* but in the 60's Jack probably didn't realise he was an environment killer so will give him the benefit of the doubt. There is plenty of archival film & as not all is about going round in circles it helps.; DVD $29.95
Education of Little Tree, The (1997): Anchored by the consistent James Cromwell the well written screenplay is hard to dislike.
Sylvia (2003): Not sure how much Craig's character was true to life but he didn't make it an easy watch.
This is Not a Love Story (2001): Correct and it doesn't really succeed as anything else.
Ring 0 (2000): The suspense builds slowly, and while this prequel is not compulsory viewing, its final scenes are worth the time.
Tuesday (2008): A pretty good first few scenes but it doesn't go on with it. Maybe on another day(?)
Liam (2000): The streets and the other Lancashire locations look very authentic for the period being depicted and the screenplay doesn't tread softly when dealing with the effects of the depression on individuals and their families.
Amelie (2001): Continuous entertainment aided by some exceptional design work. The lead casting choice is a masterstroke.; DVD $14.95
Letters From Iwo Jima (2006): It is good that the script is in Japanese and although it is over two hours, which is typical of the director, it is never boring.
Girl (2018): I think the screenplay and the lead performance portrayed the mental challenges very well.
Queen & Slim (Queen and Slim) (2019): There are some good segments but they are too far spread out – a more compact screenplay would have helped.
Last Days (2005): It plays like, but not as boring as, a home movie.
Dirty War (2004): It doesn't get sidetracked, there are no subplots – it goes straight for the jugular.
Pan's Labyrinth (El Laberinto del fauno) (2006): Well done to the creature people but the unnecessary violence hinders its scoring well as a fantasy. Its excellent soundtrack is a plus.
Universal Soldier (1992): There is a sprinkling of sci–fi in the pools of blood.
Reality Bites (1994): Being required to perform a romantic relationship with either Stiller or Hawke would be bad enough but with both should be beyond the call of duty.
Bloodshot (2020): An actioner using the cloak of sci–fi but still an actioner.
Pa Boys, The (2014): It has a good balance between location shooting, musical interludes, and pearls of wisdom.
Good Liar, The (2019): Whatever the shortcomings of the screenplay they are made up for by the performances of two thespians who are at the top of the tree with Jim Carter as a bonus.
Not Without My Daughter (1991): HIghly emotional at times and not an easy watch but if it helps the plight of women and children caught up in the circumstances portrayed then making the drama has been worthwhile.
Morning Glory (2010): Rachel McAdams gives a very energetic performance which makes up somewhat for the thin material.
C.R.A.Z.Y. (Crazy) (2004): Although the screenplay weakens slightly in its latter stages that is probably because what went before was quite strong. The soundtrack is a big plus.
Eagle vs Shark (2007): Quirky.
Saint Joan (1957): Stagey but the casting which includes Gielgud, Aylmer, Andrews, Miles et.al maintains the interest. A version of Widmark that may not have often been seen is a delight.
Vivarium (2019): A good premise but after a good start, the screenplay loses its way in the middle stages round about the time the kid appears – although it has a good ending you feel that after doing all the hard work in setting things up it missed the boat.
Orpheus (Orphee) (1949): A good version of the story is helped by the black and white photography (I don't think colour would have been as effective in displaying the drabness of the underworld). Some haunting drumming, as a soundtrack, is a positive contribution.
Arizona Dream (1991): The screenplay is a mixture of the very good and segments requiring a bit more patience or another watch. At least commendably the material is original.
Wind, The (2018): It didn't blow me away I'm afraid.
All is True (2018): Although the screenplay is stagey, if you can see around Branagh's nose there are some excellent set designs and wardrobe to admire.
Cooler, The (2004): The plot idea is okay but although Macy and Bello are fine their characters' relationship took up a bit too much screen time and so hindered the momentum of the screenplay.
Bourne Ultimatum, The (2007): The pacing is very good and as is normal with this kind of actioner there is a good supporting cast.
Rhythm Section, The (2020): It didn't really strike the right note.
Birdman (Birdman: or The Unexpected Virtue of Ignorance) (2014): The screenplay has some pretty good moments but the highlight is the work of the camera and editing teams.
A Vigilante (2018): I didn't think it left the well trodden vigilante path but it is worth a try.
Funny Girl (1968): Barbara tries her energetic best and there are a couple of tuneful tunes but, although there is admirable work from the wardrobe department, the two hours plus lasts a bit longer than that.
Hounds (TV Series) (2012): Good natured characters and script – it is worth a look.
Coraline (2009): The animation is stunning in even 2–D and the characters are original and definitely not cloned.; DVD ~~$19.95~~ $14.95
Capharnaum (2018): Although the antics of the boy weren't convincing the screenplay was well intentioned with regard to the vulnerability of the women & children. There was some excellent location shooting to highlight the poverty.; DVD $29.95
Big Short, The (2015): Spending two hours with these characters is asking a bit much.
Billy T Live (1990): A good balance of comedy and musical entertainment.
World of Suzie Wong, The (1960): Although the long screenplay is largely forgettable it does contain some great Hong Kong street and harbour scenes.
Coeurs (Private Fears in Public Places) (2006): There is not enough substance in the screenplay to warrant a two hour running time and the characters are forgettable.
Rules of Attraction, The (2003): Let us just focus on the good things about this and not dwell on the negatives.
Come to Daddy (2019): It stands up well to a lot of other modern horror films plus there is some good music on the soundtrack.
Good Posture (2019): It didn't appeal but it has some good reviews elsewhere so it might be worth a try.
Pursuit of Happyness, The (2006): Soppy.
True Crime (1999): Another save the man on death row screenplay with the usual commercial ending.
Ride Lonesome (1959): Another successful collaboration between Randolph Scott, director Budd Boetticher, and writer Burt Kennedy.
Reader, The (2008): The screenplay was fine but the film's strength was the performance of Kate Winslet who is one of those actresses who will play an unglamorous part.
Garth Marenghi's Darkplace (TV Series) (2004): It is different what more can you ask for(?)
Life Begins (TV Series) (2004): Very well written but just as importantly Caroline Quentin nails the lead part.
Rossellini's History Films: Renaissance and Enlightenment (The Age of the Medici, Cartesius, Blaise Pascal) (1972-1974): The screenplays were stagey and the viewing not exactly gripping at times but on reflection, there was a feeling that the time was well spent.
Elena (2011): The screenplay is uncomplicated and is not overburdened by dialogue but the silences, particularly through Nadezhda Markina as the lead character, are used well. The score by Philip Glass is a bonus.; DVD $29.95
Castle, The (1997): Extremely well written, the characters are exaggerated to just the right extent and the drawbridge is raised on proceedings at just the right time.
Just Mercy (2019): Whilst the dramatisation concentrates on the McMillian case hopefully it will be a spur for further reading into the achievements of Bryan Stevenson as a social justice activist.
Way of the Gun (2001): Although this screenplay takes it to the laughable extreme it does beg the question of where would the American screenwriter be without the gun(?)
Oh, Woe is Me (Helas Pour Moi) (1993): I watched it.
Suspiria (2018): I suspect it is a film that will stand up to repeat viewing mainly because the good bits are very good (that is Irish) and the other bits will become more appreciated.
Birds of Passage (2018): There were some aspects relating to local customs that were interesting but the bulk of the screenplay – the criminal activity – was routine and wasn't specific to Colombia but could be found in many other countries.; DVD $29.95
Our Man Flint (1966): It has more curiosity value than anything else 50 yrs on. An excellent musical score helps.
Bombshell (2019): Although the screenplay is a bit uneven it at least helps to keep the issue at Fox alive and not buried and forgotten.; DVD ~~$24.95~~ $18.70
Hook (1991): The screenplay needed to lose an hour – one way would have been to give half the characters the hook.
Alice in Wonderland (2010): Great to look at and it has a terrific cast with HB Carter's segments the highlight.
One Hour Photo (2002): It is okay but it helps to be a Williams fan because otherwise, nothing memorable develops.
Tuskegee Airmen, The (1995): An interesting enough story produced and performed well.
Perks of Being a Wallflower, The (2012): I've seen this three times and rated it differently three times.
Aim High (TV Series) (2011): It is not very long but it fits in quite a bit of violence.
Mee-Shee (The Water Giant) (2005): The creature may appeal but the only real highlight is the Queenstown shooting locations.
Dream House (2011): The ingredients were there but things didn't really fire.
Richard Jewell (2020): Another compulsory two hours plus drama from Eastwood – it is actually a story worthy of the telling but not by a commercial dramatist.
Being Human (TV Series) (2008): Series 1: It gets better as it goes along and is worth persevering with.
RKO 281 (1999): The story is reasonably well known so there is little drama here – it is more of having the necessary amount of tolerance that is needed to spend time with these precious characters.
Invisible Man, The (2020): I couldn't see what all the fuss was about.
Dudesons Movie, The (2006): A star performance.
Freshman, The (1990): It is a well written screenplay backed up by some intelligent casting.
Ten Canoes (2006): It was not as interesting as it should have been.; Blu-Ray $19.95
Hunt, The (2020): Elitists hunting humans for the sport has been done so many times that no matter how many variants are used in the screenplay, at the end of the day, it is just lazy filmmaking.
Little Women (2019): Good production values and female ensemble casting.
First Name: Carmen (Prenom Carmen) (1983): The screenplay will have had more impact in the 80s.
Sea Wolves, The (1980): The screenplay is a bit longer than need be but there is an attractive casting in depth to maintain the interest.
Sword in the Stone (1963): Looking back at animation from the 1960s makes a refreshing change. It is entertaining to boot.
Goodfellas (1990): Rewatching 30 years on & the film has not weathered well. The time & place is well done & the in your face erudite language hasn't aged but the rest of the screenplay just comes across as a series of violent acts.
X-Men: Dark Phoenix (2019): It should disappoint followers of the franchise.
Tucker: a Man and His Dream (1988): There are things to like – especially the period's wardrobe and the use of shadow by the cinematographer – but it is hard to empathise with its main character – a car maker.
Made in U.S.A (1966): The director chooses a complicated way to tell the story.
Big Trouble in Little China (1986): It is hard to dislike, silly but it does have energy and to give it its due it doesn't take itself seriously.; DVD ~~$20~~ $15
Seraphim Falls (2006): It is fine for its type and with the exception of Angelica Huston popping up we are on familiar territory.
Neruda (2016): The attraction to this film was the title character but unfortunately, quite a bit of the screentime was devoted to his purser in whom I had no interest at all. An appetiser only for those interested in Neruda.
Night in Casablanca, A (1946): There is wit as well as the usual enjoyable terrible jokes plus segments of excellent choreographed visual humour. The talented musical segments are the icing on the cake.
Yuli (2018): The general screenplay is no more than adequate but the dancing segments make it worthwhile.; DVD $29.95
Varsity Blues (1999): Typical of other American Football dramas.
Telling Lies in America (1998): It is an example of a screenplay being dominated by its soundtrack but I'm not complaining.
Class (1983): The comedy is never strong but weakens further when the romance kicks in.
Autobiography of Miss Jane Pittman, The (1974): I know the main character was over 100 but the screenplay goes on too long. The photography was great however and could be appreciated as most of the scenes were shot outdoors. There was also a good country blues soundtrack.
Nightcrawler (2014): The plot idea is fine but the screenplay becomes less and less convincing until it finally outreaches itself.
A Good Woman is Hard to Find (2019): The screenplay is unconvincing.
Olive Tree, The (El olivo) (2016): A pretty good first half is followed by a weak second which borders on the silly at times.; DVD $39.95
Black Magic (1949): An interesting screenplay is supplemented by good work by the wardrobe department.
New Girlfriend, The (Une Nouvelle Amie) (2014): The screenplay is weak and not very original.
Long Way Down (TV Series) (2007): A relaxing ramble.
Ninth Configuration, The (Twinkle, Twinkle, ) (1980): The screenplay was different but not always convincing and there were a bit too many looney segments – they became a bit repetitive.
A Good Day to Die Hard (Die Hard 5) (2013): I wouldn't think they would know what day it was.
Fringe (TV Series) (2008): It maintains a reasonable level of genuine Sci–fi throughout the series.
Fanny (1961): Horst Buchholz can't act and Chevalier has limitations which doesn't help this overlong screenplay. However, the big plus is that the cinematographer is the legendary Jack Cardiff.
Secret Mission (1942): There is some interest in the younger versions of a talented cast but the screenplay has not weathered very well.
Trip to Bountiful, The (1985): If nothing else the time and place has been captured admirably.
Ice Storm, The (1997): Even quality performers Sigourney Weaver and Joan Allen can't spark any life into this – although if Allison Janney had more to do things might have been different. However, young Christina Ricci does save the day somewhat.
Blithe Spirit (1945): A delightful screenplay with Margaret Rutherford stealing every scene she is in.
Moon is Blue, The (1953): It plays like a play with most of the movement coming from the lips. Maggie McNamara provides most of the interest as she has not been overexposed on the big screen.
Othello (1952): Great positioning of the camera and the use of lighting.
Pierrot Le Fou (Crazy Pete) (1965): A free wheeling but uneven screenplay. Some of its segments do not work so well 50 years on but it is still mostly an interesting watch.
Blow (2001): It barely causes a ripple.
Hopscotch (1980): Not the strongest of comedic screenplays but with all due respect to the rest of a pretty useful cast it would have fallen flat on its face without Walter Matthau.
Keeper, The (Trautmann) (2018): Although it is a commercial offering it is a good story and the production values are worthy of attention.; DVD $24.95
Snow Queen, The (2005): The CGI isn't that successful at times but it is watchable and it is not too long.
Zeus and Roxanne (1996): I think the humans recognise that they are only in a supporting role in this excellent family entertainment.
Bad Boys For Life (2019): It did well at the box office.
Holding the Man (2015): It has all been done before, it is over sentimental and takes ages to finish.
Without A Paddle (2004): More silly than funny. It is interesting that the screenplay can still find a role for automatic weapons as part of its entertainment props.
Blackmail (1929): It is standing the test of time. The silent acting crossing over into sound is interesting as is the editing technique used to keep the story moving – but the highlight is the wonderful street locations including the cab chase 1929 style.
Terminator, The (1984): Sci–fi is normally associated with intelligence, not unending automatic gunfire.
Speechless (1994): A mildly amusing plot idea and performances but the two leads do have some appeal.
Human Factor, The (1979): The screenplay is never boring but it is not enthralling either. There is real compensation however in the casting of some of the cream of British acting talent.
Ben 10: Race Against Time (2006): Not too bad.; DVD $19.95, $24.95
Cake (2014): After some early promise in the scenes involving Jennifer and Adriana, the screenplay doesn't deliver – in fact, it is not clear what it is meant to deliver. Although Jennifer's performance is fine the male characters, in particular, are weak.
Envy (2004): It doesn't matter what kind of film this is meant to be, Stiller, who is unfortunately in every scene, is miscast.
Marley and Me (2008): Although you need to look at Wilson for two hours there is some relief provided by Jennifer and the dog.rn
White Mischief (1987): It is a reasonable story, an excellent cast and production values but the problem was always going to be making the characters, who don't do anything useful in life, interesting.
Live From Baghdad (2002): There have been quite a few of these "reporters on the front line" dramas and this one rates well against the rest. Having talent like Keaton, Carter and Suchet helps.
Manchurian Candidate, The (1962): The plot idea is very good even if the screenplay is a bit clunky at times. I've never rated Harvey as an actor but Angela Lansbury is superb and too strong for the rest of them.; DVD ~~$24.95~~ $18.70
Herbs - Songs of Freedom (2019): It didn't always switch smoothly between the music, archival film, and interviews but not a bad watch.
Bait (2019): The camera work is centre with close–ups of bits of rope & the like & creating the right feel for a drama located in a small fishing community. The drab colours help & tension is enhanced with the expectation that the projector might break down.
Julieta (2016): It looks good but it doesn't achieve much more than that.
Iron Jawed Angels (2004): A terrific female ensemble sees this dramatisation through despite some melodramatic segments. A snappy soundtrack helps as does the excellent work by the wardrobe department.
Rat Pack, The (1998): The production values are fine.; DVD $19.95
Informer, The (2019): There is nothing to distinguish it from many others of the same ilk.
Hellboy (2004): Good work by the special effects and in particular the makeup departments but what makes this more watchable than a lot of comic adaptations is Ron Perlman's attitude to his character.; DVD ~~$20~~ $15
Visitors (2003): A good idea but the suspense didn't rise to any great height.
Dave Chappelle's Block Party (2005): Bouncy and good natured.
Celebration: Yves Saint Laurent (2007): They've dug up yet another fashion worker to document. This precious one describes his life's work as self–sacrifice for which I guess we should be grateful.
Evita (1996): Musically not every segment works and it close to being described as a one tuner. However, the set design and wardrobe people do a great job and help to soothe the passage of the lengthy running time.; DVD ~~$19.95~~ $14.95
If These Walls Could Talk (1996): It is not an easy watch because understandably the characters get emotional. The screenplay tackles an important issue and everyone involved should be commended.
Private Benjamin (1980): The first half is pretty good but then the screenplay changes tack when the love interest appears and the comedy suffers. Eileen Brennan is a real plus throughout.
Summer 1993 (2017): The two kids are terrific and the screenplay so believable with an excellent low key ending.
Metropolitan (1989): It is heavy on dialogue and dialogue that is not of any importance or even of the slightest interest to the rest of us.
An American Werewolf in London (1981): Admittedly "An American Werewolf in America" wouldn't have the same ring to it but having it located in London was a masterstroke as it enabled a good supporting cast of British actors to be used. The screenplay weakens but it does have some highpoints
Drug War (2012): It was okay but its ingredients were no different from many other crime dramas from this part of the world.
Safe Spaces (After Class) (2019): It will find an audience but for me, characters that talk incessantly are a real turn off.
Phil Spector (2013): Although the Spector character was hard work to look at and to listen to the screenplay wasn't without its interesting moments.
Ragtime (1981): Terrific set designs and wardrobe but the screenplay would have benefited from being more compact. If not more compact then shorter would have done. Kenneth McMillan is the standout for me.
Shooting Fish (1997): They should have left the fish alone and shot the young males instead.
Calcium Kid, The (2004): Although it weakens the further it progresses it is hard to dislike.
Don't Tell Mom the Babysitter's Dead (1991): At no stage does it reach great heights but the kids aren't annoying which in my book is some achievement.
Lassie (1994): Although the boy kid is a bit annoying Lassie continues to be good family entertainment as she has since the 1940s.
Sniper, The (Sun cheung sau) (2009): It is about some photogenic snipers.
Wiz, The (1978): It has curiosity value and some good ensemble dancing but overall it is too long.
City of Lost Children (1995): Although the screenplay failed to hold one's interest there were plenty of interesting/over the top characters and the set designs and artwork were excellent.
Executive Decision (1996): A bit overlong but better than average for its type – having the talented David Suchet on board helped.
Three Men and a Baby (1987): It is a bit desperate when you need to use a crying baby as your comedy prop.
Zombieland: Double Tap (2019): As a zombie comedy, it works okay but there are so many zombies around these days that it is hard to be seen as different.
Six Degrees of Separation (1993): The adaptation of a very good story to the screen works very well but the risky casting of Smith may not work with some viewers.
Crackerjack (2000): A competent Aussie comedy but one which has the added benefit of John Clarke who is always worth a *.; DVD $20
Get Well Soon (2014): The material is light and the whole thing is quickly forgettable.
Grass Harp, The (1996): An excellent ensemble does justice to a solid screenplay. Nell Carter does some pretty good scene stealing by sheer force of personality.
Ghosts of the Civil Dead (1988): Other than the fact that the prisoners didn't seem to have much of an ethnic mix the screenplay seemed to be authentic enough and it stands up well in comparison with other prison movies.
Son's Room, The (La Stanza del Figlio) (2001): It is a melodrama concerning a photogenic family with the level of soppiness gathering pace in the second half and it gets close to embarrassing.
Benji (1974): It is cute but only when the dog has something in its mouth to stop it from barking.
Invention of Lying, The (2009): The plot idea was fine but it lost steam and appeal after a while.
Legend of Baron To'a, The (2020): Some will find it funny some will find it silly.; DVD $29.95
Man Who Fell to Earth, The (1976): Its main attraction is that it is highly original but it loses some of its impact by spending too much time on the love interest – quite a bit of which had nothing to do with science fiction.
Mr. Brooks (2007): Unusually Demi struggles a bit in this. Having the Costner and Hurt "characters" on screen together is a bit clumsy at times but I suppose it is better than having two Costners.
Queen of Sheba's Pearls, The (2004): It has some delightful touches of offbeat humour sprinkled here and there in an interesting screenplay. It is performed by an interesting mix of a cast which includes the great character actor Peter Vaughan.
Adventures in Babysitting (1987): It may not have worked but for the casting of the appealing Elisabeth Shue but there are some great Chicago street locations.
Centre Stage (2000): Just watch the dancing bits.
Kings Go Forth (1958): A bit dated but bearable.
Photograph (2018): The low key performance of the two leads is just right. The male patiently surviving onslaughts from his nagging grandmother whilst the female is at all times beautifully non effusive. Soppy romantic screenplay writers can learn a lot from watching this.
Professor and the Madman, The (2019): Good production values. However, there was a lot of mumbling behind beards and it wasn't that easy to follow the screenplay but because the synopsis sounded interesting I hope to read the book.
Birth (2004): The screenplay wasn't that interesting – you either believe in reincarnation or you don't. However, there is an excellent adult cast to take you through.; DVD ~~$19.95~~ $14.95
Room on the Broom (2012): Delightful.
Inside Llewyn Davis (2013): Some more excellent Cohen screenwriting and music collaboration with T Bone Burnett. The winter scenes are well done and even with an overcoat, it is cold. The casting is spot on with the verbal sparring between Oscar Isaac and John Goodman the highlight.
Fear(s) of the Dark (Fears of the Dark, Peur(s) du noir) (2007): Whilst the stories are not memorable the animation style is well worth a look.
Tom and Jerry - The Movie (1992): When released in 1992 it may have had a better chance of success but when compared to animation released in later years it looks pretty basic. A time capsule at best.
Kiki, Love to Love (2016): This should have trouble finding an audience.; DVD $29.95
Bicentennial Man (1999): It is based on a good story but the trick with a story that has only one joke is knowing when to pull the pin.
Don't Worry, He Won't Get Far on Foot (2018): It happens to be a well written screenplay but when Joaquin Phoenix is on form it doesn't really matter how good or ordinary the material is.
A Few Best Men (2011): At best it is silly but often it lacks taste.; DVD $14.95
Stonehearst Asylum (Eliza Graves) (2014): It looks the part, it has an excellent cast, a good plot idea, and a good finish but overall it doesn't work. David Thewlis's performance however does stand out and is some compensation.
Angels' Share, The (2012): The screenplay is less structured during its second half & although it does not have the strength of the early scenes the effect overall is still of hard punching Glasgow realism coupled with delightful working class wit.
Beautiful Boy (2018): It has an anti–drug taking theme which is good but the screenplay and its melodramatics have all been done before.
High-Rise (High Rise) (2015): Always original and wonderfully satirical but the screenplay runs amok in its second half when a bit of restraint would have been the wiser option.
Stephen King's Doctor Sleep (2019): It has an overcomplicated way of telling its story and it relies heavily on noisy sound effects to create excitement.
St. Ives (1976): A well produced routine screenplay with a pretty good supporting cast in Houseman, Schell and Guardino.
Caramel (Sukkar banat) (2007): Although romantically themed it avoids most of the soppiness these kinds of screenplays often attract. The mainly female cast are excellent and they are at their best when bonding together.; DVD ~~$24.95~~ $18.70
Twelve Angry Men (12 Angry Men) (1957): Stagey & melodramatic but a lesson against all–male juries. It got the sweat, the smoking, & the sticking windows right. Some excellent up–close camera work & performances except Fonda as a producer shouldn't have been in the hero role & in a white suit.
Shine A Light (2006): A solid concert from the second best band on the planet.
Don't Look Now (1973): The writing is intelligent and so is the shooting location of Venice – how can the canals fail to maintain interest. Some excellent editing also adds value although we could have done without the slow motion shots.
Some Girls Do (1969): It is a sequel that is better than its original with excellent support casting and some good humorous touches. Unfortunately, it goes on a bit too long for its material.; DVD $19.95
Deadlier Than the Male (1966): Although the screenplay and the plot idea are a bit dated there is a good performance from Nigel Green that is worthy of attention.
Let Them Eat Cake (TV Series) (1999): The material is not too bad and the comedy partners are well assisted by a good supporting cast headed by the great Alison Steadman. The wardrobe will also have its admirers.
Catchfire (1990): Aka "Backtrack". The screenplay is ordinary – the romantic segment between Hopper and Foster just doesn't work – but what maintains the interest is the extremely strong support casting.
So I Married an Axe Murderer (1993): Although the screenplay doesn't flow as well as it might it is unquestionably entertaining – on that score I can't see Myers ever being boring. A very good comedy plot idea.
War Of The Colossal Beast (1958): A typical sequel but at just over an hour it doesn't push its luck too much.
Hail Satan? (2019): It is entertaining enough. As with any documentary about religion file under "Comedy".; DVD $29.95
Adventures in Zambezia (Zambezia) (2012): The story nor the characters are very original but the latter should still be good entertainment for family members.
Amazing Colossal Man, The (1957): It has a good storyline which is entertainingly carried out.
Red Ribbon Blues (1995): It is not great but it does have some genuinely humorous moments.
Clovehitch Killer, The (2018): Although the screenplay shows its hand early it is still able to maintain some interest even if the tension is minimal.
Wolf's Mouth, The (Mouth of the Wolf; La bocca del lupo) (2009): Put together in a novel way the story is supplemented by some really interesting library footage plus scenes of Genoa's back streets and alleys.
Ad Astra (2019): Although there was a lot of mumbling inside helmets the good plotline was discernable but the honours go to the special effects team who made good use of the limitless space available to them.
Blues Brothers, The (1980): DVD ~~$20~~ $15
Super Troopers (2002)
Confidence (2002): The unoriginal screenplay needs all the help it can get but there are too many annoying characters led by Burns and Giamatti (who gives another hysterical performance).
Naked Kiss, The (1964): It starts off okay and finishes quite well but the screenplay loses its umpf in the middle.
Last Christmas (2019): The screenplay makes you cringe at times but Emilia Clarke rises above the material so that in the end it is not a total sugary disaster. Emma Thompson and Michelle Yeoh have only small parts but they do help to give the proceedings some credibility.
Columbo (TV Series) (1971-2003): S1: Very well written episodes and all are aided by some great guest casting.
Rebellion (TV Series) (2016): S1: It looks like a serious attempt to recreate the events to a reasonable degree of accuracy. The period's details are well catered to and the casting of the arrogant British Officers is sublime.rnrn; DVD $29.95, $34.95
Blue Thunder (1983): The helicopter stunt flying is really the only redeemable feature.; DVD $14.95 | Blu-Ray $24.95
Man from Snowy River 2, The (1988): For some reason, Jack Thompson is not in this but Tony Barry is.
Man from Snowy River , The (1981): Not sure which one was the man from Snowy River but Sigrid Thornton was fine, Jack Thompson as expected was in it but the highlight was the panoramas.; DVD ~~$24.95~~ $18.70
Christmas Story, A (1983): A rarity – a Christmas film that can be recommended.
Moneyball (2011): Pitt is good in this one – in turn the screenplay is more intelligent than a lot of sports dramas. It is long but worth it.
Ladies Who Do (1963): It is sexist in a 60's kind of way but extremely well written. There is a good male cast led by Morley and Corbett but they are on the second rank with Peggy, Dandy and the girls to the fore.
Joyeux Noel (Merry Christmas) (2005): Well produced but some of the front–line antics are over staged and unintentionally comical. To its credit however it is anti–war and therefore hard to dislike.
Defiant Ones, The (1958): "You can't lynch me I'm white". Well written and performed – loved the strong and hard bitten supporting cast of Claude Akins, Theodore Bikel, Charles McGraw, and Lon Chaney.; DVD ~~$15~~ $11.25
Like Water for Chocolate (1993): It was okay but I had my fill – it just needed to be about more than food and babies.
Angel and the Badman (1947): All the normal ingredients of a western are there but it does try a lighter than normal tone, including a boys will be boys fight in the saloon, which helps.
Rock Hudson's Home Movies (1992): It is not clear whether it was the intention of the filmmaker to embarrass others or at least affect our memories of them – but you would think that this would have happened.
First Wives Club, The (1996): Although the female ensemble casting is good the performances are a touch over–exuberant with the exception of Maggie Smith in a wig. The males don't get much of a look in but Dan Hedaya comes closest to getting a word in.
White Lion (2010): It follows the usual format when filming animals in the wild and the screenplay is also padded out to fit in some humans.
U.S. Marshals (1998): Even for its genre, it is quite long but it has one or two segments that have aged well.
Dora and the Lost City of Gold (2019): It is okay but perhaps it tries a bit too hard including the performers over performing their roles.
This Is Spinal Tap (1984): It is still watchable a second time around which is an achievement for a mockumentary when the viewer is already in on the joke.
Mad Dog and Glory (1992): David Caruso, Mike Starr, & Kathy Baker are in support which shows how strong the casting is. Uma's role was a bit demeaning unfortunately & that side of the screenplay received a bit too much attention & was a detraction from some good writing otherwise
Square, The (2017): On first viewing I thought it was messy with many uninteresting segments – will try again.; DVD $29.95
Captain Amazingly Incredible and the Space Vampires from the Evil Planet! (2010): It is not a clone.
Dinner Game, The (1998): It needs to tread a fine line and does so by achieving a balance in its satire without being offensive to any particular persuasion. Importantly it doesn't overstay its welcome.
Kung Fu Dunk (Gong fu guan lan) (2007): It has some entertaining segments but I don't think it knew what kind of film it wanted to be – Kung Fu, comedy, or sports and therefore what audience it wanted to attract.
Jewel of the Nile, The (1985): A good old fashioned adventure yarn. The two leads are an excellent team.
Scott Pilgrim Vs The World (2010): Cera is a bit one dimensional but there is compensation in the supporting cast. The screenplay is uneven but the good bits are worth waiting for.
Big Country, The (1958): Burl Ives is the reason for the best scenes.
Mr. Wrong (1985): The suspense is there but it is not overdone and it is not in your face. The suspense is believable because our heroine is believable and she is vulnerable and she could be me.; DVD ~~$30~~ $20
Let the Sunshine In (2017): Nothing of importance happens and the male characters are a waste of celluloid but thankfully there is Juliette to brighten things up.
Weather Man, The (2005): A very good plot idea is thwarted by another over the top performance from Cage. It would be good to read the story without the distraction of Cage's histrionics or watch a remake of the film with the title role recast.
Invasion, The (2007): Whilst remakes generally fall under the description of lazy filmmaking, one based on the "Invasion of the Body Snatchers", you would expect to be interesting.
Endless Summer 2 (1994): Those of us who enjoyed the first endless summer are now in our autumn and more than welcomed another endless summer.
Nightmare On Elm Street 4: Dream Master, A (1988): It is not a waste of time but it is sequel #3.
Canton Godfather, The (Miracles; Mr. Canton and Lady Rose) (1989): Although a bit overlong it is worth watching to admire the set designs plus there are some Jackie Chan moments.
Triplets of Belleville, The (Belleville Rendezvous) (2003): Although the screenplay weakens towards its end up till then it will be one of the better adventures about a granny and her multipurpose train–spotting dog you will probably see. The animation is outstanding and is so good little dialogue is required.
Goonies, The (1985): Although there is some good art and design work the screenplay is really about screaming kids.
Paranoid Park (2007): The kids are fresh and perform naturally without any baggage. The storyline is interesting and it is presented in a low key manner supplemented by a very good soundtrack.
Crazy Beautiful (2001): The two leads are fine but the screenplay doesn't see it out after a pretty good start.
Bigger Than Life (1956): Once James Mason gets into his stride it is not an easy watch.
Whirlpool (1949): The screenplay, although a bit contrived in parts, was watchable. I think if George Sanders had have played the George Sanders part instead of Ferrer it would have improved it.
Finding Forrester (2000): The screenplay has some good segments but the closing scenes are commercial and after it climaxes it struggles to find an ending.
Honeyland (2019): Hatidze is a toughie and so is her environment. This is a welcome addition to the important bee documentary sub–genre.
Percy Jackson: Sea of Monsters (2013): Percy J wasn't much chop but the sea monsters improve things a bit.
Judy (2019): More okay than gripping. The make–up people did a great job on Judy's face.
Girl vs. Boy (TV Series) (2016): It has a bit of energy and is worth a look.
Spirit, The (2008): Uneven but to its credit, it is different and never boring.
Pale Rider (1985): The screenplay has been done before and it seems longer than its running time but there is some good location shooting.
Six Feet Under - Season 4 (TV Series) (2004): Watchable but the script has a few dips here and there.
Kedi (2016): The kedis in our neck of the woods leave little monuments to themselves around the place.
Rashomon (1951): Shot in beautiful black and white. The story is interesting and is told in a novel way.
Official Secrets (2019): Terrific writing – the screenplay could have easily have been more complex but was viewer friendly. To its credit also, the dramatisation didn't get sidetracked with subplots and non of the performers overdid their parts but stuck to the job at hand.
Lighthouse, The (2019): No colours, lack of lighting, the sound effects, & the setting were well done. The screenplay using 2 characters was questionable – 1 person could have gone mad on his own equally as well if not better. The resulting cost saving could have been passed on.
Full Moon in Paris (1984): Another Rohmer film where the characters are not doing anything useful.
Room with a View, A (1985): Quality cast, photography, and production values. For performance watchers, it is a good chance to compare acting talent when you have quality in depth on show. For me, Denholm Elliott, the perennial supporting character actor, stands up well in this.
Midway (2019): These kind of big screen dramatisations usually have and benefit from special effects. The effects in this one are not impressive – the ships look like cardboard cutouts – and as the story was already well known it became a bit of a bore.
Flight of the Conchords - Season 2 (TV Series) (2008): The episodes have a good format and balance between music and comedy. The characters are well created and there is a very good working relationship between the main performers.; DVD ~~$25~~ $18.75
Big C, The (TV Series) (2010): S2: Although the screenplay is uneven the excellent Laura Linney sees it through.
Howling, The (1981): It takes an hour to warm up but even after 40 years it still has a bit to it.
New Adventures of Old Christine, The (TV Series) (2006): S1: The material isn't strong but the characters are pleasant enough without being soppy.
Shopgirl (2005): Claire Danes is the only thing worthwhile in this – the screenplay is very ordinary and Martin is miscast in the romantic role he created.
Teaching Mrs. Tingle (1999): There is some talent here and there amongst the cast but even the usually excellent Helen Mirren can't do much to save this screenplay.
Rats of Tobruk, The (The Fighting Rats of Tobruk) (1944): A dated propaganda drama with a lovely Hollywood type ending – but having said that it is reasonably well done and there are some good humorous touches.; DVD $24.95
Camino Skies (2019): A relaxing watch with plenty of time to admire the surroundings.; DVD $29.95
Money Pit, The (1986): Basically, a weak comedy that just gets weaker and silly toward the end.
Strange Days (1995): It is never better than in its first half because the screenplay afterward gets overexcited with itself and goes on longer than needed. Overall however the sci–fi idea is good and the crowd scenes in the clubs and streets are handled very well.
Final Destination 2 (2003): It gets repetitive because you can soon understand how things are going to work out. The suspense element is gone.
Around the Block (2013): Whilst the screenplay is not fresh it has some good intentions.
Dancer, The (La danseuse) (2016): Whilst the screenplay didn't set the place on fire the dance numbers & the excellent performance from Soko did. The set designs looked spot on, & although the lighting was minimal, I assumed this was in the cause of authenticity, & not a cost saver.; DVD $29.95
Affair, The (TV Series) (2014-2020): SI & S2 – There is nothing wrong with the casting but the screenplay spends too much time in the bedroom – basically if you don't keep moving you get shagged – and it really doesn't develop into anything worthwhile.
Pauline a La Plage (Pauline at the Beach) (1983): The only thing of interest to report on was that the weather stayed fine.
Year of the Yao, The (2004): There are not many documentaries about 7'6'' basketball players (the average height is about a foot shorter) nor 7'6'' anybody for that matter so it is interesting as well as entertaining.
House of Cards - Season 1 (TV Series, US) (2013): It has all been done before and there is nothing in the characters or performances to make it more than a 10 hour time filler.; DVD ~~$15~~ $11.25
BPM (Beats Per Minute) (2017): The debating scenes were very good but the screenplay lost a bit of traction when it focused on the individuals away from the group.
Day Shall Come, The (2019): Flat and it failed to hold the attention.; DVD ~~$29.95~~ $15, $29.95
Cradle 2 the Grave (2003): Jackie Chan does these better but at least it does attempt to alleviate things with a bit of humour.
Toy Story 2 (2000): If not compared to its predecessor it would rate very well as a stand–alone.
Dean Spanley (2008): Whilst it is fair to say that Peter O'Toole in an eccentric role would normally crush those around him here he doesn't because the rest of the cast also get it right and the whole is perfect.
One Eyed Jacks (1961): He who mumbles directs himself which is a mistake as too much camera time is spent in admiration of the lead character. However, there is some beautiful photography that is worthy of admiration particularly the panorama shots.
Meat Loaf - Hits Out of Hell (1991): A classic selection from Meat Loaf.
Vincent, François, Paul et les autres (1974): The casting is a bit rich for the okay screenplay. The boxing segment however is very well handled.
Intimate Confessions of a Chinese Courtesan (1972): The colour photography is very easy on the eye and does justice to the beautiful wardrobe and female casting. The choreography of the different skills used in the film is also well done.
Fifth Element, The (1997): The continuous action is above all entertaining. Some bizarre characters help & among the chaos, the performance of Milla Jovovich stood out. Some interesting special effects & design work played their part with the aerial street scenes a highlight.; DVD $14.95 | Blu-Ray $19.95
Ugly Dolls (2019): It should appeal to the young'uns.
Oh! What a Lovely War (1969): Amazingly it was the director's first film. Most of the cream of the British acting aristocracy were recruited, the set designs and artwork were outstanding, the satire heavy, and the great songs relevant to the period.
God's Own Country (2017): "We should have a night out in Bradford". File under 'Comedy'.
Knives Out (2019): The long–winded screenplay gets bogged down but the production values are fine and there is an excellent performance from Ana de Armas.
Same Time Next Year (1978): Alan Alda is not very good but Ellen does her bit very well.
Hard Candy (2005): Although the screenplay makes it point fairly early in the piece it carries on hammering it home at the risk of losing its effectiveness.
Female Jungle (1956): Being mainly shot in the dark complements the well–written story.
Don's Party (1976): It is showing its age 40 years on but it has retained some curiosity value.
Raising Arizona (1985): The Coens are very close to top form and the cast look to have a free reign to enjoy themselves. The soundtrack is perfect.
Eddie Murphy - Raw (1987): The performance is fine – the content may or may not appeal.
Dumbo (2019): It works very well when the focus is on Dumbo and the special effects team. Understandably it is hard work for the human characters to compete with Dumbo and to come out from under his shadow.
Amy (1998): Rachel Griffiths and Ben Mendelsohn are very dependable actors and are well supported here by a dippy Susie Porter and a believable eight year in Alana De Roma as Amy. As well as the casting what was also spot on was the working class shooting locations.
Hillary: Ocean to Sky (2019): There is a lot of mucking about in boats. Not sure if the expedition had a useful purpose or whether we are viewing some holiday snaps of a beautiful country.
Lorenzo's Oil (1992): It is not intended to entertain but there are some performances to be admired.
Limits of Control, The (2009): An enigmatic character (except that we know he can't speak Spanish, and collects matchboxes) with little to say, meets a string of strangers. In hindsight, it is actually a simple story but it is made compellingly interesting.
Martian Chronicles, The (TV Mini-series) (1979): It takes its time and the screenplay has some less interesting parts but the best bits are worth waiting for. There are some interesting set designs and use of colour plus there are some casting decisions that help.
A Good Marriage (Le Beau Marriage) (1982): Although the material is very light, at the risk of using a contradiction in terms, it is solidly done.
Stay Tuned (1992): Not a bad idea for a story and a pretty good cast for this kind of thing but I switched off more than once.
Matangi/Maya/M.I.A. (2018): There was a lot of home footage which wasn't that interesting but the documentary hit its straps on the segments covering the murders of the Sri Lankan people.
Shaun the Sheep Movie, A: Farmageddon (2019): Aardman is different and they are also very consistent. The characters are a delight.
Law of Desire (1986): A moderate comedy but Carmen Maura is terrific and worth the time.
Ella Enchanted (2004): Not perfect, thank goodness. Anne H plays it right and overall it is good natured with some good comedy moments with help from some excellent support casting.
Tolkien (2019): Excellent production values but the screenplay wasn't that interesting.
Rats and Cats (2007): The comedy didn't work for me – maybe on another day.
Journey to the Centre of Time / Wizard of Mars (1965-1967): Both rate at 2.5 stars so together they are a bargain. If you don't have too high an expectation you will enjoy them more. I thought the storyline of Journey was quite interesting.
What We Did on Our Holiday (2014): The kids are a bit screechy but otherwise the casting is very good. The first half of the screenplay is much stronger than the second when the story weakens out, but the excellent location shooting helps.
Moro no Brasil (2002): The Director takes us on a musical road journey through Brasil.
I See You (2019): It doesn't really break any new ground, which would be hard to do anyway, considering the number of similar films.
Wild Thornberrys Movie, The (2002): Plenty of action, plenty of entertainment.
Paul (2011): I suspect the uncut version of this is stronger than the theatrical version but Pegg and Frost are as usual watchable (either as a single or a double act).
Communion (1989): It doesn't all work as well as it could have but at least the screenplay doesn't follow the expected path– whether by design or not I don't know.
Toy Story 3 (2010): Considering it is the second sequel, and even though it is a Pixar, it is pretty good.
Aviator's Wife, The (La femme de l'aviateur) (1981): Very little happens.
Goldfinch, The (2019): The screenplay doesn't go anywhere fast and the characters do not raise the interest level to any great degree.
Escape Room (2019): This is one of the better escape room films.
Ricochet (1991): Violence, with some of it tasteless, rules the screenplay which finally gives up the ghost and goes off the rails completely. However, the one saving grace is the performance of John Lithgow who is very very believable.
Barbarians at the Gate (1993): Unusually for 100 minutes of suits and hairdos, it is very entertaining. The screenplay oozes greed. James Garner is terrific in heading an extremely solid cast. Have a look at yourselves Corporate America.
Flesh (1968): The young characters don't do anything which might be the whole point of the screenplay.
Meeting Gorbachev (2018): Well done Werner for capturing on film a person who had a positive impact on modern history.
Color Out of Space (Colour Out of Space) (2019): It had a good story and some good work went into the design of the film but the whole project turned into a circus by the lead actor going on an ego trip.
Graduation (Bacalaureat) (2016): It should have been able to tell the story in less time or have the screenplay achieve more than it did.
Untamed, The (La región salvaje) (2016): The minimum number of characters are used to good effect. The screenplay is a good mix of light horror, sci–fi, and, by not using noisy sound effects, eerie suspense.
Tracking Edith (2016): Considering the documentarian did not have access to Russian archives he does a good job with her espionage activities. Unfortunately, her photography takes second place in this story but her brilliance, from the photos we do see, is apparent.
Bob Roberts (1992): I think one thing the film does get right is the incessant noise of people in US politics – supporters, media et.al. No time for thinking. The songs are untuneful deliberately I would say. As a satire it will not date.
Hush (1998): The screenplay isn't convincing but Jessica Lange is.
Innerspace (1987): Personally, I always found Quaid hard to swallow, and although the film has a good comedic idea two hours is too much to digest.; DVD ~~$20~~ $15
Fisherman's Friends (2019): The shanties are excellent but the screenplay in between is only padding or in this instance light ballast.; DVD ~~$20~~ $15
Sonic The Hedgehog (2020): Quicker(?) Maybe but I'm still a Road Runner fan – Beep Beep.
Jungle Book, The (1968): Some great characters with the elephant segments the highlight. A family classic.
Box, The (2009): An intriguing first half is let down by the second – but overall the writing is more imaginative than most screenplays. Frank Langella has a bit missing but even though he is not all there he is still good enough to take the acting honours.
Glimmer Man, The (1996): Usual good stunt work and action sequences with some attempts at humour. Needless to say, Brian Cox is in the supporting cast.
Long Way North (Tout en haut du monde) (2015): The not so usual animation style – old world hand drawing – is very easy on the eye and complements the old world adventure storytelling.
Birds of Prey (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) (2020): I'm a male so I'd better hurry and finish this review before Margot and the girls find me and I'm history.
Princess Bride, The (1987): Some of the set designs look a bit cheap but the story is entertaining and there are some beautiful shooting locations that more than compensate.
Monsoon Wedding (2001): The characters are a non–event and there is not much of a screenplay but there are some great street scenes, the beautiful wardrobe of the ladies, and wonderful singing and playing.; Poster (G) $14.95
Earthly Possessions (1999): The screenplay does weaken out but on the way, there are some genuinely delightful segments accompanied by a very good blues track.
Happy End (2017): Had trouble working out the family relationships & this didn't help understanding an untidy screenplay but it was all grist to the mill. Trintignant as a depressed 85 year old & Fantine Harduin as a depressed 13 year old were the life of the party.
Serpico (1973): The New York street location shooting is a real highlight and firmly establishes time and place as the basis for a pretty good screenplay.
Walking Out (2018): We are in "if it moves shoot it" country (although that could apply to some cities as well). A mans got to do what a mans got to do. The second star is for the scenery without the humans.
Stockholm (2018): There have been a few bank hostage dramas. In this, the Hawke character just gets annoying even though he is an idiot.
He Loves Me, He Loves Me Not (A la Folie pas du Tout) (2002): Although it plays like a remake in parts it is worth a look.
Shortcut to Happiness (Devil and Daniel Webster, The) (2004): It is a real curiosity piece in that I've never seen Anthony Hopkins struggle in a role before – not that the part was particularly difficult – in fact, it was way below his capabilities.
Hobbit, The (1977): The animation was pretty basic but it tells the story well enough (and in only an hour and a half).
Tinkerbell and the Secret of the Wings (2012): There no need to be embarrassed about being a Tinker Bell fan.
Born Racer: The Scott Dixon Story (2017): I know what its like to go to work every day and just go around in circles.
Last Resort, The (2006): Rewatched in 2020 and it is noticeable how relevant are the issues still. The documentary will be a reference resource for students and historians.; DVD ~~$19.95~~ $14.95
Cranford (TV Mini-series) (2007): Quality at every turn. The female cast fits perfectly into character & wardrobe & then gives a masterclass performance. The writing's social conscience gives the screenplay its strength & it is never in any real danger of degenerating into anything else.
Sir Billi (2012): I liked the animation style – it is bold and has some distinct elements to it. The characters are entertaining and the short running time reduces the risk somewhat.
Short Circuit 2 (1988): It was okay but if you have seen the original the novelty of the character doesn't really extend to a sequel.
Sione's 2: Unfinished Business (2012): There are a few fisticuffs and slaps across the chops but it is all harmless and good natured.
Miracle at St. Anna (2008): A very unconvincing (overlong) screenplay and the script is not much better.
Longitude (1999): The long screenplay at no stage lacks interest. The casting is faultless and the performances are a strength of the dramatisation. Michael Gambon 10/10 – even surrounded by a wealth of talent he is a standout.
As You Like It (2006): The excellent Brian Blessed heads the troupe in this well designed interpretation. Is there any character type the ubiquitous Alfred Molina cannot play(?)
Dinner With Friends (2001): It is an hour and a half talkie with four characters but as three of them aren't annoying it is watchable for the most part.
Being Julia (2004): Bening gives a terrific performance in stamina if nothing else. Although the screenplay doesn't see out the distance it has some great moments when Bening is working with the superb veteran members of the cast. The set designs & wardrobe are spot on.
Daniel Isn't Real (2019): I didn't think it worked but the ingredients were there and it deserves credit for not following well–trodden paths.
Gentlemen, The (2019): For the most part, it has a Guy Ritchie pace but the screenplay is uneven & I would suggest it is because there are too many characters. Michelle Dockery and Colin Farrell are good but Charlie Hunnam is unconvincing in giving a Tom Hardy impression.
Waking Life (2001): For an animated film, it is heavy on dialogue. This to me, defeats the purpose of animation which is primarily a visual art. If the dialogue doesn't switch you off the animation is worth a look.
Roma (2018): Aka "Cleo from 5 to Bedtime". Aparicio as Cleo is terrific as a Jill of all trades to a well–off family – importantly she is the one with most control & influence over the children – which I would think is the main point the Director is trying to make.
You Don't Know Jack (2010): It is heavy on the ears and sometimes the emotions. The performances from a fine cast (keep your eye on Susan Sarandon's low key performance as one of the less noisy ones) are a highlight.
Spies in Disguise (2019): Not memorable but certainly entertaining.rn
Event Horizon (1997): It fails to build on a promising start and thereafter doesn't really offer much different to what has been done elsewhere.
Happy, Texas (1999): Okay but the comedy is a bit forced. Maybe on another day perhaps.
Satan Returns (1996): The screenplay is not great but at least it has plenty of energy and some odd bits to keep the interest going.
Midnight Special (2016): It was okay but you couldn't at any stage get rid of the feeling that the screenplay was not delivering on its promises. The kid's shiny eyes were a bit corny and looked as if they had come from a cornflakes packet.
Dune (1984): The screenplay was a mixture. Patience was needed to wait for the very good things that were just around the corner. The effects & set designs were good & the casting was more than interesting with the bad guys led by Kenneth McMillan stealing the show.
Open Water (2003): It is a very simple story and because it has a suspense element inherently built into it only a small budget was required. It should also be complimented on the short running time and for its underhanded ending.
Welcome to the Rileys (2010): Although the screenplay is not memorable the performances see it through.
Exorcist II - The Heretic (1977): Although it made money at the box office it must have done so on the coattails of the original. Not a bad cast though.
Judy & Punch (Judy and Punch) (2018): It starts out really well but loses its momentum. A shorter screenplay might have worked better. It is well worth a watch, however. The set designs, wardrobe, and hairdos were spot on.; DVD $29.95
Biggest Little Farm, The (2019): It is a relaxing watch but it doesn't cover much new ground.
Cast Away (2000): The running time is a long two and a quarter hours – as a viewer who would you like to spend most of that time alone with(?)
All Night Long (Die Heisse Nacht) (1961): Whilst the screenplay was a bit hit and miss the jazz segments, particularly because of the personnel, were worthy of attention.
Slaughterhouse Five (1972): One of the great anti–war novels could not have been easy to transfer to the screen but although they have done an admirable job the book is still markedly superior.
Young Sherlock Holmes and the Pyramid of Fear (1985): One thing that is worse than a smart arse is a young smart arse.
Dracula Has Risen from the Grave (1968): When Christopher Lee (I mean Dracula) is in a scene interest levels rise considerably.; DVD ~~$15~~ $11.25
Temple Grandin (2010): 10/10 for Claire Danes and her supporting cast are also excellent. The screenplay is remarkably level–headed. Temple Grandin's story and achievements deserve to be told.
Madagascar 2: Escape to Africa (2008): The characters have genuine character and have been drawn delightfully.
Tinker Tailor Soldier Spy (2011): For the most part, the editor did extremely well to keep tabs on a myriad of characters, including flashbacks, and still tell a never straight forward story comprehensively. Oh, and the casting wasn't too bad.
War, Inc. (War Inc.) (2008): Although the screenplay has its share of silliness the basic plot idea is a very good one and the casting is more than useful.
Bay, The (2012): The basis of a found footage film is that the viewer is an idiot & s/he believes that the said footage has in fact been found. There are hundreds of these things in circulation (IMDb has a top 100 list) but the viewer has wisened up to the con. long ago.
Vantage Point (2008): The 1st time I saw this I thought it was pretty boring watching the same explosion 27 times. After a second watch though, I realised it is classic escapism that could become a cult favourite for midnight viewing particularly if our drug laws are relaxed.
Ghost Dog (1999): It is about professional killing but with a satirical edge. A barely articulate Whitaker is a strange casting choice but for the most part, the rest of the characters (the official bad guys) are well cast and there is a cameo from Gary Farmer thrown in.
Antwone Fisher (2002): It is a slow moving two hours. There is plenty of dialogue, probably more suited to a stage play, but the performances all round are fine.
Young Victoria, The (2009): Emily Blunt is a good casting choice but it is Jim Broadbent who takes the acting honours albeit for a too short screen appearance. The production values all round are excellent and to its credit, the screen time is not overlong for this kind of thing.
Juliet of the Spirits (1965): The colour choices are exquisite. The set designs and wardrobe are excellent. Whilst the fantasy storyline is probably too long a musical score typical of a Fellini film helps things along and two hours in the company of Giulietta Masina is no hardship.
Venus (2006): O'Toole's unsavoury character is the bitter part of this bitter/sweet drama the highlight being the performance of Jodie Whittaker which compares well with those of the proven thespian veterans.
Bug's Life, A (1998): It is a Pixar which is a good enough recommendation for most of us = quality animation and interesting characters.
Ladies in Lavender (2005): Although the screenplay falls away it is good to spend time with Judi Dench, Maggie Smith and Miriam Margolyes.
Richard Says Goodbye (Professor, the) (2018): Goodbye.
Zulu (1969): Whilst the screenplay is racist – it is believable for the time & place. It is beautifully filmed, but it is only a dramatisation & should not be taken as historically accurate. James Booth takes the acting honours & the Zulu choreography is well done.; DVD ~~$19.95~~ $14.95
Road to El Dorado (2000): An entertaining tale with two interesting lead characters – although the musical numbers didn't make much of an impression.
I Vitelloni (1953): The characters are forgettable which is unusual for a Fellini film but nevertheless, it has many delightful moments, the ensemble scenes are great, there are plenty of weepy characters, thinly populated streets, a smoky cinema, and a great musical score.
Fresh Fields (TV Series) (1984-1986): S1: The material is very consistent episode to episode and is good natured comedy.
Chocolat (2000): Although the screenplay is aimed to please it is watchable however thanks to the casting of five main players each of whom is worth top billing in their own right.
Luis and The Aliens (2018): Likeable characters and an entertaining story for the family.
Kubo & The Two Strings (2016): The characters were interesting and a little different/strange – the animation style was also interesting.
1917 (2019): The set designs and props used in the first hour were excellent – perhaps a bit of background gunfire was missing otherwise things looked pretty authentic. The second hour was a waste of time however as the screenplay went off the rails.; Blu-Ray ~~$20~~ $15
Jane Austen Book Club, The (2007): A good idea but it predictably got sidetracked by romance. A good female ensemble cast should have been left alone with their literary pursuits.
Anaconda (1997): The anaconda segments were fine and couldn't come quickly enough.
Countess Dracula (1971): Not one of Hammers strongest but still worth a watch.
Tell It To The Bees (2018): The story follows a well trodden path but the shooting locations, wardrobe, and other period details are excellent.
Troll in Central Park (1994): Some old–style animation makes a nice change.
Taste the Blood of Dracula (1970): It is a very good example of what Hammer Studios are capable of. The support casting of British character actors certainly helps.; DVD ~~$15~~ $11.25
Danger Close: The Battle of Long Tan (2019): Action aplenty but so is the use of the slow–motion camera. As the screenplay is based on real events the filmmaker should know that people don't get shot in slow motion & it is disrespectful to those facing danger. It should please action fans.
Man Who Shot Liberty Valance, The (1962): The perpetual good guys of cinema Stewart and Wayne are pushed aside by Lee Marvin's villain performance. Thank Christ for that as two hours of Wayne and Stewart without Marvin would have been unbearable.
My Name is Modesty (2003): and so is everything else about it.
Fear X (2003): A must for John Tuturro followers – even if the format of the screenplay doesn't meet with universal appeal, his performance should.
Lodger, The (2009): The ubiquitous Alfred Molina heads a pretty good cast but, although it tries hard, the screenplay fails to break the mold to rnelevate it to a must watch.
Ten, The (2007): Black comedies are hit and miss.; DVD $29.95
Palm Beach (2019): Although the undemanding screenplay doesn't amount to much you should be able to find somebody in this ensemble that will help you pass the time.
North and South (TV Mini-series) (2004): Those parts of the screenplay that deal with the industrial workers – their working and living conditions – are excellent. The industrial shooting locations in the north of England are the real thing.
Dead Lands, The (2014): There is plenty of fighting action which means the soundtrack consists of a lot of oohs and aahs. In between, there is a lot of male posturing and showboating so it doesn't lack entertainment value.; DVD ~~$20~~ $15
Olive Kitteridge (TV Mini-Series) (2014): The two veterans Frances McDormand (an acting masterclass) and Richard Jenkins deliver the goods again.
Arrival (2016): The Earth people were not that interesting but the special effects surrounding the alien presence were well done and showed originality – furthermore, the screenplay refreshingly strived for intelligence rather than violence.
Kusama - Infinity (2018): She's a bundle of colour – a good documentary with plenty of archival film to support her biographical details.
Mammoth (2009): It is one of those screenplays that are afterward hard to remember anything of consequence happening but all the same, this one is not a waste of time. Michelle Williams is another reason to give it a try.
Old Boys (2018): I assume Lawther in the public school rugby scene was meant to be a nod of respect to Harold Lloyd (?)– it was the best scene in the film because the romantic triangle that followed – if charmingly done – was old hat.; DVD $29.95
Best Exotic Marigold Hotel, The (2011): The second half is disappointing partly because the first is so strong. Of the many excellent performances, Maggie Smith is wonderfully racist but my pick for best is Penelope Wilton who had the hardest character. The soundtrack was terrific.
Horror of Frankenstein (1970): It didn't work as well as others in the Hammer stable although having Dennis Price on board did help.; DVD ~~$15~~ $11.25
Blinded By the Light (2019): The soundtracks a bit noisy but the screenplay handles the racism and the generation gap reasonably well but things get a bit commercial at the end.
Wake Wood (2011): Urban people staying in a remote location whose inhabitants observe pagan rituals are familiar but there are enough fresh aspects to the screenplay to warrant a viewing. There is also Timothy Spall and a terrific soundtrack.
Fan, The (1996): It seems that every moment of the screenplay has someone with his mouth open – there is no let up with the verbals. The story had promise but the telling of it went downhill with ever quickening speed.
Tartuffe (Herr Tartuff) (1926): It is a good story (Molière) told with the aid of some good camera work – particularly the close–ups. Emil Jannings seems to have an unlimited number of expressions in his armory.
Eden Lake (2008): The bloodlust soon becomes repetitive and boring.; DVD $29.95
Lovely, Still (2008): The two veterans perform well but the screenplay goes off the emotional rails toward the end.
Jo-Jo Rabbit (JoJo Rabbit) (2019): After an excellent start, the screenplay does have dips especially once the effect of the freshness of the material wears off but it also has recovery periods for e.g. when Stephen Merchant appears. Throughout the production values are excellent.
Last Laugh, The (Letzte Mann, Der) (1925): A simple story but a good one. The film is standing the test of time – 95 years & counting. Love seeing the 20's street scenes & people going about their daily tasks – there is plenty of smoke & dust to contend with.
Eulogy, The (2018): If it does nothing else the documentary has unearthed a pianist, who by the sounds of it, hasn't been given his due in his own country.; DVD $29.95
Benny and Joon (1992): Joon's mental condition is handled very well by the screenplay. Depp playing Sam shows he has a real feel for the silent comedians. This is a romantic comedy that does justice to both genres.
Matchstick Men (2003): If you don't mind Cage catching fire a bit too often it is watchable. Alison Lohman plays a 14–year–old and does well.
Usual Suspects, The (1995): If had have shown a bit more restraint with the body count, the screenplay would have been up there with some of the best. Whatever its shortcomings however the casting was always going to be a saving grace.
Postcards from the Edge (1990): The screenplay is okay but the two leads are the ones who make it worthwhile.
Born Into Brothels (Calcutta's Red Light Kids) (2004): Sincerely made – you wonder what happened to these girls in their years ahead.
Babel (2006): The stories are fine with that featuring Adriana Barraza the most compelling. The soundtrack is excellent.
Vita and Virginia (2018): A solid screenplay with performances to match and the set design and wardrobe people can take a bow.
Late Night (2019): The best bits are early in the piece before you get the feeling that this is going on a bit too long.
Last of the Mohicans, The (1992): It is easy on the eye and the casting is more than useful.; DVD $19.95 | Blu-Ray $29.95
Angus, Thongs and Perfect Snogging (2008): It is one of the better films about fourteen year old girls thanks in no small part to the lead performance of Georgia Groome.
Me Two (La Personne Aux Deux Personnes) (2008): The screenplay is pretty weak but Daniel A is charismatic and will get you through.
Time Traveler's Wife, The (2009): There is plenty of travel but it doesn't really go anywhere.
Flowers in the Attic (1987): Considering the cast and the plot idea it is a little disappointing but still worth checking out.
Mr. and Mrs. Bridge (1990): As expected the production values are very good but the highlight is once again Joanne Woodward's performance. She's worth the entry money. There is also a worthy performance from Blythe Danner so overall it is worth checking out.
Jack and the Beanstalk (1952): Whilst the comedy is not the strongest it tells the story entertainingly enough.
Intelligence Men, The (1965): It has the comedy pairing that can pull this kind of thing off but the material here is only good in parts.
African Queen, The (1951): Just sit back and enjoy a great adventure yarn shot in Uganda by the legendary cameraman Jack Cardiff.
Walk to Remember, A (2002): I can't really remember the walk the title is referring to – if there was one it would have been the most exciting part of the screenplay.
If Beale Street Could Talk (2018): It needs patience as there is quite a bit of dialogue – it wouldn't be out of place on the stage.
Live Forever (2002): Informative but above all the interviews – the band members especially those with north of England accents – are entertaining in a John Lennon kind of way.
Yes Men, The (2003): One interesting thing is that they got away with it in different countries – we are all gullible.
Searching for Sugar Man (Searching for Sugarman) (2012): Listening to the interviews I thought this was a spoof but I did check out Mr. Rodriguez to verify that he does exist.; DVD $24.95 | Blu-Ray $34.95
Dragged Across Concrete (2018): As well as most of the characters the screenplay is shot in real time.; DVD $24.95
Out of Blue (2018): I'm a big fan of Patricia Clarkson and Toby Jones so I will give this screenplay another viewing to try and make more sense of it.
Seven Stages To Achieve Eternal Bliss By Passing Through The Gateway Chosen By The Holy Storsh (2018): Although the comedy doesn't always work it gets good marks for trying to be different and for its energy.
That'll Be the Day (1973): It represents time and place very well as do the musical numbers.
Sisterhood of the Travelling Pants, The (2005): Helped by an appealing cast some segments are better than others but overall the screenplay doesn't last the distance.
Miranda (TV Series) (2009): Series 1: Moderately amusing if you don't mind canned laughter.
Who Framed Roger Rabbit? (1989): It is a pulling together of a diverse range of film making skills (watch the Making Of) and into the mix is thrown a remarkable performance from Bob Hoskins. Christopher Lloyd is the icing on the cake.
Talladega Nights: The Ballad of Ricky Bobby (2006): It is not only unfunny it is noisy.
Storm Boy (2018): Not sure why the screenplay needed to spend so much time in the present at the expense of the childhood years. However, it is great family entertainment plus there is an anti–blood sports message.
In Search of Greatness (2018): A sports documentary that is a little different with some segments working much better than others but overall it is worthwhile.; DVD $29.95
Sahara (2005): The screenplay needs to be taken with a grain of s–––.
Tomorrow (2015): It has enough fresh material and certainly, it has a different attitude to make it a welcome addition to a busy documentary genre.
Gulliver's Travels (2010): The special effects do the job and although the screenplay is lacking at times there is a reasonable supporting cast that holds some interest.
General Idi Amin Dada (A Self Portrait) (1974): While it is possible not always to agree with Amin's political views and opinions of himself it is valuable that they have been recorded on film for historians.
Free Birds (2013): There maybe a bit of borrowing in the character's creation but the turkeys are nevertheless entertaining.
Dragon Lord (Long xiao ye) (1982): Madcap as per the normal Chan way of entertainment but also skillful.
Travelling Light (2003): It could be criticised for being a bit light, but it is believable and the characters aren't annoying. Pia Miranda is fine and she has two excellent character actors as parents in Heather Mitchell and Marshall Napier.
Ring Of Fear (1954): Although the screenplay is only average it does include some decent circus action.
Patriot Games (1992): Competent enough with the casting of Sean Bean being a big plus.
On Golden Pond (1981): Probably the experience of the leads avoids it getting too cringeworthy. If anything it is worth watching out of respect for Henry Fonda's distinguished career.
Hustlers (2019): You can see what the screenplay was trying to achieve but it fails to last the distance.
Jean Paul Gaultier: Freak and Chic (2019): He looks to be more interesting than most of the large number of fashion designers that have been documented on film in recent times.; DVD $29.95
I Need That Record! (The Death (or Possible Survival) of the Independent Record Store) (2010): It has a similar theme to that used for the death of the video store – excellent interviews of the little players (those who know their product) and a historical perspective of the industry that brought about the situation we are in today.
Kitchen, The (2019): It has a respectable number of killings but it doesn't really get steamed up at any stage.
Divine Order, The (2018): The dramatisation is well meaning but it soon becomes a bit obvious.
Truly, Madly, Deeply (1990): If Juliet Stevenson and Alan Rickman were the love pairing in all romantic films I would become a fan of the genre. Her emotions are genuine and understandable playing against an exasperating Rickman. Great writing from Director Minghella.
Kundun (1998): I don't think the screenplay can be relied upon for all its historical aspects but the production is of a high quality.
Slack Bay (Ma Loute) (2016): Fabrice Luchini has a way of moving that I haven't seen on screen before & with his character's sister played by Juliette Binoche forms a bizarre twosome. In fact, the only characters in this excellent black comedy that are normal end up on the menu.; DVD $24.95
Flying Scotsman, The (2006): I've just finished watching "Landfill Harmonic" (2015) so I was warmed up for this. And although the title doesn't refer to him – yes Brian Cox is in it.
Shrek The Third (2007): Not as strong as its predecessors but the characters are still good entertainment.
Little Woods (2018): A believable screenplay with two good performances topped off by an excellent soundtrack.; DVD $29.95
Landfill Harmonic (2015): Fabio Chavez your blood is worth bottling. It is good to watch a documentary about decent people doing decent things.
Girl From Rio, The (Future Women) (1969): A curiosity piece that has some good design work.
City of Ghosts (2002): Although good use is made of the shooting locations the screenplay doesn't measure up to the quality in the casting.rn
Babe (1995): It is very clever and it could well be enduring.
Awakenings (1990): Although the screenplay means well a documentarian would have taken much of the emotion out of it and concentrated on the facts.
Crow's Egg, The (Kaakkaa Muttai) (2014): A simple storyline that is entertainingly told with some interesting Chennai location scenes.
Capricorn One (1978): One of the great plot ideas. Although the screenplay doesn't do it justice as an actioner it is well worth the time.
Water (2005): It is a mixture of easy on the eye commercial cinema and political drama. To the credit of the filmmaker, it took courage to make this film and among other things take on religious hypocrisy.
Secretary (2002): Although Spader gets lead billing this is Maggie's film. She overcomes a nightmare interview & intro to the job which includes situations, whilst enhanced here, might be familiar to many secretaries. The leads are great in this well written screenplay.; Blu-Ray $34.95
Happy Ever Afters (2009): Sally Hawkins has one of those faces that can easily register a range of emotions. Mainly, thanks to her, this good plot idea is entertaining most of the time.
Bellbird (2019): Beautifully low key. The relationships between the characters are handled very well.
Finke: There and Back (2018): It looks like we might have found a use for Australia.; DVD $29.95 | Blu-Ray $34.95
Ben is Back (2018): I think I've seen this one before.
One Wild Moment (2015): It has one of the more predictable screenplays.
Grateful Dead Movie, The (1977): The band with the greatest name. The concert is excellent and colourful.
Untamed Heart (1992): It is a pretty good cast but it Marisa who sweeps everyone aside and makes this worthwhile.
Hearts in Atlantis (2001): A growing–up story that captures its period pretty well. The casting of Anthony Hopkins certainly helps as does the easy on the eye photography and soundtrack.
Young and Prodigious T.S. Spivet, The (2013): Excellent production values and very easy on the eye photography. The story is entertaining and original but it would have helped if the young main character had have been alive.
Celia (2018): As a society, New Zealand has much to be ashamed of. Let us hope your message is heard and taken on board Celia.; DVD $29.95
Eyes of My Mother, The (2016): I can't claim to have been able to follow all of the screenplay but to its credit, it is not a clone.; DVD $34.95
Waking the Dead (1998): The plot idea is fine but Billy Crudup is not convincing.
Last Flag Flying (2018): It is long and heavy on dialogue but there is Bryan Cranston and Laurence Fishburne to make the journey a bit easier.
JT Leroy (Jeremiah Terminator LeRoy) (2019): A very good female cast but the screenplay surprisingly was not involving.
Little Caesar (1930): The script is riddled through with tough gangster talk.
Nacho Libre (2006): It probably tries too hard to be funny.
Long Weekend (1977): It has a very good environmental message and a warning that whatever a man soweth so shall he reapeth.
Spider-Man: Into the Spider-Verse (2018): Excellent animation with the city street scenes the standout. The animated alternative provides more energy and action than earlier productions.
Mary Poppins Returns (2018): Except for the dance of the chimney sweeps, as a musical, it won't be memorable but it does have high quality set designs and other quality production values that make it worthwhile.
Story of My Life, The (Mensonges et trahisons et plus si affinités) (2004): An appealing but quickly forgettable comedy.
Novitiate (2017): The screenplay didn't need two hours running time and it wasn't helped by too much melodrama some of which was bordering on silly.; DVD $24.95
Proof (1991): The writing was good & the screenplay compact. The early scene shot in a back alley of a wet Melbourne resulting in a dead cat was a good way to establish the relationship between the 2 lead characters. Crowe is good in this & Weaving as usual excellent.; DVD ~~$20~~ $15
Frozen (2013): The animation is not in the Pixar class but it is solid enough as was the screenplay.
Marjorie Prime (2017): It took a little while to come to grips with the screenplay and a second viewing will probably be an advantage – in any case, the performances made it worthwhile.
Ideal Palace, The (L'incroyable histoire du facteur Cheval) (2018): An interesting story with a low key performance from Jacques Gamblin helping to keep the melodrama in check.
Twelve Monkeys (12 Monkeys) (1996): Whilst not as good as "Brazil" (1985) (my main negative was that Willis is not anywhere near the same class as the talented Jonathan Pryce) the writing & its execution is still visionary & as with the earlier film will not suffer from another viewing.
Joker (2019): The lead character was one that any actor would die for but for mine the screenplay was over ambitious and failed to convince.
Soldier (1998): The screenplay was a bit of a mixture. You can't escape the feeling that partway through if it had have taken a different turn in the road it would have been much better. The ingredients were there including a capable supporting cast.
Spy Game (2001): Not as good as others in the genre but it is solid enough and worth a look.
Rory's Way (The Etruscan Smile) (2018): The decision to open the film, and then leave the Hebrides, created a challenge for the filmmakers which they never were able to overcome although Brian Cox's performance alleviated things somewhat.
EdTV (1999): Watch the first twenty minutes and you've nailed the rest.
Giant (1956): Screenplay was one where if you missed half an hour it wouldn't have mattered as you could still follow the story. Taylor & Hudson were fine but none of the characters were interesting. Dean provided some unintentional lightness struggling in his role.
Spartacus (1960): Although the screenplay is overly drawn out it is worth watching for the performance of Peter Ustinov. The best scenes involve him or the acting royalty of Laughton and Olivier.; DVD ~~$19.95~~ $14.95
Memory: The Origins of Alien (2019): The documentary takes a slightly unusual approach but one that is both informative and entertaining.
Murder! (1930): The screenplay was contrived but it had 2 good scenes. One was the jury room but the best was when Sir John entertained the Markhams. It emphasised their social distance simply through the niceties of partaking of a glass of wine & later a bowl of soup.
Gemini Man (2019): Let us be grateful that they didn't cast Jaden Smith as the clone.
Manchester By the Sea (2016): The screenplay, too often melodramatic (it has assistance from the music score and a limited language script), soon gets tiresome and is about an hour too long.
Aftermath, The (2019): The production values are good. The screenplay however is romantically driven with nothing of real substance.
Pink Panther, The (2006): Not sure why they made this but Martin does his best and makes it entertaining with his site gags working quite well.
Delicatessen (1992): The use of the different parts of the building as the cornerstone of the action, coupled with the smoky coloured (sepia?) filming, was well conceived. There was never a dull moment.; DVD ~~$20~~ $15
Ride Like a Girl (2019): It makes the claim that the Melbourne Cup is the toughest horse race in the world – that is doubtful because it is run on the flat. Otherwise, it is a nice dramatisation that won't do any harm to the sport.
Zoe (2018): An interesting premise that you wanted to succeed but it really failed to take off and was a bit robotic.; DVD $29.95
Hot Air (2018): One thing they did get right was the title.
Girls of the Sun (Les filles du soleil) (2018): The composition of the combatants does help the interest level and the confusing action sequences are particularly well done.
Anywhere But Here (1999): Natalie sensibly appears not to compete with the acting talents of Susan S (who is terrific) but instead, she is a good foil. In other hands, this may have turned out soppy.
In Your Hands (Au bout des doigts) (2018): A predictable mainstream offering which, except for the silly ending, is watchable for the most part.
Slogan (1969): Whilst you can't relate to any of the characters there is Jane Birkin's freshness and naturalness to admire. There are also some short films (adverts.) within the film that are extremely well done.
Bend It Like Beckham (2002): Very mainstream but the two leads give such appealing performances that it is hard to dislike. The main downside was the Rhys Meyers character which at the end of the day we could have done without.; DVD ~~$20~~ $15
Cars (2006): Whilst the characters are maybe not as likeable as in other productions the Pixar animation is admirable.
Small Change (L'argent de Poche) (1976): Although the screenplay runs out of steam somewhat before the end it is still a delightful exercise in observing youngsters going about their business.
Dead Don't Die, The (2019): It shouldn't really attract much interest because of the number of zombie films that have arisen in recent times, but the strong reputation of the director and the casting should ensure it will keep its head above the ground.
Love is the Devil (1998): An interesting screenplay which concerns Bacon's relationships more than his painting. The set designs and other period details are well done but towering over everything is Derek Jacobi's performance.
Thunder Road (2018): The screenplay has a freshness to it but it isn't that interesting.
From the Life of the Marionettes (1980): Because we witness the crime early in the screenplay the suspense element isn't great but what follows e.g. the lead up to the crime and the aftermath is still interesting thanks to the craft of the filmmaker.
Birds of Paradise (2014): The animation style was a touch bland but the characters were entertaining enough.
Sympathy for Mr. Vengeance (2002): It had some great offbeat comedy moments but it was also very violent. The violence without the comedy mix may have been unpalatable but together, for the most part, it worked.
Maybe Baby (2000): Whilst the material soon runs out of steam there is an attractive cast to maintain the interest. The Rowan Atkinson segments are worthy of attention.; DVD $11.95
Pretty Persuasion (2005): There is a fine line on whether black comedies work or not. This one comes across as unintentionally grubby, or at best immature, which is a pity because of the cast involved.
Joy Luck Club, The (1993): The cast is stacked with female photogenics, which is okay, but the screenplay just ends up being a lump of soap.; DVD ~~$20~~ $15
Son of Saul (2015): Feeling depressed? This is one for lifting your spirits. Most of the action takes place in an ill lit abattoir with death lingering everywhere – and you are not there. It gets full marks for an original screenplay.
Take Home Pay (2019): It is good natured – even its aggressive moments are good natured. There are some good chuckling segments but above all it doesn't forget that it is Samoan.; DVD $29.95 | Blu-Ray $34.95
Boys Don't Cry (1999): Swank and Sevigny are perfectly cast and give impressive performances – they are well supported by Arnette, Sarsgaard and Goranson. The dramatisation of events is believable and well handled.; DVD ~~$19.95~~ $14.95
Elena and Her Men (Paris Does Strange Things) (1956): It has one great scene – the crowd at the Bastille Day Celebration – plus throughout there is the beautiful use of colour. The wardrobe department does an outstanding job.
Fellini's 8 1/2 (1963): It is not an easy watch but sprinkled throughout are Fellini trademarks in plot and character. There is a great opening dream sequence but this is surpassed by a classic final scene in which Nino Rota's music score reaches a climax.
Dog Day Afternoon (1975): For about the first hour the screenplay is very strong – you would bet that you were watching an Irish comedy – but then it weakens out. Being shorter could have helped.
Lives of the Saints (TV Mini-Series) (2004): It comes alive when either Sophia or Sabrina Ferilli are in the scene.
Key Largo (1948): 70 years on and this drama is still holding up well. There is a palpable feeling of tension between the opposing forces. Edward G Robinson looks the part and all the other characters feed off him.
Infamous (2006): The above average casting extends deep into the supporting roles. It is a good screenplay but not unusual for this kind of dramatisation it does not have a surprise factor because the story is well known.
Cat's Meow, The (2001): Excellent production values service an interesting screenplay. Edward Herrmann makes a good fist of his Hearst character and Jennifer Tilly steals her scenes and enjoys herself.
A Shriek in the Night (1933): Although the shriek doesn't rise to any great heights it is worth the hour running time.
Changing Lanes (2002): A good plot idea and a good start with the screenplay but it then loses its way and takes a few wrong turns.
A Double Life (1947): The performances were fine as was the plot idea but the screenplay didn't hold the attention.
Another Country (1984): An excellent snapshot of British privilege and hierarchical bullying. None of those cast in the supporting roles would look out of place in a public school. Rupert Everett is outstanding.
Dancer Upstairs, The (2002): The screenplay is contrived at times and its second half weakens badly.; Poster (VG) $12.95
Skate Kitchen (2017): It was okay but the screenplay didn't last the distance. Watch "Kids" (1995).
Rambo: Last Blood (2019): Stallone wrote the screenplay which opens with a close up of his features – I'm sure he thought he was the Marlboro Man the way he was prancing around with his hat & horse. Tears in the eyes handicapped the viewing of what followed after.
Knack and How to Get It, The (1965): It is a Richard Lester film – fresh and always interesting. Rita Tushingham, who often depicts a working class lass, is an excellent casting choice.
Snow Cake (2006): I watched Rickman in "Something the Lord Made" which like this one could have fallen prey to melodrama but didn't & I think Rickman can take a lot of credit for that for both films. Snow Cakes other lead Sigourney Weaver gives another fine performance.
Le Mepris (Contempt) (1963): Most of the screenplay is comprised of a married couple arguing over very little which really then puts too much onus on the rest of the screenplay to produce anything worthwhile.
Nicholas Nickleby (2002): The story has stood the test of time. There are outstanding performances from Tom Courtenay, Juliet Stevenson and Jim Broadbent.
China Girl (1987): The screenplay holds no surprises as it is familiar and predictable but the street locations look real.
Cliffhanger (1993): You can tell it was shot in the warmth of the studio as in the mountain scenes everyone is bareheaded – maybe there was something in their contracts about protecting hairdos.
Wild Style (1982): Provided you are not a ratepayer the graffiti segments are well done and complement the music and dance scenes. The Bronx settings are perfect.
Animal Crackers (1930): There are some terrible one liners but most of them work. Harpo's performance is the most polished of the brothers and he steals the show (as well as the polish probably).
Little Black Book (2004): Brittany, Kathy and Holly – what a line up – they just needed a screenplay that was better than this one.
An Awfully Big Adventure (1994): It was always going to be watchable because of the casting –Georgina Cates is excellent – but the screenplay falters at times and some of the characters are a little overdone even for the stage.
Pumpkin (2002): Even though it probably had good intentions, and although it had a more than useful female cast, it ended up being a misfire.
Tulsa (1949): Except when they are searching for oil it doesn't really break any new ground.; DVD $14.95
Fear and Desire (1953): If by making this Mr. Kubrick was able to learn and henceforth make better films then this hour–long drama was worth every minute.
In America (2002): It has its sugary segments and it suffers from an attack of the theatricals at times but it has enough Irish charm to see it through.
Kangaroo Jack (2003): Silly but it is hard to dislike.
Three Came Home (1950): In the main, it is believable storytelling with few embellishments. The performances are fine.
Descent, The (2005): To its credit, the screenplay puts a lot of effort into first creating suspense rather than taking the lazy way out and jumping straight to the horror situation.
Grand Canyon (1991): It may have worked on the principle "that if we make it long enough there is bound to be something to please everyone". If so I think they succeeded.
League of Extraordinary Gentlemen, The (2003): The design work and special effects were at their best in the early scenes. The characterizations were of varying quality and interest.
Something The Lord Made (2004): It does very well, for the most part, to avoid melodrama. The story is well worth the telling and this is helped by some very good performances.
Milou En Mai (May Fools) (1989): Although the later scenes dip a bit it is a delightful screenplay performed by a very good ensemble cast.
Melo (1986): The performances are fine but the screenplay is limited in its breadth.
Red River (1948): You suspect it was originally written for the stage as there were 97 campfire scenes – the cowboys chewing the cud leaving little for the cows they were looking after. The screenplay was too long but the stampede scene was well worth the wait.
Saving Grace (2000): Its strength is in the casting – fans of British Television and film will more than likely find one of their favourite actors in this. For me, there are delightful cameos from Leslie Phillips as the vicar and Ken Campbell as the police sergeant.; DVD ~~$20~~ $15
Honey (2004): The dance segments are worth watching.
Producers, The (1968): The comedy writing is very consistent from the first scene to the last and is built on an original idea. The cast is spot on and they make the most of the larger than life characters.; DVD ~~$20~~ $15
Au Revoir Les Enfants (1987): It has the time and the place spot on. The screenplay, particularly the terrific ending, does not appear to have been embellished in any way and is very believable.
Life Is A Bed Of Roses (1983): It is one of those films that when you get comfortable you are thrown something from left field just to disturb you on principle. It probably needs a second watch to get full value from its screenplay. Full marks for its freshness of ideas though.
Seventh Seal, The (1957): What I admire most about this film is that it has no bells and whistles. For example, Death is in a simple costume & simple makeup but is unforgettable. The screenwriting is terrific & will never date plus the top photography makes this a memorable film.
All That Jazz (1979): Fosse depicts himself as a hands on person – in his private life as well as a choreographer. The dance numbers were okay but not memorable.; DVD ~~$20~~ $15
God's Country (1985): 35 years on it has some value as a time capsule.
Farewell, My Lovely (1975): Mitchum looks the part and is perfectly cast both as the lead and the voice over. The screenplay and script are solid and the period details are well catered for. Sylvia Miles shines when called upon.
Awesome; I...Shot That! (Awesome; I F****** Shot That!) (2006): As a concert film it worked – the experiment of using audience members to film the concert was successful.
Balls of Fury (2007): Not great but the ping pong storyline wouldn't have been tried too many times before. The ping pong special effects are very well done and for some reason, Christopher Walken is in the cast.
Gladiatress (2004): The fart jokes normally would condemn it to a single * but overall it is better than that. At least they didn't have humping dogs unless I missed them from having passed out from a lack of quality air.
Life Before This, The (1999): Whilst the screenplay might not have succeeded in every thing it tried it at least did not follow a well trodden path. It is worth a try as the talented cast are worthy of more than a passing interest.
Percy Jackson: The Lightning Thief (2010): I couldn't relate to the slightly annoying Percy but the special effects carried things through.
Angel Has Fallen (2019): The two–hour running time is about par for the course as is the number of shoot outs as are the number of car chases and explosions. It is a screen and time filler.
Altered States (1980): Even in those scenes where the screenplay doesn't work quite so well, it is not without interest. It is hard to see the screenplay not having something to offer for quite some time yet.; DVD ~~$20~~ $15
Bridges at Toko-Ri, The (1954): The flying sequences, especially those landing on a carrier, were excellent. The screenplay missed a great anti–hero ending and a went on a little too long to one that was pure Hollywood and laughable.; Blu-Ray $34.95
Evolution (2001): The creatures are both entertaining and scary – they may have been wondering where Bill Murray was.
Undefeated, The (1969): A stirring picture of the boys will be boys variety.
Stranger, The (1946): 70 years on it is showing its age but it still has some appeal.; DVD $29.95
Perfume - The Story of a Murderer (2006): An uneven screenplay but at least it was fresh. When it was good it was very good – particularly when our hero was a baby/a young lad. The set designs in these early scenes were brilliant. Alan Rickman shores up the middle but the late scenes are silly.
Eat That Question: Frank Zappa in His Own Words (2016): Through good editing, the documentary zapped along and his responses to the many questions highlighted the intelligence of the man and his ability to think on his feet.
Alpha (2018): The animal training was commendable and along with the photography, it is worth seeing.
My Dinner with Andre (1981): It needs patience but the unbroken conversation does have some interesting segments.
A Study in Terror (1965): Although the screenplay is no more than serviceable the period production values are fine and so is the casting.
Little Children (2006): The film had 2 themes – an illicit love affair & pedophilia. The early scenes, prior to the two lovers amalgamating, were the strongest but then later ones with a great Jackie Earle Haley's performance (as the predator) were just as good.
Blood Beast Terror, The (1967): It is not great but it is never boring – the casting of Cushing helped by the excellent character actor Glynn Edwards plus Wanda Ventham, Roy Hudd, etc ensures that.
Night of the Big Heat (1967): The screenplay probably didn't do justice to the plot idea but the casting certainly helped. rn
Midsommar (2019): It doesn't really create any suspense and the story is more akin to being based on a true story than a horror but the production values and the soundtrack are worthy.
Random Hearts (1999): Just because Ford is starring it shouldn't necessarily mean that the screenplay is to exceed two hours.
Fedora (1978): Having seen the classic "Sunset Blvd." in the last few months it is difficult not to make comparisons and to rate this fairly. However, I thought Fedora only caught fire in parts but when it did it was worth it.
Transit (2018): The writers seem to have gone out of their way to make the screenplay as complicated as possible. I thought there were a couple of contrivances but that might have been my misunderstanding. However, the writing is fresh & well worth a try.; DVD $29.95
Celeste (2018): There is some great location shooting, and although it doesn't really compensate for the middling screenplay, it is worth a try.
Elephant Man, The (1980): It is hard to see the appeal of this film dying. It has an excellent story line, superb photography, realistic set designs, and brilliant casting decisions that stretch deep down through the supporting players.
Scarlet Pimpernel, The (TV Mini-Series) (1982): Although Anthony Andrews is a bit over the top with the title character it doesn't detract to any great extent. Ian McKellen on the other hand is spot on as are the production values.
Closet, The (Le Placard) (2001): Although the screenplay is not the strongest it is still a worthy example of a light comedy. The strong cast certainly helps.
Jackie (2012): I'm a fan of Holly but everything about the screenplay was over familiar.
Still Crazy (1999): The screenplay was very uneven but it was saved by the dream casting.
Black Moon (1975): The early scenes were good then the good bits shared the stage with some "I'm not sure what that was about bits". I don't mean that as a criticism because things I don't pick up I'm sure other viewers will & the allegories might not have translated
What Men Want (2019): A pleasing lead performance helps reduce the guiltiness of watching the silliness of the plot.
Alita: Battle Angel (2019): It is worth watching because of the art work , set designs and special effects. Although the acting requirements aren't great Christoph Waltz's presence is a bonus.
Amazing Transparent Man, The (1960): It is not great but not too long.
Last Man on Earth, The (1964): Although the plot idea is excellent the screenplay, after some good early scenes, fails to see it through.
Pop Aye (2017): Although the screenplay runs out of steam before the end up to then it is a delight. We are on elephant time wandering through rural Thailand encountering some odd characters and off beat comedic situations.
Tony Manero (2008): Manero would be the most boring psychopath ever to appear on screen.
Turning Point, The (1977): Shirley Mac and Anne B are very fine actresses but they don't always look comfortable in this which doesn't say much for the screenplay outside of the dance sequences.
Morons From Outer Space (1985): The screenplay is uneven but there is enough comedic talent in the cast to keep the interest alive.
Miss Representation (2011): The doc limited itself to the USA, but I don't think it mentioned the PBS. I would have thought that the PBS would have been a quality alternative to the male posturing media. As a tactic why not promote the values of the PBS(?)
Stardust Memories (1980): Another example of writer/director Allen also being the leading man. This time Charlotte Rampling is the main one in the firing line. As usual there is a good jazz soundtrack.
Annabelle Comes Home (2019): When loud sound effects are used as a horror tool you can bet that they have run out of ideas.
Life as a House (2002): It will probably appeal to romantics.
Surf Nazis Must Die (1986): I don't find it easy to rate Troma movies – I want them to succeed but they don't always catch you in the right mood. However, they are always worth and deserve a try.
Kid Who Would Be King, The (2019): I wish they would apply a bit of oil to some of these kids to cut down the screeching a bit but it probably won't bother families who should find it entertaining enough.
Fighting With My Family (2019): It goes down hill from a very promising start. When Nick Frost and Lena Headey are on screen it is at its best.
Last Waltz, The (1976): It has a good look to it, and there is a sensible balance between the interviews, The Band performing and the guest artists doing likewise.
Lacombe Lucien (1974): Although it didn't maintain the strength of the first half of its screenplay it still conveyed a very believable human scenario that would be relevant at any time or place.
Heroes of Telemark, The (1965): Once the war resumes after Douglas and Harris's bickering half the running time as passed but there is still plenty of time for an unconvincing plot, some nice scenery, and a cameo from Michael Redgrave.
More Than Honey (2012): A well–structured documentary that with the help of superb photography and an informed narrative looks at honeybee colonies in California, Switzerland, China, and Australia.
Deer Hunter, The (1978): A number of the scenes stand the test of time 40 years on. Those of the steel town, especially early in the film, are the best for authenticity of time, place, & atmosphere. The depiction of the evacuation of Vietnam & the theme tune are also exellent.; DVD ~~$20~~ $15
OSS 117: Lost in Rio (2009): I didn't mind the style of the humour but it is hit and miss. This one will appeal and will have an audience but for me, it is a miss.
Ran (1985): The warlord gets interesting as the screenplay develops but the male characters generally are one dimensional. The wardrobe department does a great job but the strongest part of the film is the gorgeous photography highlighting its use of colour.
He Was a Quiet Man (2007): The early scenes are the best but it does deserve watching because of its fresh premise and the performance of Christian Slater.
Perfect Catch, The (Fever Pitch) (2005): Not great but it does have Drew.
Quigley Down Under (1990): For the most part, it follows the American western formula, including the most interesting character being a baddie (Rickman), but there is a good scene with dingoes and some panoramic down under location shooting.
Tokyo Gore Police (2008): It is entertainingly over the top.
Beyond the Time Barrier (1959): Not great but the plot idea deserves some attention and it is compactly told.
Stuber (2019): It is quite violent for a comedy and quite comedic considering the violence. The chemistry wasn't lacking but an hour and a half was a bit too long.
Island of Terror (1966): The screenplay involves a creature, which resembles a vacuum cleaner gone berserk, trying to clean up the island of islanders who don't want to be cleaned up and are rushing around trying to unplug it. Good stuff.
Afro Samurai Resurrection (2009): It is a bit different animation–wise and it doesn't lack for action. A good soundtrack helps.; DVD $29.95 | Blu-Ray $44.95
Flashdance (1983): The dance segments, scattered throughout the film, are excellent but you need to survive the padding which includes the compulsory romantic subplot.
Lucky You (2007): The writer is in turmoil as whether to concentrate on the relationship between Drew & Eric or the poker. Drew is given the heave–ho & the poker players take the stage. The choreography of their faces & hands is excellent & it is great publicity for poker.
Silence de la Mer, Le (The Silence of the Sea) (1947): Depicting an enemy as a decent & cultured person is a good start. There are some interesting shots of 1940's Paris & these relieve what could have been a claustrophobic setting within the living room of the house where most of the "action" takes place.
Last Tycoon, The (1976): The basic plot about movie making was fine, and so was the attention to the period's detail, but the fine cast that was assembled had to sit around for longer than necessary whilst the screenplay got seriously sidetracked by the romantic interest.
Older Than Ireland (2015): It is an appetiser – hopefully, their more in–depth, edited out interviews have been archived somewhere.; DVD ~~$29.95~~ $15, $29.95
Bloodsucking Freaks (1978): It is so far over the top that the violence is "entertaining" rather than objectionable.
Cheech and Chong's Nice Dreams (1982): Cheech & Chong have done better but it is not bad in parts.
Southland Tales (2006): A couple of bizarre casting decisions aside the screenplay was hard to follow – whether this was due to its re–editing and shortening is anybody's guess.; DVD $24.95 | Blu-Ray $29.95
heART of the matter, The (2016): Excellent story telling through use of archival footage and interviews. Gordon Tovey deserves this quality documentary.; DVD ~~$24.95~~ $18.70
Shout at the Devil (1976): Lee Marvin = entertainment and Ian Holm is great in support but it is racist at times and there is some well filmed blood sport depiction.
Le Souffle Au Coeur (Murmur of the Heart) (1971): The lead character of the boy was not interesting enough to hold the attention for two hours – but the jazz score helped.
Welcome to Marwen (2018): It might not be a lot of things but one thing it is – is original.
Beyond Borders (2003): Its well–meant message about aid work is diluted with it having to share the stage with the romantic goings on.
Help I'm a Fish (2000): Compared to other animated family films if you can describe something underwater as middle of the road then this is it. However, it is still worthwhile and entertaining.
Sentinel, The (2006): Although this sub–genre is over full the two leads make it watchable. However, there is little to raise your alert level.; Blu-Ray $29.95
Book of Love (2004): Predictable. Frances O'Connor's talent deserves much better material.
Tromeo and Juliet (1996): It has some good Troma segments but overall it is disjointed. A tighter screenplay and shorter running time might have helped.; DVD $14.95
Blood On Satan's Claw (Satan's Skin) (1977): One thing I believe it does do well is to make you believe you are witnessing a drama set in the 17th century – the atmospherics feel right.
Good Boys (2019): Listening to 3 five year olds whining and screaming for an hour and a half is beyond the call of duty.
Love the Hard Way (2001): Early in the film Brody's character uses his cell phone whilst watching a film in a cinema and that sets the level of his behaviour for the rest of the screenplay.
Penny Serenade (1941): A lengthy but well performed emotional piece.
I'll Be Seeing You (1945): The two leads are fine and they help make the melodramatic segments watchable.
Coal Miner's Daughter (1980): The early scenes set in Sissy's home coal town are the best although her subsequent musical performances are well done.
JoJo's Bizarre Adventure: Diamond is Unbreakable (2017): Even though it looked as if a couple of the Leningrad Cowboys had found their way onto the set there was little interest to be found in anything else.
Charlie and the Chocolate Factory (2005): I didn't think Mr. Depp looked comfortable in this. However, the supporting cast included the great Helena Bonham Carter and David Kelly, and the children importantly were excellent. The artwork and set design were outstanding.
A Private War (2018): Marie Colvin has been mentioned in more than one documentary about other war correspondents & all have been in glowing terms. She was one courageous person. This drama impresses because it is unflattering & well performed by Pike.; DVD $29.95
U-Turn (1997): Nick Nolte and Bill Bob Thornton are excellent and they head a very strong supporting cast who between them see the screenplay through.
Gracie (2008): Carly Schroeder is very good and so are the soccer re–enactment scenes. Unfortunately, the screenplay is easily distracted and the ending is at odds with the unromantic tone that had preceded it.
Stick It (2006): The female casting headed by Missy Peregrym was very good as was the gymnastic action. The screenplay was mostly routine and it would have been better for it to have stayed that way instead of getting silly in its later stages.
Life Is Beautiful (La vita e bella) (1998): The first half is better than the second – in particular the weak ending which is very commercial Oscar material. However, there is Benigni, an old school visual comedian, & some of his antics are a delight. The period setting details are well done.
Mystic Pizza (1988): I'm a fan of Lili Taylor and she got me through this serving of light fare.
Chimes at Midnight (1965): Non Shakespeare fans should find this accessible and entertaining. As well as Welles's fine performance there is a chance to listen to one of the great speaking voices – that of John Gielgud.
Endless Summer (1966): The droll commentary would have been entertainment enough.; DVD $19.95
Over the Hedge (2006): An excellent choice of animal characters.
For My Father's Kingdom (2019): Tonga is the Friendly Islands and from experience I have always associated Tongan people with happiness. This documentary is heartfelt and deserves to be seen.; DVD ~~$20~~ $15
I Bury the Living (1958): A simple but interesting premise has no trouble keeping one's attention over a running time that doesn't overstay its welcome.
I Am Not a Witch (2017): Young Maggie Mulubwa's expressionless face is an inspired casting. The screenplay is bitter/sweet but the bitter is handled through some clever satire so the entertainment level rarely dips.
Peeping Tom (1960): Whilst no longer controversial 60 years on it still had the ability to create suspense, particularly because the up close and personal camera work meant there was no escape for the viewer. Anna Massey was excellent.
ParaNorman (2012): An excellent follow up to "Coraline" – again it has a distinctive animation style and characters.
Rurouni Kenshin (2012): It is overlong for its material which doesn't really spring any surprises.
Zoom (2015): After a second viewing – I'm still unsure about its true merits but at least it doesn't follow formula and is innovative.
Viva Maria! (1965): Pure enjoyable escapism.
Camille (2007): On a first viewing the screenplay, even with such a talented casting in the lead and support, did not hold the attention.
Santa Fe Trail, The (1940): It is well made but Raymond Massey's character is the only one of any interest and he makes the most of it.
Hair (1979): The screenplay should have been cut leaving only the musical numbers.
October Man, The (1960): Although it is a tad slow in its middle scenes it starts well, and except for the commercial finale, its closing scenes are also good. Its main attribute though is the performance of John Mills.
They Shall Not Grow Old (2018): Easy on the eye, which considering the subject, is a contradiction in terms. I've found the horrors of the trenches – rats, gas, mud, best expressed in books & audio rather than archive film but this impressive doc should attract new interest in WWI.
Universal Horror (2000): Well worth the time – the Studio made an inestimable contribution to the genre.
Mummy, The (1932): Probably still a benchmark for make–up as is Karloff's characterisation here and in the earlier "Frankenstein".
Red Dust (2004): It is a bit dry but not without interest. Two very good lead performances help.
Fast & Furious Presents: Hobbs & Shaw (Hobbs and Shaw) (2019): When it finally did finish I was trying to recollect if the screenplay had broken any new ground(?) I do remember Helen Mirren appearing– she might have been passing the film set at the time of shooting and popped in for a chat.
Sleuth (1972): For a cast of two to hold one's attention for over two hours requires good writing and performances.
Le Feu Follet (The Fire Within) (1963): Ronet's character, considering what is at stake, keeps his emotions remarkably in check. The screenplay suggests what the conclusion is, but as he moves through the day, you are never really sure. An excellent portrayal, without melodrama, of alcoholism.
Booksmart (2019): The screenplay, the cast and the musical score all have freshness and energy.
Brigadoon (1954): More subdued than a number of other musicals but it has some memorable numbers and the feet of Gene Kelly.
Swiss Family Robinson (1960): Very solid family entertainment which manages to fill in the rather long running time quite well. The animal action scenes are particularly well done.
Make It Funky (2005): An eclectic range of performances interspersed with some very interesting interviews.
Bed Sitting Room, The (1969): The Goon Show (1951/60) influenced British Comedy, including Monty Python, and this is adapted from a play written by two of its writers. The cast is a roll call of comedians & comedic actors. The sets are ultra–cheap.
Flashbacks Of A Fool (2008): The ingredients are there but the screenplay doesn't really come together as well as it might have including perhaps climaxing too soon. It is worth watching though for some good location shooting & a cast that includes Olivia Williams & Helen McCrory.
Best of Enemies, The (2019): Whilst I believe Ann Atwater's story would have been best served by a documentary, rather than this (overlong) dramatisation, it is worth watching because of the performances. I intend to read the story of this courageous civil rights activist.
Mrs. Winterbourne (1995): Even with Shirley on the payroll, the screenplay doesn't really succeed, and although the performances have energy, as a comedy it doesn't rate that well.
Chicago Joe and the Showgirl (1990): The screenplay was only adequate but it did enough to generate interest to undertake further reading of the case.
Girl Who Played with Fire, The (2009): The screenplay has some contrivances and gets a bit silly toward the end but it is entertaining enough.
Platoon (1986): It was commendable that the screenplay portrayed some authenticism e.g. illegal actions by the platoon but overall it was disappointing. What wasn't believable was the platoon yelling & shouting at each other throughout the film whilst in enemy territory
Never Let Go (1960): Todd is pretty weak but Sellers gives a very good threatening performance. The supporting cast as usual in these British dramas has plenty of solid character actors. The screenplay is uncomplicated but the location shooting is late 50's London.
2040 (2019): The intrusive and unnecessary soundtrack was a distraction. It might have been an eco–friendly documentary but it wasn't viewer friendly.; DVD $29.95 | Blu-Ray $34.95
Go For Zucker! (Alles auf Zucker!) (2005): There are some good light comedy segments and well worth watching.
Kismet (1955): The screenplay is average but some of the songs are outstanding.
Henry The 4th (Henri 4, Henry of Navarre) (2010): The battle scenes were well done and the wardrobe seemed to fit the period but the endless screenplay seemed to repeat itself which I suppose it means it was true to life. Not a bad history lesson though.
Drugstore Cowboy (1989): An excellent performance from Matt Dillon does good service to the well written screenplay. The camera work on some of the seedy parts of Portland also helps.; Blu-Ray $34.95
Child's Play (2019): It was okay but the original 1988 version is impressive.
Ophelia (2018): I didn't get too enthused over the screenplay but the production values were spot on.; DVD $29.95
Zazie Dans Le Metro (Zazie in the Underground) (1960): I think they would have enjoyed making this one.
Halloween (2018): As these type of horror movies go it is good but I'm just Halloweened out (and Freddy Krueger'd out etc.).
Glory (1989): It is well made and the battle scenes are extremely well done. Denzel Washington and Morgan Freeman are an attraction in themselves.
Another 48 Hours (1990): A long time has passed since the original was released and this may have taken the edge of this sequel.
Assignment, The (1998): A good cast but the material is familiar.
Simon and Garfunkel - The Concert in Central Park (1981): The songs are quality and their rendition so easy on the ear.
3 Idiots (2009): This marathon is easy on the eye – especially some of the location shooting, and there are some delightful light comedy segments, but two hours would have sufficed for me.
Filth (2013): James McAvoy succeeds with an over the top performance and Jim Broadbent heads a very strong supporting cast. The screenplay is energetic and is never boring.
Esther and the King (1960): The King said, "I have spoken and it is the law". Those were the days.
A Ghost Story (2016): Relatively speaking it is a small budget movie (note the cost savings in wardrobe) but by leaving the well–trodden path it competes with the bigger guys. The screenplay is low key but intelligent and certainly original.
Berlin, I Love You (2019): I don't mind looking at Berlin and I have always admired Helen Mirren but other than some small musical segments it had little of interest to offer.
Toxic Avenger, The (1985): It is wonderfully over the top – especially the hardcore violence which would be repulsive in other hands. The action scenes and stunt work are full–on. Hopefully, the environmental message I think the film is trying to convey is not lost in the mayhem.
Frankie & Alice (2010): The material is not particularly original but Halle Berry and Stellan Skarsgard is an attractive casting.
Foolproof (2003): The screenplay is okay if not too fresh but the casting of David Suchet helps.
Brick (2005): It is one of those films that will stand repeat viewing. It overcomes its small budget through creativeness and a fresh approach.
Mission: Impossible - Fallout (Mission Impossible 6) (2018): The stunt work and special effects continue to be excellent as is the legendary theme tune. A true and tried format as lasted quite a while now.
Streamers (1983): It is okay but because it is a play filmed in the studio there is no way the audience can escape and they are stuck with the histrionics which wear a bit thin before the end of the long running time.
Born Romantic (2001): Jane Horrocks heads a talented cast and all perform as if they are enjoying themselves.
City By the Sea (2002): An excellent cast who perform well, but although there are some good location shots of a seedy Long Island, the screenplay doesn't convince.
High Life (2019): Have mixed feelings about this – out of respect for the Director I will watch again at a later date. I don't want to deter people from watching it and making up their own minds as it has some good reviews.; DVD $29.95
Rawhide (1951): It is not great but certainly not a time waster– Jack Elam is cast among the baddies – where else(?)
John Wick: Chapter 3 - Parabellum (John Wick 3) (2019): The running time is over two hours so there is plenty of repetitive violence but at least it is well choreographed. The set designs, however, are terrific especially the Blade Runner type street scenes.
Skin (2019): It doesn't quite maintain the interest set by the early scenes but Jamie Bell is impressive and looks and acts the part.; DVD $29.95
Godzilla II: King of the Monsters (2019): These endless "remakes" make you appreciate just how good the original and nostalgic 1954 version was.
Seagull, The (2018): I thought the first half was fine but the second half just didn't fire. Still, the fine performances and photography helped get one through.
Mirror Has Two Faces, The (1996): It is overlong and has a Hollywood ending but Steisand's energetic performance helps to maintain the interest.
Wild Rose (2018): Jessie Buckley's energy reminds me of Julie Walters who happens to play her grandmother. Most of the screenplay is fine but there are scenes used as padding at times to link the musical segments.
2 B Perfectly Honest (2004): After a good opening skit what follows is a bit uneven but it is worth a try.
Ring 2, The (2005): Considering it is based on something that has been done before and also a sequel – it isn't too bad. Naomi helps in that regard.
Happy Hour (2002): Its not great but worthwhile – it has a worthwhile message in the screenplay and the casting is good.; DVD $29.95
Thunderstruck (2004): For obvious reasons the soundtrack is appealing but the young lads maybe not so much.
And Now Ladies and Gentlemen (2002): A screenplay of two halves. The shorter first half, before he goes on the run, was better for me but the second half is also good. The very consistent Jeremy Irons anchors proceedings and the jazz score that runs most of its length worthy of purchase.
Vice (2018): It is not that bad even though it is about a politician. At least it tries to be a bit different from other biopics in its presentation and style. There is a great cameo from Alfred Molina.
I'm Gonna Git You Sucka (1989): It doesn't all work, but most people will find something in it to enjoy, and anyway it is hard to dislike.
Takers (2010): It doesn't break any new ground.
Alfie (2004): The problem with this Alfie character is that his life is so shallow and unproductive that it doesn't deserve sympathy or even attention. He doesn't bring anything to the table.
Two Women (1961): As a personal drama experienced by the two lead characters, it is very effective. The shooting locations enhance the feel of the time and place.
Romeo and Juliet (1954): Although I'm not an R & J fan this wasn't too boring and it was easy on the eye.; DVD $29.95
Red Joan (2018): A documentary would have been more exciting – however, it is an interesting story and the production values are very good.; DVD $19.95
Quiet Man, The (1952): Maureen O’Hara is at her best when fiery and its a pity the romantic aspect took this away from her character. However, the location shooting is a winner and complemented by some good supporting characters and songs.; DVD ~~$15~~ $11.25
Children of Men (2006): The screenplay is very impressive and convincing and together with the set designs create a believable and frightening scenario.
Besieged (1998): It is a little disappointing but the two leads, supplemented by some traditional music, just about make it worthwhile.
Wayne's World (1992): The two lead characters have a freshness about them, are not annoying and are very experienced at working off and with each other.
Kidulthood (2006): It may have its faults but its intentions are admirable.
Bravados, The (1958): It is well made and as a similar plot scenario to the much superior "Seven Men From Now" (1956).rnrnIt is always good to see Henry Silva.
Crawl (2019): The basic plot idea of alligators entering flooded houses in Florida is believable and that if nothing else enhances the horror element.
Boomerang (1992): There is very little in the screenplay to justify filming it in the first place– it soon wears thin after a few minutes and the same scenarios just keep coming back at you.
Day the Earth Stood Still, The (2008): I know that Keanu was standing still.
On the Basis of Sex (2018): The screenplay was a bit dry at times but the Equal Rights court hearing was interesting before it ended Hollywood style.
Soft Fruit (1999): Not all of it but enough of it works in an Aussie kind of way. At least it is a little different.; Poster (VG) $12.95
Flamingo Kid, The (1984): Watching it 36 years later it still has some appeal because of its 1960's settings. The soundtrack is a plus.
All Apologies: Kurt Cobain (2005): The documentary does a reasonable job – there is some good concert footage and interviews.
Man's Favorite Sport? (1964): Although it is too long for its material there are some worthwhile comedy moments.
Happy Death Day 2U (2019): It is okay but so are the many others that it is derived from.
Life Aquatic with Steve Zissou, The (2004): Although the screenplay is uneven it at least is unusual. The art work and set designs are the big plus.
Last Chance Harvey (2008): Including those in supporting roles there is nothing wrong with the casting or performances but the screenplay raises the question "why did they bother?"
Overlord (2018): It takes a while to warm up but when it does it is all on. Great work by the make–up people but the walking dead segments are a repeat of what has been done elsewhere.
Fire Ice and Dynamite (1990): There are some terrific stunts and it is entertaining.
Spider-Man: Far From Home (2019): The special effects team can probably do this kind of thing with their closed by now but they are good.rnrnThe film also runs for the required two hours.
Grinch, The (2018): The characters are great and entertaining.
Bridge of San Luis Rey, The (2004): The screenplay is a bit subdued but Kathy Bates and Dominique Pinon liven things up when on camera. Good production values.
Man of the Year (2006): It is a pity a motormouth character was created to put across some worthwhile satirical points in the script. A more restrained character would not have been such a distraction.
Sensation (2010): It doesn't quite deliver what it promises but it is Irish so it is worthy of a watch.
Linguini Incident, The (1991): It doesn't quite work but it has a certain appeal all the same and it is worth a try.
Chess Players, The (1977): The screenplay was well written and interesting but the highlight was the photography in Eastmancolor, the sets, and the beautiful colours and designs of the wardrobe.
Enigma (1982): The screenplay is okay but it doesn't compare that well with a number of others in the genre.
Grumpy Old Women Live (2008): The material is not that strong but it is delivered entertainingly and with energy.
Goodbye Lenin! (2003): It is a good mix of politics and comedy. Its basic plot idea is refreshing.
Spellbound (2003): It gets a bit repetitive but the close–up camera work helps.; Poster (F) $7.95
Flawless (2000): The screenplay is uneven but the lead performances make it worthwhile.
Yesterday (2019): The screenplay is a bit uneven, but there is compensation in the plot idea which is very good. The characters are hard to dislike and the music shows promise and might catch on.
Life During Wartime (2009): It is a comedy style that is difficult to get right – there is little room for error in its delivery and in its timing.
Dogtown and Z-Boys (2001): There is enough in this history to interest non skate board users. The documentary has a "rough" edge to it with plenty of grainy video and home footage but its all good stuff. An interesting social history.
Samurai Pirate (Daitozoku) (1963): Aka "Lost World Of Sinbad". Toshiro Mifune provides an automatic attraction no matter what the material is on offer.
Rudy (1993): There are a number of dramas made around American football and this is as good as most of them.
Cold War (2018): They usually stage these films on cold days and nights to add to the depression. The singing is beautiful though.
White Chicks (2004): The silliness is hard to dislike and to its credit, it doesn't seem to take itself seriously.
Empire Falls (TV Mini-series) (2005): It does well to maintain at least some level of interest over its long viewing time – even the less interesting segments are helped through by someone from the above average cast.
Things to Come (L'avenir) (2016): The screenplay intelligently avoids getting bogged down in philosophy but keeps moving through some realistic situations helped by some smart editing. The lead actress is not bad (again).
Lonely Guy, The (1983): Viewed 35 years on it is passable viewing but forgettable.
Dark Shadows (2012): Considering its director and cast it doesn't work as well as it might have, but still, there are some very good scenes around the excellent female ensemble. The set designs and artwork are commendable.
Soldier Blue (1970): Whatever its faults it doesn't stay on the Western's worn path. It always holds some interest with the "he who doesn't know how to be boring" Donald Pleasence popping up from time to time.
Croods, The (2013): The characters are not as "lovable" as the Flinstones but the animation is obviously more advanced.
Creature from the Black Lagoon (1954): 65 years on this still appeals. The creature, so obviously belongs to 1950's cult cinema that it will never be out of date. The humans only use was to antagonise the creature & so draw it into the screenplay & maybe provide it with something to eat.
Cabaret Balkan (The Powder Keg) (1999): The setting is deliberately bleak – on a cold wet night in a depressed location – the screenplay is played out by characters who are at odds with each other. I only remember one light–hearted scene. It is not uplifting but it is well done.
Riding Giants (2004): Its strong point is its extensive use of well researched archival film.
Lords of Dogtown (2005): It has a pretty good soundtrack.
7 Times Lucky (2004): It is one of those "it is not great but you could do a lot worse" films. Kevin Pollak's casting certainly helps.
Magnolia (2000): The screenplay is fairly loose and it is one of those that you can randomly dip into at your leisure and not lose the plot. A long weekend would be the best time to view it.
Layer Cake (2004): The screenplay has a good balance of action and comedy the latter being generated through an impressive list of both quality (e.g. Michael Gambon) and character actors. Sally Hawkins and Jamie Foreman steal their scenes.
Blade of the Immortal (2017): There was a cast of thousands and they were all needed, with some having to be recycled for later scenes. Most were dispatched in whole or in parts whilst conversely, because of the running time, the audience was in danger of dying of old age.
Class, The (Entre les murs) (2008): It is okay as a drama but watch the superior "Etre et Avoir" (2002) for some real life situations.
Bottle Shock (2008): It is okay – Alan Rickman raises its level of watchability.
Delirious (1991): The plot idea was good but the comedy, even with John Candy, didn't work.
Blind Fury (1989): Thanks to the lead it had some good moments but we didn't really need the kid.
Robin Hood: Prince of Thieves (1991): Alan Rickman is terrific but the 2 hours plus running time, which is not unusual with a project involving Costner, needed much more to maintain interest in this well–worn story.
You Were Never Really Here (2017): Unlike the main character the story is not complicated, & is even familiar, but thanks to some smart editing it is beefed up considerably. The sound department does a great job & Joaquin is not too bad – just joking he's terrific.
Buffalo Bill and the Indians (1976): A curiosity piece definitely but the screenplay just didn't work.
Horror Hospital (1973): The screenplay is a bit messy but enjoyable. Dennis Price was in good form but didn't have much screen time.
Hebrew Hammer, The (2002): It deserves some credit for being original but the religious content was way above my head.
Motorcycle Diaries (Diarios de Motocicleta) (2004): It wasn't quite the same after the motorcycle was no more but it remained a good political snapshot of the lives of the several peoples they encountered.
Stalag 17 (1952): The screenplay is well performed and it is a good mix of comedy and drama.; DVD ~~$20~~ $15
Chronicles of Narnia: The Lion, The Witch And The Wardrobe (2005): A quality fantasy for the family. Tilda Swinton was created for this kind of role and the kids led by Georgie Henley are well cast. The competent special effects are seamlessly woven into the storytelling.
Saint, The (1997): Val Kilmer's casting is the problem – in some scenes he just looks silly. The other Saints at least looked something like you'd expect a saint to look like – even without a halo they looked dignified.
Great Gatsby, The (2013): The art work, set designs and wardrobe are excellent but they are not enough to carry you through two hours.
I-Spy (2002): It didn't amount to much although not being a Wilson fan didn't help.
Baby's Day Out (1994): Technically the film was quite cleverly made and it was certainly entertaining.
Hellboy (Hellboy: Call of Darkness) (2019): It will be more enjoyable after taking a bit of sustenance – parts of it are quite entertaining although overall it is a bit too long.
Mr. and Mrs. Smith (2005): As the attractiveness of watching the two stars wore off after five minutes the thin material became repetitive and needed to be curtailed much sooner than it was.
About a Boy (2002): It was a race as to who was the most annoying – Grant or young Spock. I'm a fan of Toni Collette and thanks to her I didn't break anything.
Il Postino (Postman, The) (1994): It has used one of the most beautiful filming locations and the photography does it justice. It falters a bit toward the end but for the most part, the screenplay avoids being over sentimental which is really some achievement.
Get Out (2017): The screenplay is intelligent until it shows its hand from which point it largely reverts to familiar horror territory.
Heart Dances, The (2018): It has a good mix – showing the casting process, stressful meetings,cultural issues, rehearsal footage etc..
Crouching Tiger, Hidden Dragon (2000): The Chinese location panorama shots were impressive as were the choreography and stunt work. The character of the young pocket battleship was a winner and she left just enough males standing so as not to jeopardise the future of the human race.
Ratatouille (2007): Not as strong as others in the Pixar canon but very good all the same.
Anonymous (2011): It is a screenplay you can dip into and enjoy the performances without worrying about the plot. A top–notch cast on a busman's holiday with set designs to be admired.
Nowhere to Run (1992): Why did the distressed damsel have to be Rosanna Arquette?
What Just Happened (2008): Unfortunately for the film it doesn't tell us anything new – thanks to Hollywood's own publicity machine and the large media coverage the industry attracts. However De Niro does well in a marathon effort.
Stranger, The (1991): The ending is unnecessarily delayed, so it is a bit overlong, but other than that the screenplay is worthwhile. The colour photography is gorgeous.
Johnny English Strikes Again (2018): For a third strike, this is not too bad.
Journey's End (2017): Paul Bettany heads some other fine performances. Although adult film audiences are probably (over)familiar with the working conditions of WWI trenches it does capture the claustrophobia very well.
King and Country (1964): In my book, this is one of the great anti–war films. It is also an excellent example of two actors, Courtenay and Bogarde, whilst working off each other, giving each other the necessary space. Stagey yes, but one for the working class.
Adaptation (2002): The screenplay is intelligent but it is a challenge to understand. However, even if you can't follow proceedings this is not something that will wreck the viewing experience as Chris Cooper & Meryl Streep are strong & Nicolas Cage is good in this one.
Extraordinary Journey of the Fakir, The (2018): I'm afraid my attention got left behind at the start.
Ice Age 4: Continental Drift (2012): Although it feels like a repeat it is still well done and entertaining.
Poms (2019): A good cast, and its entertaining, but the screenplay is just lazy with no fresh ideas. It has all been done before.
Under the Silver Lake (2018): The best bits were where the director tried to copy David Lynch. He did achieve, with the aid of the score, some Lynch atmospherics. However, overall it was a film that was in love with itself and unable to bring itself to a conclusion.
Wind Chill (2007): The bickering between the two students didn't create any sympathy for their well being and you were praying that whatever was going to chill them out would hurry up and do its thing.
Salmon Fishing in the Yemen (2011): There is a definite rise in interest when Kristin is on camera.
Diner (1982): Whilst the screenplay doesn't get too far past the entree, the set designs are commendable, and there is interest in the younger versions of those cast members who today have stayed the course(s).
Brightburn (2019): There were times during its first half–hour that I thought it was going to break out of the mold.
Morning After, The (1986): Its best moments are early in the film but, although the screenplay would have benefited from being more compact, it has enough thanks to the appeal of its two leads, to maintain interest.
Room Upstairs, The (1987): The screenplay wasn't too bad but there was more interest in the always watchable Stockard Channing and Linda Hunt performances.
Chaperone, The (2018): Elizabeth McGovern is solid but the screenplay doesn't really grab your attention nor anything else for that matter.
At Eternity's Gate (2018): A slice of Van Gogh's life which, even though the artist has received quite a bit of attention from other film makers, will not lack an appreciative audience.
Ghostland (Incident in a Ghostland) (2018): Whatever else it is – it is very noisy.
Gloria Bell (2019): The screenplay doesn't amount to much.
Bring Me the Head of Mavis Davis (1997): Rik Mayall fans may well be disappointed with the screenplay.
Planes (2013): The animation is not in Pixar's class but it is worthwhile.
Amour en fuite, L' (Love on the Run) (1979): If he had have been a human being (that rhymes – I'm a poet) the character would have been a waste of space but somehow throughout his adventures, he has been a romantic attraction.
Secret Life of Pets 2, The (2019): It is not too bad for a follow–up.
Babysitters' Club (1996): It is cute without being over cute and the kids aren't too screechy.
Sometimes Always Never (2018): This was the perfect part for Bill Nighy and the scrabble scene with Jenny Agutter and the terrific Tim McInnerny was the highlight of an interesting screenplay.
A Fantastic Woman (Una mujer fantástica) (2017): It is one terrific lead performance.
Igor (2008): The characters have great shapes.
Goosebumps 2: Haunted Halloween (2018): It is saved by the special effects.
Hobson's Choice (1953): Any film featuring Laughton & Mills & directed by one of cinema's greats is a must. The supporting cast also does justice to the quality screenplay but the other outstanding feature is the photography which captures working class Salford superbly.
Hombre (1966): The above average casting, with Richard Boone a stand out, does justice to the well written screenplay. The camera work is a big plus.
Boarding Gate (2007): There are two scenes early in the screenplay involving Madsen and Argento chewing the fat that take up more time than they needed to. The action scenes were okay but were nothing out of the ordinary. Watchable but forgettable.
In a Lonely Place (1950): Seventy years on, as a drama it is a little bit dated, but those segments relating to the picture making business should endure.
Time for Drunken Horses, A (2001): If I could use the label "Reality Fiction" I feel it would be pretty close to describing this drama.
How to Train Your Dragon (2010): The characters are well–drawn and the screenplay is humorous.
Long Shot (2019): The script was dreadful, and rating it as a comedy script – it was even worse.
Apollo 18 (2011): As an example of the found footage sub–genre it is well done, but to carry through the charade that the mission existed, there shouldn't be actor credits for the astronauts.
Pink Panther 2, The (2009): There are some good Detective Clouseau moments and the supporting cast is particularly strong.
Woman on the Run (1950): It has a good screenplay with snappy dialogue especially when Ann Sheridan and Robert Keith are sparring. The location shots of the city streets are outstanding.
Welcome to Collinwood (2002): The excellent cast derives enough good moments from the uneven and familiar screenplay to make it worthwhile.
Ninth Gate, The (2000): A fine director and cast and there is nothing wrong with the plot idea but for some reason, it failed to hold the attention.
Phantom (Fantasma, O) (2000): A young chap seeks out encounters with other young chaps or anything else that comes to hand. The key for the viewer is to what extent you can sympathise with his character.
High and the Mighty, The (1954): The theme tune is mighty but the rest of it is more about length than height.
My Own Private Idaho (1991): The two leads are fine and they are complemented by some scene–stealing from William Richert. Although the screenplay doesn't match its early scenes it is kept alive by some interesting characters and photography.; DVD ~~$25~~ $18.75
Leaving Las Vegas (1995): Its anti–alcoholic message is a plus and there is nothing soppy about the romance. The bar scenes are particularly well handled and the continuous soundtrack is also a positive.
Support the Girls (2018): We have all had bad days so we can easily empathise with Regina Hall's character. Her performance is spot on and the other characters help her or more often than not don't help her get through the day.
Saving Face (2004)
Watermelon Woman, The (1996): A clever production that is a smorgasbord of good things. It is entertaining and good–natured.
Storm Riders, The (1998): There is the usual amount of violence and comedy and flying around the place.
Sleepless in Seattle (1993): You wouldn't be if you just got rid of the kid.
De-Lovely (Delovely) (2004): The set designs, makeup and wardrobe are excellent.
Domicile Conjugal (Bed and Board) (1970): It is undemanding viewing of characters who are just about believable and therein lies the attraction.
Blue Lagoon, The (1980): Even though there are some beautiful island locations to admire there is not enough in the screenplay to warrant the running time.
Swimming With Men (2018): It doesn't quite work as the comedy is a bit forced. With the cast it has it should have done much better.
Penguins of Madagascar (2014): Its not top of the range but our heroes are likeable and you won't have time to dislike it as it doesn't stop for breath.
Kindergarten Teacher, The (2018): Although Maggie's performance makes it worth watching the screenplay is a bit too predictable.; DVD $29.95
Card Player, The (Cartaio, Il) (2003): The screenplay is over–familiar at times but there are some graphic horror segments that are not.
Gringo (2018): I think the director started out making a drama, got bored and inserted some comedy scenes afterward.
Point, The (1971): Everything is simply done and in that lies its strength. It should appeal to all age groups.
Italian Job, The (1968): It is entertainment plus through some excellent stunt work and editing and a very interesting cast of character actors.
Etre et Avoir (To Be and to Have) (2002): The camera work over the four seasons and the shots of the children's faces are edited to just the right length and are intimate without being intrusive.
Hotel Mumbai (2018): The best scenes are the early outside location shots prior to the inside location shootings. This well–made massacre drama should fill the gap between your evening and nightly TV news bulletins.
Soul Plane (2004): If the question of taste is an issue then only parts of it are funny. I didn't think all of it was funny but overall found it good–natured and inoffensive.
Death of a Salesman (1985): Whilst its good to record plays this one is too long. Listening to a character – one that you can't sympathise with – for 2 hours is beyond the call of duty. If he can't be got rid of in the 1st act then at least drug him & give the audience some peace.
Suspiria (1977): It is a little different from commercial horror offerings if for nothing else the set designs, artwork and a thy shall not sleep music score.
Falling in Love (1984): Although nothing much happens it is performed well and Harvey Keitel and Dianne Wiest in support add to the strength of the casting.
Amazing Grace (2006): A terrific cast do justice to the excellent screenplay which in the main doesn't get sidetracked or get too melodramatic. The screenplay does well to represent both sides of the argument and the debates in the House are its strength.; DVD ~~$20~~ $15
Top End Wedding (2019): It is likeable enough but it is a bit more silly than funny.
Miss Sadie Thompson (1953): For the whole film, each character yells at all the other characters who are also yelling at all the other characters.
Bargee, The (1964): Corbett, Barker, and Sykes, needless to say, are very good and there are plenty of comedic supporting actors also on show with Hugh Griffith good enough to hold centre stage at times. The canal keeps watch over proceedings.
Ramen Girl, The (2008): The screenplay is predictable but Brittany and Toshiyuki really do work well off each other with the latter convincing as the grumpy chef.
Stolen Kisses (Baisers Voles) (1968): The material is light but you don't feel you've wasted your time as the story keeps moving along and the main character is kind of likeable. The icing on the cake is the easy on the eye soft colours of the photography.
Missing Link (2019): The characters are a bit odd to look at but like "Coraline" its animation style adds a bit of freshness to the genre.
Duck Duck Goose (2018): These characters will not fail to entertain the family.
Looney Tunes - Back in Action (2003): An entertaining and clever mix of live and animated action.; VHS $19.95
Earth vs. the Flying Saucers (1956): It is deservedly well known for its special effects. The screenplay has elements that you can scoff at but it also has those that you can admire. It deserves to be seen and will outlast the lot of us.
Tiger Eyes (2012): Although the screenplay isn't great Willa Holland looks capable of working with better material.; DVD $24.95
Jayne Mansfield's Car (2012): I think what happened was that Billy Bob invited some actor friends around to his place and they were filmed chatting waiting until someone delivered the screenplay.
Cloudy with a Chance of Meatballs (2009): The action is unending, the screenplay is original and witty.
Shrek (2001): The ogre and donkey are great characters and the script is genuinely funny.
Hunger Games: Catching Fire (2013): It is okay but the only time it lights up is when Stanley Tucci has the matches which is probably not a good metaphor with the state our climate is in these days.
Monsters vs Aliens (2009): It is not great when compared to similar fare but it is entertaining enough.
Missouri Breaks, The (1976): Although the screenplay doesn't go anywhere fast it has its good points when it achieves realism. There is also a good soundtrack and Randy Quaid's hat.
Grease (1977): The tunes are tuneful, the dancing energetic, there are some delightful cameos (Eve Arden et.al) which don't hold up the story and the support casting, headed by Stockard Channing, is spot on.
Peace, Love & Misunderstanding (2011): An attractive female cast but it is familiar and predictable.; Blu-Ray $34.95
Meg, The (2018): It is not a waste of time as there are a couple of scenes really well done and overall it doesn't take itself too seriously. Statham, as usual,looks very comfortable on camera and can do these bread and butter parts in his sleep.
King of Thieves (2018): Whilst the screenplay was familiar, and nothing special, the film offered a great chance to compare some of Britain's cream in male acting talent. Tom Courtenay's performance for me came out ahead and made the watch worthwhile.
Shazam! (2019): The casting of Mark Strong helps but the screenplay, whilst okay, has come at the wrong time as it has been preceded by several other comic character adventures.
Mega Time Squad (2018): Whilst it doesn't maintain the appeal of its early scenes it is not too long and is worth seeing through.
Animals United (2010): The meerkat is terrific and there is nothing wrong with the message in the screenplay.
Basic Instinct (1992): It starts off quite well, and although there are some good segments throughout, the screenplay is easily sidetracked and longer than it needed to be.
Kevin and Perry Go Large (2000): I am a fan of Kathy Burke and she is one of the *.
St Trinian's 2: The Legend of Fritton's Gold (2009): It is silly but entertaining with a bouncy soundtrack. There is acting talent to burn in the male cast, led by a wonderful Rupert Everett, but they are employed to enjoy themselves rather than act and leave the centre stage to the girls.
In God's Hands (1998): The best performances come from the waves and there is a good soundtrack to fill in when there are no waves around.
Invictus (2009): The script is not particularly strong but the screenplay is well–intentioned. I know it takes a long time to pack a scrum but the film is too long for its own good.
Woodshock (2017): I don't know what happened and I doubt that the lead character does either.; DVD $29.95
Saving Private Ryan (1998): The first half–hour was a good attempt at authentic battle action but even by 1998, when this drama was made, war films had been thrashed to death and we didn't need two and a half hours of it. Shorter would have been much better.; DVD ~~$19.95~~ $14.95
Five Feet Apart (2019): Why only five feet?
Broken Blossoms (1919): Donald Crisp is truly menacing and his scenes with Lillian Gish whose character he throws around the room with relish are impressive. The design work that has gone into the docklands is also worthy of mention.
Piccadilly Jim (2004): The screenplay and the exaggerated characters are amusing and are helped by the performances of the above average cast. The wardrobe and set designs are spot on.
X-Files - I Want to Believe (2008): The franchise has had more interesting screenplays.
Broken (2018): It has local appeal but the basic plot is limited to that of the familiar one of father revenge.
Venom (2018): Although it has the expected high–quality special effects what makes this one different and better is that this comic fantasy has Tom Hardy.
Renoir (2012): The first two–thirds of the screenplay is excellent but then it loses its way somewhat as its focus shifts away from Renoir Snr. Also, a rainy day or two would have added a bit of variety and realism to the weather.
Nickelodeon (1976): O'Neal and Reynolds aren't a particularly strong pairing but it is entertaining enough.
Rent (2005): The screenplay is long but not unusually so for a musical. The tunes aren't that tuneful but are performed energetically.
Festival, The (2018): As comedy also includes Keaton, Chaplin, Tati, Milligan, Sellers, etc. it shows, that as a genre, it is probably one of the more flexible ones in that it can cater to several levels of talent and several levels of taste.
Hustle, The (2019): The comedy is forced and borrowed.
Puzzle (2018): I'm a fan of Kelly but I couldn't respond to the screenplay this time round.
Raid on Rommel (1971): The screenplay is a bit far fetched plus there is plenty of pyrotechnics which together provide some entertainment.
Camera Buff (Amator) (1979): The screenplay has dated and lost its impact 40 years on.
Cabaret (1972): Most of the musical numbers were fine but the scenes in between didn't amount to much as both leads were only average and were out performed by the set designs.
Love, Simon (2018): It is a nice film with nice characters.
Death on the Nile (1978): Ustinov and Lansbury are reason alone to watch this but there is also cream in the supporting cast. The production values are excellent.
Pet Sematary (2019): It makes the 1989 version look good.
10 Things I Hate About You (1999): The screenplay strikes the right level of comedy and backs it up with good casting decisions.
Green Book (2018): Its biggest drawback was that everything was so predictable which wouldn't have been so bad if it wasn't so predictable for so long. A commercial offering with a great soundtrack.
Institute, The (2017): It never gets better than the opening credits.
New York Minute (2004): Fans will be satisfied, and for the rest of us, the casting of Eugene Levy helps.
Return to Montauk (2017): Nothing really happens but it is well performed.
Death Wish (2018): Because Bruce Willis is already typecast as the hard man it would have worked better if the mild–mannered Elisabeth Shue had have been the one taking on the role of the revenge seeking killing machine.
Demonlover (2002): The screenplay falls away during its last third but there is an appealing cast in Connie and Chloe.
Breath (2017): It has its moments but the irritating boy with the blond hair should wash his mouth out the next time he is underwater.
Gleaners and I, The (2000): Agnes's artistic eye could see a documentary in all manner of things and her endearing approach usually bore fruit.
Mortal Engines (2018): The special effects did their job okay but the production in the main has little to remember it by.
Can You Ever Forgive Me? (2018): A couple of likeable rogues are entertaining for the most part. The props and wardrobe (especially Melissa's dowdy attire) were well done.
Celine & Julie Go Boating (Celine et Julie vont en bateau) (1974): The opening half–hour & the final scenes are extremely good & are complemented by the outdoor locations, in particular, being beautifully shot in soft colours. The long middle section, however, meanders but it does contain some delightful light touches.
1 (One) (2013): A must for any fan(s) of motor racing.
I Think We're Alone Now (2018): The final scene is not too bad but the field for "end of the world" films is already crowded and unless they are above average they do not have much of a future.; DVD $29.95
Vampires (1998): If viewed as a comedy it is entertaining.
Rise of the Guardians (2012): Some of the voices whine but they are survivable.
Anna Karenina (2012): The screenplay had some great Stoppard touches and the wardrobe people had a field day.
Strange Love of Martha Ivers (1946): A very competent screenplay is well performed by veterans Stanwyck and Heflin with good support from Scott and Douglas who are at the start of their careers.
Broken Circle Breakdown, The (2013): The musical segments were terrific but some of the drama was reduced to melodrama and was a negative.
Bookshop, The (2017): Mortimer, Nighy, and Clarkson is a very appealing cast. The screenplay is fine.
Wiener-Dog (2016): The segments were of varying interest.
Killing of a Sacred Deer, The (2017): It is different and although it tries to unsettle its audience it is worth a try.; DVD $29.95
Hate U Give, The (2018): There are no surprises in the screenplay and it offers little that is new.
La Jetee (1962): Needless to say, this plot idea will never date but will stay relevant.
Cold Pursuit (2018): Another father revenge film. Some of the violence works as a black comedy but some of it is a bit tasteless. Liam has notched up quite an impressive body count by now from that part of his career playing an avenger.
Happy Feet 2 (2011): It is hard to dislike.
Hotel Transylvania (2012): The character design is entertaining and well animated.
Free Willy (1993): On the poster for this film it looks as if a leaping Willy wants to land on the kid and squash him – I know how he feels.
A Dog's Way Home (2019): It has borrowed heavily for its screenplay and because it had a soft voice I couldn't hear some of what the dog was saying but the animal trainers have done an excellent cuddly job.
Lock Stock and Two Smoking Barrels (1998): A crime film without a policeman. If you can make violence and bad language entertaining then this is a good try. When it comes to crime films the British have a cream of character actors to draw on and here are a number of them on show.
Best Offer, The (2013): The screenplay took a dip as soon as the love interest kicked in and so did Rush's performance although admittedly his character was inexperienced with women. Although the promising screenplay was a disappointment the production values were excellent.
How to Talk to Girls at Parties (2017): Because its source was Neil Gaiman it was never going to be boring but the casting of Alex Sharp was a mistake – he struggled in his part and proved to be a distraction.; DVD $29.95
Sunset Boulevard (1950): The opening scene is memorable but the final scene is even better. In between the screenplay is laced with humor that is often caustic. Considering the reaction the film was likely to create it was a brave film to make.
Nanny McPhee (2005): Terrific family entertainment performed by a top–notch adult cast headed by one of the best there is.
Sea of Love (1989): A pretty good cast but the screenplay has lost some of the impact it had 30 years ago.
Us (Jordan Peele's Us) (2019): It has a good look to it but the screenplay is necessarily familiar because of its crowded horror genre. However, it is worth a watch because of the doppelgänger aspect.
Slaughterhouse Rulez (2018): It doesn't amount to much even with Pegg and a bit of Frost. It has all been done before.
Ghost Stories (2017): They failed to hold the attention.
La Dolce Vita (1960): It is very long but it is shot in easy on the eye beautiful black and white which helps. Whilst some of the scenes have dated 60 years on its overall cynicism of the full–time party people will endure.
Slither (2006): The special effects, artwork, and makeup were top rate. The balance between horror and comedy is spot on so slither on down to your nearest video store and rent it.
Prospect (2018): You really felt for our young heroine left alone on a strange planet. If the film had plot holes I really didn't care as it didn't follow any beaten path. I also liked the cheap homemade look of the space ship & the well worn spacesuits & equipment.
Very Good Girls (2013): The early scenes between the two girls are good but once the young male character is more involved the screenplay gets predictable and even though Dakota is always watchable everything starts to drag.
Hours, The (2002): The casting of the three leads is strong with equal strength in the support of Richardson, Harris, and Dillane. The Victorian props are spot on, the make–up people deserve a commendation and the musical score is in the excellent hands of Philip Glass.
Heaven Can Wait (1978): There are some capable character actors in the supporting roles that do justice to the fine comedic segments of the rehashed plot idea.
Sisters Brothers, The (2018): Throughout, the production values, especially the photography, are excellent. However, although it has some good segments it doesn't need the two hour running time and would have been better served with a more compact screenplay.
Chopper (2000): The storytelling is entertaining if that description is able to be used about the subject matter.; DVD ~~$29.95~~ $15, $29.95 | Blu-Ray $29.95
Homicide (1991): Joe Mantegna's screen presence dominates throughout this well written screenplay.
Hurricane (Mission of Honor) (2018): A commercial dramatisation with the usual romantic sub plot padding out the screenplay.
Dire Straits, The Very Best of - Sultans of Swing (1977-1991): A solid compilation.
Shalako (1968): What is different is that half the characters in this western are European nobles. However as the nobles have a servant played by the great comedic actor Eric Sykes, it is possible that Eric has manoeuvred them onto the wrong film set.
12 O'Clock Boys (2013): Noisy bloody things.
Cameraperson (2016): The formatting of the autobiography is a bit frustrating – some segments wet the appetite and you need to connect it with the end credits to see more – on the other hand, other segments are boring but may not be so if seen in the original documentary.
My Son, My Son, What Have Ye Done? (2009): Michael Shannon as the fruitcake heads a very good cast. I enjoyed the screenplay a bit more on this second viewing. The musical score helped.
Witches, The (1990): Angelica is worth the price of admission but there is also a strong supporting cast of character actors.
Still Life (Dong) (2006): The human characters are overwhelmed and are being pushed aside by the Three Gorges Dam project. The location shots using the river as a backdrop are outstanding.
Mission to Mars (2000): The special effects do not overwhelm but are used discerningly to support a screenplay, that although intelligent in its better segments, would have been improved if shorter and more focused.
Stroll, The (Progulka) (2003): If someone started yapping in my ear whilst I was enjoying a walk I would tell them to –––––––––.
All About My Mother (1999): The screenplay has some humorous touches but unless Antonia San Juan's character of Agrado is involved it doesn't rise to any great heights. Agrado is a step up from anyone else on show.
Happy Prince, The (2018): The drama is shot in half light or more appropriately in the half dark – even in the daylight scenes, the camera goes in search of shadow. A somber but interesting piece of work.; DVD ~~$25~~ $18.75
Colette (2018): The story is an interesting one and it deserves to be told. Although the screenplay got sidetracked at times it covered the main issue, that of her ghostwriting, okay. The production values were excellent.
Asphalt (1929): The segments of men laying asphalt, the intersection traffic scene, the seduction scene, & the way lighting was used are memorable. The film was made toward the end of the silent era & no doubt it benefitted from the experiences gained over those years.
In This Corner of the World (Kono sekai no katasumi ni) (2016): It is a good example of animation being able to tell a story efficiently. Our plucky heroine is a delight and the animation impressive particularly the believable air raid segments.
Date With An Angel (1987): It is a bit too silly to be funny.
Turbo Kid (2015): It tries a bit too hard & too often to shock its audience so it probably would be more appreciated as a comedy. Some of it is okay but there is always that underlying feeling that you've seen bits of it before and that it has borrowed from elsewhere.
Don Giovanni (1979): As well as a couple of memorable musical segments everything is well designed and wardrobed. The subdued photography of the outside locations uses soft colours and is superb.
White Zombie (1932): It is one of the few zombie films where they have cast real zombies.
How to Eat Fried Worms (2006): It does well to stretch things out to an hour and a half.
I Capture the Castle (2003): There are good performances from the two sisters and Bill Nighy. As expected the production values are spot on.
Love Circles (Ronde de l'amour, La) (1985): For most of the film the Wardrobe Department doesn't have much to do.
Vox Lux (2018): Although I couldn't make out what Natalie was saying most of the time I could tell that an effort had been made to produce a screenplay with some differences to the norm.
Bronx Tale, A (1993): The early scenes are the best, particularly the street locations, but for the rest of it, unless Chazz Palminteri is involved, it is disappointing.
Escape, The (2017): It is so easy to make a mess of these dramas, usually through overkill. This one is believable. Gemma is great and so is the camera work on her every day facial expressions and this does away the need for excessive dialogue.
Favourite, The (2018): The screenplay has some humorous touches, most of which work, but the standouts are the set designs and wardrobe. Overall it is good light entertainment.
Eagle Huntress, The (2016): Go Girl! and well done Dad!
Arctic (2018): The Icelandic locations were excellent but the characters leaving the crash site made no sense other than to provide meat to the screenplay and to anything else that was lurking around.
Destroyer (2018): The screenplay doesn't work as well as it might have done but the makeup department do a good job and you know who makes it worth a watch.; DVD $29.95
Swallows and Amazons (2016): Well produced with the shooting locations a real plus.
Interlude in Prague (2017): The screenplay kept getting diverted and not going anywhere at times but the set designs and wardrobe were fine and there was always the music.
Crime Spree (2003): It has some nice humorous touches and good location shooting.
Human Traces (2017): What it does do well is to create a threatening atmosphere – on a remote island there is no way to escape.
Three Colours: Red (1994): Two great performances and an excellent screenplay.
Next of Kin (1982): Competent horror with the screenplay working most of the time. The house provides good atmospherics especially with the odd thunderstorm & power cut thrown in. The choice of soundtrack was odd & it proved more of a diversion but who cares it was good.
Greta (2018): Typical of a Jordan screenplay it starts out very well but doesn't see it through. The excellent casting (including a compulsory appearance from Stephen Rae) however is worth your time.
Near Dark (1987): These vampires are believable even if you don't believe in vampires.
Drunken Master (1978): A window for Jackie Chan's comedic acrobatics.
War Photographer (2001): The subject has no ego and what backslapping the interviewees do is so low key. Refreshing.
300 (2006): If you can stomach the slow–motion violence you can have a laugh at the male posturing and at the stirring final scene. What is worthy of attention however is the artwork.
Bad Company (2002): Anthony Hopkins seems to be one of those performers who needs to be working all the time – no matter what is on offer.
Conversations with Other Women (2005): Because nothing happened I spent the running time working out how Helena could give Eckhart the push so that we could all go home.
Pixote (1981): Very believable (unfortunately).
Matilda (1997): The first half is strong but the screenplay weakens a little once it gets into St. Trinians territory. Throughout the production values are excellent.
Girl Asleep (2015): Not all of the ideas have translated well – e.g. the dream sequence is over–ambitious. However, when an idea does work it is excellent as is the choreography, artwork & set designs. Bethany Whitmore is the glue but the dick head dad is the scene–stealer.
Mule, The (2018): Clint has been doing these for a few years now. The mule stays on the straight and narrow path. It is a no risker.
Game Night (2018): I didn't realise this was a comedy but as a drama, it failed to hold the attention.
Last Mimzy, The (2007): Yes, the special effects are used sensibly and don't dominate. It is good solid family storytelling.
Wasp Woman, The (1960): Wasp Woman takes a little while to leave the nest but when she does she adds much–needed bite to the proceedings.
Three Colours: White (1994): How many screenwriters would give Julie Delpy the heave–ho early in the film and then bring her back for an unflattering ending? An interesting screenplay is aided by an interesting musical score.
Little Shop of Horrors (1960): It puts a lot of bigger budget productions to shame. The plant is terrific – after being small for a start, it gradually grows on you.
What's Eating Gilbert Grape? (1993): The screenplay is confined to a small physical area but this is used to advantage in that it can then concentrate on the interesting characters. These are just about believable as being drawn from real life – but perhaps not all from the same family.
Stronger (2017): It is okay but its another commercial dramatisation of true–life events. Let us hope Mr. Bauman gets some of the profits.
Tales of Terror (1962): Written by Poe the short stories were always going to hold interest and three of the best performers in this genre deliver.; DVD ~~$20~~ $15
Sisters (1973): The screenplay isn't all plain sailing but it is always interesting although Jennifer Salt gets a bit strident at times which can cause a lack of focus for the viewer on what is going on. Overall it has definite curiosity value and worth a watch.
Victory (Escape to Victory) (1981): The football segments are well done. Prior to that proceedings were in hands of a fine body of performers plus Stallone. I really don't know what he was doing in this – bizarrely although he can't act he had most of the lines.rn
Three Colours: Blue (1993): Juliette doesn't need dialogue – just camera and lighting.
Thirteenth Floor, The (1999): After reading the synopsis it was obvious that the screenplay, as it was portrayed, hadn't done justice to the intelligent plot idea. In addition, the loud and annoying soundtrack didn't help in the hearing of the dialogue. I have bought the book.
Seven Years in Tibet (1997): The first half is best before our two protagonists are domesticated. Overall it is a frustrating experience as it doesn't really do justice as a history lesson which is not helped by the inaudible narration. The various mountain locations are a plus.rn
Once Upon a Forest (1993): The characters are a delight.
Roman Holiday (1953): It is a silly fairy tale plot but a classic romantic one. Audrey shines in beautiful black and white. The romantic shooting locations help.
Glass (2018): I wasn't over–excited by the first two of the trilogy and this one, being a reflection of what had gone before, didn't do anything to shatter that view.
Get On the Bus (1996): It is very heavy on dialogue some of which can be criticised for being preachy.
Equalizer 2, The (2018): Denzel has done so many of these that he can perform them with his eyes closed. Likewise, I've seen so many of these I can watch them with my eyes closed.
Blood Diamond (2006): The message shouldn't have needed two hours to get across. The violence is well done but becomes repetitive. One shot of children with weapons would have been enough to understand that anarchy reigned & we, therefore, could have been spared the bloodshed
Fantastic Mr. Fox (2009): It took a few scenes to get used to Clooney's voice and it was a distraction to the storytelling but the animation throughout was excellent.
Twin Falls Idaho (1999): The screenplay is uneven but without wanting to sound crass it is unusual & importantly keeps the melodrama to a minimum. There are some fine humorous touches that help alleviate the depressing soundtrack although the end credits are worth listening to.
Arlington Road (1999): Jeff Bridges is a fine actor but not in this one – his performance is one overreaction. The musical score is also intrusive at times. However, there is a saving grace in the screenplay and this deserves to be seen.
Wild Hogs (2007): The talents of Macy, Liotta, and Tomei give it some appeal but except for the odd segment, it doesn't work overall. The soundtrack, however, is pretty good.
Eulogy (2004): As a black comedy, it is not successful, but it doesn't sink without a trace because of the appeal of the cast.
Quest, The (1996): Although there is plenty of one on one combat, the screenplay is not bereft of intelligence, the production values are commendable and Roger Moore is there to add some acting talent.
Stan and Ollie (2018): It took courage to even think about making this. The timing and delivery required for the comedy skits are very impressive. The in–character work of the leads is a success and the set designs spot on.
Films of Fury: The Kung Fu Movie Movie (2011): Although it spends a little more time on the more important players and landmarks it entertainingly zips through an impressive number of films (see end credits) accompanied by a slice of information.
Quick (2011): As escapism it is a good watch.
Second Act (2018): Although the screenplay goes a bit soft toward the end overall it is good–natured and worth a watch.
Double Life of Veronique (1991): The camera lovingly captures Irene Jacob as she is centre stage for much of the running time. Her excellent performance does justice to the double–threaded screenplay.
Shampoo (1975): Warren Beatty is one of the writers as well as the leading man and I'm not sure this is always a good combination. Forty–plus years on the screenplay hasn't aged too well and rarely raises a lather.
Away From Her (2007): A difficult health topic is handled with intelligence. Even if only viewed as a romance it is streets ahead of most. Top performances from the two leads and Olympia help.
Hummingbird Project, The (2018): It has some good segments but even these will soon be forgotten. Jesse Eisenberg fans may appreciate it more.; DVD $29.95
Tortilla Soup (2001): It is pleasant fare and because of the casting of Elizabeth Peña it is worthwhile.
Geronimo (1994): Another screen appearance for Geronimo.
Southerner, The (1945): The screenplay is competent but predictable. The highlight is the easy on the eye black and white photography.
Aristocats, The (1970): A great title and great entertainment.
Pogues, The - Live Town And Country Club (1988): An up and at 'em performance particularly from lead Shane MacGowan.
Dheepan (2016): It is about believable people in believable situations and it is portrayed in a believable way.
My Man Godfrey (1935): The dialogue is extremely well written. Although Powell and Lombard are in top form you can't ignore the quality performances of Alice Brady and Eugene Palette and indeed the rest of the household.
Short Film About Killing, A (1988): It depicts violence and its consequences artistically.
Instant Family (2018): The shrieks, screams, and hysterics are a bit overdone but the excellent adult casting more than compensates.
Hostiles (2017): The production values and the locations are excellent but the screenplay is a bit too familiar.
Molly's Game (2017): The voice–over was irritating but the screenplay had some good scenes although the whole thing could have been shorter.
Split Second (1992): The screenplay is not too bad but the casting is the real attraction both in the leads and supports (Alun Armstrong, Michael J Pollard, Pete Postlethwaite).
Fantastic Beasts: The Crimes of Grindelwald (2018): I didn't think much of the screenplay but the special effects and set designs are worth a watch but perhaps not for two hours.
Star! (1968): Julie is energetic in this never ender but some of the musical segments are worthy of the wait.
Europa, Europa (1991): The screenplay loses a bit of impetus in its later stages but for the most part, it is a good mix of drama and satire. The battle scenes are small scale, personal and believable.
Naked Gun, The (1988): The comedy is ceaseless and inoffensive. It should stand up to more than one viewing as slapstick tends to be ageless.
Short Film About Love, A (1988): A romantic tale without the usual soppiness. Well worth a watch.
Passion of Joan of Arc (1928): The screenplay is processed through closeups of Joan's facial expressions and through good use of lighting and camera angles on her tormentors and during the crowd scenes.
Zoo (2018): Buster makes it impossible to dislike and the period details are spot on.
Times and Winds (Bes Vakit) (2006): The grumpy males take it out on the kids who in turn, having little else to do, plot. There is enough in this slow drama to keep the interest as the locations fill in when the action is static & there is a music score that makes somnolence impossible.
Indiscreet (1958): A good light comedy and it always good to see quality character actors such as Cecil Parker on display.
Pirates of the Caribbean: Curse of the Black Pearl (2003): The series is consistently good and entertaining helped in no small way by the quality in the support casting of the likes of Pryce and Rush. This voyage is a bit too long, however.
Pick of the Litter (2018): Not great as documentaries go but the subject matter was always going to see it through.; DVD $29.95
L'Atalante (1934): A love story but one enhanced by the shooting on the 1930s working canals. There are also excellent street scenes where those Parisians down on their luck congregate. Note the telephone technology. These historical scenes are valuable & will remain so.
Hiroshima Mon Amour (1959): The anti–war early segments are excellent but the bulk of what follows is romantic and anti–climatic.
Black '47 (2018): The period is captured very well and Hugo Weaving, Stephen Rae, Jim Broadbent et.al. equates to a strong cast.
Hotel Transylvania 3: A Monster Vacation (2018): There is the usual entertaining mayhem.
Robin's Nest (TV Series) (1977): Series 1: The scriptwriting maintains a consistent level throughout the episodes. Importantly the episodes are not too long. David Kelly, in particular, gives great support and takes a lot of pressure off the lead performers.
Stray (2018): The pacing of the action and the shooting locations complement each other and although the length of the film is a bit too long for the former it can never be too long for the latter (that's poetic).; DVD $29.95
Miseducation of Cameron Post, The (2018): For the most part, the screenplay took a low key measured approach, which is unusual for this kind of drama, in that it often suffers through an excess display of emotions.
White Boy Rick (2018): Bruce Dern does a bit of scene–stealing but it is not enough to raise the rest of it to the memorable.
Blind Chance (Przypadek) (1987): The political segments of the screenplay were interesting – more so than those concerning the lead character's personal life – in that they attempted to capture the conflicting issues of the time.
Hand That Rocks the Cradle, The (1992): It has dated a bit 25 years on but the casting still holds some appeal.
Frankenstein Must Be Destroyed (1970): A competent Hammer production including as usual a competent cast and set designs.
Fallen Idol, The (1948): It is very well written and although the kid is annoying there is compensation in that the adult lead is the great Ralph Richardson.
Ryuichi Sakamoto: Coda (2017): Unusually for a biographical portrait the documentary does not rely on interviewees and it is all the better for it considering the tranquility of the subject.; DVD $29.95
Yellow is Forbidden (2017): I've seen many unwearable clothes walked down the documentary runway but these take the cake. However whatever the final fate of these garments they certainly are a work of art.
Aquaman (2018): It contains some very good artwork and special effects but even these wear thin before the end is in sight.
Antz (1998): In comparison with others in the crowded animation genre it is not great but it is well worth a watch.
Quick and the Dead, The (1995): The screenplay is a bit repetitive and you don't really care what happens to the characters. Performance–wise Hackman is a bit too strong for the rest of the cast.
Aquarius (2016): Although the screenplay is well written it would be interesting to see whether it would still last out the running time of 140 mins. as well as it does if someone other than Sonia Braga was to play the central character.
No End (Bez konca) (1985): I suspect one viewing in insufficient to understand the nuances of the plot – then again I might be reading too much into it and there aren't any nuances. Anyway, it is a good solid drama with a good lead performance.
Life of the Party (2018): It is hard to dislike because Melissa McCarthy is hard to dislike.
Robin Hood (2018): I'm not sure how they came up with the title but they had to call it something I suppose.
Hang 'em High (1968): It has some good segments and is worth watching. It also has one of the better support castings in terms of solidity in Pat Hingle, Ed Begley, Bruce Dern et.al.
Who's Harry Crumb? (1989): A combination of comedy and silliness but the "pairing" of Candy and Jones is hard to resist.
Kodachrome (2017): It didn't make much of an impression even on Kodachrome.
Widows (2018): Typically of a caper film, it has several lead characters & the screenplay does well to tie them all in but the downside is that this slows everything down especially when screen time is shared out. The basic plot is okay but not original.
Megan Leavey (Rex) (2017): There is a lot of barking in this film and not just on the parade ground. The characters probably spend too much time around dogs because they bark at each other. However, the subject of the drama is a worthy one.
Surf's Up (2007): The characters are delightful and the screenplay well written.
Generation Wealth (2018): The documentary didn't hold its focus at times – perhaps it took on too broad a subject. Although some of the characters could be laughed off, afterward, I needed a hit of Ken Loach and Mike Leigh.
Barbershop 2 (Back in Business) (2004): There are periods when all the cast is talking at once so there is some energy to it but the material doesn't really have the staying power.
Ralph Breaks the Internet (2018): Not quite as good as the original but it has some very good segments.
Broken Shore, The (2013): Don Hany is well cast and is believable in the lead character. The screenplay is well written.
Magic Mike (2012): A good try but it is too long for the material on offer and its novelty soon wears thin.
Deep End of the Ocean, The (1999): The screenplay is a mix of dreariness and dramatics and not that interesting overall.
Children Act, The (2017): The screenplay is a bit disappointing but Emma is worth watching.
Lean on Pete (2017): Competently made and for the most part it avoids the traps.
Tehran Taxi (2015): Some segments are more interesting than others but overall, considering the conditions under which the film was made, a worthy achievement.
Naked Gun 33 1/3 : The Final Insult (1994): The comedy has the right pace – you haven't time to dwell on the silliness because it has moved on and you have forgotten what you have just seen. My bet is that the series will still be watchable for years to come.
Diplomacy (2014): Most of the enactment of the drama is limited space–wise so it is a credit to the writing and the two main performers that interest never lags.
Shane (1953): Van Heflin heads a good cast in this competently made western except I didn't think they needed to write the kid character into the screenplay.; DVD ~~$19.95~~ $14.95
Old Man & the Gun, The (The Old Man and the Gun) (2018): A likeable cast but its all been done before.
Langoliers, The (1995): It would have been better with an hours less running time and one or two better actors. The plot idea is very good however and it is an incentive to read the book.
King Solomon's Mines (1950): It is okay, Deborah Kerr is always worth watching, but it is not as good as the 1937 version.; DVD ~~$19.95~~ $14.95
Creed II (Creed 2) (2018): The hits look realistic enough but the screenplay has the usual Boys Own comic feel to it.
Good, the Bad and the Ugly, The (1967): The three lead castings are very good with Eli Wallach – I am not sure if he was the Bad or the Ugly or both – stealing the show. It has one of the best musical scores and it helps to get you through the overlong screenplay.
Fistful of Dollars, A (1964): Although the body count gets a bit out of hand the film has an influential lead character, an interesting supporting cast, and a very good musical score.
Network (1976): Its satirical message, along with that of Dr. Strangelove, will unfortunately, probably be timeless.
What Maisie Knew (2012): A good performance from young Maisie as the parcel being passed around the adults.; DVD $29.95
30 Days of Night (2007): Danny Huston is the best vampire I've seen and the teeth are impressive. However, this genre has been thrashed to death and vampires have become predictable and offer no real suspense after the first course.
Planet of the Apes (2001): These apes did not have the same appeal as their ancestors.
Paint Your Wagon (1969): It is overlong but there are some passable comedy segments and some good musical numbers. However, the highlight is Marvin – on the surface a bizarre casting choice but it is his performance that will be remembered most.
Second Chance, A (2014): The screenplay pushes the limits of credibility.; DVD $29.95
Prizzi's Honor (1985): Not all of the screenplay works but there are really good performances from Anjelica Huston and William Hickey plus the interesting supporting cast has stability in the likes of Robert Loggia and John Randolph so it is worth a try.
Leaves of Grass (2009): Unfortunately, there are two Edward Nortons in this but there is some compensation in the very good supporting actors any one of whom would have been more than capable of reducing the number of Nortons on show by at least one.
Book Club (2018): I'd like to know how the casting director attracted these four talented performers to take this on.
Leave No Trace (2018): For the two main characters it is easy to find both sympathy and empathy and this is in no small part due to the performances. I will have no problem re–watching it.
Bob & Carol & Ted & Alice (1969): A talkie so nothing really happens and the characters are not interesting but other than that it is okay.
Mesrine (Killer Instinct, Public Enemy Number 1) (2008): Public Enemy: The screenplay is a bit simplistic and thin.; DVD $19.95
A Star is Born (2018): We didn't really need another one. There were a couple of tuneful numbers but these were not played out in full and in the main the choice of music was average. There was little in the casting in this version to hold ones attention.; Blu-Ray ~~$20~~ $15
Colditz Story, The (1955): An excellent mix of comedic and dramatic actors do justice to a similarly themed screenplay.
Iron Lady, The (2011): Don't let the subject matter put you off it is extremely well produced and performed. The set designs, makeup, and wardrobe are commendable.
Wife, The (2017): A married couple yell at each other frequently. Singles enjoy.; DVD ~~$20~~ $15
Mamma Mia: Here We Go Again (Mamma Mia 2) (2018): It fades a bit toward the end as the screenplay looks for work for some of the bigger names to do but overall it is entertaining thanks to ABBA and Lily James. Lily carries the film between the musical numbers a lot of which she also has to lead.
15:17 to Paris, The (2018): The participants looked the part and overall the running time of this dramatisation is not too long.
Big Wednesday (1978): 40 years on and it is still watchable although the screenplay would have benefitted from being more compact it should stand up as representative of surfing youths of the time.
Terror, The (1963): Karloff is worth watching in this "budget" offering. The screenplay is reasonable as a horror except that the French lieutenant character is just not believable and you would like to push the nosy obnoxious prick down the nearest flight of stone stairs.
Kobi (2017): It is okay but possibly too long for a general audience to hold its interest.; DVD ~~$19.95~~ $14.95
American Splendor (2003): The artwork and set designs are well done but the screenplay is forced and tries too hard. Giamatti, as usual, is too intense and doesn't help.
Affliction (1997): It didn't have the same impact twenty years on as when first viewed but the great cast still make it watchable.
Beyond the Black Rainbow (2010): I thought it fell away a little bit toward the end but for the most part, it was a challenging screenplay with good use of visual effects and soundtrack.
Wildlife (2018): The 60's period details are well done. There is nothing complicated about the screenplay so it is believable. Its conduit is the son who is well played by Oxenbould who is not out of his depth working with his more esteemed mum and dad.
Tomb of Ligeia (1965): A very good horror. Whilst Vincent Price is recognised as the master of the hamming it up style of acting he is the perfect casting for this genre of film. It is helped by his easy on the ear voice – it never seems to grate but is melodious.
Hell Is For Heroes (1962): The very good Harry Guardino heads an interesting cast in this well–made drama.
Eastern Boys (2013): After some promising early scenes, the screenplay does not have enough substance to fulfill its running time and the scenes toward the end are pretty routine.
Sorry to Bother You (2018): Although the screenplay is a bit hard to follow at times – maybe it overreaches – it is certainly fresh and deserves to be seen. It should stand up to another viewing which in itself is some achievement.
Girl in the Spider's Web, The (2018): It failed to maintain the attention first time round but it has some good reviews and pedigree so will give it another try later.
Violette (2013): The period's requirements are catered for very well. The screenplay is interesting thanks in no small way to the liquorice allsorts lead character and while not zipping along it keeps moving through some good editing. The casting is spot on.
Taxi (1998): A contrived screenplay and although a lot of it is silly there are some good humorous segments and it is never dull.
Wrecking Crew, The (1969): A forgettable screenplay but there is some interest in the female casting and Nigel Green has acting talent.
White Elephant (2012): The screenplay is okay but it doesn't really break any new ground on what has gone before with similar dramas.
Reservation Road (2007): The screenplay relies on contrivance and loses a lot of credibility early on.
Lo And Behold: Reveries of the Connected World (2016): Werner is an entertaining host and through his using humorous touches, he is able to extract the right information from his interviewees without treading on toes.
Tag (2018): As a comedy, its best bits can more accurately be described as silly.
She Shears (2018): It is a good promotion for a skillful & physically demanding sport. A sport that also produces something positive as an end result (a shorn sheep). Refreshingly there is nothing pretentious about these ladies & they are good company throughout the film.
Ipcress File, The (1965): Very good performances from Caine and Green who are at their best when they are crossing swords. The screenplay lags a bit toward the end but the ending itself is very good.
High Noon (1952): It has an intelligent screenplay that is compactly told. It concentrates more on the human element rather than a large body count.; DVD ~~$19.95~~ $14.95
Juliet, Naked (2018): Considering its origins it didn't work as well as it should have – it lacked a spark or two.
Cactus Flower (1969): It is a talkie that has little to remember it by – which is a surprise considering the talent of the cast.
Easy Rider (1969): Fifty years on and some of the scenes don't work quite so well but importantly there are some that still do and make this worthwhile re/watching. Definitely a cult classic with a great soundtrack.
My Mother (Mia Madre) (2015): The emotional screenplay is handled very well by some good performances of which Margherita Buy's is a standout.
Walk the Line (2005): Two very fine performances do justice to the roller–coaster relationship. The production values are excellent and the musical numbers are handled professionally.
I'm Reed Fish (2006): Light viewing that will probably test the memory bank.
Sinbad: Legend of the Seven Seas (2003): The "old school" animation style gets the job done and the story moves at a brisk pace.
Shrek Forever After (Shrek 4) (2010): A worthwhile contribution to the series.
Eragon (2006): Ed Speleers struggles a bit in the lead role but the dragon is not too bad. There is a strong supporting cast which helps.
Locke (2013): The script is well written and the film well edited as it is able to hold interest over its distance.
Nun, The (2018): As with a number of modern horrors it relies quite a bit on loud sound effects – there is little suspense built up.
Bad Times at the El Royale (2018): Some of the segments are interesting but overall this is a bit of a slog.
Guernsey Literary and Potato Peel Pie Society, The (2018): It is very easy on the eye and undemanding. The period details are spot on.; DVD ~~$20~~ $15
Human Nature (2001): It tries overhard to be different.
Screamers (1995): Never betters its opening scenes but worthy of cult status.
Deception (2008): It has a familiar plot. Ewan McGregor, who in the right part can act very well, is not convincing with his contribution in this one.
Onion Field, The (1979): Up unto the trial scenes, the drama is very good and has the authentic feel to it with James Wood's performance a standout. The screenplay then loses its way, unfortunately – a shame.
Bad Boy Bubby (1994): An original screenplay that after a very strong start struggled to find its ending although more than one opportunity existed. Throughout Nicholas Hope is terrific.
Memoirs Of A Geisha (2005): It is overlong and the screenplay is stodgy. The costumes and the set designs are fine but you need more than that to survive the two hours plus on.
Dark Half, The (1992): It is a great plot idea but the screenplay is very uneven and needed to be more compact.
Colors (1988): The early scenes are fine but it really only repeats itself from then on and doesn't offer anything new.
Swimming Pool (2003): The screenplay doesn't rise to any great heights but Charlotte Rampling has a screen presence and is always worth watching.
American Psycho (2000): It is still an okay watch but twenty years on you can see time catching up with it.
First Man (2018): It is not riveting cinema but as a biopic, it does its job.
Legend of the Guardians: The Owls of Ga' Hoole (2010): A good story with well–drawn characters.
Millennium (1989): It is really showing its age 30 years on. The screenplay is worth a look however except when an unnecessary romantic subplot kills the action.
Art of War, The (2000): A better than average screenplay for an actioner.
Slender Man (2018): It holds no surprises or suspense – which defeats the whole purpose of the exercise.
No Way Home (1996): The three lead performances are very good – I wouldn't expect anything less from the talented Tim Roth. The screenplay is refreshingly low key.
Stranger by the Lake (2013): Its not about golf but much of the screenplay is about searching for balls in the undergrowth. The screenplay does not go anywhere fast but goes up & down in the same spot. The ending is disappointing – everything goes flat at some stage I suppose.; DVD $29.95
Final Countdown, The (1980): The plot idea is okay.rn
To End All Wars (2001): Without wishing to be disrespectful to those that suffered it doesn't offer much new to justify two hours. Having said that if you prefer to see a drama rather than a documentary about being a POW to the Japanese then this is worthwhile.
Fahrenheit 11/9 (2018): Moore's treatment, as with previous ones, is entertaining and informative. To be able to do so over two hours says as much about the amount and type of content that is available as it does about the filmmaker's ability.; DVD $29.95
Barry Lyndon (1975): The set designs, wardrobe, photography and music score were perfect and they needed to be to prevail over three hours. The supporting cast were interesting and talented and the use of a narrator to help the lead character through worked very well.
My Piece of the Pie (2011): The screenplay is not helped by some questionable editing and even Karin Viard who is a delight, for the most part, can't save it eventually from going off the rails.
Galaxy Quest (1999): Rickman, Weaver, and Rockwell have recognised acting talent – it looks like they are enjoying a busman's holiday in signing up for this romp. Very enjoyable.
Source, The (La Source des femmes) (2011): Without wanting to decry the noble plot the screenplay is a bit too simplistic at times. However, the soundtrack is excellent as is the beautiful photography of the locations.
Future, The (2011): Miranda July is terrific and so is the sparse script. The screenplay is unusual and doesn't overstay its welcome.
Masque of the Red Death (1964): The film is dependant on Vincent Price's central performance which he serves up with an extra helping of relish.; DVD ~~$15~~ $11.25
Chico & Rita (Chico and Rita) (2010): The screenplay didn't inspire but the animation was terrific. The colours were soft and easy on the eye and the drawing of the exteriors, in particular, showed an attention to detail.
Teen Titans Go! To the Movies (2018): Noisy but enjoyable.
Diary of a Wimpy Kid 3: Dog Days (2012): Watchable but the material is not particularly strong.
Following, The (TV Series) (2013): SI– The plot idea is good (serial killers communicating and connecting with each other) and whilst the episodes are watchable they can be indistinguishable. Bacon and Purefoy as the antagonists are fine (sounds like a breakfast menu).
Flight of the Red Balloon, The (Le Voyage du Ballon Rouge) (2007): It doesn't really take off.
Armadillo (2010): It is as good as most in this genre. It captures the issues of civilians caught in the middle, target identification, bloodlust, boredom, etc. very well. It could market itself as a fictional drama if it wanted to & the viewer would not be any the wiser.; DVD ~~$29.95~~ $14.95 | Blu-Ray ~~$34.95~~ $19.95
Last Year at Marienbad (L'Annee Dernier a Marienbad) (1961): This film has been influential & deserves to be seen. The first–hour you wonder if there is a plot. Toward the end, however, things do loosen up a bit & offer us mortals, an inkling of understanding. The "set designs" are expensive.
Cross of Iron (1977): What is not dated is the anti–war message. The wardrobe and the mud looked authentic and except for the compulsory slow–motion action shots, the battle scenes had an authentic feel about them. The casting should have been German, however.rn; DVD $19.95
In the Heat of the Night (1967): 50 years on and it is standing the test of time. The initial dignified Poitier/chewing gum Steiger confrontation with Oates lurking in the background is a good set up for what is to come. Great photography, music score and supporting cast.
Roman J. Israel, Esq. (2017): Denzel without a gun took a bit of getting used to but the screenplay on a first viewing didn't do much for me. I will watch again and I'll be better prepared next time.; DVD ~~$20~~ $15
Swamp Thing (1982): The human characters are pretty ordinary but el cheapo Swamp Thing is worth waiting for.
Rebel in the Rye (2017): The screenplay is solid and the set designs and wardrobe are spot on. Hoult is fine particularly considering he his working alongside Spacey in fine form.
Normal (2003): The screenplay strikes the right amount of pathos and it remains respectful of the issue of gender identity. The two performances are spot on.
Elite Squad: The Enemy Within (Elite Squad 2) (2010): Yet another drama based on police and political corruption in Brazil. Because of its familiarity, there are no surprises and the screenplay comes across as simplistic.
Mademoiselle Chambon (2009): There are three fine performances but unless you are a romantic the screenplay starts to drag when things become predictable. The ending has been done before.
Haunted Palace, The (1963): Corman/Price/Lovecraft is a great combination.
Sunnyboy, The (2013): It is bittersweet and well worth watching.
I Used to Be Normal - A Boyband Fangirl Story (2017): The fan of One Direction is on early in this documentary – don't worry stick with it as the musical taste gets better.
Outrage (2010): Aka "The Battle of the Suits". The characters operate within a hierarchy of violence. The ones at the top of the pile are the ones with the most fingers. The best way to approach this bloodbath is first to guess the body count & then view it as a comedy
Naked Gun 2 1/2: The Smell of Fear (1991): In my book, Leslie Nielsen is one of the most consistent comedy actors. You would think that the material for this series had been written with him in mind. This sequel is entertainingly silly and it works.
Blank City (2010): It is a history that deserves to be told.
Happytime Murders, The (2018): The idea is fine but it tries to shock its audience at times when it didn't need to.
They Came Back (Les Revenants) (2004): The basic plot idea has a myriad of screenplay possibilities and the one chosen is good but you do feel it has sold itself short.
Splice (2009): The scenes involving Dren are very good and include some good work by the make–up and effects people. "Her" scenes contain a good mix of horror, sci–fi, and comedy. The other scenes are forgettable but Dren is worth the time.; DVD ~~$19.95~~ $14.95
Father of My Children (2009): A film of two halves which share a screenplay. 1st half is tightly written but the 2nd has one underdeveloped strand & an ending which might be described as weak, or my preference, being low key. Lencquesaing is chain smoking perfect.
Alien 3 (1992): If this was the only film you saw in the series and not seeing it as a sequel, you would probably rate it higher. Not that Sigourney needs any help but there is a better than average supporting cast on hand.
Collateral Damage (2001)
London: The Modern Babylon (2012): It is both a social history and statement of modern London. Film and music libraries have been impressively researched and the editing of the many different segments is seamless and often entertainingly done.
Champion (1949): Douglas looks like a boxer and is entirely believable throughout being well supported by Arthur Kennedy and Paul Stewart. It feels and smells like a boxing film with the bouts well performed. It is shot in beautiful black and white.
Take Every Wave: The Life of Laird Hamilton (2017): Although the waves are impressive and beautifully photographed two hours is ambitious for a surfing film.
Early Man (2018): The characters are a delight and the screenplay is quite clever and entertaining.
Revolution (1985): It looks good but other than some very good production values it doesn't offer enough to maintain the attention for two hours.
Louder Than Bombs (2015): The lead casting is of a mixed origin and the Norwegian director/writer is making his English language debut so as Cole Porter would say "Anything Goes". A challenging screenplay is well played by the performers and will stand up to a second viewing.; DVD $29.95
Spandau Ballet: Soul Boys of the Western World (2014): The first half of the documentary is it strongest with good use of archival film, gimmickry, and slick editing. The second half is more typical of band histories – arguments and split–ups etc. – but it is interesting enough.
Mango Kiss (2004): There is more kissing than comedy.
Free Solo (2018): I couldn't understand much of what Alex Honnold said through his poor enunciation but he handles the climbing segment of the documentary much better. Some good location scenery.
Disconnect (2012): What started off as a well–intentioned message–driven screenplay takes on more than it can chew and weakens out quite badly, relying on plot contrivances and finally descends into melodrama.; DVD $29.95 | Blu-Ray $34.95
Snowman, The (2009): It introduces an interesting conspiracy theory but then the viewing gets harder when the documentary maker interviews her own family about her father with unsettling results.
Spitfire (2018): It is good to record for posterity the words of combat veterans.
Chasing Ice (2012): Even if you are a climate change skeptic the photography is well worth watching. Ice is a beautiful subject.
Dark Crimes (2016): With all due respect to the talented Charlotte Gainsbourg if they had have shot this in Polish with Polish actors it would have given the screenplay a much better chance of succeeding.; DVD $29.95
Fear (1996): A pretty predictable screenplay.
Hotel Artemis (2018): Plenty of action but it is all a bit messy and confusing.
Shotgun Stories (2007): The pacing of the story is that appropriate to a left–behind small town but it never drags thanks to some seamless editing and compact storytelling. An excellent anti–climatic ending avoids the usual pitfalls.
American Movie (1999): If Mark Borchardt had have improved his language this could have been mildly amusing.
Fear City (1984): Berenger is trying to look & move like Paul Newman in this – maybe as a disguise for his acting limitations. Women walking alone at night whilst there is an attacker on the loose is not very credible. Highlight is some good street location photography.
Crazy Rich Asians (2018): Soapy.
Ferdinand (Ferdinand the Bull) (2017): The animal characters are a delight.
Cardinal (TV Series) (2017): It failed to hold the attention.
Rams (2016): The screenplay and the winter locations are fresh. The gentle pacing of events also means that there is more effectiveness in the periodic shots of drama and humour.; DVD $29.95
3 Hearts (2014): The instant romantic attachments were just not convincing. The fact that they involved sisters made the plot contrivance laughable and insulting to the viewer's intelligence. Lazy screenwriting. Catherine Deneuve had little to do but she did it well.
Demons of the Mind (1971): Horden, Hardy, Magee et.al. are a quality cast and are the reason for making an otherwise uneven screenplay work.
Charlie Bartlett (2007): The screenplay is very uneven after a promising start.
Raid 2, The (2014): I was surprised there was anybody left to kill after "The Raid". The violence again was unceasing except for the break when they went out and bought some more red paint.; DVD $29.95 | Blu-Ray $34.95
Rabbit Hole (2010): Eckhart's hysterics are a negative (Kidman shows how they should be played) and I'm still not sure if Teller's character was alive or dead. Wiest and Ho are strong in support in this well–written screenplay.
Bloody Judge, The (Trono di fuoco, Il) (1970): It is okay but I think the Hammer Studio would have done a better job.
Mission, The (1986): The screenplay is a bit long but there is compensation in the photography of the stunning locations.
Little Rascals, The (1994): The original Little Rascals are still worth watching – my usual argument is then why a remake? However, this is a remake that has been worth the making. The kids are a good imitation and a delight.
Zack and Miri Make a Porno (2008): It is a good example of a comedy writer who has run out of ideas – there is an air of desperation to it.
Sharp Objects (TV Mini-series) (2018): Amy Adams is outstanding in a warts and all part and she with Patricia Clarkson, who gives the very professional performance we come to expect, do justice to a well written and well–produced screenplay.; DVD ~~$20~~ $15
Frank (2014): After strong early promise, it really weakens out and loses its way without quite going off the rails.
Thor: Ragnarok (2017): It goes on for a long time but some attempts at humour help.
Wedding Crashers (2005): The one with the nose is as irritating as usual and the level of comedy is pretty mediocre.
Twin Peaks: Fire Walk with Me (1992): Captivating performances from Sheryl Lee & Ray Wise. Its a David Lynch film – you don't know what's going to happen next or what's around the corner. Some wonderfully bizarre moments pop up when least expected as if to throw you off the scent.
Eraserhead (1977): Experienced Lynch watchers won't be too worried about not being able to follow the screenplay. He is a director with a true artistic imagination & makes the best of a very small budget. Not a mood uplifter but a very satisfying experience.
I Feel Pretty (2018): Michelle Williams is underused but although the screenplay is not great Amy Schumer gives it some appeal.
Honeymooners, The (2003): It is okay but forgettable.
Tanna (2015): A simple story that depicts some of the problems societies have when run solely by males. The two girls, the photography and the volcano are terrific.
An Evening with Beverly Luff Linn (2018): It tries hard but black comedies are very hard to do and are sometimes anything but funny.; DVD $29.95
Trumpet of the Swan, The (2000): The characters are delightful and should be good family viewing.
Man with the Gun (1955): Solid and unspectacular.
Adventures of Shark Boy and Lava Girl, The (2005): Lautner is a bit annoying but it is entertaining enough otherwise.
War, A (Krigen) (2016): The conflict scenes and the courtroom scenes have all been done before but it portrays them competently and without commercial fanfare.
Pyewacket (2017): There is at least some freshness within the screenplay in that it breaks a little from formula.
Raven, The (1963): A casting of Price, Lorre and Karloff is always class and they do justice to this entertaining screenplay.
Isle of Dogs (2018): It will able to be viewed more than once for the quality of its animation, its design or for general entertainment.
It Happened One Night (1934): The two contrasting characters are well cast. The screenplay, for the most part, is well written but before the end, it loses its snappiness and should have found an ending earlier.
Darkest Minds, The (2018): Not untypically the sci–fi soon gets swamped by violence. There are also kids with guns – that is all we need.
Eden (2014): The characters are lifeless and so is the music.
Destination Wedding (2018): A good try but it is gone and forgotten rather quickly.; DVD $29.95
Pit and the Pendulum, The (1961): I am sure film schools point to Vincent Price as an excellent example of hammy acting. Here is one of Vincent's more delightful performances.; DVD ~~$20~~ $15
Mommy (2014): A very good and uncomplicated screenplay is supplemented by timely interventions from its musical score. The three characters are far from uncomplicated however and require top performances – mission accomplished on that score.; DVD $29.95
Moonlighting (1982): It is an interesting if at times a bit clunky screenplay. It could interest budding shoplifters but it is also a fair attempt to depict the struggle of the early days of working in a foreign country.
Jazz On a Summer's Day (1959): A timeless time capsule if there can be such a thing.
Predator 2 (1990): For its type, it is not too bad.
Rush Hour 3 (2007): The one noticeable difference to the original 9 years earlier was that Chris Tucker had put on weight.
Rush Hour (1998): If you can put up with more than two minutes of the Mouth there are some good moments.
Arabian Nights (2015): Vols 1 and 2: Are a smorgasbord of stories of varying interest. Vol 3: Of the three collections, this is the easiest to watch and it has one memorable scene. Throughout the soundtrack is also worthy of mention.
Mean Girls (2004): There are a million films like this one but this is a rarity – it works.
Wicker Park (2004): The characters don't amount to much – you really don't care about what happens to them.
Beaches of Agnes, The (2008): She seems incapable of taking a normal approach to things. She is very creative with a delightful touch of humour always to hand.
Hitcher, The (2007): A poor imitation in every way of the original.
First Reformed (2017): It is wonderfully gloomy and when it is not it is austere. The cold weather also does its bit.
A Simple Favour (2018): A good performance from Anna Kendrick helps maintain the interest in the passable plot.
Raid, The (The Raid: Redemption) (2011): The choreography is slick but as with the rest of the screenplay, it has violence as a base. There are few breaks from the violence which soon repeats itself and just gets more and more boring.
Mad Max II - The Road Warrior (Mad Max 2) (1981): There is something in it for non–action fans – made on a relatively small budget it makes the most of its location and the cheap looking wardrobe and props do the job. It is believably futuristic.
Alien Resurrection (1997): There isn't a great deal of science fiction but not a bad actioner.
Spy Who Dumped Me, The (2018): An energetic and very noisy cast try their hardest but the whole point of the plot is that it should repeat what has been done before.
Carlos (Carlos the Jackal) (2010): Saw the shorter theatrical version – it is disappointing and ironically it is too long.
Post, The (2017): Its all been done before. The Hanks character was a waste of money as you couldn't tell what he was mumbling about but at least he provided the viewer with some kind of challenge.
We and the I, The (2012): The fresh faces provide some relief otherwise it is a long and noisy bus ride.; DVD $29.95
Fall of the House of Usher, The (1960): Compact storytelling with good looking sets but a Vincent Price (or a Christopher Lee et. al) in the lead makes the difference.
Mandy (2018): A Christopher Walken smile sends a shiver down my spine. I don't need two hours of noise and special effects.; DVD $29.95
Wailing, The (Goksung) (2016): The first half of the film, which is close to feature length in itself, has a good mix of comedy and suspense. After that, however, the screenplay treads a lot of water and takes a long time to find an ending.
Wrong (2012): There is a very fine line in delivering this style of comedy whether it will work or not.
Cashback (2006): The screenplay depends too much on a lack of taste although there are some good segments around Stuart Goodwin's character and performance.; DVD $29.95
When You're Strange: A Film About the Doors (2009): The voice over saved time that would otherwise be spent on interviews and this ensured a better flow and a compact documentary. Overall a good relating of the events that led to the wasting of a good band.
Papillon (1973): The early scenes during captivity are far the best – the rest of the screenplay needed to lose half an hour to allow the viewer an earlier escape.; DVD ~~$15~~ $11.25
Men in Black 2 (2002): The special effects and make up teams do a good job.
Mr. Mom (1983): The screenplay doesn't stand out from similar comedies but the casting is attractive enough.
Five Minutes of Heaven (2009): An excellent compactly written screenplay – the early setup scenes are very believable. Two excellent performances – I have not seen James Nesbitt better than this.; DVD ~~$34.95~~ $19.95
Pianist, The (2002): Admirable set designs but because of its familiar content, the screenplay is a bit of a slog.; DVD ~~$25~~ $18.75
Flicka (2006): For its type, it is okay and is well produced.
Girl in the Park, The (2007): Weaver, Bosworth, and Russell all have talent but this project just doesn't work.
Breakfast on Pluto (2005): Although it runs out of a bit of steam the screenplay is fresh and includes many surreal segments that are done very well. Top Irish casting with a terrific soundtrack.
Sense and Sensibility (1995): Except for the slightly bizarre casting of Grant, there is acting talent to burn – even in the smallest parts. Thompson, Winslet, and Rickman are at the top of their game. The set designs and wardrobe are excellent.
Deadpool 2 (2018): It tries hard to be funny mainly by spoofing other films in the genre but it is far too long for the material on offer.
On Chesil Beach (2017): The period set designs and wardrobe were spot on. Excellent performances from Anne–Marie Duff and Saoirse Ronan raise this above the normal for a romantic based screenplay.
Three Burials of Melquiades Estrada, The (2005): The first hour is very good but the screenplay gradually treads water after that. Some excellent location shooting helps.
American Animals (2018): The acting of the main protagonists ranges from pretty bad to ordinary.; DVD $29.95
Love Bug, The (1969): An excellent family comedy idea.
Christopher Robin (2018): I thought McGregor struggled a bit – he could have had a similar experience to Bob Hoskins in "Who Framed Roger Rabbit" – but the rest was very well done.
20,000 Days on Earth (2014): Its style is distinctive and for the most part, entertaining with some good music thrown in to boot.; Blu-Ray $34.95
Darling Companion (2012): The material is light but Diane makes it worth watching.
Snuff (1976)
Dead Leaves (2004): The animation style is a bit different – it is also noisy.
I'll Sleep When I'm Dead (2003): The screenplay is contrived at times and weakens slightly but the outside location shooting particularly early in the film is spot on. There is a strong British character actor support in Sylvia Syms, Malcolm McDowell, Ken Stott, et al.
Edie (2017): It has too much commerciality about it but the Highland locations are a winner.
Terminal (2018): The screenplay was a bit of a mess but trying to follow it was some incentive to keep watching.
Private Life of Sherlock Holmes, The (1970): The casting of the two leads is excellent and they work well off each other to do justice to the legendary literary partnership. Irene Handl nips in and steals a couple of scenes.
Mary Shelley (2018): Elle Fanning well done – another good performance which stands out from those of some drippy male characters.
Owning Mahowny (2003): The quality cast are not really challenged by the screenplay. Hoffman looks like Hoffman and Hurt looks like Hurt but Minnie Driver doesn't look like Minnie Driver and maybe, therefore, she has the most challenging role – which she does very well.
Adventures of Barry McKenzie, The (1972): It doesn't always work and it loses its way at times but there are some delightful anti–colonial moments.
Wrong Turn (2003): It is okay but without any real differences to many others of its type.
Vagabond (1985): The episodic formatting of the screenplay works well. Sandrine Bonnaire is very good especially when she is required to rough it at times and in particular toward the (her) end.
Darkest Hour (2017): The set designs are well done with the stand out being the opening scene when the opposition is yelling for Chamberlain's resignation. There is little to recommend in the screenplay as it covers a small portion of history that has been thrashed to death.
Turner and Hooch (1989): The plot idea is fine but Hanks's hysterics wears you out.
Curious Case Of Benjamin Button, The (2008): The film is its best when he's older (ie. Pitt the Elder, not Pitt the Younger).
Wings of Desire (1987): Although some of the poetic segments need patience there are some memorable urban location scenes shot in bleak black and white.
Notes on a Scandal (2006): The screenplay has a strong start but gradually weakens as the scandal with young rubber lips is not convincing. It is well worth watching however for a top–notch performance from Dame Judy.
To Have and Have Not (1944): The screenplay is weathering the years well but unfortunately so is the whining of Walter Brennan.
Great Balls of Fire (1989): Considering the difficulty of the role when acting out the musical performances, Quaid doesn't do too bad. Winona is a winner and needless to say so is the soundtrack.
Specialist, The (1994): James Woods is in it.
Roald Dahl's Esio Trot (2015): For the most part, it flatters to deceive.
Ant-Man and the Wasp (2018): It needed more screen time from the ants as the rest of it although okay was over–familiar as yet another comic book derivation.
Soul Power (2008): The title says it all.
Greetings From Tim Buckley (2012): The musical segments were fine but the padding in between was of uneven quality.
Sun Valley Serenade (1941): Very light and relaxing.
Sixth Day, The (2000): Arnie is a strange casting decision and he, unfortunately, is a distraction from some of the better ideas in the plot.
Ping Pong Summer (2014): I tried not to like it.
Peaky Blinders (TV Series) (2013): Seasons 1 to 4: Whilst the screenplay is not without a minor blemish the set designs & score are outstanding. Helen McCrory, Anderson, and Hardy who drops in from time to time give stand out performances.
Blackfish (2013): Not as distressing as "The Cove" (2009) but it still can be filed alongside it under "Crime".; DVD ~~$20~~ $15
Billion Dollar Brain (1968): It is okay but it falls into a sub–genre that has much better films than this.
RBG (2018): Go Girl!
Honeymoon in Vegas (1992): Cage's hysterics ruins another film.
Thank You For Smoking (2005): It is well written and for the most part, delivered with the right amount of sarcasm thanks mainly to a good lead performance from Eckhart.
BlacKkKlansman (Black Klansman) (2018): The screenplay is okay except it travels too much on well–trodden ground at times.
Saint Laurent (2014): The production values are excellent, but you have to sympathise with the filmmaker, who has the task of making characters who do not have to work for a living, interesting.
Clockwatchers (1997): It should have been better with this cast but with this cast, it is just worth it.
Mystery, Alaska (1999): The screenplay is over–familiar but there is some attraction in the casting of Meaney, Azaria and Lolita Davidovich.
When a Man Loves a Woman (1994): Meg's fine as usual but Garcia's hysterics fail to convince. The screenplay is another one about marriage and alcohol and it drags out to two hours.
Tokyo-Ga (1985): Some really interesting interviews with Ozu's cinematographer and his leading actor, plus a smorgasbord of Japanese life and trains and more trains.
Ten Commandments, The (1956): A slog with the type of screenplay that would have attracted a Monty Python remake. However, there are scenes that are still very worthy 60 years on and the wardrobe people did a great job.
Dinner, The (2017): We could have done with a bit less of Coogan who struggles in this. There is a strong female cast however and the plot idea has merit.
Leonard Cohen - Live in London (2008): It is all there.
Starred Up (2013): Jack O'Connell (young nutter) and Ben Mendelsohn ( young nutter's dad ) are worth the price of admission. The violence although regular is an integral part of the screenplay.; DVD $29.95 | Blu-Ray $34.95
Finally Sunday (Vivement Dimanche!) (1983): Aka "Confidentially Yours". An old style whodunnit which is given the light treatment.
Saint Amour (2016): It starts out strongly with the best scenes between Benoît Poelvoorde and Gustave Kervern. Most of the road movie segments are also very good but it runs out of steam quite badly and has a problem finding a finish.
Girl Walks Home Alone at Night, A (2014): Shot in beautiful black and white (mainly black) – it would not have worked in colour – with a soundtrack made to measure. The vampire genre has been thrashed to death but I think we can make room for this one.
A Man Apart (2002): Vin Diesel ensures that this does not reach above its station – that of a standard actioner.
Daisies (1966): Although plotless and unpredictable an anti–establishment message comes through even if its in a symbolic way. The two impish performances keep things moving even if they cause a bit of mayhem along the way.
Superfly (2018): Everyone had an automatic weapon so it was probably based on actual events.
Cabin Fever (2002): It doesn't offer anything new.
What About Bob? (1991): It is a one–joke scenario that may have failed the distance without the charismatic Murray.
Perfect Sense (2011): The screenplay has some interesting segments but the flow of the narrative is poleaxed by the time spent on the romantic sub–plot.; DVD ~~$29.95~~ $14.95 | Blu-Ray ~~$34.95~~ $19.95
Princess of Montpensier, The (2010): 10/10 for the production values. The script contains a lot of romantic drivel and the characters are hopelessly unemployed without anything useful to do but it is a good time filler if you do not want to exercise your mind.
Down and Out in Beverly Hills (1986): Probably tries a little too hard to be funny.
Pacific Rim: Uprising (2018): Never ending special effects accompanied by never–ending noise.
London Boulevard (2010): The screenplay whilst not overly fresh is watchable and the cast even more so.
McQueen (2018): Although some of his fashion is idiotic it adds interest to yet another fashion documentary.
Woman In Red, The (1984): There are some genuine comedy moments and it has a strong supporting cast with Gilda Radner scene–stealing.
X-Men 2 (2002): A good cast and the makeup team do a good job but the screenplay tends to repeat itself and doesn't get anywhere fast.
Westwood: Punk, Icon, Activist (2018): In the crowded fashion documentary genre she is different and what is more she is not boring and has a conscience.
Hero, The (2017): Elliott droning on makes it hard work and longer than it should be.
Windtalkers (2002): The battle scenes are very good except there is a Hollywood touch to the final battle scene when the two protagonists look into each other's eyes and is worth a laugh.
Ruthless People (1986): Because of all the yelling and screeching it wasn't easy to know whether anything funny was being said.
Killer Joe (2011): The plot idea is fine but unfortunately, the screenplay goes over the top unnecessarily and loses control. Emile Hirsch impresses, however.
Splash (1984): The best comedy segments are provided by John Candy and Eugene Levy.; DVD ~~$20~~ $15
Piranha 2 - The Spawning (1981): Watchable but it lacks any real bite.
Free Fire (2017): It takes the piss out of gunfights and does so on a small budget.
Night and the City (1992): All the male hysterics and machoism got a bit wearing – will watch the 1950's version to recuperate.
Outrageous Fortune (1987): The ladies work well off each other if not a little noisily.
Hamburger Hill (1987): There is a good attempt at authenticity but the audience is liable to suffer from battle fatigue well before the end.
In the Fade (2017): Well done to Diane Kruger who is on camera most of the film. The backbone to the screenplay is a courtroom battle which is extremely well done and is dominated by a strong performance from Johannes Krisch as the defense attorney.; DVD ~~$29.95~~ $15, $29.95
White Noise (2005)
Shooting Livien (2005): As a drama, it is pretty ordinary but the musical segments are worthy.
I Am Not Your Negro (2016): Mr. Baldwin is able to think on his feet, articulate extremely well and to do so without malice.; DVD $24.95
Medallion, The (2003): There are occasional flashes of the Chan talent.
New York, I Love You (2009): Didn't see much of working–class New York. The only segment I cared for was the one with the old stagers Cloris Leachman/Eli Wallach. For the most part, the script was full of romantic drivel and at times it made me cringe.
Whitney (2018): The storytelling was a bit of a slog at times but overall it tries to reveal the facts.
Holy Rollers (2010): The screenplay doesn't amount to much although there some good shots of New York. It is not too long which is another positive.; DVD ~~$29.95~~ $19.95
My Life In Ruins (2009): It is very light in material.
Nikita (La Femme Nikita) (1990): First two–thirds are 4* then it plays like there was a change of writer & the screenplay goes off the rails. It is not untypical for a Besson film to start strongly & weaken out. Anne P is outstanding for the most part & is well supported by Tchéky Karyo.
Bruce Springsteen - The Promise (The Making of Darkness on the Edge of Town) (2010): It is interesting behind the scenes action of the making of an album and other goings–on.
Kingsman: The Golden Circle (2017): Firth, Moore, Strong and the special effects are all fine and the screenplay has some good segments but the whole thing takes all day.
Wackness, The (2008): It didn't work as well when Kingsley wasn't on camera and it could have done more with Famke Janssen and Jane Adams who were underused. The soundtrack was good.; DVD ~~$29.95~~ $14.95
Subway (1985): After a great opening sequence, it is slowly downhill for the screenplay but there is always some interest generated by the subway shooting location.
Please Stand By (2017): It avoids the sentimental potholes. Dakota gets it just right and has two very good actresses in support.
Loved Ones, The (2009): The early screenplay is very promising but then it changes audiences. What could have been a good black comedy degenerates into a straight horror although parts are still watchable thanks to Robin McLeavy's performance.
Dirty Three, The (2007): Spotify here I come.
Paul Kelly: Stories of Me (2012): A relatively low key documentary on this multi–talented musician.
Broadway Idiot (2013): Most of the documentary takes place behind the scenes but there are snatches of some good performances.
A Band Called Death (2012): I don't think I've seen a happier group of musicians – a laugh is just around the corner.
K-20 - Legend Of The Mask (2008): What it does is done okay but there is little freshness to what it does.
State of Things, The (1982): Most of the screenplay is uninteresting and claustrophobic until the main protagonist visits LA where although there are some "on the road" segments it is only LA and not some interesting European city. The soundtrack is good.
King Of California (2007): Douglas's character is a mix of being mildly amusing and annoying but at least the screenplay has a freshness to it.
Samurai Spy (1965): The body count was 9,263 but all died entertainingly in dance mode. I gave up trying to work out the characters but rewarding was the camera work & the lighting of the night scenes when ninjas were scurrying down alleyways & over rooftops up to no good.
Grandma, A Thousand Times (Teta, Alf Marra) (2010): Short and sweet and so is the film.
Mechanic, The (1972): Keenan Wynn is good but doesn't last long, unfortunately ( a mistake considering what else is on show) in this serviceable thriller.
Lake Placid (1999): Not too bad but the squabbling between Gleeson and Platt is more tiresome than amusing.
Mohawk (1956): It is not too long.
Ocean's 8 (Ocean's Eight) (2018): As a heist film, it was entertaining but it was yet another heist film. The makeup team had a field day but it didn't help the girls who had to carry around several unnecessary layers.
Black Panther (2018): Some of the early scenes had special effects and set designs that were excellent and the body count was reasonable but 2 and a quarter hours is a long time to rein in an action film. Andy Serkis added life to the performances.
Man Who Invented Christmas, The (2017): The screenplay is more interesting than great but the production values do the job and there is some excellence in the supporting cast.
Cleo from 5 to 7 (1962): The black and white photography is outstanding. The street scenes are the other strength – there is no attempt by the director to control space or people – Naturellement!
Thinner (1997): The plot idea is fine and the screenplay whilst not great has its moments.
Gospel According to Andre, The (2017): Yet another fashion documentary with the obligatory appearances by the facelift crowd.
Stay (2005): An overcomplicated and ambitious piece of storytelling. It might make more sense on another day.
Dig! (2004): It was hard to assess what their music was like from the short segments played but their story was interesting enough.; DVD $29.95
Minuscule: Valley of the Lost Ants (2013): The animation looked faultless and the characters were well thought out.; Blu-Ray $24.95
Housebound (2014): Although it does well to breathe a bit of life into this tired genre it is a shade too long and loses some of its effectiveness after a good beginning. The performances of Morgana O'Reilly and Rima Te Wiata are the highlight.
Beguiled, The (2017): The opening scene photography is outstanding and is the highlight of the film. The screenplay is largely predictable and it plays like a play, unfortunately.
Blade 2 (2002): If you enjoyed the first one then this one should appeal also.
Army of Crime, The (2009): The production values were excellent but the screenplay was mainstream.
Camelot (1967): I don't think it could make up its mind what it wanted to be.
Sin Nombre (Without Name) (2008): There is an unnecessary romantic subplot but mostly the train ride keeps things moving.
Firestarter (1984): Considering the cast it was disappointing.
Adrift (2018): It is not unusual for boats to go adrift and they have been dramatised before so it is hard to create tension or even interest in this kind of screenplay.
Greatest Showman, The (2017): The tunes aren't tuneful but a couple of the ensemble dance numbers aren't too bad. Well done to the wardrobe and set design teams and the photography is easy on the eye.
First Strike (1996): Without wanting to disparage Jackie's stunt work – if this was your first Jackie Chan stunt film you might be pretty impressed. There are better films of his work around, however.
Dunston Checks In (1995): Good family entertainment except for the screechy kid.
Film Stars Don't Die in Liverpool (2017)
A Fistful of Dynamite (Duck, You Sucker!) (1971): 45 years on it hasn't aged well. There are some good segments that have weathered okay but you need patience as they appear periodically in a long film. The musical score is the exception and is timeless.; DVD ~~$20~~ $15
Whatever Happened to Baby Jane? (1962): The screenplay if a little overlong is very good and is supported by great performances not only from the two leads but also from a very competent supporting cast.
Unsane (2018): Predictably there is a lot of yelling and shouting and not too many surprises in the screenplay.
To the Devil...a Daughter (1976): Widmark looks out of place but a casting of Christopher Lee (compulsory), Honor Blackman, Anthony Valentine, and the master character actor Denholm Elliott was always going to be appealing. The production values are Hammer.
Four Eyed Monsters (2008): It does okay for the most part but doesn't really have enough material to see it through to the end.
Man Who Watched Trains Go By, The (1953): The screenplay has a solid literary basis and the performances from Rains, in particular, are very good.
Cinderella Man (2005): Although overlong the story is set in an interesting period & is well represented by the sets & wardrobe. Braddock was a working–class underdog & his story is therefore worthy of telling. Hopefully, this drama should tempt one to find out more about him.
Cottage, The (2008): The first half, prior to the splatter, works best when the characters are the focus but importantly it is not too long and doesn't get sidetracked.
Hurricane Heist, The (2018): It blows in and the blows out without leaving an everlasting impression.
Phantoms (1998): An okay cast of McGowan, Schreiber and O'Toole, who pops up from time to time, helps keeps the interest up.
Manhunter (1986): Not too bad – a shorter screenplay would have helped to sustain the suspense a bit better.
Shin Godzilla (2016): Whilst it lacks the charm of the 1950's monsters the special effects are impressive. You can't sympathise with the robotic human characters so you might end up cheering for Godzilla.; Blu-Ray $34.95
Escape Artist, The (1982)
Diary of the Dead (2007): There are that many zombie films that the zombies just walk from film set to film set. It is time we shot this genre in the head so it doesn't come alive again.; DVD $29.95
Rounders (1998): John Malkovich, Gretchen Mol, Martin Landau, John Turturro is a pretty good supporting cast but unfortunately, Edward Norton's mouth is in good form.
Gone with the Wind (1939): First–half & especially the civil war segments are worth watching even after 80 years – but the second drags with the incessant squabbling. Well done to the wardrobe, set designs, score & a tour de force from Vivien who is on camera most of the time.; DVD ~~$20~~ $15
Tully (2018): Charlize chooses another unglamorous part and again serves up the goods. Although the screenplay weakens out from a strong beginning when Charlize is struggling with a new baby and two kids her performance makes it worth sticking with.
What the Bleep!? - Down the Rabbit Hole (2006): Thought provoking.
Earth (2007): Quality in every aspect.
Rampage (2018): Johnson is the one in the Tshirt.
Gang's All Here, The (1943): A competent musical that has the great advantage of having classy supporting actors Edward Everett Horton and Eugene Pallette looking after the padding in between the musical numbers.
Coco (2017): Quality animation with a reasonable story and characters but the overall product is not a step up for Pixar.
Headshot (2011): The screenplay jumps around in time – back and then forward again except maybe a bit to the side from where we were before before going back again but not as far back as we were before – with a few time warps thrown in. Not sure the effort was worth it.; DVD $29.95
Black Gold (2006): Africa's place in the global trading system is well explained. Africa's plea is to be able to trade on a level playing field and not have to compete against subsidies seems reasonable enough. Go, Africa! A great (African of course) soundtrack.; DVD ~~$19.95~~ $10
Dinosaur 13 (2014): I half expected that the dinosaur would spend more time buried in the US legal system than she did in the ground. It reminded me of another heavy–handed approach by law enforcement agencies that made things worse "Waco: The Rules of Engagement" (1997).
This Ain't No Mouse Music! (2013): A must for blues/roots fans.
Once, at a Border - Tony Palmer's film about Stravinsky (1982): His music may be admired but it is hard on the ear. However, the man has an interesting story supported by good archival footage but the narration at times has a dialect that is difficult to understand.
Greatest Show On Earth, The (1952): There are some good segments in the screenplay but not enough to warrant its length.
Salt and Fire (2016): A strange screenplay which takes a while to take off. The screenplay is untidy in that Michalowski & Bernal's characters were never required and do disappear but its ending is at no stage easy to predict. The location shooting on the flats is stunning.; DVD $29.95
Disobedience (2017): The screenplay isn't that interesting but will destroy any good mood that you are in.; DVD ~~$20~~ $15
Cats (1981): DVD release date = 1998. Starring Elaine Paige. With the exception of one tune, not a tuneful musical but the wardrobe is excellent are there are some good dance moves.
Hibiscus & Ruthless (2018): There are some over dramatics but overall the appealing female performances carry it through.; DVD $29.95 | Blu-Ray $34.95
Is Anybody There? (2008): There is a great supporting cast but Caine for once puts in a patchy performance in being over dramatic at times. The screenplay is also melodramatic in part but the real turn off is the screeching kid who should have been drowned early in the piece.
Ideal Home (2018): The plot has been tried before.
Arthur Newman (2012): It is a sedate watch.
Celia (1988): Not all of it works but there is enough good material – and the performance of young Rebecca Smart – to recommend it.
Lovers and Other Strangers (1970): The cast are very energetic (noisy) – not memorable comedy but you can see a lot worse.
Leonard Cohen: Bird on a Wire (1974): A great menu of songs complimented by some behind the scenes dramas in which Mr. Cohen largely keeps his cool. His rapport with his fans in this doco. is excellent.
Demons 3 - The Ogre (Brivido giallo - La casa dell'orco) (1988): The basic plot is good & although the screenplay doesn't do it justice there are some unnerving moments which are well portrayed on Bryant's face. There is a good musical score & set designs with the cobweb & dust people doing an excellent job.
Woman in the Fifth, The (2011): The attractions of Kulig & Scott Thomas to Hawke are not believable. Even if the affairs were only being imagined (?) they are crucial to the screenplay & should be credible. However, what does work are the sets in the seedy hotel & its inhabitants.
Next Goal Wins (2014): A good low key treatment by the documentary team – a dramatisation would probably stuff it up.
Passengers (2008): The plot idea was okay.
A Very British Gangster (2007): Excellent documentary making at the sharp end.
Mahogany (1975): The theme tune is thrashed to death but not before the viewer receives the same fate from Diana Ross's acting (or screeching). Surely one of the filmmakers had the courage to tell her to can it and stop making a fool of herself(?)
Far from Home - The Adventures of Yellow Dog (1994): The dog is fine in this adequate family entertainer.
Get Shorty (1995): It really comes alive only when Dennis Farina is on screen which is surprising considering there is quality of the caliber of Hackman and Gandolfini also in support.
Magnificent Seven, The (1960): It drags in parts but 60 years on there are still some good scenes particularly the one between my favourite baddie Robert J. Wilke and Coburn. Eli Wallach has the standout character and he makes the most of it.
Cookie's Fortune (1998): Excellent ensemble performances with Liv Tyler standing out. The low key screenplay has some delightful moments and the superb soundtrack is to the fore without getting in the way.
Nightwatch (1998): For a plot based around a mortuary, it should have had more suspenseful and scary bits than it did.
No Name on the Bullet (1959): The screenplay is more intelligent than most westerns.
Heart of a Dog (2015): A compilation of connected memories and observances which will have a varying level of interest to a third party.
Animal, The (2001): The humour is never better than childish and one or two skits are watchable but inevitably it descends into grubbiness.
Shot Caller (2017): The violence – in particular the stabbings that are normally associated with a prison drama – is done very well and along with other aspects of prison life seeks to achieve realism. Two hours, however, is a bit overlong for the material.
Mona Lisa Smile (2003): There is an attractive casting plus the admirable work by the wardrobe, make–up and hairdo departments do justice to the time and place.
Welcome to Woop Woop (1997): Mostly funny – although it gets silly at times it is always entertaining.
Solo: A Star Wars Story (2018): They have been able to re–use a lot of the wardrobe, armour, and make–up from the earlier films. As usual, the effects are very good – the special effects team should be able to do them in their sleep by now.
Female Brain, The (2017): As a subject, it doesn't always work.
Young Guns 2 (1990): Another western that is one too many. It is a very crowded genre and a film needs to contain some originality in the screenplay or characters to be distinguishable.
Detroit (2017): The film opens okay but then becomes boring during the stretched out motel scenes. The documentary format rather than the dramatisation is the best for getting closer to the truth.
Time of the Wolf (Temps du loup, Le) (2003): Depressing. The screenplay is extremely well done without any frills and as with its characters, it is entirely believable. Even if you don't like it there is a good chance it will leave an impression.
Pinocchio (TV Mini-series) (2008): Bob Hoskins and Margherita Buy do their best to put some life into the stodgy screenplay. The kid has a screechy voice which doesn't help which I suppose should read creaky if he is made out of wood.
Tulip Fever (2017): It somehow manages to waste a pretty good cast. At best the screenplay can be described as uneven.
Hereditary (2018): Most of the first hour is fresh and very good but after that, it follows a well–trodden path. Two hours is a long time to maintain suspense.
Magnificent Rebel, The (1961): The photography and trappings are easy on the eye and the musical segments are a selection of his more popular compositions.
Hotel For Dogs (2009): The dog action is handled very well although there is some competition for centre stage from Lisa Kudrow who does some scene–stealing.
Occupation (2018): There are some laughs once the aliens arrive.
Killers (2010): It is okay but a better casting than Kutcher would have helped.
Mirror Crack'd, The (1980): The production values are very good but the screenplay is a bit uneven. The best bits involve Angela Lansbury and Edward Fox.
No Ordinary Sheila (2017): A no–frills South Islander. She brings you back down to earth – she is what Kiwis think they are but after witnessing her life story we realise how frivolous, materialistic and meaningless we have become.; DVD ~~$20~~ $15
Mauvais Sang (The Night Is Young) (1986): Unable to stop comparing the Lighting Director's dreams of Delpy & Binoche with the rough looks of Lavant & thinking there is hope for us yet. The dialogue degenerates into romantic drivel but the stylistic screenplay & casting of Piccoli offsets this.
Mulholland Drive (2001): Screenplay is fluid rather than structured. Some comedy moments relieve the strain of trying to follow the plot. Best photography happens at night when we are travelling the lonely winding roads. Amongst the mayhem is a wonderful performance from Naomi.
American Way, The (Riders of the Storm) (1986): The plot idea is probably timeless. Hopper and Pollard together are worth the price of admission and overall it is hard to dislike.
Scarlet Letter, The (1995): The casting and production values are very good but the screenplay is slow – they must have had mail problems back then too.
Murder On Flight 502 (1975): Serviceable drama with a serviceable cast.
Chappaquiddick (2017): As far as dramatisations of true events go this one does a serviceable job sticking to the main issues and not being sidetracked by subplots for commercial reasons. File under "Crime".
Get to Know Your Rabbit (1972): Bit of an oddball that doesn't quite follow through on the promising early scenes but it is worth the watch.
Crooked House (2017): The screenplay wasn't engaging but the wardrobe and set design teams did a good job.
Funny Games (1997): Seen this two or three times now without liking it but I suppose that is a credit to the filmmaker.
71 Fragments of a Chronology of Chance (1994): No fragment is surprising – that even senseless killings are part of life today. The fragments about the adopted girl & the immigrant boy, however, do test the emotions (plus looking at Michael Jackson's face) even if the killings do not.
Benny's Video (1992): An original screenplay is its strength – it also carries a message.
Blindspot (TV Series) (2015): Series 1: It is very long.
Fear in the Night (1972): Okay, but it doesn't really have anything new to offer.
Transformers: The Last Knight (2017): Why does it have to be so long? – it is repeating special effects already seen earlier in the franchise – although these remain very good it must be challenging the appetite even of its fans.
American Pastoral (2016): The screenplay is uneven and at times untidy. Jennifer Connelly's performance is the highlight.
Tombstone (1993): In two hours the screenplay doesn't go very far – appropriately it more or less stays in Tombstone.
Endless, The (2017): It didn't maintain my attention first time around but as it has good reviews I will try again.
Wonder (2017): The screenplay is a bit predictable.
Ginger & Rosa (Ginger and Rosa) (2012): Based in the days of corduroys & duffel coats & a little thing called the BOMB. Elle Fanning is outstanding. The supporting cast is quality. The family bust–up scene is well written, correctly played out & avoids the traps.
Valhalla Rising (2009): For an hour and a half the tension is unrelenting, perhaps only relieved a touch by some gorgeous location shooting, but even then you are sneaking a look behind.
Hitchcock (2012): The production values are quality. Hopkins does a remarkable job on his posture and voice and the make up people do the rest. A wonderful cutting performance from Helen Mirren adds value.
Commuter, The (2018): Above average escapism thanks mainly to Liam Neeson for making even the silly bits work. There is one scene of genuine suspense and overall it is entertaining and worth a look.
Hud (1963): A very capable cast do justice to the strong screenplay which is also enhanced by some beautiful black and white photography.; DVD ~~$20~~ $15
Enforcer, The (1950): A good supporting cast which includes Zero Mostel and Everett Sloane helps keep the interest up.; Blu-Ray $24.95
And Then There Were None (Mini-series) (2015): It didn't need to be a mini–series and therefore take so long to knock the characters off.; DVD $19.95
Comes a Bright Day (2012): Plays like a play but it is not very well acted (or the actors are not very well directed).
Horror of Hammer, The: From a studio that has established a major presence in the horror genre.
Two Days, One Night (2014): The basic plot idea is quite simple but the excellent screenplay adds a couple of extra layers. To make it work however, and to avoid over sentimentality it needed a performance from someone with the class of Marion Cotillard and she delivers in spades.
Meek's Cutoff (2010): Michelle Williams gets the wagon train through despite the hindrance of the character who had been kicked out of ZZ Top. The desert landscapes are beautifully photographed and the wardrobe and props department have done a good job.
Stir of Echoes (1999): A hysterical performance from Bacon doesn't give the screenplay much of a chance.
Skyscraper (2018): It provides employment for people I suppose.
Cruel Intentions (1999): Seedy in an infantile way. The female members of the cast deserved better.
Victoria (2015): The screenplay takes a long time to get going and a long time to wind up – in between there is some action with a little suspense. Overall however the screenplay seems to be long for the sake of being long and without any other purpose.
Lion King, The (1994): Excellent entertainment and it still compares well with the best of animated films 25 years on.
Bill and Ted's Bogus Journey (1991): Not too bad – the twin special effects are well done.
What Women Want (2000): Rom/coms need to be short and snappy – not two hours long. Gibson is in every scene and this doesn't help but the talented Helen Hunt eases the pain as does the underused and wasted Marisa Tomei.
Alamo, The (2004): The wardrobe department does a great job & not just with the resplendent Mexicans. There is quite a bit of pontificating & manly staring into another man's eyes which if reduced could have finished things up much sooner. The final scene is Hollywood crap
Jailhouse Rock (1957): The musical numbers improve during the film and are worth waiting for.
Detective Story (1951): There is plenty of dramatic acting which in the confined space of the precinct gets overbearing and becomes no different to a shouting match.
Cove, The (2009): How do you say "Bastards!" in Japanese?
Blown Away (1994): This film has been blown up rather than the viewer being blown away.
Veronica Guerin (2003): An excellent cast does justice to a solid if at times raw screenplay.
Make-Out With Violence (2008): It pleasingly didn't always follow formula but there was a two–year–old given the job of doing the voice over – its mumbling didn't help the understanding of the screenplay.
Le Redoutable (Godard, Mon Amour) (2017): There is a sense of humour running through the screenplay. It's based at a time before "the dangers of smoking" message has made an impression. An understated performance from Martin allows the moodiness of Goddard's character to flourish.
Breaker Upperers, The (2018): The comedy is not sophisticated – more silly but harmless.; DVD $14.95 | Blu-Ray $19.95
Thirst (Bakjwi) (2009): It is an above average vampire outing but it treads ground and runs out of steam and there is still an hour to go.
Magic Mike XXL (2015): You have to wait a long time before there is even a hint of dancing – up till then, there is a lot of egotistical male posturing which when the dancing finally arrives turns into testicle male posturing.
Pin Cushion (2017): The two leads are excellent, their characters fresh and they do justice to an intelligent screenplay.
An Inconvenient Sequel: Truth to Power (An Inconvenient Truth 2) (2017): Mainly covers old ground and you get the impression that Gore thinks he is a sole crusader but it has some good film evidence in his presentations.
Upside Down (2012): Got a sore neck admiring the set designs and the special effects are impressive.; Blu-Ray $19.95
CJ7 (Cheung Gong 7 hou) (2008): There are enough differences compared to the norm to make it worthwhile.
Tale of the Princess Kaguya, The (2013): The early screenplay is excellent but it gets bogged down once the family moves into the city and it drags on too long.; Blu-Ray $39.95
Horton Hears a Who! (2007): It is a delight.
Pushing Tin (1999): Slightly amusing at times.
Clear and Present Danger (1994): One of many in the political actioner sub–genre. It is okay but would have been better with a shorter running length.
Crucible, The (1996): Top casting but the yelling and screaming and then more yelling – this is on top of the hysterics is a real turn off.; DVD ~~$20~~ $15
Blood From the Mummy's Tomb (1971): James Villiers and the set designs are the highlights in this competently written horror from the Hammer stable.
Trafic (Traffic) (1971): Along with Keaton one of the masters of visual comedy – don't ignore the background of his scenes when viewing his films. The gentle satire in "Trafic" is still very relevant 45 years on. Maria Kimberly as the fashion piece is terrific.
You Got Served (2004): The dancing segments are worth the wait.
Lady Chatterley's Lover (1981): A slow moving not much happens screenplay but beautifully photographed.
Man About the House: The Movie (1974): The five lead characters from the sitcom continue to work well off each other and there is a rich assortment of character actors in supporting roles and cameos.
Chained Girls / Daughters of Lesbos (1965-1968): Chained Girls: If you can allow yourself not to take it seriously (with all due respect to the lesbian community) it has some curiosity value looking back at it 50+ years on.
Ready Player One (2018): I lost interest after a couple of minutes but the special effects team did okay.
Above Us the Waves (1955): An excellent cast does justice to this solid drama.
New York, New York (1977): The musical numbers aren't too bad.
Ants on a Shrimp: Noma in Tokyo (2016): Another cooking documentary but thankfully it is not too long.
Thumbelina (1994): The animation style still stands up well 25 years on.
Child in Time, The (2017): A good cast and a watchable screenplay but nothing above average.
Finding Neverland (2004): Excellent production values but at times the film strangely lacks energy which is strange because Winslet and Depp are in most scenes.
Winter Sleep (2014): Very heavy on dialogue which slows the screenplay to a crawl. As most of the talking is done indoors it is a relief when there is an escape to the beautiful outdoor locations.; DVD $29.95
Sanjuro (1962): Mifune leads his 9 stooges through for the most part a light–hearted screenplay. There is plenty of aggressive male posturing but it only adds to the comedy.
Escape from L.A. (1996): There is nothing new on offer but the street scenes are well done.
Alan Partridge: Alpha Papa (2013): Although Coogan's character is different he is not able to hold one's attention for over an hour (as per Mike Myers) without being irritating.
Lovesick (1983): It doesn't fire at all even with a strong supporting cast.
Crumb (1994): 119 minutes is a long time to spend in the company of Crumb and his arrogant mates. What a waste of a talent.
A Warning to the Curious (1972): Compact screenplay with good production values and the expected talented casting.
Stalls of Barchester, The (1971): Compact screenplay with good production values and the expected talented casting.
Carrie Pilby (2016): I couldn't follow the screenplay if there was one.
Walkabout (1970): Not without fault, and a bit hard to categorise, it is however memorable. The locations and the photography (from vistas to the Outback's smaller creatures going about their daily business) are stunning.
Force Majeure (Turist) (2014): It starts well courtesy of an avalanche but the same then bogs down the screenplay to such an extent you are wishing for a second one to finish things off.
Medusa Touch, The (1978): An interesting premise with an above average cast should have delivered better than it did.; Blu-Ray $34.95
I See a Dark Stranger (The Adventuress) (1946): Deborah Kerr is terrific and the screenplay doesn't overdo the serious bits as there is a laugh just around the corner.
Silent Wedding (2008): It takes the piss out of the totalitarian Soviet shadow that existed in 1953. The screenplay is bittersweet but thankfully more sweet than bitter.
Cassandra Crossing, The (1977): None of the many stars in the film are at their best. There is enough time to make two Cassandra Crossings in the overlong screenplay.
Only Lovers Left Alive (2013): The final scenes are untidy & it struggles to find an ending but what goes before is worth it. The screenplay is slow but it allows room for a bit of historical name dropping. The "could never be boring" Tilda would have been a compulsory casting choice
Life of Pi (2012): It is excellent visually and the special effects and editing around the animal action are impressive.
Upgrade (2018): It is better than a lot of action films as the screenplay has some elements of intelligence. Some of the set designs and the use of lighting are also worthy of attention.; DVD $29.95 | Blu-Ray $34.95
Outlander (TV Series) (2014): Season 1: A good plot idea but to hold an audience's interest for 16 episodes needs a delivery that is snappier than this – otherwise it could be described as a Soap.
Berberian Sound Studio (2012): An original screenplay (they don't normally come as fresh as this one), a great performance from Toby Jones and a set design that does credit to the '70s.
Goodbye Christopher Robin (2017): Great production values but Domhnall Gleeson's casting doesn't work and I wished they could have lost the kid. Kelly MacDonald shows them how its done.
Man Who Haunted Himself, The (1970): The screenplay is pretty good and although Moore struggles in both parts the supporting cast rise to the occasion.
Dr. Jekyll and Sister Hyde (1972): It has the expected Hammer period production values plus a good screenplay.
Teen Wolf / Teen Wolf Too (1985-1986): Teen Wolf:30years on it is a bit bland but watchable still.
Foreigner, The (2017): Watchable screenplay but it has all been done before. Brosnan is irritating digging deep for his Irish accent.
Any Given Sunday (2000): American Football is well known for its lack of action on the field so to make this drama exciting the characters are depicted as loudmouths and motormouths.
Rubber (2010): A bit of a one–joke scenario but it is not too long and the special effects are well done.
Scars of Dracula (1970): Uneven but it has moments that are worth waiting for. As usual, the set designs are well done.
Town Called Panic, A (2009): The manic screenplay and characters are delightful. The animation is impressive.
Cheech and Chong - Still Smokin (1983): Humping animals appear after only 30 minutes – a sure sign that not all is well in the comedy department.
Stand by Me (1986): The screenplay is a time capsule. It is enhanced by the photography and the soundtrack.
Me and Orson Welles (2009): Whilst the set designs and costumes are excellent the screenplay needed to be shorter. Restricting the pontifications to "on stage" would have helped and the disposing of the romantic sub–plot.
Paris, Je T'aime (Paris, I Love You) (2006): As to be expected with so many segments they are of varying quality – the cast most of whom can act are given little chance to show their talents.
Lawman (1970): The screenplay is intelligent and worthy of the excellent casting not only in the leads but in the character actors J.D. Cannon, Sheree North, Lee J Cobb etc. etc.
Trick of the Light, A (Brothers Skladanowsky) (1995): Terrific production values. The whole project gives the appearance of a labour of love with no axes to grind.
Hey Arnold! - The Movie (2002): It is for kids.
Promise, The (2016): The Armenians deserve that their story is told properly and not through a dramatisation.
Vampire's Kiss (1988): The lead performance is too great for the material on offer and puts into the shadows those that are privileged to share the same stage.
Wonder Wheel (2017): The dramatic acting soon wears you out but there are some good set designs.
Tomb Raider (2018): Starts promisingly with a fresh face and a cycle chase but then follows formula when damaging ancient artifacts with machine gun fire, destroying tombs etc.
Overboard (1987): It is too long for the material but the house cleaning scene with Goldie is worth a watch.
Hot Enough For June (1964): Not a particularly strong screenplay but the quality character casting gets it through.
Cheaper by the Dozen (2003): The only worthy comedic element is the connection of the family name Baker with a dozen (an apology to mathematicians). The screenplay is predictable and the ending crap.
Leon The Professional, The (Professional, The) (1994): Because Gary Oldman is so good there are two films – one with him in it and one without him. After a good start, the screenplay weakens out and even goes off the rails. Oldman is perfect but he is not in it enough to save it.; DVD $39.95 | Blu-Ray $49.95
Out of Africa (1985): There is some beautiful location shooting but it is not enough to get you through 2.5 hours.; DVD ~~$20~~ $15
Replacement Killers, The (1998): No surprises in the screenplay but it is refreshing to have a male action lead that is not a muscle head.
8mm (1998): There is a very good support cast so it is watchable if you can bear with the trademark Cage hysterics.
McKenzie Break, The (Escape) (1970): There is a curiosity value to the screenplay. Brian Keith stood out like a sore thumb and his was a curious casting.
Science of Sleep, The (2006): The screenplay, especially the fantasy sequences, is very good but the romantic subplot gradually takes over the film and slows it down.
Holy Smoke (1999): The screenplay doesn't quite work but the proceedings could never be boring with the two leads.
Cadillac Man (1990): There is a lot of yelling and shouting and not much else.
LBJ (2016): Another political bio from a period in the USA that has been thrashed to death. It is well produced however and the makeup people do a great job cloning the actors (particularly the noses). Jennifer Jason Leigh's appearance is spot on.
Rogue Assassin (War) (2007): Two good action stars more than helps.
Smokey Bites the Dust (1981): A mixture of comedy and harmless silliness.
Snowman, The (2017): The screenplay was a bit untidy but watchable mainly because it had genuine talent in several of the roles.
Mom and Dad (2017): This is a good example of desperate script writing.
Unbreakable (2000): Willis is hardly the enthralling performer and I was unable to give the screenplay the attention it probably deserved.
Apartment, The (1960): Lemmon is a bit tiresome but the basic comedy premise is good except that it is a bit stretched out. The best scenes are the shots taken in the office showing the rows of laboring workers.
Bad Man's River (1971): The screenplay is familiar with plenty of shoot–ups but Van Cleef is always interesting and because it is an Italian production there are some unfamiliar faces in the cast.
Red Doors (2005): The best bits involve the father character.
They Drive by Night (1940)
Trial, The (1962): Great use of lighting for effect and the other highlights were the interior set designs and the "crowd" shots.
Las Acacias (2011): There is refreshingly little dialogue and no violence – on the contrary, there is some merriment over the product placement for Scania trucks. The baby does not need to go to acting school – she's a natural and a scene stealer already.
Great White Hype, The (1996)
Mercy, The (2018): The lone yachtsman drama has been done before.
White Sands (1992): An uneven screenplay. Dafoe is okay but instead of the romantic interest, it would have been better to have more screentime for Emmet Walsh, Mimi Rogers et.al
Ben Harper - Pleasure and Pain (2002): It has a good balance between the music and the man.
Raw (Grave) (2016): The screenplay has plenty of meat to it and much of it is fresh.
G.I. Joe: The Rise of Cobra (2009): There is some good artwork and set designs but you have to be quick to see them in the almost unending action – and if you haven't seen the Eiffel Tower collapse before – this is your chance.
Secret Garden, The (1993): The kids get a bit screechy at times but the scenes in the garden with the birds and animals are well done.
Big Sleep, The (1946): Although it is dated 70 years on it still has some curiosity value.
North West Frontier (1959): Old fashioned stirring adventurer with music to boot. Beautiful photography and locations.
Suck (2009): It is okay but it treads familiar ground with both the vampire and music segments.
Mummy, The (2017): Quite entertaining. Tom does this kind of thing better than in those roles in which he is required to act.
Jackass: The Movie (2002): They obviously have a fan somewhere that they like to impress.
Witness (1985): It has a moderately interesting screenplay due to the Amish connection and the casting of Josef Sommer really helps – he's a standout in this cast.; DVD ~~$24.95~~ $18.70
Red Sparrow (2018): The false accents were a struggle for the viewer and performers. There have been several good spy dramas made over the years so we didn't need another one. I guess the extra violence in this one is an attempt to set it apart.
12 Strong (2018): Another film feeding off an overseas conflict – it saves the screenwriter dreaming one up I suppose.
Second Mother, The (Que Horas Ela Volta?) (2015): It is an effective social satire.
Are You Being Served? - The Movie (1977): It is not surviving the test of time 40 years on too well but still has curiosity value.
Scaramouche (1952): You end up cheering for Mel Ferrer.
Thomas Crown Affair, The (1968): The screenplay spends too much time on McQueen and Dunaway's relationship and doesn't go anywhere fast. It is always good to see character actor Jack Weston.
Rules of Engagement (2000)
Teenage Mutant Ninja Turtles: Out of the Shadows (Teenage Mutant Ninja Turtles 2) (2016)
Lady Bird (Ladybird) (2017): It is heavy and reliant on dialogue.
Panic Room (2002): For the most part, it is suspenseful but the screenplay weakens toward the end.
Cider House Rules, The (1999)
Moonlight Mile (2002)
Midnight Clear, A (1992): It plays like a play. There is too much yelling and shouting instead of acting.
Deathstalker: Last Great Warrior King (1983): Plenty of violence, cheap makeup and male posturing without clothes to save on wardrobe.
Meadowland (2015): Not an easy watch but the screenplay is sincere and Olivia succeeds in a demanding role.
Englishman Who Went Up a Hill But Came Down a Mountain, The (1995): Although it finishes well it weakens out in the second half and probably goes on for a tad too long. The plot idea is very good and there are some quality character actors in Kenneth Griffith, Ian McNeice et al.
Fourth Protocol, The (1987): A competent screenplay is supplemented by a well–rounded cast that has class actors such as Ian Richardson and Ray McAnally in supporting roles.
House I Live In, The (2012): It has a low key approach but it is hard–hitting in its indictment of the class war in the USA. The points made by the interviewees – academics and those working at the sharp end – make sense.
Plainsman, The (1936): Entertaining but a history lesson it is not.
Mary Magdalene (2018): Its hard work.
El Bulli - Cooking in Progress (2011): There are a lot of cooking documentaries but the cooks in this one refreshingly don't have the histrionics typical of other kitchens. The dishes produced should please aficionados but maybe not those of us who eat to avoid hunger.
Home Alone 2: Lost in New York (1992): Daniel Stern steals every scene he is in and his performance makes it worth the watch.
Home Alone (1990): Daniel Stern steals every scene he is in and his performance makes it worth the watch.
A Wrinkle in Time (2018): Some of the artwork/set designs are worthy of attention but the screenplay is clunky.
Belier Family, The (2014): It probably tries too hard to impress – the material is light and the film gets more and more commercial as it progresses – however, the choice of music is a winner.
Kiwi Christmas (2017): It compares well with many other Christmas films.; DVD ~~$29.95~~ $19.95
Valiant (2005): It has a good storyline and entertaining animated characters.
13 Assassins (2010): Including suicides, there is a slaying every 1.5 minutes some of which are distasteful but all end up being boring.
Up Pompeii (1971): Non–stop comedy helped by a wonderful ensemble of British character actors.
Forces of Nature (1999)
Surviving Christmas (2004): James Gandolfini and Catherine O'Hara are worth the running time.
Loving (2016): Who needs fiction(?)
Persecution Blues: The Battle for the Tote (2011): It is interesting and to the point.
Love Letter, The (1999): There is a very watchable female cast on show.
Abel (2010): The major part of the screenplay consists of a kid believing he is the father of his family. If you can accept this then enjoy.; DVD ~~$19.95~~ $14.95
Oh Boy (A Coffee in Berlin) (2012): A low key screenplay with some delightful touches of humour. There are some location shots of Berlin and although these are utilitarian and shot in black and white they suit the down mood of the film.
Internal Affairs (1990): There are some good performances and well–drawn characters but the screenplay could have been a bit "smoother" and more compact.
Mystery of Picasso, The (1956): It is an excellent way of portraying the artist.; DVD $29.95
Short Term 12 (2013): The first two–thirds are solid indie but the latter scenes weaken into the mainstream.; DVD $29.95
Four Holidays (Four Christmases) (2008): Reese and an interesting support cast get it through.
Blockers (2018): The female part of the ensemble cast is not too bad.
13 Reasons Why (TV Series) (2017): It starts off okay but then pads out the screenplay to make it last 13 episodes.
Peter Rabbit (2018): Cleverly done.
Truth or Dare (2018): Routine.
Winchester (2017): The production values are very good.
Prince Avalanche (2013): It is a good plot idea and there is some excellent location shooting but it needed a better script.
Trishna (2011): The screenplay is not its strength and is too long anyway but the film is worth watching for its exterior location shooting, the colours that are everywhere and the music.
Phantom Thread (2017): Well produced and acted but the screenplay has over two hours which is more than enough time to go somewhere.
Mountain (2017): The human figures although an intrusion on the magnificent scenery do help by giving some idea of scale. The photography though is equal to the occasion.
Tristram Shandy: A Cock and Bull Story (2005): The screenplay is more about Coogan and Brydon interplaying rather than a work of literature so it doesn't rise to any great heights – it could have done because there was plenty of acting talent hanging around.
Mystery Train (1989): There is a great soundtrack, boring exteriors, seedy interiors and easy on the eye soft colour photography.
No Way Out (1987): A serviceable screenplay that lifts a notch when Hackman is on screen.
Bad Company (1972): It is a very worthwhile crack at portraying realism. It is shot during an eclipse which also adds interest. The gunfight with Geoffrey Lewis is memorable.
Herb and Dorothy (2008): Aka "The Rubbish Collectors" but at least the Vogels weren't trying to profit & were sincere. It tells you something about the art establishment however & you would think that a more discerning future generation of curators will toss most of it out.
Faithful (1996): It has some very good moments and Cher is excellent throughout.
Bunny and the Bull (2009): It gets past halfway very well but then the screenplay loses its way and ends up being too long. However, including the opening credits, the art and design work is terrific.
Sapphires, The (2012): The early scenes with the girls bitching at each other were the best. Overall though it wasn't clear was audience genre it was aiming at.
Bill Cunningham New York (2010): Four stars for a fashion documentary(?)
Beirut (The Negotiator) (2018): There is a freshness to the casting – not the usual stars toting machine guns. The screenplay is well–written.
Lantana (2001): The screenplay kicks in after an hour and a half and then goes missing again in favour of a crappy ending.
Matrix Reloaded, The (2002): It is a good advert for sunglasses and apart from some worthy special effects, there is not much else. Hugo Weaving and others in support provide some acting and much–needed relief.
Beautiful Creatures (2013): It is mainly forgettable which is some achievement considering there is Irons, Thompson et al.
Barbara (2012): Nina is fine but the only other worthwhile thing is that the set designs capture the depressive feel and mundaneness of the '80s in East Germany.
Beats, Rhymes & Life: The Travels of A Tribe Called Quest (2011): It gets less interesting after the group breaks up and the finger pointing starts but worth it overall. There are some great outdoor location shots in the early part of the documentary.
Cover Girl (1944): Although there was only one memorable tune the dancing made up for it. The non–musical segments stumbled along and needed a bit more of Eve Arden. The Technicolor was beautiful.
Rough Night in Jericho (1967): The screenplay is okay without being anything out of the ordinary. The casting of George Peppard and Jean Simmons adds solidity.
Chicken People (2016): It is lightly boiled and sometimes informative.
Bobby Fischer Against the World (2011): A compactly made documentary that doesn't get sidetracked and is informative about its subject.
Jesus Camp (2006): The documentary raises the important issue of evangelicalism aimed at children. Whilst to a mature minded audience it can be laughed off the problem should not be ignored. File this documentary under "Crime".
Grace Jones: Bloodlight and Bami (2017): The gaps in between the musical segments (which were good) were filled in mainly by showing Grace applying makeup and chattering and other uninteresting stuff.
After the Storm (Umi yori mo mada fukaku) (2016): The title refers more to the marriage break up rather than the typhoon toward the end of the film. The main character's detective work along with its characters is abandoned midway so the screenplay is a bit untidy. Kirin Kiki's performance stands out.
Z Channel - A Magnificent Obsession (2004): There is a fair balance between the channel's main player Jerry Harvey and the eclectic range of the films shown (in their uncut versions where applicable). A very generous amount of film clips is complemented by a very respectable raft of interviewees.
Les Enfants Terribles (The Strange Ones) (1948): Hard to classify but the screenplay is always interesting and unpredictable.
Dottie Gets Spanked (1993): The seven–year–old who is playing the six–year–old is excellent.
Kill List (2011): The opening scene puts you on your guard & you spend the rest of the film waiting for Neil Maskell to blow. He's a convincing nutter & the rest of the cast are also very good. Although the final scenes are not quite convincing the whole is well worth it.
A Field in England (2013): A small cast and crew, rent a field plus a piece of rope and a box of matches, a wind fan, a dull day and a sense of humour. What more do you need?
My Winnipeg (2007): The selection of archival film is well done and so is the entertaining/informative narration which at times also has a political bite to it.rnA film that is not aimed at tourists for a change but is wonderfully depressing.
Star Wars - The Clone Wars (2008): For completists.
Midnight Oil 1984 (2018): It has taken a while to surface but worth the wait.
Valentine's Day (2010): It is long and light.
Incredible Mrs Ritchie, The (2003): The two veterans are fine but the screenplay doesn't take off.
Wild Guitar (1962): It has some curiosity value and it doesn't overstay its welcome.
Wolfpack, The (2015): It was of minor interest only.
Howl (2010): The animated sequences were a good idea and helped explain some of the verbals. The courtroom scenes were the other highlight with Bob Balaban, David Strathairn and Jon Hamm working well off each other.
Selfish Giant, The (2013): It sits alongside the Director's "The Arbor" (2010) very well and also rates highly for warts and all realism. Whilst the two young 'uns take centre stage you have to spare a thought for the teachers but above all feel for the two mothers.
Deep Blue Sea (1999): The jaw munching segments are better than average.
Closing the Ring (2007): Shoots itself in the foot by being too long. The screenplay is uneven but is helped out by the two classy leads but it really works best when the supports Postlethwaite and Fricker are on camera.
Zed and Two Noughts, A (1985): It is hard to follow at times but it is a Greenaway film and never boring and it will stand up to repeated viewings.
Married to the Mob (1988): Michelle and Dean are standouts but sprinkled among the minor characters there is Mercedes Ruehl scene–stealing plus quality in Al Lewis and Joan Cusack et al. The set designs are well done.
Beyond the Hills (2012): Although the screenplay is too long it takes a gentle swipe at religion so it is worth the time plus there is a fine performance from Cosmina Stratan.
Sunshine Cleaning (2008): Although the screenplay doesn't quite last the distance it has a freshness to it. The performances are very appealing and the casting of Arkin spot on.
Loving Vincent (2017): It is an interesting screenplay but the animation is the standout.
Althea (2015): It is a story that should move most viewers. What a remarkable athlete and what a voyage. Some excellent interviewees especially Angela Buxton who came to Althea's rescue when she was in the pits of despair.
Ulee's Gold (1997): The pacing of the film is just right to equate to the pace of life in these parts. A believable low key screenplay is complemented by some believable low key characters. The photography is beautiful.
Athens, GA - Inside Out (1986): The interviews are useful but the music is a standout.
Unknown Pleasures / Xiao Wu (1997-2002): "Unknown Pleasures" Slowly paced but the periods of silence are used well. Screenplay contains some subtle social commentaries. "Xiao Wu" Performed by non–professionals – although probably a bit too long has a low key ending that is perfect.
A Good Woman (2004): Oscar Wilde did not come through as well as he should have done but the trappings are well done and Tom Wilkinson shines even if Oscar doesn't.
Little Fugitive (1953): It will have some archival value in that it has 1950's Coney Island as a backdrop.
Complete History of My Sexual Failures, A (2008): It is hardly worth making a documentary about.
Prince of Darkness (1987): Disappointing – the director has done much better.
Actors, The (2003): Unfortunately, Dylan Moran gets annoying in this although there is still Michael Caine and Michael Gambon to fall back on.
Girlhood (2014): KARIDJA has a wonderfully expressive face & needs a minimal script. The screenplay is compact & if it dwells it is not wasting but meaningful. The fights look authentic & the music score is correctly used . All the girls perform well – move over males!
One from the Heart (1982): Has some curiosity value.
Last of the Blonde Bombshells, The (2000): It is likeable without being soppy – there is a fine cast – the music is good and it is not too long.
Equilibrium (2003): It is a very good action film – noisy with plenty of automatic weapons and a better than average body count.
Den of Thieves (2018): The shootouts are a bit over the top and the male posturing in vests adds to the entertainment but the tension when it does build is often lost because the screenplay is not tight enough.
Shape of Water, The (2017): Although the screenplay weakens quite noticeably the set designs are excellent throughout. Richard Jenkins not for the first time gives a professional supporting performance but takes a backseat to asshole Shannon and the perfectly cast Hawkins.
Snatched (2017): This kind of thing has been done before but this is not an improvement on what has gone before.
Ice Station Zebra (1968): Patrick McGoohan adds interest to the cast but you need patience waiting for the exciting bits in the screenplay. It would be quicker to read the book which would then defeat the whole purpose of the exercise.
Sweet Country (2017): Its best is after the fugitive on the run bit is over. The subsequent court scene is extremely well handled – its script, performances, and props. Needless to say, the location shooting is beautiful.
Ain't Them Bodies Saints (2013): Made no impression on a second viewing after making no impression on a first viewing.
Action Jackson (1988): It is an action film.
Eric Clapton: Life in 12 Bars (2017): I didn't realise he'd gone off his trolley so badly.; DVD $29.95
Ender's Game (2013): The male kid is annoying but the special effects are okay and it may appeal more to young adults.
Switchblade Sisters (1975): Some very good female posturing makes a refreshing change.
Kingdom of Heaven (2005): There is a very good supporting cast as are the other trappings.
What Happened To Monday (Seven Sisters) (2017): It doesn't take too long before it turns into a mini shootathon wasting a promising plot idea. A special mention for the clothing and wig people having to change Noomi several times and often quickly within a single scene.; DVD $29.95
Don't Think Twice (2016): I really don't know what this was about if it was about anything.
Kingsman: The Secret Service (2014): There is some good acting talent sitting around underused and looking out of place.
Phoenix (2014): Nina Hoss is very good and does well to survive a screenplay that creaks and groans struggling with plausibility.
Winstanley (1975): I understand Jerome Willis is the only professional actor used and that the film was made on a low budget. But good on 'em – its screenplay has made me reach for the history books.
Devil and Miss Jones, The (1941): It has a very good screenplay but it falls a bit flat when Coburn is not on screen.
La Belle Saison (Summertime) (2015): Cécile de France is very good but the screenplay after an energetic first half hour concerning bolshie females takes a romantic right turn and never recovers.; DVD $29.95
Kiss the Girls (1997): The screenplay is watchable but it takes a while and needs Morgan Freeman to keep the interest up.
How Much Does Your Building Weigh, Mr Foster? (2010): Better than most documentaries about architects.
Last of England, The (1988): It is not a clone (which is worth a *). It is hard work but I watched it a second time with commentary which helped. More viewings I am sure will offer more insights.
Before Sunset (2004): They are an odd couple – Delpy and the camera are made for each other but Hawke looks like he's been dropped off from a spaceship. However, both give as good as they get in the talking department.
Finding Your Feet (2017): Unfortunately, it gets a bit soppy at times but overall it is saved by some good comedy from a terrific cast.
Girls Trip (2017): The trip has been taken before but it hasn't taken this long.
Planetarium (2016): The screenplay threatened to take off a couple of times but the period production values were good.
Daughters of Darkness (Le Rouge aux Levres) (1971): The Countess character is well done and maybe too well done because the rest in comparison don't amount to much. The plot idea is fine but the screenplay has loose ends and the musical score is only average.
Dark Horse (2011): This is an offbeat comedy that works but it could just as easily have gone the other way over that fine line.
Basketball Diaries, The (1995): It has a good anti–drug message but it is not as strong in impact as it was when the film was first released.
Exception, The (2016): A passable drama with very good production values.
Emperor's New Clothes, The (1987): The musical side is a bit ordinary but the tale–telling is good light entertainment.
Rampage (1988): There is always something in the screenplay to maintain your interest. The nutter is convincing.
Transsiberian (2008): It promises to take off at various stages but the end result is disappointing.
Pitch Perfect 3 (2017): Anna and the girls do their best but the music is boring.
Collide (2016): Hopkins and Kingsley are able to appear in this because they are in between acting engagements.
Raising Victor Vargas (2002): It is okay but there is little worth remembering as far as I can remember.
Bounty, The (1984): Another good performance from Hopkins and although Gibson is out of his depth there is talent to burn in the supporting cast with Edward Fox stealing the courtroom scenes. There are very good production values and photography.
Swinging Safari (2018): Noisy.
Air Guitar Nation (2006): It falls into the category of "hard to dislike".
A Monster in Paris (2011): The exterior scenes, in particular, are wonderfully captured with a noticeable attention to detail.; DVD $29.95
Spaceballs (1987): Not vintage Brooks but entertainingly silly.
Rock and Rule (1983): Worth watching for its animation or music and definitely as a curiosity item.
Comic Genius of Billy T James, The - Legacy Edition (2008): Essential viewing for his fans and his collectors.
In The Loop (2009): Compares well with "Dr. Strangelove" which is the highest compliment I can pay.
Picnic at Hanging Rock (TV Mini-series) (2018): Great to look at but it does not create the right atmosphere necessary for suspense.
Leviathan (2014): Aleksey Serebryakov's alcohol–soaked performance is terrific. The screenplay is played out in Russian time but is helped by the superb location shooting.
My Super Ex-Girlfriend (2006): Uma tries hard with her thin material.
I Kill Giants (2017): The two young leads are very good and although the screenplay has some very good moments overall it is too uneven.
Congress, The (2013): Its every aspect is original and will warrant repeated viewing. Some of the animation is stunning.; DVD $19.95
Francofonia (2015): It cleverly mixes re–enactments with archival film some of which I had not seen before. The artwork and the shots of the Louvre itself are worth the price of admission.
American Assassin (2017): There is plenty of violence, fighting, and killing so there is not much time for anything else.
Drop Dead Fred (1991): Silly but entertaining. Approach carefully if you are unfamiliar with Mr. Mayall.
Core, The (2002): For escapists.
Blue (2017): It is another sad installment.
Florida Project, The (2017): It is about screeching kids.
It (It: Chapter One) (2017): There were some really good horror segments. However, the long stretches in between them weren't that interesting and consequently, the film dragged at times over its two hours plus.; DVD ~~$20~~ $15
Robots (2005): It has a good screenplay, entertaining characters and excellent animation.
I, Tonya (2017): Although it never betters the early scenes when Allison Janney is unleashed it is an entertaining screenplay throughout.
Raising Helen (2004): Very light but Kate is watchable.
Wild Wild West (1999): Good entertainment with great production values. Branagh hams it up to good effect.
Mothman Prophecies, The (2002): There is a very good supporting cast in Linney, Patton and Bates which helps the routine screenplay. The "Search for Mothman" featurette is worth a watch.
Brad's Status (2017): It failed to hold my attention because an hour and a half of the lead character was hard work – at times his immovable face looked like it belonged in a museum – and there was little in the supporting cast to provide a distraction.
Results (2015): There were some good touches but it really needed to achieve more in one and three–quarter hours.
Leatherface (2017): The violence is in excess and leads to ineffectiveness but the period production details are well done.
Goodbye Pork Pie (1981): A likeable comedy and for Kiwis the exteriors are pure nostalgia.; DVD ~~$20~~ $15
Freedom Writers (2007): The film has a good message but viewing wise Hilary does too good a job on the kids.
Split (2016): If you want to see a decent treatment of multiple personality disorder watch "Three Faces of Eve" (1957). What is more, it does the job in 25 minutes less than this one.
Finding Fela (2014): A complicated man & a gifted musician. It touches on the political background in Nigeria – Fela needed to be brave to stand up against the Government. Musically – what a beat! and the dancing is raw.
Color Purple, The (The Colour Purple) (1985): Whoopi is fine throughout but the film gets less and less interesting after a promising start.
Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2016)
Flashback (1990): A likeable plot with Kiefer doing well mixing it with Hopper who looks to be enjoying himself.
Plague Dogs, The (1982): It has some memorable moments.
Monster, The (2016): It is a shriek from start to finish but not much else other than a monster with a sore head.
Corrupt (a.k.a Copkiller; Order Of Death; L'assassino Dei Poliziotti) (1983): Competent and Keitel watchable.
Halloween (1978): It does the basics of suspense well.
Home on the Range (2004): There are some likeable characters.
Limey, The (1999): Terence Stamp is very comfortable in what would normally be a Michael Caine role.
Napoleon Dynamite (2004): The quirky characters are refreshing but in some ways, because there is more than one they cancel each other out and lose some of their effectiveness.
Bad Santa (2003): It is an antidote for the usual Christmas crap – if that is all it achieves then that is enough.
Larry Crowne (2011)
Wyrmwood: Road of the Dead (2014): The good guys are more fearsome than the zombies.
Hampstead (2017): With the acting talent available you would have expected more challenging material.
Silence (2016): It is a bit of a slog.
Package, The (1989): Even with Hackman on board it is more ordinary than special and has not dated well 30 years on.
Mama's Boy (2007): I know Heder's character is meant to be irritating but surely not that irritating.
Sleepy Hollow (1999): The artists and set designers do well with the Gothic requirements. Overall it is an enjoyable romp with plenty of acting talent on display.
Story of Us, The (1999): There is hardly a plot and the only interesting thing is to watch a miscast and out of place Bruce Willis.
El Monstro Del Mar! (2010): It doesn't really succeed as a homage to the exploitation flicks of yesteryear.
Bedazzled (2000): It is a good comedy plot scenario but the casting of Fraser could have been improved upon.
Alone in Berlin (2017): The period work by the filmmakers is worth the price of admission. The vulnerability of the two main characters comes through in the fine performances of the leads.; DVD $34.95
Army of One (2016): I had to turn the volume down because the raving of the main character just got on my nerves.
Black Harvest (1992): No matter where your sympathies lie between the parties featured in this story – the documentary has anthropological historical value.
Diggers (2006): A very good script with characters to match. Whilst the males take most of the screen time there are some not to be ignored performances from the ladies headed by Maura Tierney.
Girlfight (2000): It precedes 'Million Dollar Baby" (2004). Michelle Rodriguez is worth watching but the screenplay is on the predictable side.
Blood Simple (1984): Suspenseful from go to whoa particularly when the great Emmet Walsh is on camera.rnrn
Million Dollar Baby (2004): The fight choreography is excellent if not too realistic at times. Hilary Swank could be the real thing – it would be good to see her matched against Michelle Rodriguez. The pathos is milked out of the post boxing scenes and goes on far too long.
Jay and Silent Bob Strike Back (2001): A silent Jay would have helped.; DVD $39.95
Iron Man (2008): Above average for the genre especially in the set up early scenes. There is some intelligence in the screenplay and in the lead performance.; DVD ~~$15~~ $11.25
Nightbreed (1989): A passable screenplay but it is the make–up and noise departments that are called upon most.
Labyrinth (1986): It has some interesting set designs and a film involving Henson, Bowie and Terry Jones could never be boring. Well done also to a young Jennifer Connelly.
Country Strong (2010): The forgettable screenplay needed more memorable music.
Beauty and the Beast (2017): As a musical, it doesn't amount to much but there are some good special effects.
Rocky II (1979): Not as crappy as the countless other Rocky sequels that follow this sequel.
Rocky III (Rocky 3) (1982): Go Mr. T
As it is in Heaven (Så som i himmelen) (2004): It is good to look at but the screenplay is very commercial (the ending is cringing) and at times over melodramatic.; DVD ~~$19.95~~ $14.95
Inside Out (2015): Not the strongest Pixar but the younger viewers should enjoy.
State Of Play (2009): It is a bit of a slog and Affleck is unconvincing but as far as remakes go it is not too bad.
Mimic (1997): The bugs are well done and the set designs spot on.
Abouna (Our Father) (2002): A simple story shot economically without any unnecessary embellishments. Ali Farka Toure's score is used sparingly but effectively.
Bonneville (2006): The screenplay is familiar and not great but any director would bleed to have the services of these three actresses on the same set.
Maze Runner: The Death Cure (2017): Generally, the set designs are good but the screenplay is never ending – it's like getting stuck in a maze.
Sliding Doors (1997): A good plot idea which is helped to fruition by its casting of Gwyneth and just as importantly by John Hannah.
Cloak and Dagger (1946): A solid screenplay and a very good cast in the hands of a top director.
Letters to Juliet (2010): Well made froth. Egan has trouble with the acting part of his performance.
Long Riders, The (1980): It is well made but violent and gimmicky but there are a couple of good performances from Carradine D and Quaid R.
Desperately Seeking Susan (1985): It doesn't take off.
Connie and Carla (2004): There are some very good bits but it gets sidetracked and emotional. David Duchovny miscast.
Black Mass (2015): I didn't care that he murdered half of Boston but as soon as he laid a finger on Juno that was it for me.
Golden Compass, The (2007): A great cast complements a solid family fantasy.
Devil's Candy, The (2016): It is okay – shooting mainly in the dark and casting Pruitt Taylor Vince helps.
Emoji Movie, The (2017): I'm an old dinosaur – what emoji do I use to indicate two stars? ??
All the Money in the World (2017): Its a good story but it shouldn't have needed over two hours to tell.
Disaster Artist, The (2017): I haven't seen "The Room" so as a stand–alone this was a bit meaningless and silly.
Jumper (2008): A good plot idea and the screenplay starts off okay but it then jumps into a bit of a hole and gets lost.
Desperate Hours, The (1955): Bogart's character hasn't stood the test of time 60 years on and comes across today as a bit corny. However, the screenplay is still watchable and so is Fredric March.
Phineas and Ferb - Across the Second Dimension (2011): Should be a hit with younger viewers in particular.
Wreck-It Ralph (2012): For the most part its non –stop action.
Hannah Takes the Stairs (2007): I watched this last in 2012 and described it as a "talkie". Watched it again six years later and they are still talking.
Ballad of Lefty Brown, The (2017): Competently made with some good scenery on display but it is all a bit familiar plot–wise.
Conversation Piece (1974): The screenplay takes its time and the hedonistic characters are mainly for looking at and not for listening to. It is a chamber piece in which the main player is the house where the drama is played out.
Get Carter (2000): I had a bet with myself that I would see Stallone's name credited as a producer – his bankroll would have explained his bizarre casting – but I was wrong so I will credit another one to the cock–up department.
Once Fallen (2010): Violent in parts and the screenplay is ordinary but there is always the watchable Ed Harris as a saving grace and Amy Madigan also in support is not too bad.
Mickey Blue Eyes (1999): If you don't mind Hugh Grant playing Hugh Grant then this romp has some good moments.
Gift, The (2000): Ribisi is silly and Reeves is out of his depth but overall it is a little bit better than average for the genre.; Blu-Ray $34.95
Laura (Laura, Shadows of a Summer) (1979): I'm not sure why it was made but at least it is a bit different.
It's Complicated (2009): The incessant smiling and smirking of the characters wears you out. Martin looks like he's dropped in from another planet.
Devil Wears Prada, The (2006): The four leads are excellent and work well off each other and do justice to the satirical screenplay.
Rose, The (1979): Bette's performance is not convincing especially if you are appreciative of the uniqueness of Janis J as a performer. The acting talents of Alan Bates are ignored.; DVD ~~$20~~ $15
Tyson (2008): There is some interest for non–boxing fans as there is a good balance of action in and out of the ring.
For the Boys (1991): It is far too long with only a couple of musical segments worth the time.
Flatliners (2017): An unnecessary remake. Even though the original wasn't quite as good as it should have been at least its screenplay had some freshness to it.
Bean (1997): Rowan shows comedic class to make the best of the material on offer.
Captain Underpants: The First Epic Movie (2017): Entertaining – the youngsters should enjoy.
Butler, The (2013): The historical events within the screenplay have been thrashed to death but the production values are very good and the make–up people deserve a mention for their ageing of Whittaker.
Robocop 2 (1990): Another sequel that is a mistake. It is distasteful at times.
Odyssey, The (L'odyssée) (2016): A commercial offering. A documentary that included archival footage would have done the trick rather than a drama.; DVD $29.95
Jurassic Park 3 (2001): A not as good as its predecessors contribution.
Purple Rain (1984): The musical segments are fine and are worth waiting for once the romantic and dramatic padding is out of the way.
Ingrid Goes West (2017): The males were just annoying in particular O'Shea Jackson Jr.
Annabelle: Creation (2017): It uses the lack of lighting and sound effects well and the set designs are good. It is better than most of the many others of its type.
Downsizing (2017): It is a very good plot idea that could have been better portrayed. Damon looks suitably confused throughout.
Jumanji: Welcome to the Jungle (2017): I had to turn the volume down because of the yelling, screaming, and hysterics of the characters but visually it looked okay.
House, The (2017): It shows up the dearth of good comedy writers.
Breathe (2017): The production values are good as are the performances. Its main strength, however, is avoiding getting over soppy.
Murder on the Orient Express (2017): Good looking production values but the portrayal of the story is a bit flat. The main negative, however, are the attempts by the actors to speak English with a foreign dialect – it was hard to make out what Branagh was saying at times.
Little Miss Sunshine (2006): The screenplay is a bit uneven but the good bits are very good (Irish). Abigail Breslin scene steals from a very good cast.
Paris, Texas (1984): Unfortunately, after the opening scene, it can't get any better. The screenplay doesn't require all its running time and you are waiting for the next Ry Cooder segment in a desert or deserted street.
Call Me By Your Name (2017): It is nice to look at but nothing of importance happens.
Chronesthesia (2016): It fails to hold one's attention.
Assassin's Creed (2016): There is a terrific cast but not much else is rememberable.
Robocop (1987): The screenplay has an intelligent sci–fi base. There is plenty of bloodletting but it is not objectionable and a touch of humour is often added.; DVD ~~$25~~ $18.75
Mermaids (1990): Cher, Ryder, Hoskins and Ricci is an attractive cast. The material is light and for the most part it doesn't matter because of the casting, but the final scenes are on the soapy side.
Johnny English Reborn (2011): I am not sure whether Ian Fleming would approve – however unusually for a sequel, this is quite good.
Stella Does Tricks (1998): Kelly MacDonald is great. The drama, about vulnerable young women, a pimp and a pedophile is at its strongest when the equally impressive James Bolam is there to offer her a hand or whatever else he deems appropriate.
Roadhouse (1989): The fight choreography is a bit of a laugh at times coupled with plenty of male posturing but there is a good soundtrack.
Adventures of Robin Hood, The (1938): Its appeal should last a few more generations yet.
Woodstock (1970): 40th Anniversary Edition – Director's Cut. It includes important documentary footage for historians to use.
Twilight: New Moon (2009): The overlong screenplay drags and Kristen's performance is the only thing worth watching.
Rat Race (2002): It tries hard but it is only a pale imitation of the 1963 Stanley Kramer film. However, if you haven't seen the Kramer you will enjoy this more.
Home Again (2017): It is a good job Reese is in it.
Union City (1980): Dennis Lipscomb's performance holds the attention in this no–frills produced film.
Justice League (2017): The acting talents of Irons, Adams etc. are not used so I'm not sure why they were cast. Some good special effects but these comic book films have passed the saturation point.
Beat the Devil (1953): An entertaining screenplay is helped along by a strong cast. Robert Morley and Peter Lorre are worth the price of admission alone.
Trolls (2016): The family animation genre has been flooded but this whilst not great is very watchable.
Senna (2010): There are watchable bits in between the racing.; DVD ~~$20~~ $15
Yellow Birds, The (2017): It is okay but there is some familiarity to other films involving young soldiers in the invasion of Iraq and other places.; DVD $29.95
Monsters, Inc. (2001): It has a good plot idea but its strength is in the wonderful odd looking characters.
Ice Age 3: Dawn Of The Dinosaurs (2009): The mayhem continues.
District 9 (2009): I liked it a bit better the second time around but the wobbly camera was a distraction, unnecessary and irritating. The set designers and alien makers deserve the extra star.
Gran Torino (2008): His is one of the more grumpier characters to hit the screen.
Constant Gardener, The (2005): Many films of two hours or more overstay their welcome but this one is worth all its time. It has a good literary base to draw on and the right casting and direction.
Star Wars: The Last Jedi (2017): Hamill's lined face is a reminder of how long this successful franchise has survived.
Midnight Express (1978): It is still a fine film 40 years on and still an uncomfortable watch. Alan Parker in the "Making Of" says no actor that has worked for him has put more into a part than Brad Davis.
Wanted (2008): I soon became non–plussed by the special visual and sound effects, and flashy editing. Violent but with a soft edge.
Concrete Romance (Cemento armato) (2007): A screenplay that seems to feel the need to be extra violent to make up for its routineness.
Kiss of the Dragon (2000): The martial arts should please fans but some of the violence is a bit distasteful.
Chicken Run (2000): A simple if a not original story is enhanced by some delightful chicken characters. The animators are able to achieve some wonderful facial expressions, particularly through the character's eyes.
Finding Nemo (2003): The action is non stop and the characters are appealing. It may even be educational.
Open Season (2006): There are better animal animated films but this one is entertaining and worth it.
E.T. (E.T. The Extra-Terrestrial) (1982): The screeching of the male kid is hard work but Drew and E.T. are terrific.
Hating Alison Ashley (2005): Saskia Burmeister is terrific full stop. The characters are portrayed with just the right amount of exaggeration.
TT Closer to the Edge (TT3D Closer to the Edge) (2011): It is "extremely exciting".
Bridget Jones's Diary (2001): The screenplay is well written. Probably Renee's best performance and it gels well with that of the other two lead characters. The superb support cast is the icing on the cake.
Hangover, The (2009): Theatrical version **** a rarity – a funny American post–1940 comedy. Extended uncut version *** this is not as good as the theatrical version but stands up well against the sequels that followed.
Bride of Frankenstein (1935): You can't imagine a time when this film will not be appreciated. It has more than its share of memorable moments packed into its short running length.
Buddy (1997): Uneven but the real animal scenes are worthy of commendation for the trainers. The ending is a bit soppy.
Slackers (2001): It has dated quite badly after only 16 years.
Sherlock - Series 1 (TV Series) (2010): Each episode is of feature length. Cumberbatch and Freeman make a good fist of it. The set designs, wardrobe and supporting cast are BBC quality.; DVD $69.95
Assault on Precinct 13 (2005): An unnecessary but watchable remake.
Doctor Foster (TV Series) (2015-2017): Series 1: Gets a bit too melodramatic at times but Suranne Jones's accomplished performance makes it worth it.
Tall Man, The (2012): There are some good segments but the screenplay is uneven overall.
Ring, The (2002): Not too bad – it has a good base to work on in the "Ring" (1998).
Frankenstein (1931): A classic with a special mention for the make–up artists.
8 Mile (Eight Mile) (2002): The bleak exterior scenes are well done and set the tone along with the constant beat of the rap. The casting is spot on.
Manolo: The Boy Who Made Shoes for Lizards (2017): A worthy addition to the large fashion documentary genre.
Only the Brave (2017): A good drama that is strengthened by the casting.
Closer (2004): It lacks characters that are worthy of attention and the script in parts is insulting to the intelligence – other than that it is okay.
Hypnotic (Doctor Sleep) (2002): Aka "Close Your Eyes". Not great but the plot idea has interest and there is more than a useful cast.
Action in the North Atlantic (1943): Still a good watch 75 years on.
Negotiator, The (1998): A silly screenplay that requires, for the most part, the characters to swear and yell action words at each other otherwise they will throw their toys out of the cot.
Quiet American, The (2002): It has a good political message and does well in this regard but as a drama, it is pretty flat (even with Michael Caine in it).
Birdcage, The (1996): An unnecessary remake and it could have been funnier if it had been sharper and shorter. Nathan Lane has the best moments.
Three Kingdoms (Resurrection of the Dragon) (2008): Follows formula – the fight scenes have people flying about and there are plenty of flashy slow–motion action scenes. Usual quota of photogenics in the cast.
Jawbone (2017): Gritty and it doesn't pull any punches.
For a Few Dollars More (1965): The staredowns are a highlight with the one between Van Cleef and Kinski a classic. It also has one of the better soundtracks.
That's Not Me (2017): It is a good plot scenario but the standout was Foulcher's expressive face.
Professor Marston and the Wonder Women (2017): A very interesting story in relation to his contribution to the lie detector test that made me dial up Wikipedia. The set designers also do a good job.
Madame (2017): The ingredients were there but it doesn't work as well as it could have.
Endless Night (Nobody Wants the Night) (2015): It needs a bit of patience as the best bits are in the later parts of the film.
Hunt for Red October (1990): A reasonable actioner but one that is not helped by the decisions made when casting the Soviet characters.
Borg Vs. McEnroe (Borg McEnroe) (2017): There is little need to dramatise an event that was already dramatic. A documentary would have sufficed.
Bad Moms 2 (A Bad Moms Christmas) (2017): The very good female cast overcomes the flighty material.
Proposal, The (2009): There is nothing to report on – which is good in that it saves time in not having to write a review.
Madagascar (2005): The characters are a delight.
Gruffalo, The (2009): It is short and sweet.
Adventures of Don Juan (1949): Still watchable and enjoyable 70 years on.
Beverly Hills Chihuahua (2008): Beverly Hills Chihuahua: Is cleverly done.rnBeverly Hills Chihuahua 3: Has all the right and cuddly ingredients to appeal as family viewing
Life and Death of Peter Sellers, The (2004): An unflattering portrayal of Sellers the man. Sellars was a genius mimic and for Rush and the make–up department to do more than a presentable job speaks volumes for their skill.
Survival of the Dead (George A. Romero's Survival Of The Dead) (2009): The comedy/horror sub–genre must be very close to being bled dry.; Blu-Ray $29.95
Big Chill, The (1983): The characters don't amount to much. File under "Soundtrack".
A Bag of Marbles (Un sac de billes) (2017): The first two–thirds are very good with some scenes of genuine tension. Throughout the attention to detail in the set designs and wardrobe is commendable.
Jigsaw (2017): It is more of the same.
Clay Pigeons (1998): As a black comedy, it doesn't quite pull it off, but it has a great soundtrack.
Holiday Inn (1942): There are some reasonable Berlin songs with some dancing from Fred.
Shootist, The (1976): The screenplay is a bit soppy but I liked the photography and the set designs.
Victoria and Abdul (Victoria & Abdul) (2017): An extremely well–produced BBC comedy/drama. Dame Judith is impressive.
Tale Of Despereaux, The (2008): The characters are a delight and are lifelike thanks to the CGI.
Suburbicon (2017): The screenplay was perhaps a bit too clever for its own good.
Bill Bailey's Remarkable Guide To The Orchestra (2009): He's not in the Victor Borge class but he is entertaining.
Hangover, The: Part 2 (2011): It is watchable but the decision to make a sequel is a mistake.
Secret Life of Walter Mitty, The (2013): It is okay but it really doesn't do justice to Thurber.
Number 23, The (2007): It had an interesting premise – it would have worked a bit better if they had employed an actor in the lead role.
Glass Castle, The (2017): It is not that interesting – but reducing the running time would have helped.
Agent Cody Banks (2003): The male kid gets a bit irritating but the plot idea is reasonable family entertainment.
Sidewalks of New York (2001): Another talkie based in New York but there is the attraction of Tucci, Dawson, and Murphy.
Author: The JT LeRoy Story (2016): It has a bit more to it than the single joke scenario but this goes on too long and loses its impact.
Blow Out (1981): It has timeless curiosity value and deserves to be seen but I believe they should have done better than Travolta in the lead.
Downriver (2015): There is a lot of yelling and screaming and the holding of hands and other dramatics plus plenty of darkness.
Happy Death Day (2017): If you don't mind going round and round with a well–worn plot idea it is an entertaining watch.
Aces High (1976): Impressive production values particularly in the aerial re–enactments.
Polish Wedding (1998): It never really recovers from Gabriel Byrne's Polish accent.
This Island Earth (1954): There is a freshness to the screenplay and it doesn't follow formula. Some interesting special effects help.
Vampire Circus (1972): A worthy addition to the Hammer House – well produced with a good screenplay.
Evil of Frankenstein, The (1964): These Hammer productions rarely overstay their welcome. The reliable Peter Cushing is the master of ceremonies. The set designs, as usual, are fitting to the cause and well done.
Twins of Evil (1971): It has a very good plot with the ever–reliable Peter Cushing heading the cast.; DVD ~~$20~~ $15
Da Vinci Code, The (2006): Miles too long – a typical Howard/Hanks project – it would have been quicker to read the book.
Young and Innocent (1937): Seen as "The Girl Was Young". It is standing the test of time 80 years on with a serviceable screenplay and a couple of very good scenes.
Geostorm (2017): Follows the major disaster drama formula.
Zombieland (2009): It pales against "Shaun of the Dead" (2004) – both in screenplay and casting – but it is worth a watch.
Lymelife (2008): The ingredients were there but ultimately it failed to deliver.; Blu-Ray $29.95
People Will Talk (1951): The screenplay is a bit of a mix of comedy and drama – it is competently made and has some added value with the casting of Finlay Currie and Hume Cronyn in supporting roles.
Five Fingers (5 Fingers) (1952): Still watchable 65 years on – competently made and performed.
Easy Virtue (2008): It oozes production values and is easy on the eye. Kristin and Colin Firth are two of the more consistent performers around and head a competent supporting cast.
Final Portrait (2017): The material seems a bit stretched to fulfill its running time but the performances see it through.
Cloverfield (2008): The special effects make up somewhat for the cheap and annoying photography.
Dries (2017): Another documentary about fashion but this chap seems closer to the ground than the others.
Mountain Between Us, The (2017): There is some scenery but not a great deal else.
Cop Car (2015): An okay watch that has its moments.
President's Analyst, The (1967): It is hampered by an uneven screenplay.
Mother! (mother!) (2017): Found it hard to follow what was going on through the barrage of noise and the dark "lighting".
Adult Life Skills (2016): Bittersweet. The sweet segments are top notch – the script, the characters, the performances – it is a hard act to follow for the more serious segments later on but it ends on a high note.
Journey, The (2016): With a casting of Spall, Meaney and Hurt it is a sure winner and they do justice to an intelligent screenplay.
Menashe (2017): The screenplay and performances are low key and effective.
Yeelen (Brightness) (1987): Slowly paced and needs a bit of patience at times but worth it.
Denial (2016): With all due respect to the excellence of the performers, you have to ask the question why this distasteful topic has been regurgitated and Irving given his day in court again. The final scenes are Hollywood.
Broken Arrow (1996): Standard action film headed by a well–played annoying Travolta character.
Weekend at Dunkirk (1964): The screenplay didn't amount to much but the shooting locations and the war re–enactments were commendable.
Battle Heater (Kotatsu) (1990): It is not always easy to follow but that doesn't really matter as it is off the wall.
Madagascar Skin (1995): A witty script written for two interesting characters would be enough to set this apart from most films but there is also cream in the casting.
Middle Men (2009): It threatened to be good at times.
Hunt for the Wilderpeople (2016): The screenplay never quite recovers from the early loss of Rima Te Wiata's character but to the credit of all, it remains watchable.; DVD $29.95 | Blu-Ray $34.95
Night We Called it a Day, The (2003): Hopper can never be boring and the casting is a real mish–mash of Australian, American and British performers which adds to the interest.
Handsome Devil (2016): Another boarding school drama with the compulsory bullying sub–theme. The early promise doesn't eventuate and the screenplay becomes predictable.
Jaquie Brown Diaries, The (TV Series) (The Jacquie Brown Odyssey) (2008): Although the material is not the strongest and unnecessarily risque at times there is energy in the lead performance. I'm not sure it will export too well out of Australasia.
Grand, The (2007): Not too bad – an interesting try.
Cherry Falls (2000): Better than average for its type.
Becoming Bond (2017): It is light entertainment but it takes too long to get to 007 when his story has more interest and becomes worthy of a documentary.
Midnight (1939): Although there is a very good female cast the best bits involve Barrymore (as usual).
Princess Comes Across, The (1936): The screenplay is not too bad. Carole Lombard is always worth the time.
River Runs Through It, A (1992): Although the screenplay drags a bit this is forgiven during the beautifully shot river scenes.
Bewitched (2005): Nicole has the right nose for it but the screenplay doesn't quite work as well as it should.
Paris Can Wait (Bonjour Anne) (2016): Light material but Diane is fine.
McLaren (2017): The documentary didn't raise any interest in me in the subject matter.
Lady Macbeth (2016): It failed to hold the attention.
Colossal (2017): A fresh screenplay! Hathaway and Sudeikis are very good but the human supporting cast is ordinary.
Ouija: Origin of Evil (2016): There are ouija films and there are ouija films – this is another ouija film.
Bob Dylan - Unplugged (1994): Although his backing musicians were very good it is a bit frustrating when he doesn't perform solo.
Caesar and Cleopatra (1945): Claude Rains delivers Shaw's wit perfectly. Its a refreshing screenplay about the period without the usual bloodletting.
Valley Girl (1983): Dated 35 years on – Cage's make–up must have cost a fortune.
Cool Runnings (1994): One of the more entertaining sports moviesrn
Beyond the Edge (2013): This dramatised documentary attempts to breathe life into this well–known story.
Jungle (2017): Another drama about people having no respect for nature. I didn't particularly care for the characters and ended up cheering for the other side.
Comes A Horseman (1978): Jane is fine and so is the scenery which moves at the same pace as the screenplay.
Saturn 3 (1980): It is not great but it is also hard to dislike. It has some of the credentials that will enable it to survive the years and build a cult following.
Valerian and the City of a Thousand Planets (2017): The interest level drops when the stage is commanded by the humans whereas when the special effects are center stage – wonders to behold.
20th Century Women (2017): The performances were fine (that was to be expected from this cast) but there was little else to it.; DVD ~~$20~~ $15
Crazy in Alabama (1999): The screenplay is a bit muddled. As a black comedy it tries hard (possibly too hard) but it doesn't succeed.
Kate Plays Christine (2016): It drags and it needed to be shorter to have its desired impact.
Shop Around the Corner, The (1940): The best bits involve the veteran and great character actor Frank Morgan.
Keeping Room, The (2014): It doesn't fulfill its promise – it does some hard work through its set designs, lighting, and wardrobe etc. but at the end of the day, the impression it leaves you with is that it is just another film about gun violence.
Citizen Jane: Battle for the City (2016): An annoying and unnecessary music soundtrack made it hard to make out the commentary but it is an important and still relevant story so will search out her book.
Beatriz at Dinner (2017): Go Salma! – get stuck into the right wing blood sporting bastards.
Wind River (2017): The shooting locations were great but the big shootout scene turned into a comedy and didn't help the serious message of the film. The compulsory casting of Graham Greene added character and talent.
My Blue Heaven (1990): It doesn't rate too well as a comedy but there is a very good support cast to make it worth watching.
Enduring Love (2004): I know the Ifans character was meant to be annoying but Craig's acting in reaction was over the top. The film should have been so much better – it was also let down by the script which was unnecessarily foul in parts.
It Could Happen to You (1994): Cage is not too irritating in this which is a real bonus. A strong female casting in Fonda and Perez would have made it worthwhile anyway.
Mutant Chronicles (2008): The "Making of" is 107 mins and is the same length as the feature whose only highlight is the work done by the make–up department and the set designers.
Johnny Be Good (1988): It could have been better if more screen time had been given to Jennifer Tilly and Seymour Cassel – but the biggest improvement would have been achieved if they had employed a scriptwriter.
Spark of Life, The (As Luck Would Have It) (2011): The screenplay has a mild and enjoyable anti–media bite.
Superman (1978): The best scenes are early in the piece and those involving Hackman. There is an excellent supporting cast to maintain the interest level.
Racing Stripes (2005): Cleverly done – great family entertainment.
High School Revolution (The Trotsky) (2009): A bit uneven but the better segments are worth it.
Daddy Day Care (2003): There is a touch of desperation in the material. Anjelica Huston only has a small part but it helps.
Ben 10: Secret of the Omnitrix (2007): Has noisy sound effects that help the excitement – there is rarely a break in the action.; DVD $19.95, $24.95
Battle of the Sexes, The (2017): It will have some interest if you don't already know the story and the outcome.; DVD ~~$19.95~~ $14.95
Irma La Douce (1963): Very long but there are segments of good light comedy. The re–creation of the Parisian market, in particular, is well done.
Vampire Diaries, The (TV Series) (2009): Series 1: More of a soap rather than a horror. Photogenic vampires don't work for me.
Firm, The (1993): It is way too long even with the quality support casting on show. However, Cruise plays a part that requires him to do some acting for a change so it does contain some light entertainment.
True Confessions (1981): It works best on Duvall's side of the screenplay (with support from the likes of veteran Kenneth McMillan), particularly when investigating the crime. The rest is rather flat.
Gandhi (1982): I'm not a fan of a dramatisation of real–life events in lieu of a documentary but this one is sincere and respectful in its telling. The production values are top notch and the cast oozes talent even in the smaller supporting roles.; DVD ~~$19.95~~ $14.95
Rocky V (Rocky 5) (1990): The great thing about this is that it is the last in the series.
Year of the Dragon (1985): A smirking Rourke doesn't help but although the screenplay is overlong it is still for the most part watchable 30 years on.; Blu-Ray $34.95
Rookie, The (1990): Watchable but mainly follows formula.
Passion (2012): It is difficult to empathise with these characters but Noomi's performance makes it worthwhile to some degree.
Misfits, The (1961): The solid screenplay is served well by the excellent casting.rn
Some Like It Hot (1959): There is an excellent early police chase scene followed by enough good moments to maintain interest over the two hours.
Pandorum (2009): It follows a familiar path of astronauts being attacked in their spaceship but there has been some good creative work put into the creatures.; DVD $14.95
Kick-Ass (2010): It is a good plot idea and the screenplay has some good segments involving Mark Strong and young Chloe but it really needed to be a bit shorter.
Top of the Lake: China Girl (2017): It starts off very well with a promising screenplay but this weakens out before the end. The highlight is an interesting relationship between the three police characters.
Maudie (2016): Well done to the filmmakers for taking a low key approach, to the casting director, the wardrobe people, the location shooting and for the musical score.; DVD ~~$20~~ $15
X-Men: Days of Future Past (2014): Much of the same and the only real highlight for me is Michael Fassbender except for the special effects and make–up teams doing their usual good job.
Of Horses and Men (2013): Most of the screenplay is shot in the beautiful outdoors. It is cold to watch and it must have been a difficult film to make particularly when half the cast is equine. The cadence of horse with music is beautifully captured.
Santa Claus Conquers the Martians (1964): It is pretty bad but any cult library would be incomplete without it.
Mickey Spillane's Mike Hammer (TV Series) (1984-1987): The Hammer character is a product of his time and a worthy curiosity piece to look back on. A great theme tune and the street location shooting helps.
Barefoot Contessa, The (1954): A long talkie including quite a bit of romantic drivel. It doesn't help that the characters aren't that interesting.
Kung Pow - Enter the Fist (2001): It sets out to be silly and does the right thing by going the whole hog.
16 Blocks (2006): It doesn't amount to much although the ingredients are there in the Director and the locale.
Dragon Tiger Gate (2006): It has a photogenic cast.
Fire at Sea (Fuocoammare) (2016): First impressions are that it needs re–editing. It was hard to maintain any attention viewing it.
What We Do in the Shadows (2014): It is hard to dislike. It compares very well against those productions with bigger budgets in the crowded vampire comedy genre.; Blu-Ray $19.95
Redline (2009): Some great anime with garish (not sure if that is the right word but its the first one that springs to mind) characters.
Seconds (1966): The screenplay has a strong first half hour and ending. Rock Hudson doesn't do too badly but he's outperformed by John Randolph and an excellent supporting cast. The top black and white photography is the icing on the cake.
Rocky IV (Rocky 4) (1985): The screenplay is laughingly predictable – it follows the same plotline as "The Karate Kid" (1984). Lazy filmmaking. Stallone writes, directs and stars – be warned.
Drop Zone (1994): A routine solid actioner that doesn't rise to any great heights.
Saw 2 (2005): Tobin Bell is the only saving grace.
Trapped (1949): It is a reasonable drama unless Lloyd Bridges gets under your skin.
Boy in the Plastic Bubble, The (1976): Has definite curiosity value.
Living Daylights, The (1987): Dalton does well in his debut but the highlight is the stunt work.
Once Upon a Time in Mexico (2003): Obviously trying to set some kind of record in the body count stakes – not just in sheer numbers but the speed of the dispatch. Everything is done with gusto.
Click (2006): The click bits were okay for a while but there was no need to supplement them with humping dogs (the old fall back) and the like. Beckinsale and Walken are used to much better material. The ending which arrived several times was pretty ordinary.
Rain Man (1988): Cruise is out of his depth – he's a star, not an actor. The screenplay is far too long – once it had made its point about Hoffman's character it didn't need to thrash it to death.
BFG, The (2016): The special effects are done very well and BFG is an entertaining character.
Damned Don't Cry, The (1950): The screenplay is okay but this is all about Joan Crawford's performance. Go Girl!
Mighty Wind, A (2003): The plot idea is fine but everything including the music is a bit flat.
Rebel Without a Cause (1955): Although the screenplay hasn't weathered too well 60 years on it is worthy of a watch as a curiosity piece. The performances as parents of Jim Backus and Ann Doran are still worthy of attention.
Niagara (1952): A solid drama assisted in no small measure by its locale. Loved the 1950's technicolor.
Good Night, and Good Luck (2004): A low key and compact dramatisation. The casting of David Strathairn is spot on as is the quality support casting.; DVD ~~$19.95~~ $14.95
Alphaville (1965): The screenplay is a struggle for the most part but the pieces then start to fall into place toward the later stages. The set designs are sparse and depressing & the film is best viewed on a cold winter night. Thank goodness it was shot in black and white.
American Made (2017): The value of a documentary – which this is not – over a dramatisation is that it is more difficult to embellish the facts. This is important when the story involves the criminal element.
Bank Job, The (2008): Entertaining and never boring – having quality character actors helps.
Snow Queen, The (2012): The animated (icy) set designs are well done and easy on the eye.
Dr. Dolittle (1998): It is okay but a little flat when you compare it to animal performances in animated films.
28 Days Later (2003): The screenplay is uneven – it would have been better without the humans.
Kung Fu Panda (2008): The characters have been well thought out and all are terrific.
White Squall (1995): The storm sequence was fine but these kinds of characters make it hard for the rest of the film to be interesting.
At The Devil's Door (Home) (2014): Relies quite a bit on loud sound for its horror. A lot of the screenplay is familiar.; DVD $29.95 | Blu-Ray $29.95
Manifesto (2016): Not sure how much of the script/screenplay was intended to be serious but I thought it came close to having the Peter Greenaways at times. The segments were well performed with the make–up & set design teams doing a good job. A great original soundtrack.
Along Came a Spider (2000): The screenplay has some good moments plus there is Morgan F.
Gifted (2017): Although the screenplay is okay it doesn't need to be so long as it is not exactly groundbreaking. I will watch Lindsay Duncan every day of the week.
It's Only the End of the World (2015): Although nothing happens it is done extremely well. The performers headed by a terrific Nathalie Baye do their bit.
Music and Lyrics (2006): Drew is not too bad even though she looks a bit embarrassed at times. Some decent music would have helped.
Blue Sky (1994): Although the screenplay is a bit of a mixture of good and ordinary the performances see it through.
Still of the Night (1982): The screenplay is familiar and Meryl plays it like it was her first film role.
Playing God (1997): The screenplay is uneven and the violence at times tasteless.
Mission to Lars (2012): Worth a watch and it is not too long.
Devil and Daniel Webster, The (1941): It is based on a timeless tale. The casting of Arnold and Huston, in particular, ensures it can't fail.
Something Wild (1986): The first half is not too bad but it then gradually goes off the rails and doesn't know how to finish. Good music over the end credits.
Tara Road (2005): Expected a lot more from a film that is Irish and has this quality of a cast.
Torture Garden (1967): The stories are fine but there is more interest in the appropriate casting.; Blu-Ray $19.95
Lost Boys 2: The Tribe (2008): I believe some of the characters were meant to be dead but you can't tell which ones.
Last Boy Scout, The (1991): It is indistinguishable from many others of its type.
Changeover, The (2017): It has its moments, particularly around the always interesting Timothy Spall. A good soundtrack helps.
Polar Express, The (2004): The special effects are excellent and the "Making Of" describes how.
Catwoman (2004): Not great but it doesn't overstay its welcome.
Hitman's Bodyguard, The (2017): With Samuel L. Jackson leading and talent like Gary Oldman in support, how on earth could you miss?
Daybreakers (2009): Not too bad – some originality in the screenplay and the makeup team do a good job.
Berlin Syndrome (2017): There are others with a similar main theme but this is better than most.
Big Blue, The (1988): The water bits were okay but the rest of it including Reno's voice was hard work.
Brainstorm (1983): A very good plot idea but parts of the screenplay are a bit dated 35 years on.; DVD ~~$20~~ $15
Saw: The Final Chapter (Saw 7) (2010): The only appealing thing is that this is the final chapter.
Great Wall, The (2016): It looks good and it looks expensive.
Bionicle - The Legend Reborn (2009): Couldn't always follow the plot but some of the characters were well done and entertaining.
China Syndrome, The (1978): Until Lemmon's character draws a gun the screenplay is very good but overall it is worth the watch for the messages it conveys.
City of Industry (1996): Some gritty action led by Mr. Gritty himself. There is also some good gritty location shooting.
Castle Keep (1969): An interesting plot, but although I haven't read the book, you get the impression the screenplay doesn't do it justice.
Atomic Blonde (2017): Charlize was fine.
Trip to Spain, The (2017): Feature Film – It needed more shots of the beautiful locations instead of the chatter.; DVD $29.95, $29.95
Big Sick, The (2017): It is bittersweet but also very uneven. The best parts involve Holly Hunter. Go, Holly!; DVD ~~$20~~ $15
Wakefield (2016): The narration grates after a while and the screenplay is a bit overlong for the material but Cranston is fine.
Osterman Weekend, The (1983): An intriguing cast makes it worthwhile even though the screenplay is a bit muddled.
Kill the Messenger (2014): Renner, as usual, I found irritating. It is a bit long but the screenplay has a worthy subject behind the histrionics.
Burning Plain, The (2008): Found the screenplay to be a bit over complicated but it was worth the watch because of the female casting.
Single White Female (1992): For the most part, the screenplay is very good but it weakens a bit in the latter stages. Great to see Bridget and Jennifer working together.
Belko Experiment, The (2016): The cries of anguish and the hysterics made it hard viewing.
I Smile Back (2015): Solid and nothing flashy in both screenplay and performances.
Pirates of the Caribbean: Dead Men Tell No Tales (2017): Continues the successful formula. Good special effects and the make–up team do a good job. The action seems continuous.
Only Angels Have Wings (1939): Its okay except its a bit long and dated 80 years on.; DVD ~~$15~~ $11.25
Apollo 13 (1995): It goes on forever – because the outcome is well known there is no suspense. The special effects are the only highlight as the script is crappy at times and the soundtrack makes you cringe.
Net, The (1995): The screenplay lacks freshness.
Rachel Getting Married (2008): A talkie but it has a good female cast.
Toys (1993): It is hard to dislike even if at times it plays like a misfire. In its favour is that it is original and should, therefore, stand up to repeated viewings. Visually attractive but it could have been a tad shorter.
Posse (1993): It looks like its made a special effort to be violent. Less would have had more effect.
Graduate, The (1967): Hoffman's character soon begins to irritate but there is Anne Bancroft in classy form to compensate. There is one memorable line in the script from a character who works in plastics – "there is a great future in plastics". One of the better soundtracks; DVD ~~$20~~ $15
Matrix, The (1999): Too many noisy action sequences detract from the sci–fi. The terrific casting of Hugo Weaving helps as do the special effects.
Siege of the Saxons (1963): Entertaining. Loved the modern hairdos of the lead characters.
Deal, The (2008): The two leads are fine but the material is not the strongest and certainly not for 100 minutes.
6 Days (Six Days) (2017): Although it is another hostage film there is a good cast to help things along.
Ghost in the Shell (2017): The highlight was the special effects.
Julius Caesar (1953): Brando overdoes it a bit but there are others in this classy cast headed by James Mason to fall back on. A good telling of the tale.
February (The Blackcoat's Daughter) (2015): Much of it has been done before but it does create an atmosphere helped by the lack of lighting.
Ever After (1998): Although there is a strong supporting cast headed by Anjelica Huston it is Drew that makes this so so screenplay watchable.
Girl Next Door, The (2003): The material is light.
At Close Range (1985): Walken is a level above everyone else and provides the watchability factor.; Blu-Ray $34.95
Taken (2008): There are a number of films where parents go searching for a missing daughter. Thanks to Neeson this is one of the better ones.
Aeon Flux (2005): There are some passable futuristic elements scattered among the machine gun fire.
Bad Boys (1995): Any attraction the duo might have had soon wears off. The incessant chatter doesn't help.
Biscuit Eater, The (1972): Okay except for the fact that young kids are handling firearms and are involved in a blood sport.
We Were Soldiers (2002): It takes a while to get out of the bedroom and to war but the battle scenes (war) are well done.
Undercover Blues (1993): Hard to dislike.
Kramer vs. Kramer (1979): A well acted talkie.
A Monster Calls (2016): The tree is excellent and is backed up by some good special effects. Unfortunately, the kid gets over screechy but the screenplay is worth the time.
Red Dawn (1984): One of the top comedies of 1984.rn
Swingers (1996): Has dated after 20 years but it still has some appeal.
Spookers (2017): The back story about the Kingseat Psychiatric Hospital was unfortunately too brief but the coverage of the Scream Park was entertaining and not too long.
Pet (2016): Pets have been kept before.
Life (2017): The special effects, in particular, the creatures are well done but it is all pretty predictable and familiar.
Le Quattro Volte (2010): It is a "story" that gradually grows on you. Some beautiful serene sequences interspersed with whatever noise inquisitive goats make.
Four Lions (2010): The screenplay weakens a bit toward the end but it takes the piss wonderfully well. Let us hope Hollywood doesn't remake it – if they do blood could spill from the fallout.
Carnival of Souls (1962)
Uninvited, The (2009): It over relies on noisy sound effects. The screenplay is okay but its type has been done a few times before.
Carrie (1976): Forty years on and it has lost some of its impacts but it maintains a curiosity value.
Bourne Identity, The (2002): It is based on a good screenplay and is competently made. Franke gives strength to the female sidekick role.
Tommy's Honour (2016): Excellent period production values. Although it is about golf there is enough interest in the screenplay to make it watchable.
Saw (2004): The filmmakers wanted to make a low budget film and in this, they succeeded but the screenplay fails to hold the attention.
My One and Only (2009): The period details are spot on. The screenplay is helped when Nick Stahl enters the fray.
Things to Come (1936): The set builders and model makers do a great job. Ralph Richardson enjoys himself and there is some interesting pontification from Raymond Massey. The basic plot idea still has relevance today.
Hard Sun (TV Series) (2018): Not too bad – it starts off well but weakens a bit afterward –still well worth the watch though.
Last Castle, The (2001): The screenplay showed early promise but it goes off the rails and just gets silly.
Dark Tower, The (2017): It doesn't rise to any great heights.
Answer Man, The (2009): Has a reasonable promising start but loses its way.
Wayne's World 2 (1993): As a duo they are not too bad.
It Comes at Night (2017): It showed early promise.
Ruben Guthrie (2015): It is hard to empathise with these characters.; Blu-Ray $29.95
Get Him to the Greek (2010): The appeal of the two males wears off after a few seconds. You feel for Elisabeth Moss but I suppose she has to earn a living.
Lord of the Flies (1990): It would be expected that one kid would have a screeching voice but here the whole lot do.
Losers, The (2010): Routine and I soon lost interest.
War for the Planet of the Apes (2017): It is basically an action film with apes standing in for humans. Much too long.
Cocktail (1988): A weak screenplay is made even worse by Cruise's performance.
Water Horse, The: Legend of the Deep (2007): Nessie is very impressive and a credit to the special effects team.
Glass: A Portrait Of Philip In Twelve Parts (2007): Some parts more interesting than others, but well worth it overall.
Resident Evil - Extinction (2007): Noisy but watchable and not too long which always helps.
Contender, The (2000): Joan Allen is surrounded by some capable male acting talent and she more than holds her own – as does her character. Go Girl!
Grosse Pointe Blank (1997): Screenplays similar to this have been done better elsewhere but this is worth watching for the support casting of Joan Cusack, Dan Aykroyd and Alan Arkin.
Mon Oncle (1958): It is not only a great satire its visual comedy can be rated up there with Keaton.
Wonder Woman (2017): It is certainly as good as most super hero films. The best bits involve David Thewlis.
I Am Number Four (2011): It looked promising and that is far as it got.
Men Who Stare at Goats, The (2009): A very good satire of the military although the screenplay does weaken out in the latter stages.
Absence of Malice (1975): A very well written screenplay is backed up by the performances.
Oliver's Story (1978): Although nothing happens it is good to see Candice and Nicola.
Free Man, The (2016): Although there is some nice location shooting the documentary is not that interesting.
American Buffalo (1996): It hasn't escaped its origin as a stage play .
Pecking Order (2017): It is hard to dislike. We can all relate to embarrassing moments at Club meetings.
New York Stories (1989): It is not a bad format – the three stories are different and because of their length do not overstay their welcome. With the help of a sprinkling of interesting actors like Buscemi, Douglas and Nolte the total package is watchable.
Goon: Last of the Enforcers (2017): I can't remember what this was about but it was forgettable anyway so it doesn't matter.
Gremlins (1984): Great work by the creature people.
Before I Fall (2017): The screenplay was watchable but it did go round in circles a bit.
When Harry Met Sally (1990): Mainly about two people talking drivel.
Escape from New York (1981): Without meaning to be derogatory this is a classy B cast. The great set designs and lack of lighting add to the depressive atmosphere of the screenplay. You get the feeling that this film will hang around for quite a while yet.
Push (2009): All the characters have a special gift even if some of the gifts are a bit on the corny side. The action segments gradually over power the sci–fi. ideas. There are some good shots of Hong Kong streets.; DVD $14.95
Birdsong (TV Mini-Series) (2012): The production values are consistently high throughout. The performances are very good but the highlight is the suspenseful tunneling scenes. The ending is a bit melodramatic though.
Adventures of Prince Achmed, The (1926): The animation technique deserves every praise. Watching this film is a relaxing experience.
Rolling Stones Live: Compulsory four stars.
Perfect Stranger (2007): The screenplay is not convincing. Halle is fine but Willis is miscast and looks uncomfortable.
All Governments Lie (All Governments Lie: Truth, Deception and the Spirit of I. F. Stone) (2016): I am now reading more of I. F. Stone.
Becoming Jane (2007): As expected the props and wardrobe are spot on. There is cream in the supporting cast headed by Maggie Smith and Ian Richardson.
Lars and the Real Girl (2007): It might have been okay as a short film but this wears out its welcome after half an hour. There is a very good cast who all must have read the screenplay before taking it on which is the surprising thing for me.
Philadelphia Experiment, The (1984): It is not great but it might encourage further reading into claims that this event really happened.
Expendables, The (2010): The first half of the film is spent rounding up the cast from their rest homes.
Bee Gees - One Night Only (1997): The three brothers are interviewed in a bonus feature plus the concert is not too bad.
Civil Action, A (1999): Travolta is not too bad in this one and there is a very talented support cast. The book on which it is based is I believe better than the screenplay.
St. Elmo's Fire (1985): The male kids just get tiresome.
Mulholland Falls (1996): 4 grown men dressed alike continually travelling around together just looks sillier and sillier. There is not a great deal to the screenplay but the set designs, props and wardrobe are spot on.
Brimstone (2016): Dakota since her childhood has always had a good screen presence and its really the saving grace here. The screenplay tries a bit too hard to shock and is too long.
Coogan's Bluff (1968): It is never boring but the Eastwood character hasn't dated too well 50 years on. There are some good street location shots however which the more they date the better they will be.
Halloween 2 (Halloween II) (1981): Jamie Lee and Donald Pleasence do their best but the screenplay is pretty flat.
By Any Means (TV Series) (2008): Charley is an entertaining host – the series is an easy watch.
3 1/2 Minutes, 10 Bullets (2015): A blow by blow – a bit dry at times – documentary, but worth it.
Last Sunset, The (1961): The Hudson and Douglas characters are a couple of drips. Dorothy Malone and Carol Lynley would have been better in their roles.
Baywatch (2017): Although a bit of slow motion camera work helps they really do well to stretch this out to two hours.
Desperate Measures (1997): The screenplay is pretty weak.
Air Force One (1997): The screenplay is so bad that it plays like a spoof – Ford is so poor that he is entertaining. As usual Oldman is very good but needless to say he looks out of place.
A Dog's Purpose (2017): Another family dog film.
Bright Lights, Big City (1988): There are some attractively shot early morning getting home from the party scenes plus some worthwhile office scenes involving a hungover Fox and Frances Sternhagen his manager – the rest is watchable but doesn't reach the same heights.
Mannequin (1987): The comedy is light but not a waste of time as the plot has some freshness to it and there are some good oddball segments.
Illusionist, The (2010): The animation is incredible and there is a painstaking attention to detail with both the interior and exterior set designs. The icing on the cake is the visual humour which is refreshingly gentle and not in your face.
Hot Fuzz (2007): Pegg,Frost & Broadbent make a great team in this well written parody. There is also a wealth of talent in the support cast. The action climax is very long & can be forgiven for going over the top because of the quality of what had gone on before.
Step Up 2: The Streets (2008): Just be patient with the padding and wait for the dancing – (that rhymes).
Last Days in the Desert (2015): The screenplay doesn't set things alight but Ciarán Hinds, the photography and the music score make it worthwhile.
Zipper (2015): Anyone who cheats on Lena Headey deserves their comeuppance and their head read.
Breakheart Pass (1975): The screenplay weakens out but for the most part is helped by a very good and experienced support cast. The beautiful winter locations also assist.
Legal Eagles (1986): A charming cast makes it hard to dislike.
Juror, The (1996): Demi does well and leads a more than useful cast but the screenplay is pretty predictable.
Days of Thunder (1990): It is not as bad as it looks thanks mainly to Randy Quaid and Robert Duvall plus a driving soundtrack. The romantic sub plot was silly and hardly a necessary part of the plot.
Corpse Bride (Tim Burton's Corpse Bride) (2005): Stylistically it reminds me of the later "Coraline" (2009). An animation style that is a refreshing change.; DVD ~~$15~~ $11.25
Crossing Rachmaninoff (2015): The documentary is a bit dry leading up to the performance but the latter is worth waiting for.
Chuck (The Bleeder) (2016): A good cast but the screenplay is surprisingly not that compelling.
Spider-Man: Homecoming (2017): A fresh face in the lead is a good thing and it helps in getting through the two hours of the formulistic screenplay.
Deep Impact (1998): The screenplay is intelligent & mostly handles the human emotions pretty well so that they remain believable. A highlight are the panic scenes & the traffic jam is memorable. Morgan Freeman is the stand out performance & would make a good President.; DVD ~~$15~~ $11.25
Funeral in Berlin (1966)
Justin Bieber: Never Say Never (2011): The music is forgettable or at least there is no reason to remember it but at least it gives you a break from the home movies and the brown nosing interviewees.
Mall Rats (1995): It is not a particularly strong comedy script and the humour comes across as forced.
Fastest (2011): The narration from Ewan McGregor is fine.
Boys On the Side (1995): It is at its best when the three leads are together, particularly early in the film, when there are no other character diversions.
Stir Crazy (1980): There are some good skits but overall the screenplay is uneven.; Blu-Ray $19.95
Man Who Knew Infinity, The (2015): An interesting screenplay which makes you want to find out a bit more about the research they were undertaking. Jeremy Irons is as solid as a rock and the period set designs and wardrobe spot on.
Buena Vista Social Club (1999): It is a useful introduction to Cuban folk music complemented by the musicians' reminiscences and Havana street scenes.
Boss Baby, The (2017): It has little originality to it but it should be pleasing family entertainment.
Goldeneye (1996): Brosnan is one of the better Bonds & the script has its lighter moments which is one of the ingredients on which the franchise had built its success – for e.g. the Q & M segments. The quality support includes Joe Don Baker & Gottfried John.
Flatliners (1990): It is a good plot idea but one which is not successfully carried off. Although this is surprising considering the talent of the cast they do portray characters who at the end of the day you really don't care what happens to them.
Coyote Ugly (2000): The bar room dancing scenes work and save the film from what goes on in between. An attractive female cast does well.
Seabiscuit (2003): The production values are quality and there is an attractive cast in Cooper and Bridges. The racing scenes are very well done but the whole thing is too long.
Banksy Job, The (2016): Although there is only a limited use of the English language it is a bit different and worth a try.
Shut Up and Sing (2006): Over excitement all round – media, fans, management, artists –––.
Crash (2005): The screenplay is silly at times and also gets preachy. There is a lot of yelling and screaming and some of the characters just get tiresome.
Rock, The (1996): It could lose an hour. It also has a problem finding an ending therefore it could lose an hour and a half. You don't need Connery and Harris for this kind of thing – their talents as actors are just wasted.
This Beautiful Fantastic (2016): It has some lovely moments without being soppy. The casting is spot on.; DVD $29.95
John Wick: Chapter 2 (John Wick 2) (2017): There is a killing spree in every scene – although it may have set some kind of record and given the director a kick it just got silly and boring.
Beverly Hills Cop 3 (1994): Gunfire controls the opening scenes and then it switches to comedy and then –––. Some of the comedy is not too bad but you get the feeling they didn't know what kind of film to make.
Great Waldo Pepper, The (1975): It is a little too long but the production values are very good. Geoffrey Lewis does some scene stealing.
Little Women (1994): Winona shines in a strong female ensemble.
Boat That Rocked, The (Pirate Radio) (2009): It nearly works although with its casting it should have bolted in.
Rebound, The (2009): Although we don't need another rom/com Catherine is worth a watch.
Elizabethtown (2005): It is a pretty solid entry into the Rom/Com sub genre.
Fantastic Planet (1973): The story is simple enough but its underlying darkness makes it interesting. The skillful hand animation style is a refreshing change from what is mainly on offer 45 years on.
JFK (1991): There are plenty of documentaries available – this is a waste of film stock & only adds to the confusion about what happened. If we are to be condemned to a 3 hour dramatisation then the lead actor should at least be alive & not a drone.; DVD ~~$25~~ $18.75
Animal Factory (2000): The screenplay is believable and is aided by little fuss performances all round. There is a terrific bluesy soundtrack.
War on Everyone (2016): There are hints of better things to come at times but it doesn't work overall. It needed Brendan Gleeson – preferably in both parts.; DVD $34.95
Be Cool (2005): It has some good moments particularly around Uma Thurman and Harvey Keitel.
Brazil (1985): I can't recall any quiet moments – the action seems continuous. The casting contains quality & helps get across the comedy part of the screenplay. The highlight for me however is the futuristic set designs & the imaginative use of lighting by the camera.
Nuts (1987): Streisand as Producer and lead actor – beware. Her performance ruins this – mainly through her yelling and screeching. It is a shame because of the quality of the rest of the cast.
Farce of the Penguins (2006): Some mildly amusing segments.
Their Finest (2017): I tend just to admire the period set designs and wardrobe in these productions – it is not say the screenplay or performances are not worth a look.
Nicholas and Alexandra (1971): Impressive set designs and trappings. Although long it is never boring because it basically respects the historical truth of a fascinating period. Michael Jayston does very well – the supporting cast oozes British acting talent.
Into the Forest (2015): Has some worthy suspenseful moments but its strength lies in the sibling relationship thanks in no small part to the casting.
Wizards Of Waverly Place: The Movie (2009): Not great but passable.
Across the Universe (2007): A film you can listen to and appreciate some of the best singer song writers. Some of the production numbers are very good and for the most part the padding in between the songs is watchable.
Coneheads (1993): The one–joke scenario stays the distance because of its outrageousness and the ability of the cast to put it across.; DVD ~~$20~~ $15
Batman Returns (1992): Some very good set designs, special effects and make–up plus there is Christopher Walken who doesn't need a costume.
Capote (2005): The pace of the film needs a bit of patience but it has good production values and performances all round.
Narc (2002): The performances of the leads are very good and the screenplay and settings are suitably gritty.
Doc (1971): I can't be bothered with Earp and Holliday but what was impressive was the set design of Tombstone.
Twilight (2008): It is not credible that anyone could fall romantically for somebody that looks like Pattinson. For the amount of make–up that is used it should be the scariest film ever but it is a bit of a sop in that regard.
March of the Penguins (2005): Wonderful front line film making under extreme conditions. Morgan Freeman's narration is an inseparable part of the experience.
Road To Perdition (2002): It takes its time which causes the screenplay to be a bit flat but the set designs rate 10 out of 10.
Goodnight Mommy (Ich seh ich seh) (2014): If it had shown a bit more restraint by having fewer torture scenes it would have been a better film. Having said that the plot idea is worthy of attention.
Queen of Katwe, The (2016): Well produced if a bit overlong. The screenplay is interesting and the photography brings out the best in the colours – particularly in the costumes.
Edge of Heaven, The (Auf der anderen Seite) (2007)
Already Tomorrow in Hong Kong (2015): A stroll around Hong Kong.
Swordfish (2001): The only real interest for me was Vinnie Jones in one of his early roles lurking in the background frustrated with little to do.
Mulan (1998): A very good storyline whose telling is enhanced by the animation.
Table 19 (2017): It is a good plot idea and has the cast to carry it out and it doesn't overstay its welcome.
X-Men (2000): Competently and compactly made and should attract the uninitiated to the franchise.
Heat (1995): Although overlong it is very well written except the gun fight scene is over the top and just gets silly. Some good performances all round and throughout.; Blu-Ray ~~$20~~ $15
Rough Night (2017): Some appealing performances from the ladies help overcome the not so original material.
Barefoot (2014): It failed to make an impression – which is probably a good thing.
Reivers, The (1969): A patchy watch – the screenplay has some good moments in among the ordinary stuff.
Hunger Games, The (2012): It is a good screenplay with some intelligence going into the action scenes rather than violence for violence sake.
Girls Just Want to Have Fun (1985): Some good dancing and the female cast are good company.
Fatal Attraction (1987): The screenplay is straightforward and pretty predictable but it does pick up a little toward the end. The original filmed ending was reshot.
Paranormal Activity (2007): If you are new to this kind of horror film I suppose it could be scary.; DVD $14.95
All American High (All American High Revisited) (1985-2014): Most of the kids are mainly white unfortunately and well heeled – so are not too interesting but the documentary has some archival value.
Multiplicity (1996): The plot idea is fine but hard to keep it going feature length.
Place Promised in Our Early Days, The (2004): The attraction was not in the characters but in the animation of railway carriages etc. and the landscapes. The sci–fi aspect of the screenplay has some strength and was well written.
Inner Tour, The (2002): The only way these Palestinians can enter Israel is by taking an organised bus tour through this now land of fences.
Good Shepherd, The (2006): I can't see any reason why it needs to be so long.
Kong: Skull Island (2017): It is more of a film in which you can admire its special effects. For a King Kong film the 1933 version is hard to beat.
Rolling Stones - Stones in Exile (2010): It is well put together with some bonus extended interviews.
Time to Kill, A (1996): A bit of a slog which is a shame considering the effort put into the casting.
Monster's Ball (2001): Well written except it takes too much time with the romantic bits instead of concentrating on the important issues.
Firm, The (2009): The choreography of the contretemps is well done.
Shepherds and Butchers (2016): The "inspired by true events" encourages you to read up a bit more about this case – it is interesting even though its dramatisation in the film is a bit dry.
Stepmom (1998): Sarandon makes the two hours a little less of a struggle.
La Cage Aux Folles (1979): A couple of segments have stood the test of time 40 years on but it will always deserve some attention as a curiosity piece.
Alien: Covenant (2017): Michael Fassbender is in it.
Mr. Popper's Penguins (2011): The penguins and their clones make it watchable.
Flock, The (2007)
Xala (Impotence) (1975): A gentle satire that is simply played and is accompanied by a simple soundtrack.
Runaway Jury (2003): Got sick of the incessant natter – the only break was when they were yelling and shouting at each other.
Crank 2: High Voltage (2009): They were under the influence when they made this.
8 Million Ways to Die (1986): The leading female casting decision didn't help but it would have needed someone with real presence to get this screenplay off the ground.
Jackass 3 (2010): Only watched the Director's Cut – there may be a Theatrical version which may be better.
Last Cab to Darwin (2015): A very good first half hour but then it gets sidetracked although there is still the odd good segment. The locations are worth the watch and the soundtrack worth a listen.; DVD $19.95
Harley Davidson and the Marlboro Man (1991): It has a memorable title.
Mindhunters (2004): The casting is good and there are a couple of good scenes.
Breakout (1975): It is a Bronson action film and you normally get what you expect to get.
Alvin and the Chipmunks: Chipwrecked (2011): It is very clever and they are a delight – particularly the girls.
Turbulence (1996): It just gets sillier and sillier and its not meant to be a comedy.
Tropic Thunder (2008): It is a good attempt at being funny – it is not far off the mark. If you don't like Stiller or any of the actors there are plenty of others that receive plenty of screen time.
Where the Money Is (2000): Watchable but the screenplay is not all that convincing.
Grey Gardens (2009)
Ghost Writer, The (2010): McGregor's performance is the key – he has the lead part down pat.
Experimenter (2015): Unusually for a dramatisation it doesn't get sidetracked and the story is compact and well told.
Commando (1985): The highlight comes in the second half when Arnie is shown in swimming shorts.
Gimme Danger (2016): A good combination of archival footage and interviews (which are not boring).
Land of the Long White Cloud (2009): Some beautiful seascapes and pearls of wisdom – it also is not too long and doesn't overstay its welcome.; DVD ~~$20~~ $15
Best of the Best (1989): Follows formula which will help in its popularity.
Zookeeper's Wife, The (2017): It is well made but this kind of story line concerning undercover work in German occupied territory has been done a few times before.
Bad and the Beautiful, The (1952): Still watchable 65 years on but you really don't care what happens to any of these characters.
SoulBoy (2010): The early scenes are the best before it loses its way at times. The set designs for the period are commendable.
Inbetweeners, The (TV Series) (2008): Series 2: The creation of the characters hints at some intelligence in the writers so it is a shame they don't back it up in the script and screenplay.
Take the Lead (2006): It is very easily sidetracked from the dancing to a weak screenplay.
Man on Fire (2004): Up to the kidnapping its fine & then follows slow motion action shots and flashy editing/camera work and flashy flash backs – all indicators of a screenplay in trouble.
Brokeback Mountain (2005): Wyoming is beautiful but the rest of it drags. The male characters are just not interesting enough over two hours.
Body Double (1984): Uneven but some scenes do have a genuine suspenseful atmosphere.
Lone Ranger, The (2013): It is quite long but it doesn't really run out of steam to any extent – another great Depp characterisation.
Lion (2016): Patchy because of an uneven screenplay.
Night at the Roxbury, A (1998): A modest middle of the road average comedy.
Tulpan (2008): It is mainly about an open space framed within an often static camera into which a few humans and animals drift in and out. Highly recommended.
Devil's Double, The (2011): The main character is a crackpot and his over the top antics very quickly become silly and boring.; DVD $14.95
Fate of the Furious, The (Fast and the Furious 8) (2017): A Global Warming film. It is about time they knocked this franchise on the head but there is some good work by the special effects and editing teams.
Meet Dave (2008): Not great but watchable.
Freedomland (2006): If for nothing else it will be remembered for Julianne's performance. It is uncharacteristically over the top for her – not sure if she got it wrong or she was mis–directed.
Notorious (2009)
Middle School: The Worst Years of My Life (2016): The animated segments were fine.
Texas Chainsaw Massacre, The (2003): It has a hard act to follow and may try a bit too hard to shock. Having R. Lee Ermey on board helps however.
Birth of a Nation, The (2016): It follows formula and it doesn't really bring out enough that is new to warrant a two hour dramatisation.
Guardians of the Galaxy 2 (Guardians of the Galaxy Vol. 2) (2017): Entertaining but it depends a lot on its good visuals.
Ulzana's Raid (1972): Competent and intelligent.
Every Which Way But Loose (1978): It is uneven but there are some good segments around Geoffrey Lewis and Ruth Gordon (in her 80's) and the bikie gang.
Norbit (2007): Thandie keeps her composure and a stiff upper lip.
Sister Act (1992)
Miss Peregrine's Home for Peculiar Children (2016): The ingredients are there – Director, screenplay, special effects and a fine adult cast but it is all a bit flat.
Repo Man (1984): It makes its own rules and doesn't follow any formula. You can't see it dating and will continue to have a cult following.
Royal Night Out, A (2015): They do well to stretch the screenplay to feature length. The period settings and wardrobe are commendable.
Jagged Edge (1985): The screenplay is not convincing and neither is the love affair on which it depends.
Dunkirk (1958): It takes a while to reach the evacuation scenes but they are worth waiting for. There is some flag waving and propaganda but there is also a genuine attempt to show the less glamorous side such as the cock ups and the panicking troops.
Detective Dee and the Mystery of the Phantom Flame (2010): There are some good set designs and special effects but the screenplay would have been better losing half an hour.
Lego Batman Movie, The (2017): It is okay but you can only do so much with Lego characters and accordingly it is too long.
A Man Called Horse (1970): The screenplay is uneven and runs out of steam toward the end but at least it is refreshingly different.
Hangover, The: Part 3 (2013): A big comedown from the original in the series.
Craft, The (1996): The first half is quite promising but in the end fails to deliver.
What Happens in Vegas (2008): The old material is given some life by an energetic performance from Cameron.
Chronicles of Narnia: Prince Caspian (2008): The opening scenes were fine but then as soon as the swords started flashing and the arrows flying it was downhill – it was then indistinguishable from a million other action films.
Space Between Us, The (2017): The leading male kid is in the wrong profession and so is the person responsible for the muddled screenplay.
Throw Momma from the Train (1987): A modest but watchable comedy and importantly its not too long.
In Time (2011): It is a Sci–fi film where for once the sci–fi is not swamped by violence.
Man with the Golden Arm, The (1955): It has one of the better theme tunes. It is anti drug which is good but Sinatra isn't that convincing in his performance.
Material Girls (2006): I didn't know there was two of them.
Father of Invention (2010): It could have been better but it is watchable thanks to the Spacey performance.; Blu-Ray $24.95
Red Dog: True Blue (2016): Some good desert location shooting and the soundtrack if fine.
Tough Guys (1986): It had some very good moments but you always had the impression that it missed the boat and it could have been better. The simulated train crash scene was well handled.
Tiptoes (Tiny Tiptoes) (2003): A very good cast that tries hard in conjunction with some tricky camera work to make a difficult screenplay work.
Passion of the Christ, The (2004): Obviously influenced by "Life of Brian" (1979).
Star Trek (Star Trek XI (Reboot)) (2009): There is only one Spock – I struggled looking at Quinto for two hours.
Street Kings (2008): There is violence but nothing of any value.
Good Luck Chuck (2007): Jessica tries hard and makes some of it watchable.
America's Sweethearts (2001): The very good casting deserved a better screenplay.
Personal Effects (2009): Michelle has to carry Ashton Kutcher and unfortunately Kathy Bates only has a small part so the drama struggles a bit.
Doctor Detroit (1983): Patchy but not boring – Aykroyd makes it watchable.
Ugly Duckling and Me, The (2006): Although a bit screechy the characters are a delight.
Only (2008): The male kid tests one's tolerance but the screenplay is not too long and the shooting locations and soundtrack are fine.
Kingpin (1996): There are some good bits and some bits that don't work so well – a bit disjointed overall. A good soundtrack.
Avanti (1972): Thanks to a good supporting cast there are some good bits but you need to wait for them to come along as the screenplay drags on for more than two hours. The highlight is the shooting locations.
Less Than Zero (1987): A story line that has been filmed several times. The acting of Andrew McCarthy and Jami Gertz deteriorates as the drama increases. Spader and Downey are fine.
Secret of My Success (1987): Hasn't dated well 30 years on but has a good soundtrack.
Seventh Sign, The (1988): An okay but not too original screenplay but the casting of a vulnerable Demi and the interesting Jurgen Prochnow really helps.
Just Buried (2007): I think it would have had a better chance of success with better casting of the male lead and more utilisation of the naturally laconic Graham Greene.
Edge of Love, The (2008): The set designs & wardrobe for wartime London looked well researched. The strength of the film is the dynamics of the 3 characters but this does weaken with the introduction of number four to the group which I assume was necessary to adhere to the facts.
Happy Endings (2005): Lisa, Maggie and Laura had enough talent to get through this ensemble piece with reputations intact.
His Girl Friday (1940): Not as good as other screwball comedies from this period – the never ending chatter is thrown at you without a break but there are some good bits and overall well worth the time.
Love Affair (1994): It is not as bad as you would think as Annette is always worth a watch.
Lock Up (1989): There is plenty of opportunity to admire Stallone in profile in a vest. If you are not so inclined the prison scenes are done pretty well and have a hard edge to them.
Out of the Blue (Aramoana) (2006): The best parts are the opening scenes that set the stage in the small community – beautifully photographed and the settings look spot on. The mayhem that follows is low key and believable.
Cat in the Hat, The (2004): An entertaining bit of everything including creative set designs, garish colours, animation mixed in with live action and then there is also a kind of cat. Not for the first time a young Dakota Fanning holds her own.
Karate Kid, The (1984): It has its curiosity value 30 years on but two hours with Macchio is hard work. Pure commercialism.
Satanic Rites of Dracula, The (1973): Aka " Count Dracula and His Vampire Bride".
Deck the Halls (2006): Likeable screenplay that has a grain of truth – De Vito and Broderick play off each other very well.
Spider-Man 2 (Spiderman 2) (2004): The action scenes in the streets are extremely well done. Maguire is a light weight but the film doesn't suffer too much because of the quality of the support cast headed by the ubiquitous Mr Molina.
Duchess, The (2008): The political side of the screenplay is much more interesting than the philanderings but receives less coverage. Fiennes R is excellent as the sexist hypocrite.
Mrs. Doubtfire (1993): As a comedy it is not great because of its length and its one joke scenario – but what the make–up department achieve is to be admired.
Batman (1989): Has dated nearly 30 years on but the set designs are still worth it.
American President, The (1995): It combines light comedy with some light drama quite well and not least because of the two leads.
Smurfs: The Lost Village (2017): The smurfs are a delight.
Mirrors (2008): The plot idea is good but the film makers don't get the most out of it.
Seven Pounds (2008): It is always good to have Rosario Dawson on board but the film didn't need her character to get bogged down in a romantic sideshow. Smith is too lightweight to carry two hours and three pounds would have been more than enough.
After Dark, My Sweet (1991): The three lead performances are very good, there are some fine desert shooting locations but the screenplay doesn't fulfill its early promise.
Four Feathers, The (2002): Throughout the production values are very good. The early part of the screenplay is the best – there are some good bits in what follows but it runs out of steam and has difficulty in finding an ending.
Tuxedo, The (2002): It is a vehicle for some of Jackie's talents – the rest is padding.
Marigold (2007)
Haunted World of El Superbeasto, The (2009): Its garishness has a certain appeal but 77 minutes is a little bit long.; Blu-Ray $39.95
Legend Of Zorro, The (2005): A hero film needs an effective villain to offset the mush. Benicio Del Toro comes to mind in this case.
Beauty and the Beast (1991): It is all about the ability to bring the characters (and other things) to life.
Mao's Last Dancer (2009): A patchy screenplay is helped through by the dancing segments. The final scenes are soppy.
Power Rangers (2017): I was previously unfamiliar with the Power Rangers but not long into the movie I was on familiar territory.
Shaggy D.A., The (1976): Another likeable Dean Jones type of comedy from Disney.
Game Change (2012): Julianne is fine but the main interest for me was in the recreation of what goes on behind the scenes of an expensive political campaign.
Boogeyman (2005): Although it is small it makes the most of its resources and stands up well to the burgeoning number of middle of the road films in the genre.
2012 (2009): Most of the special effects were okay but the screenplay gets a bit silly. The finale takes up half the film.; DVD ~~$10~~ $7.50
Jasper Jones (2016): It is worth a watch – although nothing special. The highlights are a cameo from Hugo Weaving and the soundtrack.; DVD $29.95 | Blu-Ray $34.95
Alien Trespass (2009): Without much margin for error the screenplay succeeds. It is aided by some spot on periodic set designs and wardrobe. The aliens are enjoyable.
I Am Sam (2002): You have to question the ethics of a screenplay that tries to make money (and a few laughs) out of a mentally handicapped character. However if the real intention was to raise awareness of the mentally handicapped then make a documentary please.
Step Brothers (2008): The script is juvenile but the plot idea is fine. When you get tired of the immature characters Mary Steenburgen and Richard Jenkins are worth a look.
Meet the Spartans (2008): There were some reasonable spoof segments but like the rest of the film they got mired down by unnecessary grubbiness.
Gold (2016): Matthew with the unspellable surname tries his hardest but the screenplay doesn't work. Some beautiful locations and photography though.
Easy Living (1937): They don't make them like this anymore. Arthur and Arnold lead the destruction and are well supported by character actors of the ilk of Mary Nash and Franklin Pangborn. A screenplay that doesn't let you draw breath for too long.
When Night Falls (2007): The acting is a bit basic but it doesn't detract from its watchability. A small cast and a small production create genuine suspense in a short running time (other film makers take note).; DVD ~~$19.95~~ $14.95
Superbad (2007): The in–joke is that the title refers to the script writing and not the characters. Hill is impressive doing a Joe Pesci impression but the only thing these characters need is being put over someone's knee and given a spanking.
Ballerina (Leap!) (2016): The animation genre is getting tougher and tougher and more and more popular. The animation in this is very good and worthy of a watch for all ages.
Twelve O'Clock High (1949): Peck is fine in this one – it suits his wooden post acting style as there is not much moving about. The screenplay is very well written with no silly sub–plots and the early scene of the abandoned airfield is memorable. Overall its a change from the norm.
Die Hard 4.0 (Live Free or Die Hard) (2007): Although Justin Long looks out of place this sequel should please those who enjoy the already well established formula.
Bruno (Brüno) (2009): As comedy is a fine art this disqualifies itself from that genre.
Ghostbusters 2 (1989): It would have taken some courage not to do a sequel but as a stand alone it is not too bad.; Blu-Ray $19.95
Ted (2012): Crudeness and the limited use of the English language indicates a desperation by the writer to get a laugh.
Raise Your Voice (2004): Although the tunes are a bit bland the cast seem to enjoy playing them and Hilary makes the rest of the proceedings watchable.
Lion of the Desert (1980): The length is its undoing but it is a war crimes story worth telling. The beautiful desert backdrops the excellent action scenes. Well done to the stunt & effects people who depicted the hangings, head shots & being run over by tanks so realistically.
Escobar: Paradise Lost (2014): There are two films in this – one when Del Toro is in it and the other when he is not. Hutcherson has to carry the "not" part and he is an anticlimax even in comparison with one of DT's more milder performances.
Imagining Argentina (2003): Not great but it gets across a little of the fear that must have been experienced on a daily basis under the dictatorship. Its portrayal of the bully boy rapists is well done. Emma shines as a victimised character.
Edge of Madness (2002): The wonderfully bleak settings give an air of authenticity to the proceedings. The performances are good particularly from Caroline Dhavernes.
A Star Is Born (1937): It is a bit dated 80 years on but Janet Gaynor's performance still has an impact.
What Dreams May Come (1998)
Under Siege 2 (1995)
Sink the Bismarck (1960): There is some stiff upper lip stuff, Nazi rantings and an unnecessary sub plot about More's son but otherwise it tells the story very well with the help of some commendable action scenes.
Captain Fantastic (2016): The first half is fine with its fresh material but it loses its way in the second half and at times goes off the rails.
Royal Tenenbaums, The (2001)
Beautiful Mind, A (2001): The director is the first warning sign of the treatment this "biography" will receive. 2nd is Crowe – Howard describes him as charismatic but he didn't say which part of him he was referring to. Crowe is out of his depth & his melodramatics are comical
Way Ahead, The (1944): The early scenes depicting the degeneration from civilian to soldier are the best and are entirely believable. One advantage of making the film during WWII was the authenticity of the props and wardrobe.
Go for Broke! (1951): Worth a look – has some good lighter moments as well as the action scenes.
Last King of Scotland, The (2007): It is a historical dramatisation so you don't know which parts are true. The screenplay wasn't convincing as the McAvoy fictional character wasn't believable & the yelling nutter played by Whitaker just got tiresome. Gillian Anderson wasted.
Downton Abbey in London (TV Mini-Series) (2013): There is excellent British acting talent headed by Dame Maggie and Jim Carter and they all do their best within the limitation of their characters.The props and wardrobe are spot on.
Sing (2016): The characters are entertaining and the animation style was fine.
Garfield 2: A Tale of Two Kitties (2006): Garfield's character is a clever creation. Billy Connolly is the icing on the cake.
Selena (1997)
Sonny (2002): A bit like its director – uneven. Whilst Mena Suvari really struggles a dream cast of Franco, Blethyn, and Stanton with Cassel thrown in should have produced a better result. You get the feeling that the director was trying a little too hard to shock.
Elf (2003): It is hard to dislike – it has some good comedy but just as importantly an excellent supporting cast.
Half Nelson (2006): It is an effective low key anti drug message.; DVD ~~$24.95~~ $19.95
Banger Sisters, The (2002): Some of it works some of it doesn't but the casting makes it an attraction.
Fighting Sullivans, The (1944): Anne Baxter and Thomas Mitchell give fine performances. It has a soppy ending and undoes what goes before.
Christmas with the Kranks (2004): A film with "Christmas" in the title that is worth watching. Jamie Lee is a delight and she and Allen work well off each other. A talented support cast includes Dan Aykroyd and Emmet Walsh. A well written screenplay.
Gaslight (1944): Ingrid is radiant in the beautiful black and white photography aided by the skillful use of light and shadow. Angela Lansbury's film debut.
Alien vs. Predator (AVP) (2004): It is noisy and not very original but what is worth complimenting is the work of the creature make–up artists.
Patriots Day (2016): Another commercial dramatisation of a real life tragedy.
Tootsie (1982): The great cast keeps the interest going long after the plot idea wears thin.
Life of Brian (Monty Python's Life of Brian) (1979): Wonderfully offensive.
Judge, The (2014): I had time to wash the dishes,make the bed and pass out twice.
Hostel (2005): Although it is a little better than most it fails to shock as much as it could – fewer horror scenes would have been more effective.
Dunkirk (2017): Commercial cinema not history – it barely mentions the brave rearguard action to protect the perimeter which enabled so many to escape or why the Germans were so ineffective. The plus is the stunning aerial action produced by the special effects team.
Inside I'm Dancing (Rory O'Shea Was Here) (2004): The early scenes are the best before the "one joke" scenario wears thin.
Metro (1997): It is too long for the material on offer but there is one excellent action scene based around a Frisco cable car.
Ginji The Slasher (2003): Violent but there is some intelligence in the screenplay.
Fast and the Furious, The (1954): It is one of those hard to dislike films. The later scenes seem a bit rushed and a few corners cut – you get the impression the production was running out of money.
Charade (1964): Audrey is well cast and so are the supporting players. There are some delightful comedic moments sprinkled throughout the screenplay which although it gets a bit hurried toward the end for the most part is well written. Has a classic theme tune.
Pork Pie (2017): It follows a successful formula but maybe a shade too long.
Elektra (2005): There are a surplus of superheroes but I guess another one won't do any harm. Go girl!
Fifty Shades Darker (2016): Considering there wasn't much of a screenplay they did well to fill in over an hour. The two males looked alike and were easily mixed up which I suppose was the whole purpose of the exercise.
Henry and June (1990): The photography and the period's wardrobe and set designs are spot on but are not enough to maintain your interest over the 2 hour plus running time. The first 43 bedroom scenes were okay but after that they just got boring.
Backbeat (1993): It would not be an easy subject to film. It has a strong start but is later not so interesting when the romance takes over.
Paradise, The (TV Series) (2012): Series One – When all else fails the set designs and wardrobe are quality.
Charlie's Angels - Full Throttle (2003): Its watchability is enhanced by the casting of John Cleese.
Charlie's Angels (2000): There is plenty of slow motion camera work in the action sequences to pad out the running time.
Wedding Date, The (2005): It is really light with nothing to anchor it down.
Brady Bunch Movie, The (1995): The screenplay is a bit of a mixture but there are some good bits mainly centred around the three daughters led by Jennifer Elise Cox's performance.
Mr. Magoo (1998): The screenplay is not that strong and has an air of familiarity about it but Leslie Nielsen tries his darndest to make it work.
Logan (2017): It failed to hold the attention except that I noticed it went on forever.; DVD ~~$20~~ $10
Renaissance (2006): I found the impressive animation style a distraction to the story telling.
Miss Sloane (2016): Don't these people ever shut up. The verbiage is so intense at times there is little chance for the viewer to digest.
Love, Lust & Lies (2009)
One Thousand Ropes (O Le Tulafale) (2017): It is different which is a positive. It is not an easy watch but worth a try.
Hard Target (1993): Lance Henriksen is worth watching but that is about it – the only other positive is some occasional blues on the soundtrack. The action sequences are often shot in slow motion which suggests the director might be taking an ego trip.
Man Without a Face, The (1993): Considering his age Nick Stahl does well to hold the film together – I think he is in every scene – and the make up department must have had an early start to every day so well done to them.
Undercover Brother (2002): The basic plot idea is fine and it really tries hard to deliver the laughs.
A-Team, The (2010): Predictable and never ending.
Office Christmas Party (2016): It has a couple of funny skits that are worthy of a mature person's attention.
Little Colonel, The (1935): There is an excellent dance number from Bill Robinson.
Where the Day Takes You (1992): The characters are tiresome in the main and Astin isn't very good but there are some good street scenes and a top sound track.
Joneses, The (2009): It is okay but there is not a great deal to it.
United Kingdom, A (2016): Very high production values with one wonderful early scene when they are accosted by 3 louts in a foggy 1940's London street. I'm not a fan of dramatising true events so I hope they got the story right as their story is worth telling.
Dog Eat Dog (2016): I thought the screenplay was a mess and over relying on violence and the three characters over silly. Dafoe can act and deserves better.
My Favourite Year (1982): It includes some very good comedy moments with O'Toole comfortable in his role as a soak.
Hidden Figures (2016): Although the screenplay weakens out from its very strong start by repeating itself the spot on female casting and the set designs – old equipment and all – are worthy of a watch.
Mustang (2015): The director said she took a long time over the casting of the girls so that they would be credible as the 5 heads of the same body. The screenplay handles the custom of arranged marriages in a bitter sweet and effective way.
Far from the Madding Crowd (2015): It is a romance so the screenplay doesn't go anywhere but Carey's performance is worth watching and so are the period's set designs, wardrobe and make–up (dirty faces and all).
Greedy (1994): The screenplay lacks freshness and does not have enough substance to last the distance. Fox struggles in this one.
Lady in the Water (2006): I got lost following the fairytale but that was probably a bit of laziness on my part – I will try again.
Parenthood (1989): Parts of it are okay but nothing really takes off – as a comedy it is pretty weak.
Others, The (2001): Nicole plays Nicole which is okay but is outstaged by Fionnula Flanagan who is so effective in her role. The screenplay is familiar territory but because it treats most things in a low key manner it is more effective for doing so. The house is a winner.
D-Day - The Sixth of June (1956): Good production values and it hasn't dated too badly 60 years on. Dana Wynter is fine but the unnecessary compulsory romantic bits sidetrack the invasion.
It Started in Naples (1960): Even though this kid is in every scene you can still enjoy it as a travelogue.
Aliens of the Deep (2005): Humans invade the wonders of the Deep."Aliens in the Deep" would be a more appropriate title.
Light Between Oceans, The (2016): Slowly paced and maybe correctly so for the period setting but it gives you more time to take in the well photographed gorgeous New Zealand scenery.
Infiltrator, The (2016): It is an okay watch but it doesn't stand out from others in the genre.
Unstoppable (2010): Exciting railroad action but the suspense is eased somewhat in knowing that Denzel is keeping an eye on things.
Road to Wellville (1994): The screenplay is a bit of a misfire but the set designs and wardrobe are top notch.
From Russia with Love (1963): Along with the other early films it sets the standard and basis for a very successful franchise. Robert Shaw is a very good naughty.
Pink Floyd - Pulse (1994): A great light show and the music is not too bad.
A Date for Mad Mary (2016): Mary's life is in a mess – it is a well performed drama with lead actress Seána Kerslake spot on.
Zero Days (2016): The film throws a lot of information at you in a short space of time and a second viewing will be helpful but the conclusions drawn are impressive.
Super Sucker (2002): Had some early promise as a comedy but everything gets a bit too silly to be funny.
Idiocracy (2006): If features different levels of humour and some of it is good. The plot idea makes it watchable.
Cool Hand Luke (1967): Newman is fine but is helped by a terrific supporting cast (prisoners & wardens). The action is sweaty but there are times when it goes overboard & loses effectiveness – indeed it has trouble ending the whole exercise & runs out of steam (sweat).
Blade (1998): Starts off great then this Snipes character comes along and kills off the vampires and its all down hill from there. Dorff is fine but when you have a legend in Udo Kier who barely appears it makes you think that they got the casting wrong.
Theatre of Death / Rasputin - The Mad Monk (1966-1973): Theatre of Death: Not great but a low budget effort that is better than a lot of bigger budget horrors.; DVD ~~$15~~ $11.25
Jackie (2016): I couldn't always make out what Natalie was saying but it seemed to be one of her better performances. Making a film about someone's real life trauma seems a bit tasteless and mercantile.; DVD ~~$19.95~~ $14.95
Sleeping Dogs Lie (2006): I thought the male was a bit of a drip but there was at least an attempt in the screenplay to break the mold. Another plus is that it is not too long and doesn't overstay its welcome.
Addams Family Values (1993): The perfect casting gives the characters every chance of success.These films are made so that Christopher Lloyd can do his thing but in this case he'd be looking over his shoulder at young Ricci doing hers. The script has some terrific put downers.
X-Men Origins: Wolverine (2009)
Hollars, The (2016): Margo Martindale and Richard Jenkins are a spot on casting and make it watchable.
Recruit, The (2003): Watchable with the expected ingredients including the love interest to pad things out.
Fear and Loathing in Las Vegas (1998): It must have been a difficult novel to bring to the screen and it shows in the uneven screenplay. Although its far from his best because it is a Terry Gilliam film it is never boring.
When in Rome (2010): Pure froth but inoffensive – I would think the cast enjoyed making it.
American Gangster (2007): The story is not very complicated and shouldn't have taken so long to tell. Losing an hour would have been beneficial.
Malcolm X (1993): Because of its extraordinary length it wouldn't matter if you popped out and missed twenty minutes or so now and again. The set designs and wardrobe are of a very high standard and the oratory scenes are well handled.
Entity, The (1981): A standard paranormal adventure which isn't helped by its running time even though Barbara H stars.
Informant!, The (2009): It is not great but it has a good script and there is some freshness in the screenplay.
Collateral Beauty (2016): I couldn't be bothered watching Smith and Norton but the female cast members are hard to resist.
To Die For (1996): As a black comedy it doesn't quite work but watching younger versions of Joaquin Phoenix, Allison Folland and Casey Affleck adds some interest.
Elvis Has Left the Building (2004): There are some good segments and its worth it overall. Mike Starr as usual does some scene stealing.
Thirteen Ghosts (2001)
Personal Shopper (2016): The promotion pre–warns you that it is a ghost story so that takes a lot of the suspense out of what follows which for the most part is watching text messages. Kristen is fine however.
Panic in Needle Park, The (1971): It is all the better for its low key approach. There is some good street location shooting but the standout is the performance of Kitty Winn whose character you can witness deteriorating throughout the film.
Alice in Wonderland (1951): The timeless tale with its timeless characters is well animated for all ages.
Resident Evil: The Final Chapter (2016): The special effects are impressive.
Final Cut, The (2004): It is a very good plot idea but it is not played out to the best advantage.
Love at First Fight (Les Combattants) (2014): The two combatants who are opposites at the start are slowly drawn together as a result of their experiences. This dreadfully corny scenario for once is expertly done thanks in no small part to a well written screenplay and the required performances.
Freaked (1993): This kind of comedy has been done a number of times and failed because of the fine line that exists. This one succeeds.
World Trade Center (2006): It was inevitable that as a true life disaster it had to be dramatised & commercialised – the temptation would have been too strong to resist.
Women, The (1939): There are one or two quieter moments (on reflection I think it was one) but this is a talkie of the best kind. There is enough material for two films. A tour de force comedic performance from Rosalind Russell shines out from even among a quality ensemble.
Hocus Pocus (1994): It is one of those films that is not great but very hard to dislike.
Hurricane, The (1999): The screenplay is stodgy at times but Denzel makes it worthwhile.
Sea of Trees, The (2015): It is hard work watching it – it does drag. The three talented leads try their best though and there is some good location shooting as some compensation.
Skeptics - Sheen of Gold (2013): I 'd never heard of them but the base line to their music is not too bad. The interviews are okay.
Queen of Ireland, The (2015): A reasonably entertaining and informative documentary.
Mangler, The (1995): Probably a bit overlong but the set design inside the factory is spot on. A good comedy horror.
Storyteller: Greek Myths, The (1990): An effective way of telling the story – aided by some top notch acting talent in Gambon and guests (Jacobi etc.)
Bram Stoker's Dracula (1992): The screenplay doesn't stand out but the set designs, wardrobe and make–up are commendable.
Dancer (2016): There is plenty of home video footage which probably made it tempting to do a documentary. I am not interested in ballet but to rate it as a documentary I didn't find it too enthralling.
Moonlight (2016): Not too much new ground broken screenplay wise but if you have the patience it is worthwhile.
Uptown Girls (2003): It avoids the pitfalls most of the time and the two leads make it work.
Harry & Snowman (Harry and Snowman) (2016): A feel good documentary – there are some non equine segments in his story but its basically about his love of horses.
Blood and Chocolate (2007): There are no surprises or disappointments to be had – it provides what it promises.
She Hate Me (2004): It seems to try too hard and digs itself into a hole or two from which it takes ages for it to extract itself.
Battle In Seattle (2007): It includes perfectly good archival film so why bother with the dramatisation scenes and therefore water down the films credibility as to the portrayal of the truth?
Hitch-Hiker, The (1953): William Talman is perfectly cast as the threat. No expense is spared on the desert locations or car – but a saving is made on the barking dog which is heard but not seen as it is shot off screen. The simple screenplay has a commendable no frills ending.
Catch, The (2016): The screenplay and script are only average but there are some touristy location shots.
My Girl 2 (1994): It could have been a lot worse but it is watchable.
Sleepwalk with Me (2012): As a comedy it doesn't rate but it is watchable nevertheless.; DVD $29.95
RFK Must Die
Sympathy For Delicious (2010)
Dodgeball (2004): Its not all bad – there are some worthwhile moments generated by the supporting cast of which Alan Tudyk was unfortunately underused.
Flags of our Fathers (2006)
Garfield - The Movie (2004): Very cleverly made.
Family Fang, The (2016): It didn't hold my attention first time round but I'm a great Walken fan and Nicole is always worth a watch so will try again.
Founder, The (2016): As it is only a dramatisation you really don't know which parts are true which is a pity.
Just Go With It (2011)
Shut Up and Play the Hits (2012): Saw some extensive concert (4 hours) footage on another Blu–Ray version which is impressive – the interviews with Murphy are okay but are padding between the musical segments.
Made of Honour (2008): Very light but mostly watchable fodder.
Captains Courageous (1937): Good family viewing about a little snob having to do some work. Barrymore adds solidity to the performances.
Edge of Seventeen (2016): It had a bit of freshness to it and Steinfeld was okay. Well worth the time.
Arrangement, The (1969): An overly convoluted screenplay doesn't help and Douglas doesn't impress in the lead role although even the fine actress Deborah Kerr looks bewildered at times.
Scream (1996): There is no suspense – the title gives away what is likely to happen but with the exception of the noisy musical score it is okay as light entertainment.
Step Up 4: Miami Heat (Step Up Revolution) (2012): Skip the bits where the plot is meant to be and get to the dancing.
Dot The I (El Punto sobre la I) (2003)
Shine of Rainbows, A (2009): Young John Bell appears as a character that is meant to be shy and frightened & in this he does well. The sentimentality of the screenplay picks up pace and becomes a weakness but the big plus is the stunning shooting locations.
Party's Over, The (Last Party 2000) (2001): Little has been learned in 2016 from the 2000 election. The police don't come out of it too well and neither does the integrity of the voting system, but the saddest thing for me is the millions spent on campaigning when thousands are homeless & hungry.
Surfer, Dude (2008): The only redeeming feature is that at least Matthew McConaughey looks like a surfer.
Beastly (2011): It didn't take off although I wish it had done.
One of Our Dinosaurs is Missing (1975): A silly script but one which Peter Ustinov handles with aplomb – he is aided by a top notch cast of British comedy character actors.
Rumble Fish (1983): I found Dillon annoying in this and his character was a bit of a flower pot. The film overall however comes close to working well.
Rehearsal, The (2016)
Leap Year (2010): Although the material is light Amy is good and is helped by some Irish countryside and supporting character actors.
Killing Season (2013): The screenplay runs out after half an hour. Travolta both looks ridiculous and sounds ridiculous. The victims of the Bosnian War deserve much better.
Immaculate Conception of Little Dizzle, The (2009): Probably a bit long for the material but it has some good surreal segments.
Rocky Horror Picture Show, The (1975): Saw both the UK*** and USA **** versions on the 35 year Bl Ray edition. A groundbreaking trend setter. The bonus features include both an interesting history of the making of and then the early failure of the film.
Night of the Living Dead (1991): Although it is an unnecessary remake the bad acting of the living (the zombie actors are fine) adds some interest.
Passengers (2016): Had to laugh – Jennifer and Chris awake from their hibernation and then hop into bed. The special effects and set designs make it worthwhile though.
Cream - Royal Albert Hall 2005 (2005): Over two hours of a re–united Cream. There are also some excellent interviews with the band members.
Nowhere Boy (2009): Johnson is good value but Anne–Marie Duff is terrific as his mum. Love the young male posturing.
Tamara Drewe (2010): It is easy on the eye but the plot doesn't see out the distance.
Tangerines (2013): A low key effective way of getting a major message across.
Dark Crystal, The (1982): The amount of work that must have gone into these creatures is impressive – most of them are darn right scary as well.
Stolen (2012): The screenplay doesn't get much more run of the mill than this.
Red Road (TV Series) (2014): Jason Momoa is memorable – he really looks threatening.
Trip, The (TV Series) (2010): DVD ~~$39.95~~ $20
Angry Birds Movie, The (2016): Full of noisy action and some delightful and not so angry characters.
Kings of the Road (1976): It drags at times but it is well worth taking the journey. Some of the backdrops are depressing but are authentic. You end up not knowing anything in depth about the 2 characters but the film is long enough to see their relationship develop.
Insider, The (1999): Crowe is good in this one and Pacino for the most part is restrained which helps. It is a good story but it is a pity about the length.
Why Him? (2016): It is known as an alternative style of comedy.
Formula 51 (The 51st State) (2001): The enjoyable plot idea has kind of been done before but this is well worth looking at considering the quality of the cast.
Diary of a Wimpy Kid (2010): A watchable light family comedy.
Dinner Rush (2000): Restaurants and their kitchens have been thrashed to death but this screenplay does offer a slightly different slant. Danny Aiello is always worth your time.
Monster Trucks (2016): If it wasn't for the monsters (who are great) it would be a routine family actioner.
Soul Men (2008): A strange mixture – I didn't think the comedy was that great especially the adult bits but the musical side was good.
Voices of a Distant Star (2001): Short and sweet with great visuals.
Fences (2016): Denzel and Viola are fine as expected. The play adaptation is heavy on dialogue and at times you are bombarded with it giving you no time to digest what they are saying. The set designs and wardrobe are spot on.
Watchmen (2009): It did not hold my attention at all times but it was one of those films that did have some watchable bits scattered throughout aided by some good special effects.
Gun Crazy (1948): A good example of compact film making – even when there was a lull in the action there was some purpose to it. The car chase scenes were impressive and looked authentic and so did Peggy Cummins.
Philadelphia Story, The (1940): The screenplay is dialogue heavy but much of it involves petty squabbling. Hepburn's voice grates on the nerves and is accompanied by a whining Stewart – they deserve each other.
Embrace of the Serpent (El abrazo de la serpiente) (2015): It doesn't sell itself short for commercialism (it is laced with backhanders against white intrusion) although the photography is stunning. The film making must have been arduous but worth it as you come away with pearls of wisdom ringing in your ears.; DVD $29.95
Smother (2007): I'll watch Diane Keaton in anything and this is anything. She enjoys herself with this batty performance.
Last Days in Vietnam (2014): A top notch documentary. Its strength is that it focuses only on a few days as well as concentrating on the experiences of the participants at the sharp end of proceedings. It should have important archival value for future historians.
Dolphin Tale 2 (2014): A good sequel that is another solid family outing without being soppy.
Wrong Move (1975): The loose screenplay ensures it is never boring & predictable. The unalike characters add interest. Hans Christian Blech and my favourite Hanna Schygulla add weight to the casting. The icing on the cake is the photography & particularly of the Rhine.
Rushmore (1998): The soundtrack is fine. The only real screenplay highlight was when Jason Schwartzman was smacked on the nose. Bill Murray is wasted somewhat.
Sigmund and the Seamonsters (TV Series) (1973-1975): Saw the single volume of 3 episodes – love the seaweed characters.rn
Hacksaw Ridge (2016): The scenes prior to the battle where he is bullied for his beliefs are fine but the battle scenes are ruined by unnecessary slow motion shots which I find insulting to the intelligence. The final battle scene is utter Gibson commercial jingoistic crap.
Ledge, The (2011): The screenplay didn't really go anywhere and you felt at times it (or he) needed a bit of a nudge.
House of Games (1987): The early card playing scene was impressive – subsequently I thought the screenplay was a little contrived at times but its well worth watching.
[REC 2] (REC 2) (2009): This sub–genre is overflowing with films so it needs to be pretty good or different to stand out. This one doesn't.
Ant Bully, The (2006): Great entertainment especially from the ants with easy on the eye animation.
Miles Ahead (2015): I assume this was made as a personal tribute by Don to Miles. It is watchable – needless to say the music is up there with the best.rn
Scorpio (1973): The screenplay is competent enough without being special but the casting is worth a watch.
Around the World in 80 Days (2004): Excellent set designs are one aspect of the good looking production values. The three leads work well off each other and are supported by a very good support cast headed by a terrific Jim Broadbent. Very entertaining.
Running with Scissors (2006)
Thunderball (1965): It is good to go back to the early 007 films when the franchise was still fresh and see just how good they were.
Allied (2016): The set designs and wardrobe are good but the screenplay doesn't amount to much. I'm not sure why someone of the quality of Marion Cotillard is required for a walk in the park like this.
Flowers of War, The (2011): Some good segments particularly early in the film when the two female groups clash but overall its uneven and too long. The Rape of Nanking is too important an event to be dramatised.
Oddball (Oddball and the Penguins) (2015): There is a lot to like about this family adventure with a message.
Pollock (2000)
Dragonheart (1996): The best scenes involve nutter Thewlis although there is some good comedy acting from Postlethwaite and Connery. There is just too much unnecessary violence which is a shame because there are some very good segments.
Casualties of War (1989): The squad is in enemy territory but they are yelling at each other and having committee meetings – it is just not believable as a war drama. The war crime is handled better and is rightfully distasteful.
Moana (2016): The characters are delightful with a good story to boot.
Dish, The (2000)
Race To Witch Mountain (2009): It is solid without being spectacular in any way.; Blu-Ray $39.95
Look Who's Talking (1989): If the screenplay wears thin after a while there is always Kirstie Alley to watch.
Alice Through the Looking Glass (2016): Not a true rendition of the timeless tale but very entertaining – Burton is one of the producers and it shows – great special effects, a busy make–up department and use of garish colours. Mia a good link point for Depp and Helena to do their thing.
Greyfriars Bobby (1960): A solid story but the highlight for me are the period shooting locations.
Thelma and Louise (1990)
Big Daddy (1999): The "comedy" material is juvenile at times. The only real highlight is Steve Buscemi.
Bigamist, The (1953): A very good cast and performances but Edmond O'Brien doesn't come across as the romantic type to me.
Big Red (1962): This kind of family drama Disney does so well. Some good animal training is evident.
Grudge, The (2004): I hadn't watched the original (2003) in quite a while so this was fresh. There are some genuinely scary moments even when they are signaled ahead and expected.
Swiss Army Man (2016): It has a commendably original screenplay and an interesting soundtrack and for these positives it is well worth a try.; DVD $29.95
Transporter 3, The (2008): Jason Statham makes these outings watchable – he's not the typical brain dead action star. Some good stunt work helps as well.
Doll & Em (TV Series) (2014): A mild comedy – the two lead characters are pleasant enough and inoffensive.; DVD ~~$19.95~~ $14.95
Manhattan (1979): Opening shots of Manhattan the highlight but they are ruined by a whining narrator. The whining continues throughout & is no help to a thin screenplay/characters. Keaton/Streep deserve better. Another Allen project where he casts himself as the romantic.
Family, The (2016): File under crime. Bastards.
Shorts (2009): An okay watch for the family and others.
Death and Life of Otto Bloom, The (2016): The screenplay is interesting in parts. We can all relate to those days when time goes backwards.
Against All Odds (1984): The screenplay is not very strong and it takes too long. Ward and Bridge's characters have a relationship – who could see that coming?
Snowden (2016): This dramatisation of real events takes its time but gets there in the end.
Rescuers, The (1977): It has good old fashioned animation and delightful characters.
Rudderless (2014): The musical segments are okay and overall its not a waste of time.
Lorax, The (2012): Aka "Dr. Seuss' The Lorax". Quality family story and animation with delightful characters.
Good Old Fashioned Orgy, A (2011): This kind of immature stuff has been done a million times before.
2 Fast 2 Furious (The Fast and the Furious 2) (2003): The screenplay is limited to cars going round and round but saves the cost of a scriptwriter.
Fat Tony & Co (TV Mini-series) (2014): The formula for this kind of Underbelly drama is now well established. A narration which is light hearted at times makes the characters more acceptable as part of every day life. The action is often captured by some annoying slow motion camera work.
Midsummer Night's Sex Comedy (1982): The screenplay is only mildly funny but at least it is not too long. The photography is a standout.
Autopsy of Jane Doe, The (2016): It has some freshness in the screenplay which is some achievement working in this genre. It also contains some tense moments and Brian Cox.
Men, Women and Children (2014): It probably has good intentions as a warning against the internet playing too large a role in our lives but it is hardly riveting viewing. There is some acting talent here and there in the adult cast.
Beyond the Valley of the Dolls (1970): To state the obvious it is a product of its time – although it is now dated it deserves to be seen and can still be enjoyed.
Gimme Shelter (2013): Vanessa Hudgens tries her heart out but the screenplay is ordinary and has been done a few times before.
That Darn Cat! (1965): The cat handler does well – Hayley lifts it a notch and Neville Brand is one of the better bad character actors but it loses its impetus because of length.
Whole Truth, The (2016): A throw back to the days when every second film was a court room drama. It is not too long and watchable but the suspense doesn't rise to any great heights.
Ocean's Eleven (Ocean's 11) (1960): There are some good moments but the screenplay is too elongated for its own good. It takes too long to assemble all the criminals and then dispose of them – "Ocean's Six" would have worked better.
Memento (2000): I'm not a Pearce fan and he was in most scenes so it was a bit of a struggle. I understand the screenplay was deliberately made complicated which might explain why I couldn't follow it at times.
Only the Dead (2015): There have been a number of war journalist docs but its still worth watching this – if for nothing else its closeness to the action. The disturbing thing is the seemingly lack of control or discipline of those with guns. No wonder civilians get killed.
Karate Kid, The (2010): I had problems with young Smith in "After Earth" (2013)– his acting is awful in this as well. Even though the film goes on for two hours too long I have never seen Jackie Chan look so tired and disinterested.The only highlight is the Chinese locations.
Sanctum (2011): Wakefield can't act in this one and unfortunately he seems to be in every scene. The special effects people however do a good job and help compensate.
Green Hornet, The (2011): Christoph Waltz's performance is the only real highlight – Rogen struggles to carry this film but the special effects help.
Ministry of Fear (1944): The screenplay is interesting but it doesn't require a high level of performance. The exterior scenes aren't great but they are more than compensated for by the interior set designs & props which are enhanced by the lighting which is used to effect.
Chasing Asylum (2016): The documentary lists those who declined to be interviewed – they are mainly prime ministers and politicians – it is a pity that they were unwilling to provide their side of the story – as it stands file this under "Crime".
Jack Reacher: Never Go Back (2016): At 5'7"Cruise must be one of the smaller action heroes but although he must have to stand on a box at times he can still strut his stuff. The screenplay is straight forward so there is no challenge for him in the acting department.
Third Person (2013): The characters are uninteresting and they all deserve each other – the screenplay goes on forever.
Silkwood (1983): It has a hard hitting message which loses some of its impact because of a drawn out screenplay – but it is worth watching the scenes depicting the working conditions of the plant and Meryl's performance.
Butterfly on a Wheel (2007): So so viewing – not bad but nothing special.
Rogue One: A Star Wars Story (2016): They've given the wardrobe a light dusting, patched up the laser holes and churned out another actioner under the label of science fiction. The special effects are as usual impressive.
Burn After Reading (2008): Terrific script backed up with the right casting & from major to small parts they deliver their lines to effect. The quality of the support cast makes a difference & the scenes featuring JK Simmons with David Rasche are classic. Another Cohen Bros ripper.
Alice in the Cities (1974): The standout is the relationship between the journalist & kid developing with little sentimentality – entirely believable. The second standout was Canned Heat on the jukebox "On the Road Again" – & along with worn props & locations fitted in perfectly.
Goldstone (2016): It is nothing out of the ordinary screenplay wise and its not too original but it is watchable.
Postman, The (1998): This is long even for a Costner project. Patton is a reasonable nutter.; DVD ~~$15~~ $11.25
Accountant, The (2016): The casting of JK Simmons and John Lithgow helps the interest level which struggles with a lack of tightness in the screenplay.
Storks (2016): A combination of babies and storks are a good basis for entertainment as long as they are animated.
Burn Burn Burn (2016): A very good supporting cast but the screenplay has been done before more or less.
Hannah and Her Sisters (1986): Don't these people ever stop talking and whining? Allen correctly cast as the neurotic. Has a compulsory jazz score.
Mr. Hulot's Holiday (Les Vacances de Monsieur Hulot) (1953): As with Keaton, Tati is the master of the visual comedy with little dialogue required – he uses all the screen – don't just watch what is happening in front of you – keep an eye on the background characters as well.
Computer Wore Tennis Shoes, The (1969): A mild comedy which relies on a silly scenario but it is not too long.
Humoresque (1946): The bickering between Garfield & Crawford gets tiresome & then it becomes too melodramatic. The film's over length is due to some top notch violin/piano playing which is some compensation. Watch the "Making Of" to find out how the music was filmed.
Race (2016): Although the story is familiar the set designs, wardrobe and attention to detail representing the 30's is spot on.
Dare to be Wild (2015): The screenplay was easily sidetracked and it may have been better off with showing us how to plant cabbages rather than having the Tom Hughes character.
Comedy of Terrors, The ( The Graveside Story) (1964): Vincent Price is widely regarded as the hammiest of actors and here he is in top form. Karloff, Lorre and Rathbone in support are all worth the price of admission on their own.
Underworld: Blood Wars (2016): The special effects are very good – it is also a good example of how sound effects can be used to bolster the tension.
Palio (2015): It seems a silly event to get mildly excited about never mind about the level of enthusiasm captured by the documentary – however we can be all guilty of too high a level of passion in our sports and pursuits.; DVD ~~$20~~ $15
Nocturnal Animals (2016): It didn't make much of an impression other than Jake G getting a bit hysterical at times. It seemed a bit of an over–complicated way of telling a story.
Fluke (1995): The dog segments are very entertaining – the non dog bits are a bit ordinary.
Violent Saturday (1955): One of the bank robbers arrives in town on foot after walking from the bus – a good touch. It has an old fashioned stick up and also and old fashioned shoot out to finish off.
Maggie's Plan (2015): The casting is fine and the performances are fine and everything is fine except it didn't appeal.
Lego Movie, The (2014): I'm not a Lego person so the characters didn't mean a great deal to me but some of the other animation such as the street scenes were impressive.
She's Out of My League (2010): Has a hint of comedy at times but this kind of thing has been done so many times already.
Face (1997): It starts off well and with a cast of Carlyle, Winstone and Davis it should be a winner but it loses impetus through flash back shots and a romantic subplot. Could have done with more of the great Peter Vaughan but he only has a small part.
About Elly (2009): Not a "typical" Iranian offering in my book – it looks to have been made with a mainstream audience in mind – there are too many photogenic characters for my liking. It has an okay screenplay but it is one which lacks a bite.; DVD $29.95
Walk Hard: The Dewey Cox Story (2007)
Top Gun (1986): Although Cruise is in it – it is a man's picture even though there is a compulsory romantic unnecessary subplot as a fill in between the excellent flying sequences.
Cafe Society (2016): Allen churns out another talkie (Eisenberg is well cast) but the period's set designs and wardrobe are well done.
Puss in Boots (2011): The animation is terrific and so are the characters. A really enjoyable story line with some dance numbers thrown in.
Hologram for the King, A (2016): Takes its time but the pacing is okay for the locale. Hanks wears the same expression for most of the proceedings. The film has some trouble finding a finish – the romance drags it out.
Epic (2013): The human characters were routine but the animal characters were extremely enjoyable and made it worthwhile.
Chronicles of Riddick, The (2004): The special effects although noisy are well done and the wardrobe department does a good job.
Boondock Saints, The (1999): Its a bit gun obsessive but by being so maybe its trying to deliver an anti–gun message. The screenplay has energy but the attempt at offbeat characters misses by half a beat which is sufficient enough for them to become tiresome.
Meatballs (1979): Has not stood up to the test of time very well but has some curiosity value.; DVD $19.95
Strangers with Candy (2005): Whilst the comedy material is weak Amy Sedaris really tries hard with a character that has some originality to it.
Dolan's Cadillac (2009): Whilst Bentley is a bit of a lightweight in this one Slater is very good and makes it worthwhile.
Killer Klowns from Outer Space (1988): The klowns are funny and scary and a great idea.
Shock to the System, A (1990): I don't think I've seen Michael Caine as uncomfortable in a role – he's not bad but he seems to be acting and therefore is not Michael Caine. The screenplay whilst not original is not too bad.; DVD $12.95
Jerusalema (2008): It is good that it highlights the greedy/negligent landlord problem and there are some very good segments and location shots away from the violence. The friction between the characters is however a repeat of what has been filmed many times elsewhere.; DVD ~~$29.95~~ $19.95
Secret Life of Pets, The (2016): Push the kids out of the way and enjoy.
Dressmaker, The (2015): The period detail is well done – the screenplay is good but doesn't quite last the distance & we didn't need Hemsworth's character. Kate and Hugo are in top form but Judy Davis slays them all.
Westway to the World - The Clash (2001)
Duel, The (2016): The only highlight is Harrelson doing a Brando impression.
Flash Of Genius (2008): The screenplay and Kinnear's performance are sincere but as a dramatisation its a bit overlong and flat so they may as well have made a documentary instead.
Independence Day 2: Resurgence (2016): Whilst the special effects are good they are nothing special in relation to many other films dished up today.
Loch Ness (1996): It has the inevitable romantic sub plot which drags it out but there are some great shooting locations and a fine supporting cast.
Last Flight of Noah's Ark, The (1980): It has some very good segments but it suffers from a whining boy kid – why they didn't drop him out of the plane early in the film when they had a chance is a mystery.
Aliens in the Attic (2009)
My Sister's Keeper (2009): It is a very thin screenplay that relies on touching people's emotions through a sick kid – as such it is lazy film making.
Housesitter (1992)
Social Network, The (2010): The story is important enough to be handled by a documentary maker rather than as a dramatisation. A doco. will get closer to the truth, will be shorter and spare the viewer having to look at these characters.
Oh! Mr Porter (1937): They don't make them like this anymore. There is some wonderful railway action.
Tex (1982): Meg Tilly provides welcome relief from the young male posturing.
Cable Guy, The (1996): The plot idea and the screenplay are not too bad.
Kes (1969): It is set in the days when teachers and adults whacked kids behind the lugholes as a normal course of events. The school scenes are believable with the soccer segment a real bonus. Young David Bradley in his first role is spot on.
Natural, The (1984): There is a very good supporting cast and the baseball action is fine but only heaven knows why it needed to exceed 2 hours.; Blu-Ray $24.95
Sight, The (2000): Not very original but it is worthy of a watch.
Phantom India (1969): It is valuable archival footage. Malle as commentator is as even handed as could be expected – acknowledging his intrusiveness into other people's lives. Two segments are unforgettable– vulture feeding time and the visit to the school of dance.
Strangers On a Train (1951): Walker is very good. The plot is interesting and has two memorable scenes.
I Saw the Light (2015): Williams seems to have led a life not dissimilar to other prominent musicians – the biopic therefore has largely been done before for others.
Morgan (2016): The only thing that made an impression was yet another hysterical performance from Giamatti – thank goodness his was only a supporting character. The plot idea was fine but as portrayed it was hardly compelling viewing.
Eraser (1996): A little better than the standard actioner with Arnie capable of drawing a couple of laughs which is not normal for a muscle head lead. James Caan is good as usual.rn
Surrogates (2009): The only thing that I could discern from the plot was that everyone was trying to shoot everyone else except that everyone else was sometimes a dummy – which reminds me Bruce Willis stars.
Mechanic: Resurrection (2016): Jason Statham looks too intelligent for these action roles – he has some acting talent which is wasted on this. Usual good stunt work.
Balzac and the Little Chinese Seamstress (2002): Poster (G) $7.95
City Girl (1930): The first half is set in the city with its impressive number of extras. The second half is on the farm with wheat fields now in the supporting role. For any film from the 30's to stand the test of time as a compelling drama needs no further comment.
Brothers (2009): It battles on well after the screenplay becomes predictable. A lightweight cast doesn't help.
Resident Evil: Afterlife (2010): There in not a great deal of watchable sci–fi but the action is tried and tested.
Calcutta (1969): 1st part films the streets – its easier to list what does not happen on the streets than what does – 2nd section is concerned with plump people golfing & attending horse racing but the climax is of the gut wrenching slums & also the out–casted lepers.rn
Diary of a Teenage Girl, The (2015): The screenplay is very one dimensional but at least its better than the script.; DVD ~~$20~~ $15
French Kiss (1995): A fluffy screenplay made worse by Kline's annoying accent.
Glen Campbell: I'll Be Me (2014): Its sad to watch the highs and lows during his illness and the stresses on his family and band members.
Peacock (2009): The screenplay has quite a bit of freshness to it which in itself is worth a watch. The casting is more than useful with Murphy pulling two wage packets and deservedly so. His performance as the bank clerk is top notch.
Winnie the Pooh (2011): Great family entertainment – its short and sweet and so are the characters.
Sea Wolf, The (2009): Its in 2 parts with the best segments those which depict living aboard a small heaving vessel at sea with the resulting conflict situations among the crew.; DVD $24.95
Half of a Yellow Sun (2013): The conflict scenes are handled very well with some good backgrounding archival footage but the other bits – romance etc. – are not interesting and rather stodgy.; DVD ~~$19.95~~ $10
Pete's Dragon (2016): It is a good family story with the dragon a winner.
Sleeping Beauty (1959): Some memorable scenes with the birds and the animals and the sisters. We didn't need the prince.
Navigators, The (2001): Effects of privatisation on a group of railway workers & the risks to safety by cost cutting. Its bitter sweet – because the characters are believable it is so easy to empathise & sympathise with them – if you don't then watch more of Loach until you do.
Interstate 60 (2001): The screenplay is a bit uneven but it never veers far from wackiness.
Deepwater Horizon (2016): The cast has plenty of star quality to lift this actioner.
Confirmation, The (2016): A watchable slice of life. The kid is mostly bearable.; DVD $29.95
Indiana Jones and the Kingdom of the Crystal Skull (2008): The set designs are terrific from the period street scenes to those underground among the cobwebs and skeletons. A talented supporting cast includes the great John Hurt who raises his character above what it would have been in other hands.
Quantum Of Solace (2008): It follows the successful commercial formula of the franchise – well done to the special effects and stunt teams. Another excellent casting choice for the role of villain.
Sheryl Crow - Rockin' the Globe Live (1999): Not only is Sheryl great but so are her backing musicians.
Metallica: Through the Never (2013): The music is uneven and not that great overall – the format of the screenplay accompanying the music has been done before.rnrn
Willows in Winter, The (1996): Another adventure with these timeless characters.
Road to Nashville, The (1967): Most of the tracks are popular country but it is still worth a watch and it is a valuable archival film.
Keeping Up With the Joneses (2016): It doesn't work that well as a comedy and even less as an actioner.
Getaway, The (1993): Seems to go out of its way to be violent. Hoping for better especially with this more than useful cast.
Blood Father (2016): A tired script a tired screenplay – everything is exciting but tired.
Party Monster (2003): Its different which is half the battle and its never boring. The make up department have a field day and the wardrobe people are either fully stretched or hardly employed.
Boy, The (2016): It tries hard but in the final analysis the screenplay doesn't really break any new ground.
Black Cauldron, The (1985): Solid animation tale with some good characters in the supporting roles.
Daughter, The (2015): The screenplay was a bit stodgy – didn't think much of Odessa Young but Geoffrey Rush as usual added a bit of class.
First Monday in May, The (2016): It is a chance to view people from another planet. You feel privileged.
Boss, The (2016): A weak script exemplified by the desperate need to insert some grubby segments.
Inferno (2016): Another paint by numbers saving the world "thriller" – however with Hanks in charge there is little suspense as you know that the world will be saved.
A Perfect Day (2015): It reminds me of "No Man's Land" (2001). It has the right balance between drama and comedy and although the three leads help to make it work you cannot escape the feeling that the key is Del Toro's wonderful weary performance.
Incident, The (1967): The initial scenes are very strong for the performances of the two louts but above all for the miserable seedy locations. It is not as strong once the action moves to the subway but it is still worth the price of admission.
Love Actually (2003): Has too many characters which might be the reason it drags on too long. Although the screenplay has an undertone of soppiness its hard not to watch scenes involving quality actors like Thompson, Linney and Rickman.
Bridget Jones's Baby (2016): The frothy screenplay would have been much better if it had not dragged on for an extra half hour. A quality support cast of Firth, Broadbent, Thompson and Jones certainly helps.
Babes in Toyland (1961): The musical side is not memorable but the set designs and special effects are commendable.
Zoolander 2 (2016): Made fifteen years after the original – sounds like the makers needed quite a bit of convincing.
Masterminds (2016): It is more silly than funny.
Chicago (2002): A couple of the musical numbers are watchable but it doesn't really stand out as a musical. The wardrobe team do a great job though.
X-Files, The - Season 1 (TV Series) (1993): The episodes are consistently well written and performed – the lead characters are distinguishable both as individuals and as a team.
Skeleton Twins, The (2014): Its a talkie but its not too long. I couldn't find anything engaging in the characters or screenplay however.; DVD ~~$20~~ $10
Casablancas: The Man Who Loved Women (2016): It seems that anyone with home video footage qualifies as a subject of a documentary. Heavens knows what the future holds with the proliferation of cameras today. Casablancas hadn't really contributed anything of value to justify 82 minutes of footage.
Our Daily Bread (2005)
Blair Witch (2016): The screenplay tries really hard to scare but it is dependant on finding an audience who is unfamiliar with the over familiar.
Along Came Polly (2004): The material is ordinary but there are some better bits around Hoffman whom we could have done with more of and a bit less of some of the others.
Kiss of Life (2003): Overly intense and the screenplay got a bit clever for its own good as far as clarity was concerned.
At War with the Army (1950): Jerry Lewis is good. The musical numbers stretch it out a bit.
Other End of the Line, The (2008): Pleasant but it has all been done before {e.g. "Outsourced" (2006)}.
David Brent: Life on the Road (2016): Mildly amusing but it doesn't overstay its welcome.
Drive Angry (2011): It is hard to find a film these days without Cage in it but William Fichtner is well worth watching. It is another film about an avenging father.
Wedding Party, The (1969): Has some curiosity value but not a great deal else.
Filly Brown (2012): Hip–hop fans may find the music segments interesting but it has little else to offer.
Interview, The (2014): As a black comedy – the hardest in the genre to do – it doesn't work.
Yellow Handkerchief, The (2008): A reasonable screenplay enhanced by Hurt's performance in particular.
Up in the Air (2009): The intelligent screenplay is at its best when Clooney and Kendrick are together although the small segment with JK Simmons is a gem. The film however climaxes too early and the final scenes lack steam.
Animals (2014): An unglamorous dramatisation that should deter rather than encourage drug taking.
Oscar and Lucinda (1998): Great to look at and a talented cast but not for the first time have I found this film failing to hold the attention.
Clinic, The (2010): Its okay but it doesn't really break any new ground – except for the odd grave or two.
Auggie Rose (2000): It is at all times watchable without being anything special.
Peanuts Movie, The (2015): With much loved characters like these how can it possibly fail?
Truth (2015): Cate does well however the screenplay is described as a drama and so you don't know if what you are being told is the truth or not which makes the whole exercise pointless. Truth or not the ending is crap.
Legend of Barney Thomson, The (2015): Although the screenplay weakens out and gets a bit over silly the performances of Emma T (outstanding), Carlyle, Winstone and Courtenay(in a small role) are well worth the time.
Bad Boys 2 (2003): There is the usual competent stunt work but how on earth can anyone justify 140 minutes of sameness scene after scene.
Waterworld (1995): Dennis Hopper is great.
Trespass Against Us (2016): Before I forget I thought Lyndsey Marshal did very well to hold her own against the talents of Fassbender and Gleeson. There is nothing wrong with the performances – especially from these three but the screenplay flatters to deceive.
Sully (2016): Although it is only a dramatisation it has the virtue of being low key and for the director it is short in length. The river scenes are beautifully shot and the special effects for the crash well done.
Frost/Nixon (2008): It takes a while to get the two together in this dramatisation mainly because I believe there are too many spare characters filling screen time. The interview segments are not too bad but overall its worth just watching Frank Langella.
Fletch (1985): Not too bad overall – there is a good comedy skit when Chevy ad libs an address of a convention audience.
Fitzcarraldo (1982): Whilst no film involving Kinski could be boring this one takes an hour to really get up steam with some of the riverboat scenes that follow unforgettable. The crews that built the jungle sets deserve special praise.
Madeline (1998): Hatty makes it good viewing for the youngsters but the always excellent Frances McDormand makes it worthwhile for the adults.
Gathering, The (2006): A better than average cast and the plot idea is okay but it disappointingly fails to deliver anything worthwhile.
Our Kind of Traitor (2016): Stellan Skarsgård is a bit too strong perhaps at times but the story is solidly enough told and performed.
Three Musketeers, The (1948): As a light retelling of the story it fails in comparison to the Richard Lester 1973 version. It is a bit long but Lana Turner enjoys herself and Vincent Price who does these kind of films in his sleep adds much needed interest to the characters.
Joseph and the Amazing Technicolor Dreamcoat (1999): The tunes are bland but at least as a performance it is not too long.
Blood for Dracula (1974): Not great but there is an underlying comedy theme which helps but the real difference is Kier – he lifts everything by a notch.
Glengarry Glen Ross (1992): Wouldn't have minded seeing a bit more of Jonathan Pryce but overall the characters were thin and uninteresting and the performances particularly from Pacino too hysterical.
Piaf: Her Story... Her Songs (2003): Its a format which works well in this case – a combination of documentary and musical numbers (Raquel has a great Piaf voice).
My Sister Eileen (1955): The screenplay padding with Lemmon doesn't amount to much but there are a couple of very good dance numbers.
Fast and the Furious, The (2001): Extremely exciting – it has set a pretty high standard for drag racing films.
Spirit of St. Louis (1957): The production values are very good but it is a pity it takes so long – and unfortunately there is no suspense because we all know how the story ends.
Queen of the Desert (2015): A condensing of the story telling may have helped – it may have had a sheik too many & the love interest wasn't really needed. Pattinson didn't look anything like Peter O'Toole. The saving grace was the gorgeous photography especially of the deserts.; DVD $19.95 | Blu-Ray $29.95
Red Sonja (1985): Pulpy and harmless – its not too long and its worth the time especially as a curiosity piece. The ladies have centre stage for once.
Nice Guys, The (2016): It is entertaining but confused in what kind of film it wants to be. The attempt at black comedy is commendable and nearly succeeds.
Gipsy Kings: Live at Kenwood House in London (2005): It includes both the daytime and then the night time concert. They are great ambassadors for flamenco.
Ocean's Thirteen (Ocean's 13) (2007): Nothing really happens for such a long time and all these hollywood stars are hanging around and being paid for doing very little. The whole thing just drags.
Merry Gentleman, The (2008): Kelly MacDonald is terrific and this is in no small way because Keaton as director and co performer recognises her as a good thing and gives her plenty of opportunity. There is little suspense in this low key drama but it is compact & has a great ending.
RV (Runaway Vacation) (2006): It lifts somewhat when the Jeff Daniels family arrives on the scene.
Meet the Fockers (2004): You can choose between a screaming kid or a humping dog as your highlight.
Rome (TV Series) (2005): Season 1: I thought the set designs were outstanding particularly those depicting the daily lives of the peasants. The screenplay is uneven but its very good at times. The cast is quality with Lindsay Duncan & Ciaran Hinds excelling.
Wall Street: Money Never Sleeps (Wall Street 2) (2010): The lengthy screenplay is not very interesting but its more interesting than the characters.
In the Valley of Elah (2007): It takes its time and doesn't really catch fire – it needs patience but is watchable. Unfortunately Susan Sarandon barely appears.
Dom Hemingway (2013): Jude Law's over the top performance doesn't help.
Jawbreaker (1998): Rose McGowan is never boring and in this she heads an attractive female cast. Its a reasonable attempt at black comedy.
Martins, The (2001): The male is an annoying twit but there are some very good segments around the always watchable Kathy Burke and Linda Bassett.
Guard, The (2010): It has one of the better scripts around but it still needs the right cast to deliver the goods. The pairing of Gleeson and Cheadle and also of Cunningham and Strong do deliver and with interest.
Shelter (2014): I've never seen Jennifer Connelly in a better performance (its gritty) and the love relationship, even with running noses, has an air of authenticity about it.
Touch of Pink (2004): It is all a bit familiar but still watchable and not too long.
Sideways (2004): As the screenplay is about two adult children killing time its very hard to get interested in characters who have nothing worthwhile to do.
O Brother, Where Art Thou? (2000): Screenplay is episodic & you could think that it was undertaken with a CD of the soundtrack in mind. The film is easy on the eye with sets & wardrobe commendable. Good performances from the leads but they are pushed aside by Goodman & Durning in support.
Honey, I Shrunk the Kids (1989): Its a very good screenplay and the special effects do a very good job.
Terminal, The (2004): They manage to drag a single joke (its a good one) out by an extra hour. The casting of Hanks is bizarre & must have been for commercial reasons – his understanding of English fluctuates but for Catherine Z to be attracted to him stretches things too far.
Hateful Eight, The (2015): This indulgence is a world apart from his classic. It just drags and gets boring. It loses a * because of the violence meted out to Jennifer.
Shadows (1959): It needs a bit of patience but his directing style grows on you.Some wonderful street scenes and the whole project should be preserved as a time capsule.
Mask You Live In, The (2015): It is well presented and is a more than worthy subject for a documentary. It is supported by some very worrying statistics.
Zootopia (2016): The animal characters are very well designed and animated.
Suicide Squad (2016): The plot of exchanging prison sentences for services rendered to the Government has been thrashed to death but it tries to vary the theme through the extensive use of special effects which helps a little.
Indignation (2016): The lead character spends half the film in bed – however the period set designs are well done.
Intolerable Cruelty (2003): The first segment was okay with Geoffrey Rush but then thats his lot. Billy Bob adds some interest but the whole thing crumples under the weight of the two piece suits and the make–up.
Sunset Limited, The (2011): Its important that some stage plays are captured on film. This one is a good choice.
Serious Charge (1959): It is a modest drama and a bit too long for its contents but its always good to see a bit of the 50's on film.
Neil Young - Journeys (2011): I enjoyed the music far more than the reminiscences.
Margaret Thatcher - The Long Walk to Finchley (2008): Considering the subject matter it is not too bad.
Great Buck Howard, The (2008): It doesn't quite work as well as it might – particularly with John Malkovich at the helm.
Rendition (2007): It is okay but it is all very familiar – just read the newspapers –there is no need to dramatise.
Enchanted (2007): Adams, Sarandon and Spall is a pretty useful cast. The squirrel (or whatever it is) heads some very good special effects.
Absolutely Fabulous: The Movie (2016): Very silly but enjoyable and I would think the cast enjoyed making it as well.
Irresistible (2006): The screenplay is mostly familiar but Susan Sarandon is compulsory viewing for me.; DVD $24.95
Woman in Black 2, The: Angel of Death (2014): There were some scenes shot in daylight and these looked okay. For the rest what a great way to keep down production costs.
Jason Bourne (2016): Excellent action sequences – it gives you the impression that the team have done it hundreds of time before.
Man in the Iron Mask, The (1998): A flat rendition of the classic story – it also has a lot of trouble finding a way to finish and it drags on. The costumes are fine.
Kill Your Friends (2015): Oh what a great idea! – and then suicide perhaps?
Hyena (2014): Gritty and unattractive. The lead casting is good with the talented Stephen Graham and Neil Maskell in support.
Don't Breathe (2016): Stephen Lang is fine – it has a reasonable plot.
Early Winter (2015): I had problems understanding Suzanne Clément's character's harsh dialect so the scenes at home were hard work. The scenes at the retirement home had some very good and gentle moments however.
Milk (2008): Even though its Gus Van Sant don't waste your time with this dramatisation – get the real story from the documentary "Times of Harvey Milk" (1984).
Ocean's Eleven (Ocean's 11) (2001)
Star Trek III - The Search for Spock (1984): The screenplay takes its time and lacks a bit of life at times but this episode does have Christopher Lloyd.
It Might Get Loud (2008): Its good to be able to listen in to talent chewing the fat supported by some interesting archival footage.; DVD ~~$20~~ $15
My Spy (My Mom's New Boyfriend) (2008): It starts off not too bad but it gets more sillier as it goes on. It is watchable however through the efforts of the attractive casting.
Derailed (2005): It failed to hold my attention – the characters were uninteresting and the plot routine.
Some Came Running (1958): Shirley Maclaine's performance and her character are head and shoulders above everybody and everything else. She lights up this otherwise stodgy dragging screenplay.
Free State of Jones (2016): Set designs & wardrobe are good but why did they make a 2 hr drama when a shorter documentary would have sufficed – the use of archival photos showed they had done the research – at least then you know the truth hasn't been dramatised.
Orphan (2009): These horror films should be about 80 mins. otherwise there is a problem maintaining the suspense. This one also needed to reign in the violence as its excess became a turn off.
Second Time Around, The (1961): A light comedy that you cannot dislike – Debbie is very good and stands up to the physical demands of the comedy very well.
Absolutely Anything (2015): Pegg is a good choice but the material does get a bit repetitive. However the animated characters breathe a bit of life into events when things start to lag.
Star Trek II - The Wrath of Khan (1982): A bit dated 35 years on but still watchable mainly because of the family of characters that was established in the TV series.
Valkyrie (2008): There is acting talent to burn here plus there is Tom Cruise. There was a chance to kill him off in the first scene but the talented Bernard Hill paid the price instead. Excellent production values.
Friends with Benefits (2011): Infantile
Bad Moms (2016): Its watchable as parts of it were okay but the comedy overall was forced – just like hearing false laughter at the boss's jokes.
Love & Friendship (Love and Friendship) (2016): It is heavy on dialogue which is heavy more than witty but the performances are fine and the wardrobe and set designs are spot on.
Orca (The Killer Whale) (1977): The Orca segments (literally) looked authentic. I found nothing wrong with Orca sticking its nose into other people's business (boats) and was a good way of getting the message across to those bastards that hunt whales.
Clash by Night (1952): The acting by a more than capable cast is fine and handle the screenplay – which is not too intricate – with ease.
Gnome-Mobile, The (1967): Karen Dotrice is very good as young Elizabeth and its always good to watch Richard Deacon. The screenplay is family orientated and enjoyable.
Timecop (1994): It is a very good SF plot scenario but as portrayed here it doesn't amount to much.
Equals (2015): I couldn't pick up all the dialogue from the murmurings and mumblings but the set designs seemed worthier of better material than a romance.
Meet the Robinsons (2007): Solid family entertainment with easy to understand animation.
Hunger Games: Mockingjay Part 2 (2015): Doesn't seem to get anywhere fast and seems to cover old ground – much too long.
Ben-Hur (2016): The slave galley scene was well done with James Cosmo taking charge but the chariot race stretched credibility. Most of the characters looked like Jesus Christ so the screenplay did get confusing but the wardrobe team did a good job throughout.
Siege, The (1998): Willis acts like a concrete post which leaves Denzel and Annette to get you through a standard hostage actioner. There are some street scenes used on location to add interest though.
Nerve (2016): Presumably it was made with the good intentions of dissuading teens not to follow suite.
Body Snatchers (1993): If you haven't seen its predecessors then you should really enjoy this version – if you have it is still worth a watch.
War Dogs (2016): It would really help to be a fan of Jonah Hill (who looks like a barrel on 2 legs) to enjoy this one – when he's on screen there is not much room for anything else.
Jeepers Creepers (2001): It has some good moments but its hard to come with original screenplay ideas in this genre.
Life Blood (Pearblossom) (2009): It doesn't take itself seriously – it is enjoyable trash. Nothing wrong with the soundtrack though.
Saint Jack (1979): Made on a Roger Corman budget it is a good example of economical film making. The great character actor Denholm Elliott leads the talented British support cast but this is Ben Gazzara's film. He has the slow burn down to a tee.
Throne of Blood (1957): While Mifune rants and raves (expertly I might add) Isuzu Yamada controls the world by barely moving her lips. The set designs,the locations,the photography and the weather are all wonderfully depressing.The death scene is pure art by the film makers.
Vertical Limit (2000): The falling off sides of mountains down thousands of feet looked convincing so well done to the stunt people – I hope you survived and that it wasn't your last job.
Two Jacks (2012): According to the "Making Of" there is no script which might explain the lack of excitement in the screenplay but Danny Huston is usually worth a watch.
Warlock (1959): Its an intelligent screenplay but it drags toward the end and would benefit from losing about 20 minutes. Widmark and Fonda are the pick of a fine cast.
My Bodyguard (1980): Adam Baldwin is good throughout even though the screenplay weakens out. The subplot with Ruth Gordon doesn't seem to go anywhere or maybe is forgotten about. Equally John Houseman pops in but thats about it for him.
James and the Giant Peach (1997): Joanna Lumley and Miriam Margolyes help to bolster the non–animated segments. The animation style is very suitable for a Roald Dahl's story.
Popstar: Never Stop Never Stopping (2016): I suspected it might have been intended as a mock–umentary – but the characters weren't that watchable.
Oasis: Supersonic (2016): Although the band members have a very limited knowledge of the English language the documentary overcomes this by using some archival film including concert footage.
Final Destination (2000): It has dated a bit 17 years on and not as good as the original viewing – mainly because the format of the screenplay is now familiar and the situations become predictable.
Showbands (TV Series) (2005): Its hard to dislike – although the screenplay is pretty predictable and familiar the delivery and selection of the musical numbers is spot on.
Transformers - Dark of the Moon (Transformers 3) (2011): The special effects are impressive. I don't know why they bothered including the human characters as the machines get all the best lines.
Triple 9 (2016): An attractive cast but its messy story telling.
Somewhere in Time (1980): Some nice photography. What a great way to save on production costs – you don't have to build a time machine just get your character to nod off.
Majestic, The (2001): The challenge is to swallow the screenplay & then to hang in for over two hours. What doesn't help is Carrey floundering in the lead even with some experienced actors in support. On the plus side the production values are good & there is some fine music.
Standing in the Shadows of Motown (2002)
Gattaca (1997): It has a very good sci–fi premise and the set designs are very good but the pace of the screenplay was stodgy and a real turn off.
Virgin Suicides, The (2000): I assume the director is trying to bring attention to teenage suicides – NZ had the highest rate in the developed world in 2016. I am unfamiliar with the novel but well done if she is. Kirsten Dunst is head & shoulders above the rest of the young cast.
Outsiders, The (1983): Most aspects of the film have dated 35 years on but it still has value as a time capsule. Great soundtrack.
Bad Girls From Valley High (A Fate Totally Worse Than Death) (2000): Its silly but still entertaining. Janet Leigh pops up but the real icing on the cake is the ever reliable Christopher Lloyd.
Shooter (2007): Barbara is as usual fine in this modest screenplay but the highlight is the stunning black and white photography.
All I Desire (1953): Barbara is as usual fine in this modest screenplay but the highlight is the stunning black and white photography.
Lions for Lambs (2007): The screenplay needs patience and is a good attempt but the worthiness of the subject matter is not helped by the casting of Cruise who is hard to take seriously.
Elvis & Nixon (Elvis and Nixon) (2016): Not a bad plot idea but its a bit flat in its presentation which is surprising considering the casting.
28 Days (1999): Possibly made with good intentions regarding rehab. Sandra is okay but what makes it watchable is very good supporting cast.
Date Night (2010): I saw this too early in the day to have a stiff drink but its harmless and it looks as if the cast enjoyed making it.
Big Sur (2013): The screenplay was a bit flat and difficult to follow at times but the location shooting was something else.
Everybody Wants Some! (2016): A good music score and some fresh faces but its just another college film with the usual immature characters.
November Man, The (2014): It belongs to the "once you've seen one you've seen them all" school. Segments in this film are familiar to those in other films.
Good Dinosaur, The (2015): A necessary starting point for animation films is to get the characters right first & in this the Pixar team is again successful. Its official dinosaurs are now appealing. Although the story line follows a familiar pattern the animation is spot on.
Sing Street (2016): It has good production values and attractive performances but the story line is a bit familiar and the music bland.; DVD ~~$20~~ $15
Pigeon Sat on a Branch Reflecting on Existence, A (2014): Would rate higher if its trilogy predecessors had not been seen first. His style is familiar from the first two films & it loses some impact in this the finale. Having said that this is still a must see as he's better than most directors on Planet Film.
7 Chinese Brothers (2015): Schwartzman is a little bit limited – even over 76 minutes – but this should appeal to any fans that he may have.
Dumbo (1941): A timeless classic for all ages. Its that good it gets away with some soppiness but this doesn't last long because the whole thing is done and dusted in an hour.
Meddler, The (2015): Susan Sarandon is a standout in this more than useful cast – without her (or a Sigourney perhaps) I suspect the meddling character would have been just irritating.
Just a Sigh (2013): Not a great deal happens in the screenplay and its a touch over long because of that – however Emmanuelle Devos makes it all worth it with a top notch performance.
Captain America: Civil War (2016): It goes on forever and if there was any original material I'm sorry that I wasn't alert enough to notice it.
X-Men: Apocalypse (2016): It soon got boring as it had little new to offer and it took a long time not doing it.
Sausage Party (2016): The animation was fine and fortunately the characters mumbled their dialogue.
Neon Demon, The (2016): Not sure what the purpose of the film was but its not boring but at the same time it fails to hold your attention.The script didn't come across as intelligent & some of the scenes were shot in the dark which I don't know if this was a blessing or not.
Kisses (2008)
Little Fockers (2010): There is a hint of comedy at times. Wilson perfectly cast as the irritating know all.
Now You See Me 2 (2016): I didn't too much of the original and this one is just as ordinary.
Green Room (2015): A first viewing didn't reveal anything special but based on other positive reviews will try again.
Florence Foster Jenkins (2016): The set designs, wardrobe and the production values overall are spot on. Its a great story with Meryl a delight and I hope history is kind to Florence Foster Jenkins.
Blossoms in the Dust (1941): It gets a bit soppy and preachy at times but the subject is an admirable one and Greer makes it all worth while.
Velvet Smooth (1975)
Adam Resurrected (2008): The screenplay was unappealing but the performances were worth the time.
Santa Clause, The (1994): Allen is a good grumpy Santa but I wish someone could have strangled the screeching kid.
Glass Chin (2014): A low key drama – which makes a nice change with no high body count etc. A good script that's been competently acted.
Get Santa (2014): The screenplay is always silly but gets a bit over silly toward the end. For the most part its very good however with Broadbent and Spall standing out.
An Education (2009): A straightforward plot but its well scripted and the casting is spot on. The ubiquitous and very adaptable Alfred Molina is a standout even with the quality of the other performers.
Van Diemen's Land (2009)
Childhood's End (TV Mini-series) (2015): Has an excellent story base – on a first viewing worthy of a second look.
Horsemen, The (1971): Some very good horsemanship and locations which are impressively filmed but there is little else.
Breaking a Monster (2015): It would help if you are a fan of the kind of noise the kids produce. There are some interesting aspects raised in the documentary about the management side of their affairs but its not exactly enthralling.
Sergeant York (1941): It gets a bit preachy at times but there are enough good bits that have held up after 75 years and Cooper does a good job throughout.
Blood Feast 2: All You Can Eat (2002): The meat is fresh but everything else is bad and wonderfully over the top.
Banning (1967): A flat performance from Wagner doesn't help but I found some interest in the period's set designs and wardrobe.
How to Train Your Dragon 2 (2014): It has very good animation and an entertaining story and characters.
You the Living (2007): Andersson's comedy is enhanced because it is set on a wonderful base of depression through its set designs (lack of or mundane furnishings), subdued lighting and bad weather. Tomorrow is another day.
Legend of Tarzan, The (2016): Christoph Waltz again does a good job as a villain but the special effects just about make everyone else redundant.
Good Hair (2009): It is a documentary and or a comedy with a bit of a difference. Both educative and entertaining.; DVD ~~$19.95~~ $14.95
Trouble With Sex, The (2005): Just the usual ups and downs of a couple in love – nothing important happens.
Sure Thing, The (1985): Light entertainment – a bit dated 30 years on but has some curiosity value.
Warcraft: The Beginning (2016): Far too long. Although the special effects are okay they have been done a million times before but as usual the make up department have done well as half the characters have dental issues.
Lights Out (2016): Has the usual reliance on loud noise effects to enhance its scariness – which is a cop out.
Faster (2010): Billy Bob must have been in between films.
Year One (2009)
Citizenfour (2014): The documentary has some mundane moments but overall its a worthwhile subject to bring to our attention. Well done to Messrs. Snowden and Greenwald and the film makers.; DVD $29.95
U-571 (2000): The screenplay wasn't too convincing. McConaughey didn't seem to be with us during this one. rn
Casino (1995): The beautiful photography aside the excess violence and the limited use of the English language soon gets tiresome then boring. You wish the characters would either grow up or sod off.
Scream 3 (2000): A combination of comedy and horror which works and doesn't work.
Summer of '42 (1971): The script and screenplay are very dated 45 years on and the boys get a bit tiresome. The soft photography (not pornography) is a plus though and the theme music a winner.
Signal, The (2014): Thwaites struggles a bit in his lead role but this is more than compensated for by the casting of Fishburne as Mr Cool. The screenplay is intelligent – it contains some violence but without overpowering the sci–fi aspects.
Conviction (2010)
Weiner (2016): Its starts off interesting enough with Weiner going out to bat for the "little man" in Congress but what follows is par for the political course and has been outrumped.
25 April (2015): Its a good way to freshen and add to our knowledge about the campaign and hopefully the animation approach will attract younger viewers.; DVD ~~$30~~ $22.50
Embrace (2016): Its good to highlight the dangers of the mental health issues which it does if you can tolerate the "my body" bits and the navel–gazing.
Scary Movie (2000): There is some reasonable comedy but its dragged down by an equal number of grubby segments – it seems confused as to which is its target audience.
Rumble in the Bronx (1996): There are Jackie Chan's stunts but little else.; DVD ~~$20~~ $15
Classic Artists: Jethro Tull (2006): Warts and all interviews which divulge details of their fallings out and mini breakups.
Air I Breathe, The (2007): Starts off well but gradually loses it by being maybe over ambitious. The flashy camera work doesn't help.
A Flickering Truth (2015): Is the project to restore these films worth it? Check out the faces of the audiences watching the Archive's travelling film show. Be beware of the philistines among us in our own society who throw things out and destroy history.
Nativity (2009): There is a very good adult cast centred around Martin Freeman but he lets the young performers have centre stage.
Kiss Before Dying, A (1956): The screenplay is unconvincing but there is a couple of moments of genuine suspense (50's style). Hunter looks ridiculous in glasses with a pipe so there is some comedy. The photography and the colour selection is very easy on the eye.
David Byrne: Ride, Rise, Roar (2010): A little bit of a difference to most other concert performances.
Tsotsi (2005)
Who Killed the Electric Car? (2005)
How To Save The World (2007)
Kiwi Flyer (2012): Aka "Derby Dogs". An excellent opening sequence and although the basic plot idea that follows has been done a million times it has been freshened up quite well. Inoffensive and good natured.
Breaker Morant (1979): Although it doesn't rate as well as "Paths of Glory" as far as courtroom dramatisations go its not too bad. The photography of the outside locations and the enactments are good with a cynical use of a military music score.
Ratchet & Clank (2016): The animation and the characters are watchable – the story is not great but okay.
One Chance (2013): The first third is very good but the screenplay then weakens out and gets melodramatic. Being shorter might have helped.
Some Kind of Wonderful (1987): The screenplay weakens out after five minutes which doesn't matter because nothing happens other than depicting some pleasant teenagers wasting time.
City Slickers 2 (The Legend of Curly's Gold) (1994): It doesn't quite have enough material for a full length film but its better than most sequels. The characters are still watchable and so are the desert locations.
Out for Justice (1991): There is no excuse for depicting violence against women.
Toy Soldiers (1991): A strange mix of adult violence and a "Boys Own" comic adventure. It gets a bit silly in parts. Louis Gossett Jr. and Denholm Elliott lend experience and stability to the performances.
Advanced Style (2014): "Young @ Heart" in rags. Its not as bad as it looks – its funnier than a lot of comedies thanks to the infectious Joie de vivre of these old ducks.
Magnificent Seven, The (2016): All this remake did was remind me of how old I am. I can't recall what the body count was in 1960 but I wouldn't mind betting that this one's main objective was to better it.
Premonition (2007): Sandra struggles a bit in this – the whole venture suffers and is a bit disjointed. Kate Nelligan in support is a very good actress and she looked a bit confused as well.
Stick (1985): You could have done a lot worse than this cast so overall the film should have delivered more than it did.
Concussion (2015): A documentary would have served this worthy subject better and then we wouldn't have had to put up with Smith's terrible accent.
Minions (2015): Excellent but more importantly very different characters add to its appeal.
Regression, The (2015): A reasonable plot idea but its hard to stand out in this crowded sub genre.
Vixen (1968): Although its very dated 50 years on it is still a worthy curiosity piece and is wonderfully racist.
Songs from the Second Floor (2000): One thing I learnt watching the films of one of the masters of visual comedy – Jacques Tati – was that it was necessary to pay attention to the little things and to those particularly in the background of a scene. Its likewise with this film.
Coming Out Under Fire (1994): One of the writers is the author of the book on which the documentary is based. I haven't read the book but I would say the documentary complements it very well and is an important social history document.; Poster (VG) $9.95
Land Before Time, The (1988): Excellent entertainment for all us kids.
Land Before Time 11: Invasion of the Tinysauruses (2004): Excellent entertainment for all us kids.
Joy (2015): It takes quite a while for it to get going and then really only meanders – flat overall and Jennifer not convincing.
Imperium (2016): It must have been dramatic because of all the F words.
Me Before You (2016): Emilia Clarke is endearing and worth it but with the exception of the talented Janet McTeer the other performances are below par. The screenplay is very ordinary and too long for what it has to offer.
Savage Grace (2007)
Missing Lynx, The (2008): Has the successful formula of entertaining characters and quality animation.
Neverending Story, The (1984): The set designs and the fantasy segments are terrific but it loses a star because of the kid's voice.
Conjuring 2, The (2016): Some of the horror segments if not entirely original looked promising but it shoots itself in the foot by going on for so long. You don't have to be an Einstein to know that the shorter the screenplay the easier it is to maintain suspense.
Conqueror, The (1956): Wayne looks ridiculous in a typical bullying performance including giving Susan Hayward a slap (instead of Maureen O'Hara for a change).
Two Moon Junction (1988): It doesn't have much of a screenplay and nothing really happens so it does well to fill in the time.
Krisha (2015): It needs the type of patience that is accorded to a Cassavete's film. The soundtrack has an integral part in the film.
Poor Cow (1967): Some wonderful (time capsule) working class scenes. On Carol's performance rested the film – she toughed it out incl. a few smacks across the chops. Loach went on to do better but many directors would have given their right arm for a start like this.
Earth Girls Are Easy (1988): There is a lot like but overall its uneven – Geena is very good as usual but it was at its best when the three males looked like traffic lights. There is a very good dance sequence.
Divorce Of Lady X (1939): Some good but not many street location shots but the rest is indoors so it relies on the script and performances – these are at their best early before the two leads fall in love with the usual silliness that follows.
Insidious (2010): There were elements of the screenplay that were promising but as with a number of modern horrors centre stage is taken by noisy sound effects to "enhance" the scariness – but proves more of a distraction.; DVD $14.95
Broken Hallelujah (2014): Over ambitious for its length.
National Bird: Drone Wars (2016): Bastards – file under crime.
Go-Getter, The (2007)
Rust and Bone (2012): It has a disability theme but the sentimentality has a raw edge.Matthias plays a male animal & has more screen time (his fight scenes are extremely well produced) but Marion is one of those actors who doesn't need a script to steal a scene.
Inside Out: The People's Art Project (2013): An interesting project but the documentary wasn't as effective or attention grabbing as it should have been.
1408 (2007): Cusack makes it watchable but its all been done before give or take a scream or two.
Classic Albums - Fleetwood Mac (Rumours) (1997): It is a genuine classic album. Informative commentary from the band members.This documentary highlighted for me how much Christine McVie was underrated and overshadowed.
Trading Places (1983): Although the plot scenario is old hat it is still an enjoyable watch with Dan Aykroyd excelling.
Austin Powers in Goldmember (2002)
Last Wagon, The (1956): Has a slow pace but looks good photographically. The screenplay is modest but watchable.
Performance (1970): A film of two halves – the first half is best and belongs to Fox. The second half in Jagger's pad is more memorable however. Overall a bit messy but innovative & it is one of those films that can be seen again from time to time.
Mary Shelley's Frankenstein (1994): The set designs are well done and the make up team deserve a pat on the back.The pace of the story is hindered by too much gawking into other people's eyes and too much pontificating.
Horror Hotel (The City of the Dead) (1960): Some good atmospherics and it also has Patricia Jessel's laugh.
In the Cut (2003): This looks like it has suffered in the editing room – the story telling is uneven and Jennifer and Kevin's characters keep getting lost.
Child Of God (2013): There is some great photography, a wonderful soundtrack and a good lead performance but at the end of the day the screenplay doesn't hold the attention even with his odd choice of girlfriends.; DVD $24.95
Night of the Living Dead (1968): Its still watchable after 50 years which in itself is something to be proud of.
I Know You Know (2008)
Dying Breed (2008): As usual with these it starts of promisingly but then goes down a well beaten track which is some accomplishment in the wilderness.
Persepolis (2007): The use of animation greatly assists this story of growing up and living in Iran by sharpening its satirical edge. The story has two memorable characters in the revolutionary child and the ageless grandmother.
Zoom - Academy for Superheroes (2006): Uneven but there will be something in it for most people – super hero fans or Tim Allen fans or cutie little girl fans etc.
Whiskey Tango Foxtrot (2016): There are several war journalist movies now – Tina Fey makes this one watchable.
Where to Invade Next (2015): An entertaining foreign ramble by I believe a lower key than normal (older) Michael Moore. Its not hard hitting but he raises to some good comparisons with his homeland.
Boy (2010): It plays well for a while but it really doesn't have enough substance or originality to see out the distance.; DVD ~~$20~~ $15
Painters Painting (1973): A painting of a can of beans is a work of honesty in comparison to the abstract works displayed and discussed in this documentary.
Candyman (1992)
Long Kiss Goodnight, The (1996): The screenplay is uneven – some restraint in the machine gun fire would have helped – but Gina rises above it – there is a pretty strong supporting cast.
Lady from Shanghai (1948): What is good is very good with the highlights being courtroom scene plus the different uses of the black & white photography. Rita looking poo–eyed into Welles's eyes looks ridiculous but there are good performances from Everett Sloane & Glenn Anders.
Last Night (2010): I kept getting the males mixed up – these unshaven wonders all look alike.
Tumbledown (2015): I don't see the point of making stuff like this – nothing happens and it doesn't go anywhere – a waste of Rebecca's time.
Teenage Mutant Ninja Turtles (1990): I don't think it could make up its mind the age of its audience it wanted to appeal to so it covered a few bases.
Red Riding Hood (2011): Twilight was boring and except for some nice photography this sequel is no better.
Yes, Giorgio (1982): The singing is not too bad but the romantic pursuit is very unconvincing – some of the other padding is okay though.
Jungle Book, The (2016): The animation is very lifelike and it looks capable of giving the human actors the permanent move over.
Hidden Fortress (1958): The comedic theme helps sustain its running time. I will remember most the physical demands placed on the peasant couple; the action shots of the horses & horsemanship & the wonderful panoramic views (which are used sparingly).
Shrink (2009): You wouldn't expect films about psychiatrists to be interesting but at least Spacey makes this watchable.
Tangled (2010): The animation is not spectacular but does its job in the telling of this at times amusing tale.
Kids World (1999): It has a serious touch in regards to epilepsy but otherwise it is an enjoyable fantasy. I will watch Christopher Lloyd anytime.
St. Vincent (2014): Verges on soppiness but doesn't quite get there. The characters are interesting & the performances are good enough not to be upstaged by a well cast Murray. McCarthy a surprise but its the kid's performance that could have ruined the film but doesn't.
Mighty, The (Freak the Mighty) (1997): It doesn't quite avoid sentimentality but its mostly forgiven because of the performances. The kids are good but there is a very competent adult cast in Anderson, Stone, Gandolfini,Stanton, Loaf et al.Terrific soundtrack.
Death to Smoochy (2002): I really don't know what the talented Catherine Keener is doing in this.
Happy Gilmore (1996): Its unnecessarily crude in parts which hinders one's appreciation of the passable comedy segments that follow.
Talk of Angels (1999): Good production values but the story telling is stodgy and is not helped by the romantic bits.
3:10 To Yuma (2007): Crowe is convincing in this one. In between the mayhem there are quite a number of pontification segments but in the end the body count gets out of hand and is just plain silly.
5 Days Of War (2011): Journalists caught in the crossfire has been dramatised much better in earlier conflicts – has usual murdering of civilians included to shock audience.
Miss You Already (2015): An interesting mix of a cast. This bitter sweet screenplay would not have worked without very careful direction – it must have been borderline at times – particularly at the end but it wasn't dragged out too long.
Mansfield Park (1999): As expected the set designs, wardrobe and performances are spot on. The screenplay adaptation is interesting and has a real crack at the British involvement in the slave trade – well done for that.
Born to Dance (2015): The screenplay has all been done before several times and the cast, particularly the male lead, haven't been selected for their acting ability so I would have just made a dance documentary instead.
Fathers and Daughters (2015): Another uplifting story about a medical condition but Amanda is as usual watchable.
Keanu (2016): A passable action comedy from another odd ball pairing – at least the kitten scenario was fresh.
Good People (2014): Not a particularly original screenplay but the quality of the casting makes it worthwhile.
Stop-Loss (2008): The screenplay suggests the film had worthwhile intentions and was not made just for commercial reasons. Although Tatum and Phillippe are never going to set the screen alight they give passable performances in this one.
Independent, The (2000): It crams quite a bit into 80 mins. – not all of it works but I suspect its one of those films that will stand repeated viewings and where you can pick up stuff you missed before.
Nightmare on Elm Street, A (2010): They've admitted to running out of fresh ideas in this genre by recycling the originals.
Shallows, The (2016): Mind bending originality in the screenplay.
Crash Dive (1943): Usual romantic padding as filler in between some watchable action sequences.
Human Stain, The (2003): Hopkins and Kidman are not romantic role actors – they are much more talented than that. Ed Harris comes out best. The flashbacks don't help the continuity of the story telling.
Hollywoodland (2006): The screenplay doesn't take off. Brody has done better elsewhere and Diane Lane and Bob Hoskins we could have had more of.; Blu-Ray $29.95
Hollywood Homicide (2003): Its watchable but there is nothing memorable about it.
Female Agents (Les femmes de l'ombre) (2008): Putting aside the Dirty "Dozen" scenario and the beauty pageant on show the screenplay is very unconvincing except for commercial purposes.; DVD ~~$15~~ $11.25
Allegiant (2016): Some of the set designs and gadgetry look good but I would think this addition to the series will again satisfy action fans more than Sci– fi fans.
Two Lovers (2008): Because nothing happens it needs patience but it is very well done.
Bastille Day (2016): The first couple of scenes were the best – a nice twist to the story and then a chase over the rooftops – but routine after that.
Macbeth (2015): Couldn't make out much of what was said so it was hard to maintain an interest. The slow motion throat cutting was objectionable and unnecessary. Nice landscape photography.
Wildflower (1991): An interesting story with good performances from Arquette and Witherspoon.
Eye in the Sky (2015): Didn't seem to have much originality to the screenplay – its familiar ground. I don't know why you need the talents of Mirren and Rickman (and others) for this kind of stuff.
Auntie Mame (1958): A tour de force from Auntie Mame aka Rosalind Russell aided by the wonderful Fred Clark et al. The screenplay is very good but goes on too long.
Two For The Seesaw (1962): He's a fine actor but I don't think Mitchum is a romantic although he does slug Shirley across the chops. Shirley is terrific in everything she does (including slugging Mitchum back) and so are the wonderful shots of the streets.
Zoolander (2001): The casting of Stiller and Wilson are the biggest hint at the standard of comedy to be expected and it doesn't disappoint.
Dambusters, The (Dam Busters, The) (1954): With such a rousing musical accompaniment the dam busters had to succeed & it could be forgiven for being used as a final farewell as Richard Todd walks into the sunset. An intelligent low key film that gives equal coverage to what preceded the raid.; DVD ~~$19.95~~ $14.95
Captain Kidd (1945): A watchable yarn played by a more than interesting cast headed by one of the best.
Bigger Splash, A (2015): As is usual with films only involving hedonistic characters the characters become tiresome very quickly. However I will watch Tilda any time.
Billy (2011): Billy T is not NZ's greatest ever comedian but this is a good attempt at imitating his performances.
Drowning Pool, The (1976): A typical private eye drama from the 70's – but it doesn't really take off.
Attila Marcel (2013): Delightful and off beat with an excellent use of colours and musical segments.Loved the set design for Madame Proust's apartment and the originality of the lead character. The odd ball symmetrical aunts are great in support.
An Unfinished Life (2005): The segments involving Jennifer and Josh are routine but it works better when Redford (he's not bad in this one) & Freeman are fighting it out. But what really holds it together is the performance of young Griff Gilkyson who more than holds her own.
Cape Fear (1991): De Niro's character is way over the top and ruins the film – he might have been out to enjoy himself or was going for an oscar but its surprising the master director didn't reign him in.; DVD ~~$19.95~~ $14.95
Meet the Parents (2000): Provided you don't mind Stiller the early parts are watchable but it just gets sillier and collapses toward the end.
Terms of Endearment (1983): Whilst the screenplay is nothing to write home about the script makes you cringe at times. Debra Winger rises above the ashes and gives the best performance.; DVD ~~$19.95~~ $14.95
River Wild, The (1994): Whilst the screenplay doesn't have all that much to offer in originality and it treads water at times there is some beautiful location scenery. The acting talent available exceeds the requirements.
Dolores Claiborne (1995): The story telling is unnecessarily convoluted but the highlight is the sparring matches Kathy has with the rest of the talented cast – she has a different look for each of them & its a master class. Ellen Muth does well as the vulnerable younger Jennifer.
Barquero (1970): There has to be interest in a cast which includes Van Cleef and Oates with John Davis Chandler lurking around as well. Its a bit overlong for what the screenplay has to offer but the photography is easy on the eye.
Tangerine (2015): Everyone is a bitch. Sin–Dee (Cinderella) does her impression of Run Lola Run dragging another hoe behind her/him through streets that the film maker seems to have no control over. Its a scene typical of this hoot of a bitter sweet comedy.
Small Soldiers (1998): The soldiers were very good (and different) but the male kid was a bit annoying.
Presumed Innocent (1990): A very good screenplay but it milks out every minute for all its worth. Perfect casting of the lead to achieve this.
Citizen Khan (TV Series) (2012): It takes a couple of episodes to get used to the rhythm and the format is over familiar. However there are some witty one liners and its good that they can take the piss out of themselves.
Used People (1992): The screenplay was a bit frothy but its a superb female cast – whatever attracted them to this ensemble I don't know but we should be grateful.
Shooting Lily (1996): A mildly interesting concept – at least its not too long.
Rhapsody in Blue (1945): Should have been made only as a musical as it shoots itself in the foot with the bits in between the musical numbers – although Alda does do a good job.
Two Bits (1995): For the most part its a very good script with some humorous moments.
Take a Hard Ride (1975): A competently made western with more than a competent cast.
Arabian Adventure (1979): The highlight is the wonderful out of date special effects.
Song for a Raggy Boy (2003): The performances are fine and that of Iain Glen unnervingly so.There is nothing complicated about the screenplay but it tends to get a bit over dramatic toward the end. The sets aided by the miserable weather are appropriately depressing.
South Park: Bigger, Longer and Uncut (1999): The rat a tat dialogue was hard to make out which is probably just as well and the animation style is pretty basic.
Little Men (2016): I couldn't find anything in the screenplay to get excited about.
Christine (1983): You really do cheer for the car – anything to get rid of some of these characters.
Flightplan (2005): The screenplay gets sillier and sillier as it progresses and Jodie's over intense performance doesn't help.
Keeping the Faith (2000): The premise is fragile from the start and breaks long before the end which is too long in coming. Stiller and Norton don't have the ability to carry it through. Wallach and Bancroft are a welcome relief in their small parts.
Incendies (2010): A challenging multi layered screenplay with a terrific performance from Lubna Azabal. It portrays the lack of tolerance & hate that accompanies many religions & highlights the vulnerability of the women & children.
Robocop 3 (1993): There is a light touch running through most of its length which helps. John Castle the fine British actor (mainly TV in recent years) adds quality.
Project X (2012): Puerile.
Dinner for Schmucks (2010): If you are a Carell fan it will enhance your chances of enjoying this mild comedy tenfold.
German Doctor, The (2013): Aka "Wakolda". Although its not always possible to determine the truth from events that are dramatised – this is an interesting and well produced story – the acting is very good and the locale beautiful.
Tango and Cash (1989): Nifty title but not much else. Yelling and shouting replaces dramatic acting.
Goods, The: Live Hard Sell Hard (2009): Its not a bad plot scenario with the odd not so grubby script line but at the end of the day its hard to make car sales people funny – as an animal they just haven't earned any sympathy.
Spawn (1997): It doesn't look as expensively made as many other comic adaptations but its one of the more enjoyable ones.It also doesn't appear to take itself seriously which helps.
Brooklyn (2015): The period props and wardrobe are spot on. An understated performance from Ronan works well. The best scenes are those with Julie Walters in the boarding house.
Vampire Lovers (1970): These Hammer horrors are timeless – they are not perfect but they can never be boring.
Retribution (2006): It's not just the spookiness that works – the shooting locations in run down industrial areas are utterly depressing & add to the mood of the film.The locations are not the only thing that are run down – so is the lead character well played by Yakusho.
Mummy, The - Tomb of the Dragon Emperor (2008): More of the same with the make–up people doing a good job.
Hardcore Henry (2015): Because of the way the camera is set up it locks itself into a one joke scenario for an hour and a half. Its not a waste of time however – as well as the senseless violence there is some originality.
Restless (2011): The first half is better than the second – although Mia does well throughout. Because of the later "Fault in our Stars" this story line has now been thrashed and it doesn't stand up to a second viewing.
Lou Reed - Rock and Roll Heart (1998): A really well balanced documentary comprising music and interviews. The interviewees whilst pro Reed are not the arse licking type. Plenty of performance archival footage.
Switch, The (2010): Good to have Juliette Lewis and Jeff Goldblum in support but the material is very light and hardly worth the trouble.
Counselor, The (2013): Has a good director and the talents of Michael Fassbender as its lead but for some reason, except for the odd segment here and there, it just doesn't work. I wish it did for the Director's sake.
Big Game (2014): Once I realised the director was also the one responsible for "Rare Exports – a Christmas Tale" this unbelievable screenplay started to make "sense". Enjoy.; DVD $24.95 | Blu-Ray $29.95
Bad Neighbours 2 (Neighbors 2: Sorority Rising) (2016): I'm tempted to say that it is a good example of the standard of comedy written today.
Money Monster (2016): It all got a bit silly and a shame that an acting talent like Dominic West was wasted.
Gorgon, The (1964): A bit stodgy in its telling but there is always interest in the basic premise and in the master horror actors Peter Cushing and Christopher Lee.; DVD ~~$15~~ $11.25
Carer, The (2016): The dramatic foul language grates after a short while but other than that its well done.
Witch, The (2015): Its more suspense than horror and its low key, its used sparingly and therefore is more effective.
View from the Top (2003): Pleasant enough but the only real stand out are the Mike Myers segments.
Battle of the Bulge (1965): The best thing about it is that it gives equal screen time to both sides so its not really a propaganda exercise but it does cause its length to blow out.
RED (R.E.D.) (2010): I bet the cast enjoyed making it – it had that "end of the working year" feel to it when your are winding down – even the violence although enacted with gusto seemed slightly apologetic. For those who watch it though its no more than light entertainment
Redbelt (2008): Not sure it knew which type of film it wanted to be – a mixture of a cast from those who have proven acting talent to those who are the real thing in martial arts – screenplay is not original but its intentions to portray MMA in a good light are sincere.
Bride and Prejudice (2004): Henderson is dead in the water. The screenplay is fluff but as with a number of Bollywood productions they have the musical numbers down pat and make it all well worthwhile.
Time Machine, The (2002): Pearce is not convincing & he's in every scene. The highlights are the set designs & wardrobe of the Victorian period. However once they leave the Victorian settings the screenplay becomes less interesting & may even go off the rails.
Skyline (2010): I thought Eric Balfour was pretty useless and the screenplay was little different from other alien invasions that we have had – it also owed a debt to King Kong. But thumbs up to the special effects team.
Spring Breakers (2012): The opening scenes are infantile and when Franco enters the story it becomes rubbish thereafter.; DVD $14.95
Roxanne (1987): A minor comedy – no memorable scenes but its watchable.
Hudsucker Proxy, The (1994): The first half hour is very strong – the set designs and wardrobe impressive. The screenplay loses a bit of impetus after that except for segments here and there.; DVD ~~$25~~ $18.75
Mother's Day (2016): With all due respect to mothers everywhere I didn't think much of this film – you deserve better.
Grand Hotel (1932): Some of it has dated 80 years on but the whole package is still worth it. Its a good screenplay and its hard to dislike any of it. Some memorably over dramatic acting helps.
Beatles, The: Eight Days a Week (2016): Although the music helps – to produce another documentary about a previously well documented band and to make it interesting is some achievement.
Jerk, The (1980): It doesn't all work but the parts that do aren't too bad.
Dead Men Don't Wear Plaid (1982): You will probably know after five minutes whether the style and formatting of the film and/or Martin's performance appeals. Beautifully shot in black and white.
Election (1999): The performances of the spot on cast do justice to the excellent screenplay – with Reese scoring eleven out of ten.; DVD ~~$25~~ $18.75
Coach Carter (2005): It is another basketball film with a pontificating coach but not all basketball films have Samuel L Jackson. However all his good work is undone by the film being at least a half hour too long.
Little Odessa (1994): The screenplay doesn't quite work but it gets close and there is compensation to be found in the lack of all round glamour. Vanessa doesn't have a great deal to do but Roth and Schell are fine.The music score is suitably depressing.
Goodbye Girl, The (1977): The first half is very similar to the Odd Couple so the screenplay loses some effectiveness. The second half reduces to a romance.
Criminal (2016): Costner had trouble speaking properly – he might have had a cold. The screenplay was familiar and this could be a remake. The violence, including funny one liners before dispatching someone, just gets tiresome.
Annie Hall (1977): Allen's enunciation is not good at times. Again when Director he takes on a romantic role – I assume the ladies are allowed a stand–in. One star for the location shooting and one for as always the great Diane Keaton.
Snake Eyes (1998): More hysteria from Cage gives the film no chance of succeeding. Surely they must have known when casting him what would happen(?)
Tickled (2016): It played like a spoof comedy and I lost interest before the half way point.
Ghostbusters (2016): Have mixed feelings about this – its biggest handicap was the familiarity of the plot – but the ladies do a good job and so do the special effects team & it is enjoyable for the most part.
Mister Roberts (1955): For the most part its a good screenplay with some good comedy but it weakens out toward the end. Fonda holds the film together extremely well with William Powell good in a minor role.
Three Wise Cousins (2016): An ineffectual comedy – but it is inoffensive and watchable.; DVD $19.95 | Blu-Ray $24.95
City of Gold (2015): Although Gold looks to be a nice chap it's yet another food documentary. The food that's served up reminds me of the dresses you can't wear in the fashion industry and the bullshit surrounding abstract art.
Hannie Caulder (1971): As with most westerns the baddies add the most interest – in this case Elam, Martin and Borgnine.
Abraham Lincoln: Vampire Hunter (2012): Tim Burton is involved in the production and his mark shows through at times – some of the set designs are interesting but there is not too much else to distinguish it from other modern vampire horrors.
Grown-Ups (1980): An excellent example of a bitter sweet comedy – a type of film at which Mr. Leigh excels. Brenda Blethyn is unforgettable as she takes all the stops out.
Who's Who (1978): A lovely way to take the piss out of the English class system.
Lady and the Tramp 2: Scamp's Adventure (2000): Adequate only follow up to the classic original but still worth watching.
Time Out of Mind (2014): Its overlong and this reduced the impact of the screenplay which tended to drag as a consequence.
Sacrifice, The (1986): Takes its time. The photography – particularly the long shots – on the exterior scenes is memorable. The screenplay is unusual & needs patience. The house fire scene is impressive. The bonus is a "Making Of" & also about the Director just before he died
Dough (2015): An above average cast – the screenplay has some good early moments but falls away.
Southpaw (2015): The boxing action is well handled and the make up department do a great job. Soft ending.
Easy A (2010): You feel like asking talents Clarkson and Tucci what they saw in this film to take it on. Their reply would have inspired the title.
Kiss of Death, The (1977): I have always rated Chris Walken's smile as the most chilling on film but Threlfall's laugh is disturbing. A "Kiss of Death" Part 2 would have been interesting to see what road is character took. Kay Adshead is also terrific.
Nuts in May (1976): Whilst maybe not empathising you can still relate to the two leads and the situations they find themselves in – and that's the key to this comedy gem. The two lead performances are perfect.
Mouse Hunt (1998): If its honouring Greenaway, Burton and Gilliam it has succeeded. Very good special effects add to the mayhem.
Prince and the Pauper (1937): A very good adaptation of this fine story – Claude Rains is well cast as the villain.
Personal Best (1982): It couldn't make up its mind what kind of a film it wanted to be. The athletic action is good . Introduces an unnecessary character in a water polo player – two of his scenes are infantile – & it delays the athletic action which has a soppy ending.
Murder She Said (1961): Some British Rail nostalgia. The plot is very good and the performance highlights are the "interaction" between Margaret R and James R–J.
Jim: The James Foley Story (2016): Some interesting bits but it drags mostly – not many surprises.
Life (1999): The two leads are in good form and the period details are well done.
Picture Perfect (1997): Jay Mohr wasn't very good but its not a bad support cast with Olympia Dukakis and Illeana Douglas. Another rom/com.
Victor Victoria (1982): The musical side was a bit ordinary. The plot was overlong but had some good comedic moments. Lesley Ann Warren enjoys herself.
Cimarron (1931): The acting is dated 80 plus years on but the set designs in the land rush scenes and those of the boom town are excellent.
Getaway, The (1972): The exterior locations were well done.Throughout the film there were some good segments but overall it needed a bit of restraint in the violence department and length. Have reduced the rating because of the unnecessary violence against the women.
Can't Hardly Wait (1998): Ordinary script even for the genre – one good dance scene – has trouble finding an ending.
Pitch Perfect (2012): What lets this down is the music – the tunes are so bland – its a pity because there is some entertainment value in the female cast.
Reap the Wild Wind (1942): There are some good segments scattered throughout – Raymond Massey head and shoulders above the rest.; DVD ~~$15~~ $11.25
Kids (1995): The screenplay looks pretty authentic. It raises the issues of Kids at a loose end, trying to fill in the days & nights, staying together for protection.Chloe is terrific but even after 2 viewings I still can't describe Leo Fitzpatrick's character.
Walking the Camino (Six Ways to Santiago) (2013): A relaxing viewing – good scenery and the music isn't too bad.
Centurion (2010): Based on the body count its surprising that any of us have ancestors. The killing was done either to shock or impress the audience & although it wasn't necessary to have such a talented cast to do that at least it was done on an equal opportunities basis
Crimson Peak (2015): Good production values but the screenplay doesn't have a great deal to distinguish it from others in the sub–genre.
Million Dollar Duck (1971): Sandy Duncan does well – the consistent James Gregory is in support but Joe Flynn steals every scene he's in and especially the excellent swimming pool scene.
Snows of Kilimanjaro, The (1952): Peck's character is dying which suits his acting style but its hard to determine how far rigor mortis has set in. The plot loses a star for its blood sport loving characters – Hayward has nothing to do so she says she will go out and shoot some wildlife.
Pride and Prejudice and Zombies (2016): Well produced and some fresh aspects to the screenplay for a zombie comedy/horror but a bit overlong for what it has to offer.
Mahana (2016): The script gets a bit preachy at times but the period wardrobe, props and set designs look to be spot on.; DVD ~~$19.95~~ $14.95
Love Happens (2009): When the climax finally arrives its dreadfully soppy (or comical) but you are given plenty of time to recover while waiting for the ending to arrive.
Law Abiding Citizen (2009): Some of the violence is overdone and some of it is just plain silly. An uneven performance from Butler doesn't help.
Mississippi Grind (2015): A straightforward drama that doesn't have much originality but needless to say has a terrific bluesy soundtrack.; DVD $14.95 | Blu-Ray ~~$19.95~~ $10
How to Be Single (2016): A few "Oh My Gods" establish its credentials as a comedy.
Bridget Jones: The Edge of Reason (2004): Although there is a different plot to the original both depend on the same characters so there is a "sameness" that is hanging around the neck of this sequel – it is watchable but Renee's character does mumble unfortunately.
Hello, My Name is Doris (2015): I'm not a Sally Field fan but she does extremely well with this and makes a not so strong screenplay watchable.
Postman Always Rings Twice (1946): It was interesting that Lana was dressed in white for most of this black and white drama – she shone and performed well also. A good screenplay with Hume Cronyn the standout as a weasel lawyer.
Huntsman, The: Winter's War (2016): If you haven't seen many violent fantasy films then this should appeal with this strong female cast and good special effects – however if you have then its business as usual.
Eddie the Eagle (2016): Entertaining and hard to dislike – the ski jumping scenes are well done. The adaptable Tim McInnery portrays the British upper class twits very well.
East of Eden (1955): The set designs are commendable but the screenplay is ruined by Dean – who can't act and is embarrassing. Raymond Massey is as solid as ever though as is Burl Ives who pops up now and again.
Slipstream (Slipstream Dream) (2007): I found this more watchable when I stopped trying to follow the plot – if nothing else at least John Turturro enjoyed himself.
Time of the Gypsies (1990): The first half is strongest but at all times it is never boring nor predictable.The off beat comedic moments are gems. I don't know how truly it represents gypsy life from the period but hopefully the typical male was not as mercenary as these characters
Anger Management (2003): Sandler is not too bad in this plus there is a very talented support/cameo cast in Tomei, Turturro, Stanton etc. The plot idea is fine but it doesn't last out the running time.
Lisa and the Devil (1972): It's not that good but it has a certain appeal through its corny acting and its general look.
Kings Row (1942): I thought Cummings was a bit wishy washy which didn't help my viewing as his was the main character on which the film depends. However there were some good performances from Ann Sheridan (she glows) & old hands Rains and Coburn. The black & white helps.
Gods of Egypt (2016): The special effects are superb – as for the rest of it there is nothing to comment on.
Marguerite (2015): A bit of an "Emperor's New Clothes" scenario. The screenplay, set designs and wardrobe are excellent but above all so is Catherine Frot in the title role – she gleams. Her supporting cast are fine but that is all they are as she is that good.
Love and Other Disasters (2007): It really doesn't amount to much despite the useful cast.
Deep Web (2015): Very good and interesting overall although some of the technological terminology was a bit complicated for those of us who used a quill at school. Must be a "Deep Web 2" considering the miscarriage of justice.
Prince Valiant (1954): The best bits are in the early panoramic water scenes before the humans get involved – when they do there is plenty of rattling of tin as the knights joust and fight.
Failure to Launch (2006): Its watchable because of the cast but what a waste of talent with this froth.
Punisher, The (2004): Doesn't really add anything new to the violent action sub–genre.
Point Break (1991): A good sky diving scene. The action scenes were well done but Keanu under done.
Passenger 57 (1993): It has a laughable plot that stretches credibility.
Camille (1937): Garbo and Daniell do very well – Taylor a bit out of his class. A watchable melodrama.
Pearl Harbour (2001): Far too long and very boring. Could be used as a punishment.
We Own the Night (2007): The early "Heart of Glass" scene is the best but it doesn't really work after that and its hard to work out why it doesn't.
Roger Waters: The Wall (2014): Multi award winner for its stage production and you can see why. Building walls around ourselves and our possessions is the Message here & it applies to all of us from common people to presidents.
Contraband (2012): Routine actioner – the only real interest was in the casting against type of J.K Simmons.
Noma: My Perfect Storm (2015): I thought we had run out of cooks and restaurants to make documentaries about. This one is a bit different though through its use of colourful language which would be more appropriate in a fish and chip shop.
Undefeated (2011): Reasonably interesting but not too different from other underdog sports documentaries.; DVD ~~$29.95~~ $19.95
Teahouse of the August Moon, The (1956): Provided it didn't upset the Japanese nation the screenplay is good & script humorous.Morgan is underused but this is Paul Ford's film – his character is not overexposed but has enough screen time to display some endearing behaviour of the officer class
Sin City: A Dame to Kill For (2014): The film is great to look at (with the street scenes outstanding) but by having an excess of violence in the screenplay it loses some of its effectiveness and comes back to the pack.
Mavis! (2015): Follows the standard format for a documentary about the life and times of a musical performer(/activist). At only 80 minutes it may not do justice to some areas considering her lengthy career and because she worked with some other greats.
Grandma (2015): Lily does well as usual and has Marcia Gay Harden to cross words with but these two deserved a better script. The screenplay was nothing to write home about.
To Rome with Love (2012): As "Vicky Cristina Barcelona" (2008) did for Barcelona we see the shinier parts of Rome. Benigni takes care of the comedy.
Stanford Prison Experiment, The (2015): The dramatisation may or may not have reflected what went on at Stanford but this screenplay became quite repetitive and it failed to hold interest – an hour and a bit should have been sufficient to make its point.
Better Living Through Chemistry (2014): The comedy is not sophisticated and as a mature adult I found it tiresome after a few scenes.
Two Weeks Notice (2002): Amiable comedy with the leads working well off each other – harmless.
Addams Family, The (1991): The spot on casting of Lloyd, Ricci and Huston make this a winner even if some of the screenplay is over dependant on gimmicks. The make up department do an excellent job on all the cast.
Splendour in the Grass (1961): Natalie does well & I liked the performances of Audrey Christie & Martine Bartlett. The screenplay is uneven but you do get a feel for the sexual mores.There are some very worthwhile scenes which warrant a viewing. Set designs & wardrobe are commendable.
My Big Fat Greek Wedding 2 (2016): 14 years between films – they must have thought hard and long about it.
Secret in Their Eyes (2015): Its a while since I saw the original but I think this version falls into the ordinary basket in comparison.
33, The (2015): Every true event has to be dramatised at the expense of some of the truth. A bit of dust on the miners would have helped.
Man from Laramie, The (1955): Although its in the hands of a competent western director I get tired of western leading men (e.g. Stewart and Wayne) being from the goodie goodie school – its a pity because this has a good compact story with Arthur Kennedy in support.
Horse Whisperer, The (1998): Because there is no plot to speak of its left to Kristin and the Montana scenery to carry it through but as the hours pass even they wilt. Some good old slow motion action scenes contribute to the excitement.
Pompeii (2014): We really didn't need another one of these. The only point of interest was whether Kiefer could maintain his accent.
Left Handed Gun, The (1958): As a character study it doesn't go to any great depth. The screenplay is a bit stagey and Newman gets the dramatics at times. The set design of the town is well done and the black and white photography is easy on the eye.
Batman vs. Superman: Dawn of Justice (2016): Two and a half hours of violence and special effects. Talented actors Irons and Hunter only have cameos and their names are probably used for marketing purposes.
Shackleton's Captain (2012): A well put together documentary employing both re–enactments and valuable historical film/photographs. Frank Worsley's efforts make climbing Everest a walk in the park.
Good Earth, The (1938): Eighty years on some of the scenes – around the famine and the plague – have stood the test of time. The photography is good but its hard putting up with Muni's unsympathetic character for over two hours.
Stretch (2014): Its forgettable – its another action comedy about someone trying to pay off gambling (or drug) debts.
Patch of Blue, A (1965): The casting and performances are spot on for the excellent screenplay. The best scenes involve Shelley Winters and/or Wallace Ford. The black and white photography helps.
Pink Floyd - The Wall (1982): As far as rock bands go I've always filed Pink Floyd under Intelligent. This film is a free flowing "you don't know whats going to happen next" experience.
Death of a Gunfighter (1969): The early scenes are fine but the story then weakens out before picking up again just before the end but then has a melodramatic ending.
Die Another Day (2002): Follows the successful formula but delays bringing proceedings to a close until the obligatory two hour running time has passed. The scene with Q the highlight.
Jonah Hex (2010): It doesn't quite work but Michael Fassbender's performance makes it worthwhile.
Chloe (2009)
Far Country, The (1954): Some good location shooting. Although Brennan's voice grates after a few seconds its compensated by the good casting of Robert J. Wilke (my favourite bad guy) and Jack Elam.
Other Guys, The (2010): Its a bit too silly to be funny. Samuel L Jackson hardly appears – wasted.
Murder By Numbers (2002): Promising start but then distracted by Sandra B's character problems – it then doesn't do justice to that story line nor the main murder "mystery".
Goosebumps (2015): The humans are flat but the film is saved by some excellent special effect creatures.
Crank (2006): Reminded me of "Run, Lola, Run" (1998) for a few frames but then the flashy camera and editing plus the whooshing sound effects drags things back to the ordinary and get tiresome.
Broken Arrow (1950): Good photography and a well intentioned screenplay that gets badly sidetracked with a silly romantic sub plot. Stewart is a goody goody as usual.
Point Break (2015): The stunt work, special effects and the locations are fine.
Pirates of Penzance (1982): From one of the top song writing teams ever – it could hardly fail and this version doesn't.
Prophecy II & III, The (1995-2000): Watchable but both films raise more than a notch when Walken – nearly at his chilling best – is on camera.
London Road (2015): Bit of an oddity but the monotone of the singing affected one's ability to concentrate on what was being said.
Beethoven (1991): The slobbering dog joke only goes so far – there is not a great deal else.
Kung Fu Panda 3 (2016): Delightful characters – love the goose if that what it is – and quality animation.
Big Fat Liar (2002): It was watchable until Giamatti appears and puts in another hysterical performance.
13 Hours: The Secret Soldiers of Benghazi (2016): Its not only a routine action film its a long routine action film.
Dirty Grandpa (2016): What a dreadful screenplay, what a dreadful script.
Revenant, The (2015): The film shoots itself in the foot by being far too long and therefore loses its impact. The story drags. Its a pity because the location shooting is stunning. The stunt work and the animal training are also commendable.
Bingo (1991): Likeable but standard material for a dog/boy film.
Black Mask (1997): There is plenty of action and plenty of variety to the action but it doesn't rise to any great heights.
Cat On a Hot Tin Roof (1958): From go to whoa the characters yell at each other with meaning. The six adult performers are spot on and the noisy kids are the sour cream on the stale cake.; DVD ~~$24.95~~ $18.70
Babe 2: Pig in the City (1998): The animal characters are terrific – well done to the trainers and effects people.
Pallbearer, The (1996): Schwimmer is a full time pallbearer in this one. A very capable female cast – the males should have been given the heave ho.
Sicario (2015): I'll remember the convoys, the musical score but above all Del Toro at his sinister best (I've said that before about his performances sorry) & Emily Blunt who holds her own without a script. I'll remember more about this film than many others.
Julie And Julia (Julie & Julia) (2009): When this film was released it seemed that every second film was a bloody cooking film – it is another bloody cooking film but it has Meryl with a lovely slightly over the top performance and she makes all the difference.
Snakes on a Plane (2006)
Kenny (2006)
Borrowers, The (1998)
Hulk (2003): It doesn't offer much that is different to the many other comic book heroes – except its green – and it owes a debt to King Kong.
Blind Side, The (2009): Its a crappy story but that makes it all the more remarkable that for the most part it doesn't get soppy but remains watchable. Its Sandra's film but Kathy Bates breezes in in a support role and she would have been interesting in the lead role.
Basil The Great Mouse Detective (1986): Pretty basic story telling but it does the job. The animation is adequate.
Being John Malkovich (1999): Screenplay has a bit of Lewis Carroll about it – Floor 7.5 a great idea as is entering someone's head but that's the peak & its too early – after that the fantasy becomes less interesting. Cusack & Keener do well & Diaz has a part that requires acting.
Gnomeo & Juliet (2011): The characters are delightful and colour coded so its a bit easier for adults to follow the story.
Fame (1980): The first half hour is loose and strong and is the best part of the film – it includes a terrific ad lib dance in the classroom. After that the film seems to tighten up as an apology for what went before and becomes normal unfortunately.
United (2011): The wardrobe and set designs are fine but a documentary would have been closer to the truth and without the sentimentality and drama.
Girl in the Book, The (2015): I'm guessing it had some good intentions about portraying sexual harassment with Michael Nyqvist playing the predator well but the whole thing is a bit shallow.
Fearless (1994): The plot idea is fine but the screenplay drags in the middle –however the excellent casting helps keep up some interest.; DVD ~~$20~~ $15
10 Cloverfield Lane (2016): An odd film that has good reviews elsewhere for its screenplay and performances – it didn't work for me first time round but John Goodman is no slouch when selecting his parts.
TMNT (Teenage Mutant Ninja Turtles) (2007): I'm not a particular fan of this form of animation.
Frankenweenie (2012): In beautiful black and white. The character designs are excellent and Sparky the dog might just be my favourite animated character. Not a bad screenplay to boot.
Fourth Kind, The (2009): It goes all out in the screaming department – but not too bad considering its sub–genre.
Couples Retreat (2009): Initial scenes weren't too bad – but half way in comes the grubbiness and worse of all not very original grubbiness. Childish.
Brubaker (1980): Sincere but loses impact because of its length. Supporting cast has some experienced regulars which helps – Matt Clark,Murray Hamilton and Emmet Walsh. Excellent incidental blues soundtrack.
Quarantine (2008)
Cobra (1986): Stallone has done worse – looks like he's going through his vanity period in this one – the matchstick in the corner of the mouth helps (as long as its removed for the bedroom scene).
Banksy Does New York (2014): Most of us have already seen docs. on beautiful graffiti art and many docs. showing the champagne sipping twits in art galleries but this documentary did highlight how much of New York is run down.; DVD $24.95
Synecdoche, New York (2008): Very uneven throughout. Except when Hoffman mumbled (voice posturing), the first half wasn't too bad, but I lost interest in the story about half way – round about the time Hoffman went bonkers. Great female cast.
Hunchback of Notre Dame, The (1996): An effective way to tell the story – the animation is simply styled and easy on the eye but the songs aren't its strongest element.
Meru (2015): The documentary includes sad stories of loss but on the positive side the scenery makes for enhanced viewing. A must watch if you are thinking of climbing Meru.
Peep World (2010): It offers very little to comment on.; DVD $29.95 | Blu-Ray $34.95
Dark Horse, The (2014): Although its a well meaning screenplay it doesn't include much new material – mental illness; gangs; kids coming good; a national championship etc have all been done before. If it was half an hour less that would have helped.; DVD ~~$20~~ $15, $19.95
Terry Pratchett's Going Postal (2010): Pratchett's stories are imaginative and full of interesting characters but his alternative universe cannot be that easy to bring to screen – this one however succeeds. The set designs are top drawer and the casting of David Suchet a masterstroke.
Spotlight (2015): As a drama it has lost much of its impact because molestations are routine news today. A documentary on the other hand would have had value as an historical document without the dramatisation.
Finest Hours, The (2016): The special effects were fine but unlike the waves the story telling was a bit flat.
Steve Jobs (2015): Fassbender does well to put some interest in his character. His character is a wardrobe departments dream. The yelling and bickering with his co–workers (the ones with the dog tags) gets a bit tiresome though. The final scene is pure crap.
Madame Bovary (2014): Mia is fine in this not too interesting story of lust. Poor Mia gets pawed to death in every second scene. The costumes and props look authentic.
Confessions of a Dangerous Mind (2002): Bad start in that the voice over is unclear because of posturing by Rockwell's character.The highlight of the plot are the segments on the crappy TV shows – the rest of the story fails to generate any interest in it or the characters.
Mr. Dynamite: The Rise of James Brown (2014): I'm not a James Brown fan (unless he's singing solo without the noise of the other performers) but this is another successful doco. from the director. Plenty of archival film on performances, activism plus interviewees on his performances & private life
Sudden Impact (1983): The formula is tried and true but this one is a bit long.
Nightingale (2015): A very hard to watch film – certainly well acted and maybe better after a second viewing. Second viewing: Its a plot you can listen to as a radio play but the acting of David Oyelowo has some visual elements and is to be admired.
London Has Fallen (2016): Great action film – very noisy and with plenty of gunfire and dead bodies – excellent special effects – but its all been done before several times over.
Gardening With Soul (2013): A very relaxing documentary – its good to be able to share a little time with Sister Loyola.
Housekeeping (1987): A low key drama that drifts along at the right pace. Loved the relationship between the aunt & the two girls which is only bettered by that between the siblings. Ruthie is the biggest and oldest but gets pushed around by her sister – you reach out to her.
Oxford Blues (1984): Rob doesn't exactly set the world alight with his performance but Ally helps out in the acting department in this story of a clash of cultures – "A Yank at Oxford" (1938 ). A capable British supporting cast helps as does the river scenery.
Under Fire (1983): The fire fights are that authentic the film generates real suspense and you don't know whether your heroes will survive (quite an unusual situation really). Nolte and Cassidy head a fine cast.
Jane Got a Gun (2016): An okay watch but there are not really enough fresh ideas to make it interesting. There is the usual amount of violence and body count for this size of western with the landscape highlighting proceedings.
Gingerbread Man, The (1998): Branagh's accent puts you on the defensive straight away – we all know he's a British Shakespearean actor & not an American lawyer. The screenplay is a bit contrived but the main problem is the paper thin characters including Duvall's.
Unaccompanied Minors (Grounded) (2006): Has received mixed reviews but I thought a couple of the scenes of the kids on the loose were very well done.
Reckoning, The (2003): A more than useful cast with an interesting screenplay. It does well in capturing a Middle Ages atmosphere (if there is such a thing) through the lack of lighting, its wardrobe and set designs.
Grimsby (2016): There is a market for this kind of material – otherwise they wouldn't make it. The real interest is why some people with a talent for acting i.e. Strong, McShane and Tomlinson would want to be involved.
Mighty Joe Young (1999): One star for the good intentions of the plot (which unfortunately gets out of control) and another one for the GORILLA effects team. Charlize is her own star – she is radiant.
Cheaper by the Dozen 2 (2005): Not a particularly strong screenplay. It struggles to find an ending and eventually ends up in the crap.
Hairspray (2007): Although the songs and music are mostly forgettable – there is plenty of energy and hardly a static moment.
American Pie (1999): Its funny in a grubby kind of way – the desperation for a laugh is apparent.
Flipper (1996): Flipper is fine but the screenplay and the rest of the cast are ordinary.
Herbie Fully Loaded (2005): Herbie always was a brilliant idea and the Herbie segments in this follow up are still worth the time. The rest is more typical Disney family fodder but Lindsay L is fine as usual.
An American Tail 2: Fievel Goes West (1991): I couldn't understand what the animals were squeaking about but their antics are all go and enjoyable.
Everest (2015): If you know or suspect the outcome the suspense element goes out the window. The film overall doesn't reach great heights.
All About Steve (2009): Its very hard to dislike – I'm not a Sandra B fan but I've never seen her better – a very good dippy character performance.; DVD $19.95
Crazy, Stupid, Love (2011): What a supporting cast – what a waste. Julianne in particular is used to and deserves better material than this.
Song One (2014): Anne does well to keep the padding interesting between the excellent musical numbers.
Danish Girl, The (2015): Spot on acting from the two leads and the set designs, props and wardrobe are excellent. The screenplay could never be boring because of the subject matter.
Peter Pan (2003): Jason Isaacs heads an excellent adult cast – there is plenty of entertaining action and the set designs are well done.
Anomalisa (2015): The screenplay didn't make much of an impression but the animation was admirable.
Wimbledon (2004): A weak screenplay which climaxes in a boys own magazine type tennis match – the characters are not only not interesting they are boring as well.
Sinister 2 (2015): Its not much different to many others except I felt like strangling the main kid.
Room (2015): A worthy and topical subject to dramatise – the acting is fine although the kid's shrieking voice (maybe deliberate for authenticity) is hard to put up with. The first half is not an easy watch but the second part is on more familiar territory.
Spy Kids 3-D (Game Over) (2003): Plays like a video game which is fine if you like video games.
American Tail, An (1986): A bit hard to understand what the squeaky mouse was saying at times but its a very good story with good characters.
Heller in Pink Tights (1960): It doesn't work well either as a comedy or a western but there is some curiosity value because of the casting.
Maze Runner: The Scorch Trials (2015): Adds nothing new that I can see – indistinguishable from quite a few others like it. Far too long.
Soul Surfer (2011)
Full Tilt Boogie (1998)
Krampus (2015): An excellent adult cast and some welcome anti–christmas moments make it a little better than most horror films of the violent persuasion – however there is no suspense.
Spy Kids 4 (All the Time in the World ) (2011): I think this is better than the first in the series. Jessica Alba makes a difference.
Chinese Ghost Story, A (1987): The first half of the film is better than the second when the story seems to tread water and gets caught up in its own special effects (which are terrific). The two romantic leads worked well together.
Extreme Measures (1996): The plot idea is worthwhile and it starts off promisingly but then stretches credibility a bit too much.
Amityville Horror, The (2005): Indistinguishable from many of its type. Relies heavily on sound effects to shock.
Spy Kids (2001): Should appeal to children – plenty of action and the gadgetry is good.
Confessions of a Teenage Drama Queen (2004): The screenplay includes the compulsory teenage bitch bully with hangers on but although there is a lack of originality Lohan holds the film together and makes it watchable.
Everybody's Fine (2009): The light weight script is watchable thanks mainly to the casting but it gets soppy at times.
Dead End (1937): The tough guy performances from both the older and younger characters are a bit dated and silly 80 years on but the set designs are commendable.
Dead Girl, The (2006): Toni Collette sets the standard in the opening segment for some compelling female performances to follow climaxing with Brittany Murphy. The screenplay is compact and always interesting.
Morning of the Earth (1972): Although watching surfing films puts me to sleep this one has some archival value and a good soundtrack.
Knight of Cups (2015): As much of the dialogue was inaudible it appeared that the Director did not wish his audience to hear what was being said so that it could concentrate on the images. A pity that he didn't also spare us the distraction of the hedonistic characters.
Freaky Friday (2003): Although its a good plot idea and there are some good scenes it suffers from being a one joke scenario which doesn't maintain interest over the length of the film.
Fighter, The (2010): Its largely forgettable but it doesn't miss the mark by much and Melissa Leo and Amy Adams deserve a mention for their performances.
Now is Good (2012): Fanning, Williams and Considine overcome the material and make it watchable for the most part. Irvine is out of his depth however.
Boulevard (2014): Williams is good in this one and even though she is strolling through her part its always good to watch Kathy Baker. There is little that will be remembered from the film but at least its not too long.
54 (1998): Without trying Mike Myers stands out in this cast. An actor may have made something of Ryan Phillippe's character which is a part that is essential to the success of the film.
Death Rides A Horse (Da uomo a uomo) (1968): As usual Lee Van Cleef adds interest which helps a modest plot. The excellent music score is used sparingly but effectively.
Resident Evil - Apocalypse (2004): Plenty of noise and gunfire followed by plenty of noise and gunfire.
Parent Trap, The (1998): I'm not a fan of remakes but this one is worth it mainly because of a good script and the performance of Lindsay Lohan. It's actually too long but that's understandable because of the dual stories.Elaine Hendrix is the pick of the adults.
Alibi, The (Lies & Alibis) (2006): Coogan isn't good enough an actor to carry a film. The other problem here is the characters – not one of them is worthy of space on the planet – as a result I lost interest in the plot if there was one.
Red Sorghum (1988): Gong Li falling for a smelly meat head peasant with jug handles for ears didn't really gel.The scenes are episodic rather than flowing together but some, particularly in the early parts of the film, are beautifully photographed.
Santa Clause 2, The (2002): The plot is fine but the film works best when the reindeer is scene stealing.
ATM (2012): Does well with a small cast and simple scenario to fill in 90 mins. I've seen much worse.
Sound and the Fury, The (2014): The film made no impression except to encourage me to read the novel to find out what it was about.
Ex Machina (2015): The special effects were well done but the screenplay didn't make much of an impression.
Trumbo (2015): My problem with dramatisations of true events is that they are not necessary. Documentary makers are best placed to relate facts. As entertainment it is watchable – although I thought Helen looked a bit out of place there were some good performances.
Marti - The Passionate Eye (2004)
Pride and Glory (2008): Macho characters and macho script but even with Voight and Farrell on board it fails to hold the attention.
I Love You, Man (2009): An "Oh My God" comedy with a script that is juvenile at times.
Victor Frankenstein (2015): The set designs are fine but there is little new in the material and Radcliffe looks out of place and a bit silly.
Month of Sundays, A (2016): A good performance from Julia Blake and John Clarke's scene stealing adds interest but overall its not memorable.; DVD $29.95
Running Man, The (1987): A familiar story line but there is entertainment value and some comedic touches.
Dead Ringer (1964): Bette is very good and is ably assisted by a capable supporting cast. The plot is more entertaining than enthralling thanks to the cast and a good script.
In-Laws, The (1979): Arkin and Falk really do work well together –its effortless and they give the impression that they've been partners for a lifetime.A silly plot but who cares.
Unlawful Entry (1991): There is little suspense in this one – its fairly obvious what the outcome will be.
Scream of Fear (Taste of Fear) (1961): Compact story telling and the suspenseful moments are well timed and not over done. From an experienced horror film label.; DVD $14.95 | Blu-Ray $19.95
Palm Beach Story, The (1942): Well written with snappy dialogue. Claudette is in every scene and maintains a uniformly good performance. The best scenes are those involving the Ale and Quail Club members – this segment would be worthy of development as a film in its own right.
Glassland (2014): Not an easy story line to watch but it portrays the dark side of alcoholism in the family effectively. Toni Collette has always been a fine actress & in this she is in top form.
Bone Tomahawk (2015): The action comes in splurges & in between the film moves at walking pace – it limps along during the middle stages for what advantage I don't know. The point of the film is to shock but it could have effectively achieved this with a shorter limping time.
Shall We Kiss? (Un baiser s'il vous plaît) (2007): If there is such a thing as classy fluff then this is it. The script is childlike at times.
Terrorists, The (Ransom) (1974): AKA "Ransom". Not that good – its surprising considering Connery and McShane are in the cast and there are some beautiful locations.
Flawless (2007): Demi doesn't really look the criminal type but she's mostly convincing. Not a lot to the plot but because of the competent performances its never boring. Most of the action is to be found in the in fighting among the quality supporting cast.
I'll See You In My Dreams (2015): Nothing important happens but its still watchable. Blythe is very good and you feel for her character – I cringed when she had to kiss Sam Elliott.
One, The (2001): Its not great but I didn't mind the S F scenario although it did get pushed aside by the action sequences.
Deadpool (2016): Another comic character fighting for attention in the crowded world of comic characters – tries hard to be comic but in that regard falls a little flat.; Poster (VG) $15
Mr. Deeds (2002)
Wild Bunch, The (1969): A western with a difference and one that is well photographed. Two very good scenes but even during the lesser segments there is interest provided by some great character supporting actors. None of the characters however are worthy of sympathy.
Felon (2008): The first half is good & would dissuade anyone from going to prison – the prisoners are the real deal or close to it (Making Of) & the fight scenes are well choreographed. The film falls off a bit toward the end but Dorff continues to be believable.
Drag Me To Hell (2009): It relies too much on sound effects for its horror. As usual the make–up department do a good job.
Easy Riders, Raging Bulls (2003): The film makers do well to bring together the different narrative streams of the directors being documented. The narrator capably fills in the background between the interviewees who are both entertaining & constructive & for the most part do not suck up.
Rem Koolhaas: A Kind of Architect (2008)
I Really Hate My Job (2007): Very good casting but the plot idea doesn't really fire.
My Old Lady (2014): Even with Maggie Smith on board the story soon wears thin and fails to hold attention.
Husbands and Wives (1992): A talkie with uninteresting characters but there is a strong female cast who do their best with the material that's on offer.
Our Brand is Crisis (2015): The screenplay is very familiar and there is nothing appertising about the characters – even Thornton's surprisingly.
Alex & Eve (Alex and Eve) (2015): The screenplay is a variant of a much used theme although there is some good traditional music.
First Blood (Rambo) (1982): Not as bad as his the other Rambo type films – Stallone can be a bit of a laugh when he tries to act and speak.
Star Wars: Episode VII - The Force Awakens (2015): The special effects and make up people do well as usual. Not much originality in the screenplay – it differs little from many other space action films. Beep Beep gives the best performance.; Blu-Ray ~~$19.95~~ $14.95
Sisters (2015): The two sisters and some of the segments are fine but not for nearly two hours.
Jimmy Neutron - Boy Genius (2001): I'm sure the kids – if I had any – would have enjoyed it as well.
Sucker (2015): The one thing that does succeed is that the three leads work well together and having someone as talented & experienced as Timothy Spall would have helped in this regard. The plot whilst not original is interesting enough.; DVD $19.95
Southern Belles (2005): Faris (again) and Breckenridge are fine and the film might have worked better without the male characters in that it would have then needed a better script.
Never Tear Us Apart: The Untold Story of INXS (2014): Some of the music is okay but the acting is moderate and the story drags a bit. A documentary would have been better.; Blu-Ray $39.95
Xanadu (1980): Has curiosity value only.
Empire of the Sun (1987): Bale ruined this film – having said that the only thing worth watching in this overlong film are the terrific production values & even if someone had strangled Bale early on it would have still dragged – it took ages for it to find a finish.; DVD ~~$20~~ $15
Carol (2015): Cate belongs in the 1950's. The wardrobe and set designs are very good but I don't know why it took so long to tell the story.; DVD ~~$25~~ $18.75
Peggy Guggenheim: Art Addict (2015): Peggy comes across as a bit batty but in a nice way and would have done well to survive among the art crowd if the interviewees were anything to go by. Some good archival film helps.; DVD $19.95
As You Like It (1936): I wouldn't know a good Shakespeare performance from a bad one but it is good that these stage like performances of the Bard are preserved for posterity.
We Are Your Friends (2015): There was nobody in the cast that arrested my attention and the characters weren't interesting and the same could be said for the music. Other than that it was okay.
Quickie, The (2002): Uneven and it promised more than it delivers.
Man from U.N.C.L.E., The (The Man From Uncle) (2015): It's as flat as a pancake and the characters don't work.
First Daughter (2004): Fluff and little else – a waste of time for most of us.
Buddy Holly and the Crickets - The Definitive Story (2005): A really good documentation of the group and its background from the Crickets themselves – the music is not bad either.
Criminal Activities (2015): With its limited use of the English language I think they saved money on script writers.
Curse of the Demon (Night of the Demon) (1957): Except for some story back filling scenes involving Andrews & Cummings there is little respite from the murkiness. Andrews acts a know all prig but thankfully doesn't get all his own way. There is a very good British supporting cast to add character.
Foster (2011): Toni Collette and Ioan Gruffudd work well together. The plot gets a bit soppy in a couple of places but there is enough good stuff for it to be worthwhile.; Blu-Ray $34.95
Broken City (2013): Straight forward drama which doesn't deviate from the true and tried.
Greatest Game Ever Played, The (2005): The camera work gets a bit flashy at times and the ending is crappy but its worth watching for the outstanding set designs and wardrobe/props.
Nothing But The Truth (2008): Top performances from Kate and Alan Alda with worthy support from Floyd Abrams and Vera Farmiga. The screenplay is relatively low key and avoids the traps. Great ending.
Amy (2015): I'd never heard Amy sing before & I haven't missed anything in that regard. Bit surprised when she was described as the greatest etc. so didn't take anything said about her singing too seriously after that. Another one who had a drug problem though.
Kajaki: Kilo Two Bravo (2014): Starts off not too badly but the minefield segment becomes much of a sameness. The make–up people do a great job though.
Saw V (Saw 5) (2008): If you enjoyed Saw 4 you'll enjoy this continuation.
Gunfight, A (1971): It has my favourite baddie Robert Wilke (out of character) but it would have benefited from more character actors. A good plot with the laughable bull ring scenario where spectators view the gunfight in direct line of fire – must have got the cheap seats.
Davy Crockett - King of the Wild Frontier (1954): Hasn't stood the test of time too well after 60 yrs – has some curiosity value perhaps.
SuperBob (2015): A non–event comedy wise for me on a first viewing but be warned it has some good reviews elsewhere and should be checked out.; DVD $34.95
Freeheld (2015): These based on true events personal dramas are usually wishy washy but this one has a good screenplay and a more than talented leading cast in Moore,Page and Shannon that makes all the difference.
Jack and Sarah (1996): Very uneven – I have never seen Grant so poor and its on him that the film rests despite a stellar support cast in Atkins, Dench, and McKellen.rnThe screenplay is very frothy so it doesn't need this talent anyway I guess.
Matchmaker, The (1958): A light but entertaining plot. Paul Ford as usual steals each scene he's in.
Casino Jack (2010): The story makes it hard to distinguish who are the criminals and who are just doing their job – lobbyists, financiers and politicians – or whether in fact there is any difference at all in some cases. Spacey makes an unattractive character very watchable.; Blu-Ray $24.95
Mojave (2016): Hard to follow the plot – I read the synopsis later but it didn't really help to clarify too much what I had just seen.
Willard (2002): Very stylised – well done to the set designers and the choice of colours by the photography department. Glover and Ermey are good and whilst this is a remake the story in itself has enough originality to maintain interest.
Astro Boy (2009): Very clear animation – a good script and entertaining characters.
Seminole (1953): A watchable western with a well intentioned screenplay but the ending is weak. Rock looks out of place and seems to be wearing false teeth.
House of Wax (2005): One good scene – the animal cesspit and one good character – the animal cesspit worker. The rest of the characters can be found in umpteen other teen horror films but the basic story still stands up well.
Pawn Sacrifice (2014): Maguire is hysterical and dreadful. Schreiber just looks uncomfortable and silly. There are some good chess documentaries around rather than bother with this.
Legend (2015): Loved the 60's streets.Would be best told by a documentary (the film's narration is not that effective) but we do have an excellent support cast & a tour de force from Hardy who alone is worth the admission money – his portrayal of Ronnie is top drawer.
Wildlike (2015): Good performance from Greenwood & Purnell is suitably vulnerable as the teenager. Although the location shooting is a ready made winner the no frills low key approach to the story telling is what makes the film effective. A non invasive sound track helps.
Youth in Revolt (2009): The screenplay was unnecessarily juvenile at times. The biggest disappointment however was the waste of the adult cast – they had small parts. You wish Cera & co. could be pushed to one side to give the adults a crack even if it meant re–titling the film.
Indian in the Cupboard (1995): The kid didn't do much for me but the screenplay and the effects are commendable.
Staten Island (Little New York) (2009): The opening scene was fine as was the music over the end credits but I don't what the director's intentions were with what happened in between. Hawke was over the top and terrible & if the plot was meant to be black humorous it didn't work.
Brooklyn Rules (2007): It's all been done before but by much tougher characters than these candy flosses.
A Perfect Getaway (2009): I lost patience with the characters and the story telling was muddled for me but this film has good reviews elsewhere.
Simple Wish, A (1997): A bit uneven but overall enjoyable. Martin Short is good but the highlights are when Kathleen Turner and Amanda Plummer are on camera.
Lighthorsemen, The (1987): Overlong but the horse trainers and handlers need to be commended for their skills as do the photography people.
Ted 2 (2015): Even if you accept that teddy bears can talk it would make it more watchable if there was a decent script.
Shakespeare in Love (1998): 10/10 for costumes. Script is witty but the screenplay weakens towards the end. Affleck probably cast for commercial reasons & is out of place & depth among a dream supporting cast headed by Rush.The film is at its weakest when the two leads are alone.
In the Heart of the Sea (2015): The special effects work well for the first hour but the film dies after that when the humans take over.
Away All Boats (1956): Well made and could be used as a recruitment tool. Gets a bit sidetracked with some unnecessary flash backs. Richard Boone and Chas. McGraw have small parts.
Twilight Zone - The Movie (1983): The final episode is the best in which Lithgow needs to be in top form.
Dear John (2010): There is a nicely photographed rainy day about 20 minutes into the film.
Minority Report (2002): The effects are what you would expect from a good special effects director.The SF plot encourages you to read the author but the overlong film loses interest in the SF after an hour & it becomes a boring actioner in which Cruise seems more comfortable.
Love the Coopers (Let It Snow) (2015): I didn't get too excited about the screenplay but I did about the casting of Keaton, Goodman (great together and are responsible for the film's best bits), Arkin and Tomei.
Butterfly Effect, The (2003): The plot idea is fine but I kept running hot and cold on this during the viewing – at the end decided it was too smart for its own good with too many flashbacks – Kutcher's performance didn't help decide matters as he also performed hot and cold.
Mission: Impossible 2 (2000): Great opening shot of a rock climber & scenery until the camera focus's on Cruises nostrils & sets the tone for the rest of the film. As is the norm for this kind of film the only interesting character is the villain and Scott is fine in this regard.
Grown Ups (2010): With the exception of Buscemi you wish the males would push off and give the ladies a go. Even more of a balance on screen time would have helped.
Pufnstuf (1970): Interesting – a bit different to normal. Only negative was the screeching of the characters particularly the hags.
Patch Adams (1999): The original story idea is fine but William's character wears thin after ten minutes, Williams has an improbable romance, it sermonises and gets soppy & so does the soundtrack.
Fire Down Below (1997): Seagal in the ultimate "sticks out like a sore thumb"role. I assume his casting was serious so its best treated as a comedy. A very good support cast try not to look too embarrassed.
Until They Sail (1957): As nothing happens story wise and the acting talent is not really used the only point of interest is some of the location shooting.
Queen of Earth (2015): Great opening shot of Moss's face & it appears periodically throughout the film complemented by some of Waterson as they kill time together. The dialogue wasn't very interesting but the musical score helped create an atmosphere.
Changeling (2008): Even for Eastwood its long & it took a long time to find a finish. The story is interesting so hopefully there is a documentary available so that we can find out what really happened (there is a book see IMDb).Period set designs & costumes are faultless.
Disappearance of Eleanor Rigby, The (2014): Her segment is just as boring as the Him segment – the characters are so uninteresting but at least the HER one has the great Isabelle Huppert in a support role.
Knight's Tale, A (2001): The best bits are when Bettany (very good) is working with Tudyk and Addy. The first 41 jousts are fine then they become much of a sameness – the film gradually loses its way but the bizarre modern rock soundtrack helps.
Solitary Man (2009): Pertinent title for this waste of space of a character. The talented Susan Sarandon hardly appears.
Smoke (1995): It's an actors film and its well performed – a talkie.
Scary Movie 4 (2006)
Final Destination, The (Final Destination 4) (2009): Follows formula which is fine to a certain extent but it does limit the effect. The accident scenes are very well done.
Top Secret! (1984): Delightfully silly. Casting some excellent British character actors also helps to make it enjoyable.
Eat Pray Love (2010): The characters are boring and it goes on forever but as a travelogue (with soundtrack) you do get some relief.
Home (2014): I liked the plot idea – the animation and the characters were fine especially the scene stealing cat.
Eyes Wide Shut (1999)
From The Sky Down (2011): The documentary does much more than discuss "Achtung Baby". It also runs over the band's origins, their relationship with each other (tight knit) and previous albums in particular "Joshua Tree".
Scouts Guide to the Zombie Apocalypse (2015): Another horror zombie comedy – the same zombie actors just move from film set to film set.
Westworld (1973): It may owe something to Asimov but the screenplay is very strong. If we got the chance how many of us would behave any differently to the vacationers? I think Crichton may have struggled to find an ending as this one wasn't as strong as what went before.
Kicking and Screaming (2005): Too much yelling and screaming from Ferrell but the kid's soccer scenes are watchable.
To the Wonder (2012): Although the acting needs aren't great the casting of Affleck is bizarre – not quite as bizarre as Cruise in "Eyes Wide Shut"but he still provides a distraction from the beautiful photography & is a negative count against the artistry of the film.
McMasters, The (Blood Crowd, The) (1970): Racist from start to finish with a great bigoted performance from Palance supported by Jones and Armstrong. The other performances, the screenplay and the panoramic location shooting are well worth it. A proper western.
Mars Needs Moms (2011): Why would you go to all the expense and trouble of animating a story and then ruin it with a kid with an irritating voice.
Geronimo (1962): Hollywood really got into this one through the casting & the sermonising but as long as its seen as light entertainment only no harm is done.
Godsend (2004): The horror idea is fine but the screenplay is humdrum and familiar being similar to those involving possessed children.
Mummy, The (1999): Fraser is not too bad in this but the only real highlight is the work done by the make up department on the mummies.
Last Witch Hunter, The (2015): Its full of noise, action and special effects – watchable in parts.
Life as We Know It (2010): As with "27 Dresses" Heigl does her best with thin material and makes it watchable.
Cruising (1980): The gay scenes seem to be overstated but I enjoyed the gritty location shooting and the choice of colours for the filming.
Fracture (2007): Whatever strengths the plot had were diluted by the plodding pace of events. Hopkins made it more interesting than it would be otherwise.
Black Panthers, The: Vanguard of the Revolution (2015): A comprehensive and valuable historical document that doesn't have an axe to grind.
Summer in February (2013): Easy on the eye and the period is well represented but the characters are not that interesting.
Ashes and Sand (2003): Nothing wrong with the early girl gang scenes but the story gets permanently sidetracked by the romantic theme until it finally goes off the rails completely. Some scenes are just silly.
Beautiful Boy (2010): A film about grief is not an easy watch – but although there are plenty of understandable hysterics the acting by the two leads is fine.; Blu-Ray $34.95
Spectre (2015): Saying a Bond film drags maybe sacrilegious but it certainly takes its time. I assume the franchise is making a profit but to me these Bond films are not going anywhere.However the effects/stunt people continue to be outstanding and so is Waltz in this.
Grumpy Old Men (1994): Some parts work quite well particularly around Walter Matthau but the story gets a bit thin and tiresome toward the end.
Phil the Alien (2004): Its different and it makes a really good try to be funny. Well worth the watch.
Batteries Not Included (1987): The early demolished street scenes & those of the cute robots are very good but the gimmick doesn't last the distance although the two ancient thespians do their best.
Little Princess, A (1995): Classy production of a very good story. Young Liesel Matthews is excellent and so is Eleanor Bron as the school mistress.The plot nearly got soppy in a couple of places but was good enough to pull itself back together in time.
Snow White and the Seven Dwarfs (1939): Some of the segments for e.g. "Whistle While You Work," & "Heigh–Ho" are timeless. Top family entertainment that can be enjoyed by all ages.
Predators (2010): Not much SF but plenty of the other. Compulsory casting of Danny Trejo. The effects people do a good job with the predators – you end up cheering for them.
Breaking News (Dai Si Gein) (2004)
Wallace and Gromit - The Curse of the Were-Rabbit (2005): Very impressive animation of the antics of some very interesting and different characters.
Baker, The (2007): The screenplay is not original but Lewis and Ashfield work very well together in this likeable off beat comedy.
Program, The (2015): Considering the amount of exposure Armstrong's story has already received Frears has done well to make a drama that is informative.
Absent-Minded Professor, The (1961): MacMurray is very good. The screenplay is a delight and is excellent family entertainment.
Safe House (2012): Denzel has done so many of these he doesn't really need to turn up.
Monkey Trouble (1994): Full marks to the animal trainers – the monkey is terrific.
Bra Boys (2007)
James White (2015): It was very hard to empathise with the lead character – I really didn't care what happened to him.; DVD $29.95
Manglehorn (2014): Arthouse. The acting is fine but the story is one for the elderly viewer.
Match (2014): The acting is fine – particularly from Patrick Stewart who is a top actor – but the script is of variable quality and is not always interesting.
Believer, The (2000)
These Final Hours (2013): Young Angourie Rice does well but the adult acting is pretty ordinary – it might be the last day on earth but there is no reason to get hysterical about it.
Healing (2014): The birds and the location shooting are a winner – the story just needed to be shorter in the telling.
Bratz - The Movie (2007): Christ these girls (or dolls?) can talk – they never stop.
Tooth Fairy (2010): I don't think it could make up its mind as to what audience age group it wanted to appeal to and as a result overall it was uneven.
Turkey Shoot (1981): Aka "Escape 2000". Its extremely distasteful especially toward women.
Driftless Area, The (2015): I drifted off – it just didn't hold my attention which is surprising considering some of the cast involved.
Psycho 2 (1983): Well worth watching although I think it lost its way a little toward the end. Using the original house and being able to cast Anthony Perkins were big pluses.; DVD $14.95 | Blu-Ray $19.95
Raven, The (2012): The buried alive bits were fine but the acting was very ordinary. John Cusack usually does far better so maybe he was misdirected(?).
A Little Chaos (2014): Kate Winslet once again holds her own among some pretty worthwhile acting talent. The romance doesn't slow the story telling too much although it does weaken a shade over the final stages. The ass licking court scenes are well done.
My Girl (1991): Crucially the kids aren't too annoying and the adult cast is very good. There are one or two genuinely funny moments.
Alvin and the Chipmunks (2007): A catchy tune and 3 endearing characters make it watchable. Lee is fine as the target.
Omen, The (Omen 666) (2006): Not really necessary to remake but Thewlis and Pete P are always good to watch. It relies on sound effects and a heavy musical score to heighten the suspense (plus a bit of wet weather to add to the mood).
Night at the Museum 3:Secret of the Tomb (2014): Even though it is a second sequel it is still worth a watch which is a compliment to the original plot idea.
Tomorrow, When the War Began (2010): The characters let the film down – they don' t give the screenplay much of a chance.
For Your Eyes Only (1981): Excellent stunt work and the set designs make it worthwhile.
Somebody to Love (1994): More than useful cast which also includes Buscemi & Tucci – the film has some good moments but if it wasn't for Rosie P it would have fallen over long before it did.
Nasty Baby (2015): Had trouble concentrating on this one – will watch again.
Steve McQueen: The Man & Le Mans (2015): I don't care for McQueen ("Racing is life–––––") & certainly not for cars going round and round but there is some interest in the troubles associated with putting the 1971 film together.
Milk of Sorrow, The (La Teta Asustada) (2009): Understated with touches of humour. An academy award nominee for best foreign film but one that has not sold itself out to please american audiences. A wonderful lead performance.
Mr. Magorium's Wonder Emporium (2007): The story line lacks freshness but the set designs and effects are worthy of a watch.
Elegy (2008): There is no discernible plot but there are a couple of nice scenes of waves coming into the shore.
Salinger (2013): This documentary has received mixed reviews. As a documentary it told me much more about Salinger than I knew before and I have the benefit of not having read him so I can claim some impartiality.
Joy Division (2007): Intelligent use of archival film of Manchester to establish the background to events. The interviewees are excellent – no flamboyance just down to earth North of England colourful reminiscences. They have put Joy Division to bed and got on with life.
Life (2015): The Dean character put me to sleep and Pattinson is boring at the best of times.
Adam's Apples (2005): It tackles the hardest genre of them all – the black comedy – there is no half way house – you either succeed or fail. The excellent & original script writing is delivered to perfection by some wonderfully drawn characters.
Run Fatboy Run (2007): The plot is a no brainer and has a silly ending but it is delivered in style. Dylan Moran stands out.
Raintree County (1957): The best scenes involve an excellent support cast – Nigel Patrick,Lee Marvin et al. The romantic scenes just drag and make the story telling far too long.
Dead and Breakfast (2004): Much better than most in the zombie sub–genre because of a comedy touch that sometimes works.
Planet 51 (2009): From a Spanish CGI studio – it works well as a social commentary, comedy and animation.
Al Qaeda (2005): Eleven years on and there is very little dating of the material and certainly no reduction to the threat.
End of Days (1999): Every time Arnie talked it slowed the story down – however the film should have been tighter so that the impact of the better bits weren't lost.
Mirage (1965): A convoluted plot, which if it isn't totally successful, at least should hold most viewers' attention. An interesting support cast (Kennedy for eg.) adds value and the film lifts a notch when Walter Matthau is on set.
Over the Hill Band, The (Meisjes) (2009): Familiar and predictable & it gets a bit sentimental as expected.
101 Dalmatians (1996): Worth watching for the supporting cast of Hugh Laurie and Joan Plowright. Commendable work by the animal trainers.
Hypnotist, The (2012): There is snow and ice outside and also inside in the relationship between the hypnotist and his wife (Lena Olin). Its not cheery viewing nor is the screenplay which I also found a bit slow and unconvincing at times.
Notebook, The (2004): There is some lovely photography but that is not enough to maintain one's interest for two hours.
Lost World, The (Jurassic Park 2) (1997): The creatures are well made but at the end of the day its just another film about creatures that would be better off without humans with or without guns.
Parts Per Billion (2014): Even if the film doesn't set the world alight it should be complimented for at least having some freshness in its plot idea.
Someone to Watch Over Me (1987): They didn't have the wit not to have a romance between Tom & Mimi – so predictable a plot. Great performance from Lorraine Bracco & Jerry Orbach has too little to do.
Skeleton Key (2005): Sound effects & compulsory lightning add to the suspense but the scary atmosphere ain't special for us hardened horror fans. Highlight is the excellent set designs. Not sure that the quality actors Rowlands & Hurt were required for what they had to do.
King Arthur (2004): The casting advertisement read "If you can't yell you need not apply". Ray Winstone in his element but Clive Owen reduced to making speeches.
Billy Madison (1995): I'm no sure if there was meant to be more than one Madison character – if not then Sandler lost character a number of times. Jerry Lewis used to do this king of thing in good taste & with his eyes closed.
Bad Lieutenant: Port of Call New Orleans (2009): I've never seen Cage better – he's the right selection for the part. The highlight is when he tells another character to calm down – that knocked me back a bit.
Burnt (2015): Of the many cooking films only a couple have been worthwhile. If they cooked things that you could eat that might generate some interest. In this one Cooper goes out of his way to be offensive and that is the only thing that succeeds.
No Escape (2015): Some of the action sequences are filmed in slow motion to enhance the excitement. I don't how Wilson survived for so long – why didn't they aim for his nose?
Hard to Kill (1990): It was exciting when Seagal was in a coma but routine mayhem otherwise.
Suite Française (Suite Francaise) (2014): Quality production with Michelle in top form. The screenplay is strong in the early scenes when the enemy is settling in to its occupation (its a new experience for everyone) but later it plays like a romance with an ending that's silly.; DVD ~~$20~~ $15
High Life (2009): The characters are interesting and there is a good comedic screenplay.
Notting Hill (1999): Although its only a rom/com there are some good moments mainly through the casting of an excellent support cast. For better all round value though try "84 Charing Cross Road (1987)".
Automata (2014): Nothing wrong with the story and whilst there is violence it doesn't smother the SF aspects.Tim McInnerny looks the part and shows how versatile an actor he is. The set designs are a highlight.
They Were Expendable (1945): Far too long though.; DVD ~~$24.95~~ $18.70
Catch Me If You Can (2002): The acting and the production values are fine but this comedy gets a bit tiresome after a while and its ability to maintain interest certainly doesn't last any where near its running length. Documentaries are the best vehicle for getting at the truth.
A Dirty Shame (2004): I don't know too many directors who could make this type of content enjoyable without insulting your intelligence. Terrific bluesy soundtrack.
Grace (2009): Not too bad – slow moving but not too long – the screenplay was a bit hard to follow at times.; DVD ~~$29.95~~ $19.95
From Here to Eternity (1953): Gave it an extra star after watching the "Making Of" – it was made in defiance of the bigotry applying in the 50's. Filmed in easy on the eye B/W it features two excellent performances from Kerr and Clift. December 7 has the best scene.; DVD ~~$35~~ $26.25
Dead Calm (1989): The early screenplay promises much but after that it doesn't get much better than routine.
Two Little Boys (2012): The script is well suited to the characters but the story runs out of steam before the end and it looks as if it was in search of an ending. The saving grace for the whole exercise is the Catlins locations.
High Heels and Low Lifes (2001): A very good comedy script handled competently by the whole cast.
Last Panthers, The (TV Series) (2015): Goran Bogdan is particularly impressive in this well written European drama – the action scenes are extremely well done.
King of the Gypsies (1978): Initial scenes good but then its downhill – patchy screenplay & entrusting the lead character to a newcomer (Roberts) doesn't help. Considering the quality of most of the cast, the soundtrack & dancing segments its a shame that its disappointing overall.
Last Man Standing (1996): A bit of a mess really although it looks good at times. Not even Christopher Walken or Bruce Dern can raise this one.
Dinosaur (2000): Doughy eyed creatures help but the story is okay and the animation terrific.
Aladdin (1993): Simple animation style but very effective – some delightful moments and interesting characters.
Intern, The (2015): It's remarkable that they got the film to last nearly two hours with the material available. It gets soppy toward the end.
Tales of Hoffmann, The (1951): Uneven but no scene is lacking interest either in the dancing,music,sumptuous colours or the set designs which are the highlight & as with the sets for "Black Narcissus" stunning at times. Again Powell & Pressburger produce a film that is different.
Journey of Natty Gann, The (1985): Excellent periodic props and wardrobe plus animal training,stunt work and location shooting.
Mortal Kombat (1995): The creatures were interesting, a bit different and reasonably well done.
Threads (1984): Impressive in impact and in detail – no wart is left unturned – the stiff British upper lip a myth. Great work by the set designers and make up department.
Game 6 (2005): Based on an interesting screenplay Michael Keaton does his thing and makes it a worthwhile watch.
Assassination Of A High School President (2008): Well written but it really succeeds because of Canadian actor Reece Thompson who has his central character nailed to perfection.
5th Wave, The (2016): Chloe's voice was too soft to be the narrator so out the door goes the explanation of the premise. The special effects are a copy and paste job & the characters are not very interesting so its best treated as light entertainment.
Doors, The - Feast of Friends (1968): Blu–Ray bonus features include "Feast of Friends Encore" and two other short docs. Main feature plus bonuses would be a must addition to the library of any Doors fan.
End of the Tour, The (2015): God the guy loved to talk – but its good that if he had anything interesting to say that it has been recorded for posterity through the interview.
After.Life (Afterlife) (2009): Nothing wrong with the plot idea or the casting but it doesn't work as well as it could have.
Martian, The (2015): The set designs are fine but for most of its length the story telling drags and needs pop music to back it up. The ending is predictable and soft.; DVD $14.95
From Dusk Till Dawn (TV Series) (2014): Tries to shock as much as it can but it loses its appeal long before the final episode.
Italian Job, The (2003): The first heist scenes are the best then what follows depends upon the appeal of the stars. As usual some good stunt people are involved.
Streetcar Named Desire, A (TV mini-series) (1995): The acting is very noisy. Most interest for me was in how John Goodman fared (not too bad).; DVD $24.95
Party Girl (Dangerous Business) (1930): Preachy and unfortunately shot in its entirety in the studio but there is a definite curiosity value and worth the hour to watch.
Salt (2010): One of the silliest screenplays out there but as usual you can't fault the stunt people. In the making of Noyce describes Jolie as a great dramatic actress which I thought was pushing it a bit.
Then She Found Me (2007): Helen, Bette and Colin are very watchable leads but the interest of the story weakens toward its end.
Irrational Man (2015): Allen churns out another but at least in this one he attempts a bit of black comedy (passable). As usual there is plenty of talking.
Don't Look Back - Bob Dylan (1967): The musical numbers are fine. The backstage scenes are valuable historical footage because of the status of the characters but would be mundane otherwise.
99 Homes (2014): It's worth watching for the performance of Michael Shannon as unfortunately the talented Laura Dern is under used. The screenplay is a worthy idea but it is all a bit too neat and tidy to be totally convincing. Part of the NZFF 2015.
Gamer (2009): There were some interesting segments but there were also too many "action" segments which were just boring as their ilk had been done so many times elsewhere.
Black Sheep (2006): Achieves the right degree of silliness in the script and in the over acting.
Animal House (1979): Still watchable 35+ years on – you can see how it has influenced other similar type comedies that have followed.
How To Lose Friends And Alienate People (2008): Not the worst of efforts going around provided you don't mind Mr Pegg. Very useful support cast.
Visit, The (2015): I'm a bit burnt out when it comes to wobbly camera films.
Premature (2014): If you didn't like the story on its first Groundhog Day circuit then you can give it away because you get more helpings. No feel for comedy in the screenplay.
Ever the Land (2015): Will have some worthy archival value.
Source Family, The (2012): The subject matter was interesting enough but I found the documentary coverage of some segments shallow e.g. God's possible criminal background and the influence the Family had on the music scene.
Signal, The (2007): Second time I've seen this and still found it hard to stay with it but from other reviews I've read I'm encouraged to try again.
Walk in the Woods, A (2015): The classy Emma Thompson only has a small part but the location scenery makes the rest of it worthwhile.
Ghost Ship (2002): Another ghost ship film but it has a couple of good moments – the maggot scene is worthwhile. Good production values.
Rock the Kasbah (2015): Bill Murray doesn't appear that interested or has any belief in the proceedings – consequently the whole thing is a bit flat. The desert comes up well on camera though.
Hound of the Baskervilles, The (1983): Very strong 1st half with top drawer Ian Richardson driving the story & top character actor Denholm Elliott prominent. The 2nd half is not quite as good & not helped by some uneven editing but then there is always Brian Blessed at his most threatening.
Strange Bedfellows (1965): A fluffy screenplay but there is a couple of worthwhile scenes involving Terry Thomas who shows everyone how comedy should be acted. Some good London 60's street location shooting.
Peter Gunn (1989): It would be hard for any screenplay to fulfill the expectations created by the opening theme tune. Modest story but the climatic scene (about ten minutes before the end ) is quite good.
Bridge of Spies (2015): It shoots itself in the foot – although the period set designs and wardrobe are impeccable the story drags on and on. It would have helped if the superb Mark Rylance had been in more scenes.
Pan (2015): The set designs and special effects are very good but I think this kind of adventure story has been told once too often to have much of an impact.
Bull Durham (1988): Much better than most sports movies & for once the romantic segments enhance the entertainment. It has a good screenplay & Tim Robbins performs very well but the real difference to other sports films is that this one has Susan Sarandon.
Babylon A.D. (2008): "Making of " helps to some degree to uncover the plot which was unclear in the film because the Sci–fi aspect was pushed aside by the too frequent action segments. There is some acting talent but for the most part it goes to waste in the supporting role
Fast and the Furious 3, The - Tokyo Drift (2006): Very familiar format. Good stunt driving and not a bad vibrant sound track. Photogenic cast and some enjoyment can be had from viewing the male posturing.
Shaggy Dog, The (2006): As portrayed it's just too silly to be funny.
Nutty Professor, The (1996): Although its a remake the Murphy performances and the outstanding make up department make it worth it. What lets it down is the uneven screenplay which is at times soppy and includes unnecessary speaking out of stern jokes.
People Places Things (2015): It basically has nothing to it but might appeal if you don't mind a film that has nothing to it.; DVD $19.95
Hellraiser 2: Hellbound (1988): Stands out in a genre that's been thrashed to death – an intelligent screenplay but the highlight is the work of the make–up department.
Restoration (1995): Worth watching for the costumes and set designs not only those involving the debauched right wing but the peasant street scenes. The story is fine but gets a bit sidetracked at times. Good performances from Downey, Thewlis,McKellen & Polly Walker.
Drum Beat (1954): Its too long for its material and some outdoor scenes that are shot on indoor sets detract – but there is some good narrative scattered throughout.
Walking On Sunshine (2014): A couple of tuneful tunes but little else – certainly no originality in the format.
Creed (2015): This is a rip off considering its a re–run of what's gone before. The only reason I can see that the film needs over 2 hours is that it takes Stallone a bit longer than most to get his words out.
Starstruck (2010): Yukkie Disney kids along with bland music is hard viewing. Sits well alongside Hannah Montana & the Jonas Brothers.
Last Will (Nobel's Last Will) (2012): A competently written crime drama with Malin Crepin giving a good lead performance. The film also concerns itself with the role of the press in reporting crime and has a side story on bullying.
Final Girls, The (2015): Taissa Farmiga is good and the concept, although bits of it seem to be have been done before, is entertaining.
Thomas Crown Affair, The (1999): Mostly forgettable and indistinguishable from other playboy white collar criminal caper carryingons.
Z For Zachariah (2015): If there are only 3 people left on earth you would think they would seize the opportunity to play darts and the chance to be world champion. Frustratingly instead they stuff around building a water wheel.
Prince of Persia: The Sands of Time (2010): Standard adventure film from Disney except maybe more violent than would be expected. Compulsory casting of Kingsley and Molina but it helps.
She's Funny That Way (2015): Light material but its not too long – Imogen and Jennifer are not too bad – Illeana Douglas only has a small part unfortunately.
Other Man, The (2008): A lead casting of Laura Linney and Liam Neeson warrants a better screenplay than the one on offer here.
Sin City (2005): Still can't make up my mind after seeing it more than once but have given it the benefit of the doubt for at least being different. The voice over grates at times & its a bit overlong but I like the stylization.
Gayby Baby (2015): An interesting topic but the material is only mildly interesting – not too long though.
Narrow Margin (1990): The plot and acting are fine but with Hackman as bodyguard much of the suspense is taken out of the proceedings.
Moonraker (1979): Doesn't rate highly against other Bonds but compares well with Bond wannabe movies.It has its own Bond type moments nevertheless.
Start the Revolution Without Me (1970): Gags pile up on gag – if you don't like the first one you may not like the next. Not so usual for a comedy this one is funny. Sutherland & Wilder are excellent in dual roles & are more than ably assisted by a terrific troupe of British comedy actors.
48hrs (48 Hours) (1982): "Time Out" perfectly describe Nolte's character as shambling (he has a car to match) – his is also the perfect opposite to Murphy's character so as to create the sparks that drive the film. Again Frisco's streets provide the perfect setting.
Rolling Stones - From the Vault (1981): It goes without saying that the concert is excellent but what I found also interesting was the behind the scenes introduction – the Stones at ease in the flesh but under layers of makeup.
Gilda (1946): Although the dialogue is for the most part snappy the unending bickering and immature behaviour of the lead characters makes the story telling drag somewhat. One big plus is the black and white photography.
Jungle Book 2, The (2003): Excellent characters assisted by uncomplicated animation make it an enjoyable film to watch.
Training Day (2001): Denzel is very good as per usual and Ethan does well to keep on his coat tails. The story/character relationship is at its strongest in the early scenes but weakens somewhat as the day gets longer.
Shipwrecked (1990): A bit uneven – but there are some very good bits particularly when on board ship.
Tinkerbell and the Lost Treasure (2009): The animation is terrific and is easy on the eye.
Destiny of Her Own, A (Dangerous Beauty) (1998): The production values in set designs and wardrobe are very good but are repaid by a mundane and at times laughable script – this in turn casts doubt on what really did go on with the real life characters on which the plot is based.
Aurora Borealis (2005): Very interesting characters played out by some interesting performers.
Tarzan 2 (2005): Simple clear to understand animation with some entertaining characters.
Princess Diaries, The (2001): It's not as bad as it looks – although its fluff there are some watchable moments particularly during Anne Hathaway's school scenes.
Straight Outta Compton (2015): The musical segments are good but you need to be patient as they are interspersed among the beatings and other activities of life. The story telling would have benefited from more conciseness although it certainly has energy.
Thunderbolt and Lightfoot (1974): A good comedy action adventure made all the better by having George Kennedy and Geoffrey Lewis in support.
Flim-Flam Man, The (1967): aka "One Born Every Minute". A pretty useful cast.
Me and Earl and the Dying Girl (2015): Over familiar plot not helped by Mann getting more and more annoying as the film goes on.
Osmosis Jones (2001): Clever script writing and entertaining animation.
Decision at Sundown (1957): Compact story telling with a low body count for a western.
Splinterheads (2009): Thomas Middleditch & Rachael Taylor form a good partnership. The comedy is based around some interesting characters & is uniformly good throughout.
Gift, The (2015): Jason & Rebecca cleaning their teeth together is a dead give away that domestic bliss is about to be shattered. Watchable but at the end of the day the story doesn't offer a great deal that's new.
Sleeping with Other People (2015): Nothing happens and if it did it wouldn't matter anyway with these tiresome characters.; DVD $29.95 | Blu-Ray $34.95
Princess Diaries 2: Royal Engagement (2004): The glitter and extravagance is handled well although that side of things soon bored. Only real highlights are the performances of Hector Elizondo & John Rhys–Davies.
Inherit the Wind (1960): Religious arguments are unsolvable & unending & it is reflected in this film which is too long and therefore loses its impact. Harry Morgan is excellent as the calm judge & provides relief when the 2 leads go over the top. Kelly is a casting mistake.
I'll Be There (2003)
Great Northfield Minnesota Raid, The (1972)
Oliver and Company (1988): Has a solid story baseline on which to let loose some well drawn animal characters – delightful.
Martian Child (2007): Some originality in the plot scenario and a very capable adult cast (Joan Cusack is very good) warrants some attention.
Life at Stake, A (1954): A reasonable if not very original thriller.
Knowing (2009): The plot scenario wasn't too bad but its hard to concentrate on the story telling when there is a distracting performance from the lead to contend with.
Bobby (2006): Emilio has done well to write, direct and act in this film – its not a total success but not a waste of time for the viewer. Whilst it suffers from too much star power the story telling is helped by some worthwhile archival film.
Grandmaster, The (Yi dai zong shi) (2013): Much of the kung–fu is filmed in slow motion which is a negative for those interested in the choreography rather than the violence. The first 45 antagonists getting booted through a window is fine but then it gets tiresome. A very commercial offering.
Night Before, The (2015): A not very original idea – the script is predictably juvenile at times and undemanding.
Coming to America (1988): Good plot idea – the first half of the film is stronger than the latter stages as it runs out of steam – but there are some good cameos to help things along.
Dawn of the Dead (2004): Although the Walking Dead as a sub–genre has been thrashed to death this one stands out from among the crowd.; DVD ~~$15~~ $11.25
Go Tell the Spartans (1978): A no glamour war film – the action sequences are well done – Burt Lancaster excellent.
Cop Out (2010): Every one tries really hard to make this funny.
Scooby-Doo (2002): The effects people do a really good job with Scooby Doo – who as a character is a winner.
36th Chamber of Shaolin, The (Master Killer) (1978)
Mountain Patrol (Kekexili) (2004): Unforgettable. One of the few examples that I can recall where a dramatisation has at least the same impact as a documentary. This one doesn't get sidetracked with friviolities but gets its message across in spades.
Stormbreaker (2006): Aka "Alex Rider: Operation Stormbreaker". Pettyfer struggles with the acting side of his role but the film has some interesting cameos spread throughout which help to compensate.
Dark Angel (1990): aka "I Come in Peace". Modest and now dated actioner. Michael J Pollard as a cameo.
Extremely Loud and Incredibly Close (2011): The title says it all. I sympathise with the film makers in that it must be hard to find any nine year boy (autistic or not) who is not annoying.Sentimental plot. The film had a chance to finish twenty minutes earlier than it did.Goodman hardly appears.
Sleep Tight (2011): The plot – especially the ending – is unconvincing lacking credibility but this film is very watchable because of Luis Tosar's performance. He is able to change facial expressions on a whim depending on whether he is Jekyll or Hyde.
Love Nest (1952): A modest plot but the dialogue is snappy so it doesn't drag at any stage.
Wrong Man, The (Lucky Number Slevin) (2006): What a mess and what a waste of Lucy,Morgan,Ben and Stanley. Why couldn't it tell the story from A to Z? Too smart for its own good.
Cinderella Story, A (2004): It helps that it doesn't take itself too seriously – the step sisters do well.
Being Flynn (2012): The scenario is not too bad but De Niro is a bit over the top and his character soon gets tiresome. Not enough of Julianne or Lili.
Hot Shots! (1991-1993): HOT SHOTS! PART DEUX: Silly but enjoyable – they do these spoofs very well.
Charlie Wilson's War (2007): There is a doco."The True Story of Charlie Wilson’s War" (2008). I'm not a fan of dramatisations – this one has star power distractions & therefore you could question whether its aim is to tell an accurate story or entertain.
Misery (1990): Nothing wrong with the casting or acting – has some suspenseful moments but it is stagey and the story gets a bit routine/ish toward the end.
Rambo 3 (1988): Moronic.
Rambo 2 (1985): Moronic.; Blu-Ray ~~$20~~ $15
Friday Night Lights (2004): Yes I know its got Billy Bob in it and he's always excellent but this is another movie about American Football which in itself is boring and the characters are nothing to get excited about.
Airheads (1993): Uneven and silly but there are some very good segments. Buscemi is an airhead & Michael McKean is also very good amongst a more than useful supporting cast.
Miss Julie (2014): I couldn't make out much of what Farrell said which didn't help matters (as it is a stageplay) but I thought he struggled at times. Much prefer the 1999 version. Samantha Morton was good in hovering around.
Hitch (2005): They have done wonderfully well to stretch this frivolous scenario to feature length.
Medium Cool (1969): Interesting combination of staged & real action. The opening & closing scenes complement each other well & are a good example of the subtle humour prevalent in the film.The film should not be ignored by anyone interested in the turmoil of 1968 in the USA.
Junior (1994): A desperate plot – not sure what Emma is doing in this but she does her talented best.
Dennis the Menace (1993): Not a bad line up:Christopher Lloyd, Walter Matthau, Joan Plowright, & Lea Thompson – there are some quality distractions in this casting if you need them.
Bad Turn Worse (2013): The characters aren't convincing and the plot lacks freshness. The soundtrack however is terrific.
Abraham Lincoln vs. Zombies (2012): The non zombies (I think) had pasty faces so it was hard to tell who was who at times. As per usual the zombies only have a short life span.
Postman Pat: The Movie (2014): The animation and main character are likeable – the story has a message as well.
Inspector Gadget (1999): Hard to dislike – the gadgets are good and there is Rupert Everett to boot.
Chitty Chitty Bang Bang (1968): Its length causes it to run out of steam and although its not a great musical there are some segments that are very well done. There is a very good British supporting cast of comedy actors led by Lionel Jeffries and Benny Hill.; DVD ~~$20~~ $15
Love & Mercy (Love and Mercy) (2014): Its about time they got rid of these dramatisations and leave it to the documentary maker particularly with difficult subjects like Brian Wilson. Cusak is a good actor but he struggles here. Giamatti who excels in hysteria is in his element.
Pirates of the Caribbean 2: Dead Man's Chest (2006): One of those films that you can miss twenty minutes and it wouldn't matter as what you've missed is what you are seeing now.The supporting cast are very good and the non stop action is never boring – hard to dislike.
Man from the Alamo, The (1953): One of the best western directors is well served by a as per usual understated performance from Glenn Ford. A good plot and script also help.
American Ultra (2015): Couldn't follow this – didn't help by not being able to make out what Eisenberg was mumbling.
I, Robot (2004): If you haven't read the book you may enjoy the film more. The stories were intelligent & influential & as a compilation would be hard to convey on film.The casting of Smith is a giveaway that the film has sacrificed some intelligence for entertainment.
5 Flights Up (Five Flights Up) (2015): AKA "Ruth and Alex".Because of the magical paring of Keaton and Freeman the film gets away with the sentimentalities of the plot which never the less has a strong script and interesting support characters headed by a terrific Cynthia Nixon.
X + Y (X and Y, aka A Brilliant Young Mind ) (2014): Excellent adult cast – the story starts out okay but loses its way in Taipei.
Cabinet of Dr. Caligari (1919): It tells an interesting story compactly – the drama is enhanced by different lighting choices, make up & with what is probably over acting (but it is enjoyable). One of the best low budget films perhaps(?)
Ground We Won, The (2015): This dramatised documentary is likely to be more appreciated outside of Australasia by those unfamiliar with this part of New Zealand life.
Battlestar Galactica (TV Series) - Blood and Chrome (2013): A special effects film – excellent work by the effects team.
Ray (2004): Strongest are his childhood scenes. It takes a while for the musical aspects to take effect & some of them are excellent as are set designs/costumes.However the film shoots itself in the foot by being too long – some of the scenes just drag.
District 13: Ultimatum (2009): Slick editing helps a routine story get by along with its happy ending but the three star highlight is the acrobatics. There is plenty of violence but its not over the top.
Honey, I Blew Up the Kid (1992): The special effects were very well done and the toddler plays his part well.
Zero Effect (1997): The scenario was fine but I couldn't maintain interest in its portrayal even though I'm a Bill Pullman fan. There were some good moments but if they were closer together it would have assisted the viewing experience.
Traffic (2000): Del Toro takes the acting honours in a well casted film. The story telling is sometime done in documentary style which helps to get the anti drug message across. Uneven overall but worth the watch.; DVD $19.95
Stuck on You (2003): A single joke scenario but there is one good comedic moment.
You've Got Mail (1998): Jean Stapleton adds interest to the supporting cast and I was surprised in the casting of Indie Queen Parker Posey. The plot is very shallow but they do well to stretch it out to two hours (enough time for you to wake up before the end).
Pandora's Promise (2013): A good selection of interviewees who for the most part put forward their views in a rational and uncomplicated manner. The documentary certainly does a lot to balance the nuclear argument.
Tru Loved (2008): Reasonable viewing – nothing earth shattering – some fresh faces on view.
Big Knife, The (1955): Stagey & talkey unfortunately but in each scene there is acting worth watching particularly from Steiger, Ida Lupino or Corey. Shelley Winters has a great cameo.
Homesman, The (2014): Segmented story – Swank alone then with Jones then Jones alone. Couldn't see why the Spader segment was needed but entertaining. Great set designs & good script topped by excellent photography. The 2 leads are good with Hilary in a Hilary Swank type role; DVD $29.95 | Blu-Ray $34.95
Geography Club (2013): The acting is amateurish but at least the cast are fresh faces – a well intentioned production I would say.
Interpreter, The (2005): The basic premise of overhearing a plot by an interpreter is fine but what ensues lacks credibility.We didn't need the romantic interest it just dragged things out.A bit more of Catherine Keener would have helped.
Shenandoah (1965): As a period piece it's fine but there is an underlying sentimentality (Stewart is well cast) which detracts from its effectiveness.
Space Jam (1996): Enjoyed this film more on a second viewing – the animated sequences are a winner – the human side doesn't work quite as well with the exception of Bill Murray.
Vinyl (TV Series) (2016): Uneven storytelling – they somehow have made the characters not that interesting which I would have thought was hard to do. However the soundtrack is gold.
Assembly (2007): The battle scenes are impressive and create a certain amount of tension.
Stranger Than Fiction (2006): A very good script and so is Ferrell in a Bill Murray type role but the highlight is top drawer actress Emma Thompson – her scenes with Queen Latifah are strong.
Let Me In (2010): The two young actors are fine – although the plot is a remake the script is a good one – but what is most effective are the vampire segments and they lift the film above the norm.
Ghost Ship (1952): Competent enough suspense story – well acted – no distracting frills.
One I Love, The (2014): Could be a remake as the plot idea is familiar but its not over long for the material.
Ant-Man (2015): As per usual the Marvel films have good special effects but there is little new in the plot formula.
Marmaduke (2010): Only Owen Wilson's voice appears & the animal performances contribute to pretty good family entertainment.
Max (2015): Well done to the dog handlers but the story (as portrayed ) is not the strongest.
Arahan (2004): Entertaining.; DVD $29.95
Alpha and Omega (2010): Solid family animation based on good characters.
Astonished Heart, The (1950): Top cast and script.
Voices, The (2014): A one joke premise which doesn't last the distance.
Rhino's Guide to Safe Sex: 1987 = year of release. Entertaining but also a social history document.
Story Of The Doobie Brothers, The (Let The Music Play) (2012): A thorough history of the iconic band interlaced with their hits.
Bowfinger (1999): Although the comedy doesn't rise to any great heights at least the premise has originality. Christine Baranski shows up best along with the under used Terence Stamp.
I Am Big Bird: The Caroll Spinney Story (2014): A low key look at a low key performer – heartwarming.
City of Angels (1998): Hands up those who pushed Cage from the top of the building.It would have been interesting to see if this remake would have worked with someone else in the lead.
Crazy (2007): Frustratingly the music is mostly played in fragments – more so because the guy is obviously musically talented. The dramatic bits are not too bad with plenty of name dropping. A documentary with concert footage please.
'71 (2015): Worth watching for the first 20 min – not quite as strong afterward. Opening scenes look authentic even though not shot in Belfast. I'm not a fan of the wobbly camera but its well used in the brick throwing riot and ensuing chase.Top notch sound track.
Challenge of the Masters (Huang Fei-hong yu liu a cai) (1976): Excellent choreography.
Slow West (2015): Fassbender, Mendelsohn & the photography very good. The music is a standout. The script has some good one liners. There are enough odd elements to fill a couple of sequels – but too many for one 84 min. film – half the number would have had more impact.
Pollyanna (1960): Best scenes are those when a talented Hayley goes into battle against the aged supporting cast who are uniformly excellent. The set designs/costumes are also excellent. The film goes on for a bit too long running out of steam & gets a little soapy.
Chinese Puzzle (2013): The characters are made from the thinnest of paper and soon get tiresome. However there are some very good NY location shots but not enough for the film to hold the attention for very long & certainly not for two hours.
Comanche Station (1960): A tightly written plot with one of the top western directors and actors.
Phenomenon (1996): The plot idea is fine but I don't know why it needed to be so long.
Hotel New Hampshire (1984): A real oddity – uneven but never boring – there is some acting talent enjoying themselves on a busman's holiday.
Man About Town (2006): The script is only average and Affleck is not that great. Cleese the only real drawcard hardly appears.
Breezy (1973): Watchable – the acting is fine but the romance is not really believable.
Ballers (TV Series) (2015): Modest comedic material and characters.
Rooster Cogburn (1975): The chatter between the two groaning old stars gets a bit tiresome and you wish they could be pushed aside so we could appreciate more the outstanding locations and photography.
Please Murder Me (Please Murder Me!) (1956): Reasonable plot plus a good performance from Angela Lansbury.
Moth Diaries, The (2011): Good production values – some interesting segments make it watchable.; Blu-Ray $34.95
Spooks: The Greater Good (MI-5) (2015): Not too bad – nothing special about the story but I'm a fan of Tim McInnery so it was watchable.; DVD $29.95 | Blu-Ray $34.95
Forgetting Sarah Marshall (2008): Its insulting to women that they could be remotely interested in these immature male characters. To describe it as comedy (think Keaton, Milligan, Tati ) is insulting to the genre.
Perfect Storm, The (2000): The storm is fine. Of the rest of the components Diane Lane stands out head shoulders.
Dreams of a Life (2011): Dying undiscovered occurs so shock element reduced. Interviewees were unconvincing & could have been actors instead of real thing – not having her sisters lessened the point of the exercise. I don't find documentary dramas in general convincing as fact.
Dark Places (2015): Had trouble following this – several scenes were shot in the dark which didn't help. Because Charlize is in it I'm sure it's okay and will try again with subtitles.
Dirty Harry (1971): Some of the sequences are worth a watch 45 years on. The highlight for me is the City itself – the location "shooting".
Mask of Zorro, The (1998): The comedy within the action sequences and the stunt work are very good but there is too much not happening in between even with the quality in Hopkins and Stuart Wilson.
Langrishe, Go Down (1978): The story telling takes its time which is not out of place with the time & setting.Some peaceful Irish scenery helps & the interior sets are spot on. The acting by Dench & Annette Crosby (I counted 2 half smiles including one on her birthday) is terrific.
George of the Jungle (1997): Silly but enjoyable – Brendan Fraser is well cast and does a good job.
Outbreak (1995): Plot starts off fine but things get silly including Hoffman throwing his weight around and looking ridiculous. Rest of the talented cast are not bad although you get a bit tired of statements like "putting Americans at risk" or "saving American lives"
Fantastic Four, The (2015): Because there has been so many special effects fantasy films you need to provide something different – this one doesn't.
Stardust (2007): Uneven but with more ups than flat bits. There are some really enjoyable off beat comedy moments.
Go-Between, The (1971): The cricket match & booze up are worth the price of admission & highlight the main issue of the film. Margaret Leighton is uncomfortable among those who don't wear blazers. The props, wardrobe and photography are impeccable.
Cinderella (2015): This well produced version breathes some fresh air into the much filmed tale. Older hands in the supporting cast (it oozes talent) steal the show.; Blu-Ray $29.95, $39.95
Species (1995): The creature is excellent but there is little freshness in the plot.; DVD ~~$20~~ $15
Cursed (2005): A watchable if not outstanding horror – if the story lacks interest at times there is always Christina to add interest.
Alpha Dog (2006): Far too long for the material and consequently it fails to hold the attention – although there are some watchable segments & performances.
Fantasia 2000 (1999): The concept is still a winner. The Sorcerer's Apprentice is legendary and the flamingo segment is excellent.
Underworld: Evolution (2005): Has a British cast that many productions could only dream about. The set designs and make up are very good but the special effects are noisy and the plot consists of action on top of action but little else.
Whatever Happened To Brenda Hean (2008)
Navy Seals (1990): Features Joanne Whalley–Kilmer – I don't know why – so it has one redeeming feature.
Focus (2015): A remake in whole or in part – familiar scenarios.
Self/less (Selfless) (2015): The plot idea is fine but as is quite normal with this type of film the action element dominates the more intelligent aspects of the story.
Night of the Creeps (1986): Has a good start then has a modest middle section before climaxing well toward the end when the zombies come more to the fore. Simple but effective/enjoyable work by the make up department.
Arbor, The (2010): Takes a while to ease into the film's style & understand whose who in the larger family relationship.Warts & all retelling of life's "problems" experienced particularly by daughter Lorraine. See "Rita, Sue and Bob Too" (1987) – its worthy of Mike Le
Paperboy, The (2012): Worthy follow up to "Precious". Excellent casting if for nothing else Kidman out of character & though I suspected Cusack could act – not this well. Story is not special but its made more interesting than normally would be the case. Not Oscar material.
Underworld (2003): The noisy special effects and the slick editing didn't give the story much of a chance of being appreciated.
Die Hard with a Vengeance (Die Hard 3) (1995): The franchise has attracted two more quality actors in Irons and Jackson & they really do look to be enjoying being part of this action film which treats its violence in a light hearted manner. The stunt work is fine but the special effects are well worn.
Hurt Locker, The (2008): Didn't find the yelling/shouting scenes interesting but what was done well were the sniping & the depiction of the desert in particular as "why the hell are we here?" Characters 1 dimensional & I couldn't give a stuff if Renner blew himself up or not.; Blu-Ray ~~$20~~ $15
Beautiful (2009): The photography makes is good to look at & helps make up for some of the deficiencies in plot.
Terminator: Genisys (2015): Indistinguishable from the many other action movies disguised as Sci–fi. The make up department have done a good job on Arnie to take 30 years off him.
Tomorrowland (2015): Too long for kids – it has some very good segments and ideas and the special effects are very good but the whole exercise would benefit by being shorter.
Bride Wars (2009): A few too many "Oh My God" for my liking but Kate and Anne work well together – its all very pleasant.
Trainwreck (2015): The hysterical performances don't assist in conveying any message the film may have had – the script is infantile at times.
Walk, The (2015): An unnecessary dramatisation that some how manages to lack suspense. The prop makers did a good job with the towers.
Bellflower (2011): Tries hard to be different including making the characters offbeat but the males just get tiresome. Plenty of yelling and swearing to enhance the excitement.
San Antonio (1945): Gun fighting cowboys with suits on but other than that most of it is routine fodder – good photography though & S.Z. Sakall adds interest to the cast.
Paper Towns (2015): As with "Fault in Our Stars" from the same author – easy to watch/read – & better than a number of coming of age stories.
Ben 10: Alien Swarm (2009): Mirrors many of the adult action /sci fi offerings but without the violence.; DVD $29.95
Empire Of The Seas (How The Navy Forged The Modern World) (2010): Well researched and easily understood portrayal.
From Prada to Nada (2011): The characters are very thin and lead pretty useless lives but the film could find an audience.
Bucket of Blood, A (1959): A simple story with simple props – simply enjoyable.
Mental (2012): Uneven but there are many good bits that can't be ignored. Being a comedy it would have benefited by being shorter. LaPaglia is fine but the ladies (young and old) take the plaudits. Collette is terrific as usual with Kerry F in an unusual role for her.
Brain That Wouldn't Die, The (1961): The plot is so ridiculous you cannot dislike it.
Invitation, The (2015): Has some good reviews and included in NZFF 2015 but I didn't detect anything above the ordinary on a first viewing – which was hampered by mumbling in beards by a couple of the characters – so will watch again with subtitles. Good end music.
Mission: Impossible 3 (2006): Heavily reliant on noisy special effects – it doesn't really stand apart from the many others in the genre except for the theme tune.
Unbroken (2014): Early parts are impressive – props, set designs & special effects.Make up do a good job with the raft scenes but the Japanese segment is unconvincing e.g. the prisoners' condition is inconsistent from scene to scene & some bits are over dramatic.
Firefox (1982): Way too long for the material on offer but it has an excellent British support cast eg. Freddie Jones, Warren Clarke et al. to add interest and quality.
Far Off Place, A (1993): The adventure story is reasonable but the locations and photography are the standouts.
Original Sin (2000): Well mounted but not a great deal happens and when it does its not that interesting.
21 Grams (2003): I don't know why he chose to complicate the story telling – if the story is strong enough then leave the bloody thing alone. I'll watch Charlotte G anytime, Naomi is fine and Benicio is never boring so there are some good points.
Return of Jafar, The (1994): Continues the Aladdin theme very well – some good entertaining characters and colourful animation.
Infinitely Polar Bear (2014): Handles pretty well what could be a sensitive subject area – the performances are fine.; DVD $19.95
Drop, The (2014): The script is efficient & the characters are very interesting. The four lead performers give each other space and work extremely well off each other.
Black Orpheus (1959): For me it has the greatest of all musical film scores – the films not bad either.
Blackhat (2015): I never really recovered from Chris Hemsworth being cast as an intelligent character. Nothing wrong with the plot idea but it goes on and on and as usual violence intervenes. The Bl Ray has a good short on the Cyber Threat – see that instead.
Tears of the Sun (2003): One suspenseful scene but you would expect that in the jungle at night. At other times the suspense is put on hold while the characters hold committee meetings in enemy territory. The casting could have been better.
Glory Road (2006): Soon follows the predictable pattern of an underdog sports team movie.
City Of Ember (2008): There is also a very good British support cast – of the quality of Toby Jones and Liz Smith et al. The special effects do the job and the set designs are terrific. A good story well told.
Shuttle (2008): Production values look to be minimal – plot is nothing to write home about.
Insurgent (2015): The plot scenario is fine but both its delivery and the characters failed to hold attention. Some good state of the art special effects help. Never seen Kate W so flat – maybe miscast.
ABCs of Death 2, The (2014): Some good episodes but its overambitious to expect 26 film directors to produce a watchable two hours – it would have been better to halve the alphabet with slightly longer episodes to come in at 90 mins.
McFarland, USA (2015): Its seems to be impossible to make a film involving Costner in under 2 hours. At least this one is about a sport that hasn't been thrashed to death on screen. A feel good film.
Confetti (2006): Overall it doesn't quite come off but there are some good bits and you will see much worse.
Devils, The (1971): Its a Ken Russell film. Something "happens" in every scene. The set designs are wonderful and vary from rich to stark. The supporting cast include some interesting casting choices – from the distinctive Murray Melvin to the out of character Brian Murphy
Dope (2015): The only really interesting aspect was the lead's haircut.
Jurassic World (2015): The animals are excellent – the props department must have spent hours putting them together – there is not a stitch in sight – seamless. However they are not that interesting to fill 2 hrs and neither are the humans. Give me King Kong of 1933.
Nurse Betty (2000): The story fails to maintain the interest but there is always Morgan Freeman and the never boring Allison Janney and Pruitt Taylor Vince in small parts to add some interest.
Baseketball (1998): Some of the skits are very good – pity about the rest.
Blades of Glory (2007): A bit of restraint would have helped – we didn't need the crutch area antics – they don't help the comedic segments that follow.
Big Nothing (2006): Couldn't work out what it was trying to be and after watching the Making Of believe they were trying for the hardest comedy field of all – the black comedy. Schwimmer and Eve were fine but Pegg only ordinary.
Love's Labour's Lost (1999): Some Dennis Potter type musical numbers but although the singing is a bit ropey at times – entertaining. A good way to relate a Shakespearean tale – excellent casting.
Havoc (2005): What's intended is reasonably obvious but no characters come across as being real and the posturing gets a bit silly and tiresome.One good scene is where both sides cock up their intended retribution on the other side. Watch "Kids" for more realism.
Man Up (2015): Its starts off well and Lake Bell is very good but its not as good when Pegg and Kinnear arrive on the scene – both males are good comedic actors but the film would have been better I suspect if Lake could have just interacted with the female characters.
Stuart Little 2 (2002): Unusual for a sequel its pretty close to being as good as the original.
Stuart Little (1999): In addition to the excellent special effects/animal antics there is the casting of Geena Davis and Hugh Laurie who take a backseat but make a significant contribution.
Mystery Men (1999): Even if you get disinterested in the script and plot the talents of Macy, Rush and Garofalo etc. keep it interesting.
Tampopo (1986): A plot that's episodically/thematically told. I suspect most of us will find something to appreciate within the film because of its different themes but maybe not everything will be to everyone's taste. I enjoyed the performance of Nobuko Miyamoto.
Last Knights (2015): A good if abbreviated performance from Morgan Freeman (as per usual) and Aksel Hennie who looked very comfortable in what he was doing. Impressed also by the wardrobe but the plot if okay didn't really break the mould from an era when life was cheap.
Tinker Bell and the Legend of the Neverbeast (2014): They have created some wonderful characters that all ages can appreciate.
Thunderbirds (2004): Prefer the puppets but except for the screeching kids there are some very good visual segments.
Heiress, The (1949): A talented cast and a solid plot make for satisfying viewing.
Avengers: Age of Ultron (2015): Downey seems to be specialising in these special effects films – there is a wealth of acting talent in the cast that's not required.Some of the effects are very good but most to me seem to be much the same as the last one or the next one.; Blu-Ray $59.95
That Evening Sun (2009): Its an actor's film and the small cast do well.The casting is spot on – Hal Holbrook is excellent and I also liked the work of Carrie Preston and Barry Corbin. The photography and musical score also help.
Assassination of Jesse James by the Coward Robert Ford, The (2007): The night time train robbery segment was well done and the photography/locations likewise. The casting wasn't too bad but it has to be something special to maintain interest when its over 2 hrs – cutting back the title would have been a good start.
By the Light of the Silvery Moon (1953): There is nothing wrong with the songs and Mary Wickes adds interest to the padding in between.
Age Of Adaline (2015): It starts off very well – a refreshing plot idea – but it loses its way and becomes ordinary once the romantic segments kick in – a pity.
Rewrite, The (2015): Hugh Grant characters don't normally last the distance but in this film there is some real relief to be found in the casting of Marisa Tomei, JK Simmons and Allison Janney.
Learning to Drive (2014): The modest plot doesn't really require leads with so much acting talent. Good musical score.; DVD $19.95
Fish Tank (2009): Casting spot on. Jarvis does remarkably well for a young 'un. She has a great head butt.The dialogue concise and in your face.The scene with the kid in the river looked authentic. The dance number with mum and daughters reminded me of "Bande a Part".
Cotton Club, The (1984): Frustrating – some wonderful dancing orchestrated by Gregory Hines is often cut short and used as padding so Gere and Cage who are dressed as peacocks can strut around. Bob Hoskins & Fred Gwynne do well as do the prop and set designers.
Antonio Gaudi (1984): His work is more interesting than most architects whose work has been filmed.This is part of the Criterion collection and the extra features provide his life story whilst the film concentrates on his work.
Woman in Gold (2015): Helen lumbered by an accent does her best but her character is just not challenging nor the story that interesting.
Quiet Ones, The (2014): Showed glimpses of originality and breaking the mould.
Danny Collins (2015): More than useful cast, including the brilliant Christopher Plummer in support, but I couldn't really empathise with the lead character.
Siege (2012): Except for some unnecessary slow motion camera work the battle scenes are well done and in the main suspenseful. The story telling in the main doesn't get too over dramatic.The documentary "Siege – The Real Story" should also be seen.
Ravenous (1998): Strange even for a horror film but courageous as well. The material is fresh as well as the meat.
Sorry, Wrong Number (1948): A good well written story that keeps the tension by not being too long. Well casted.
Drillbit Taylor (2008): Another teen film involving bullying and another one treating it as a comedy.
Adventures of Pinocchio, The (1996): Good production values of this timeless story.
Tight Spot (1955): A good story but Ginger's voice got a bit shriekish.
Black Cat, The (1934) / The Raven / The Mummy (1932-1935): Black Cat: Stellar pairing, classic horror story.
Khumba (2013): The photography/animation was as clear as a bell. The animal characters were comical and endearing.
Sex and the City 2 (2010): Although it goes on forever I'm not sure anything happens – if it did it was well done.
Sushi Girl (2012): Low budget – most of the action is limited to a couple of rooms.The most expensive part of the production would be the design of the end credits. Some flashy and frequent editing tries to make the story more intense.
That Sugar Film (2014): To a large extent its format mirrors what has been done before in for e.g."Supersize Me" – but worthwhile.; DVD $14.95 | Blu-Ray $24.95
Housewife, 49 (2006): Superb period drama – props,sets designs,casting and performances are spot on.
Fresh (1995): The performances,script and musical score are spot on – young Sean Nelson is in every scene and holds up extremely well.I was relieved to see that no animals were harmed during the film – there is some realistic action involving animals.
Spy (2015): Interesting cast makes it watchable – the plot intentionally mirrors the 007 films.
She Married Her Boss (1935): Not a great deal of interest happens until the final scenes.
Black Sea (2014): It loses a bit of suspense when the suspense is pre–ordained in the form of going under the sea & in a submarine. All submarine films are "suspenseful" & little should shock. The characters got annoying bickering and shouting at each other.
Dirty Rotten Scoundrels (1989): It just gets silly and well below Michael Caine's normal material. Glenne Headly however puts in a good performance.
Twin Peaks (1990): Quite a strange film – even reading about the films background fails to explain the made for video ending. Still that's David Lynch – may he long continue to baffle.
Watcher, The (2000): Standard plot but the story telling is not helped by flashy camera work and annoying sound effects – you know those ones that are used to make it more exciting.
Hollow Man (2000): The special effects are extremely well done but the story which starts out well gets unnecessarily sleazy in parts & detracts from the Sci–fi.
Jin-Roh: The Wolf Brigade (1999): A very good story which lends itself very well to animation. Highlight for me was the animated street scenes.
Deathgasm (2015): Has done its best to have some original ideas in the proceedings – not an easy task when the genre is flooded – hasn't really succeeded in this but is watchable.
Man, The (2005): I haven't seen much of Eugene Levy but he has a screen presence – he and Jackson work well together in this one but deserve better material.
Left Behind (2014): The plot idea wasn't too bad (in part) but the highlight has to be the irony of casting Cage as a cool and calm character when everyone around him are collapsing in hysterical horror.A casting director with a sense of humour.
Talented Mr. Ripley, The (1999): Thought the screenplay was a bit ordinary and as it goes on for ever it lacks suspense. Part of the deception relied on Damon and Law looking alike which they don't.
Pixels (2015): The human element of the story is only so so but the special effects are very good and enjoyable and make it worthwhile.
Nancy Drew (2007): Good production values of a good story – Emma Roberts plays the lead with assurance.
Ricki and the Flash (2015): The musical segments on the whole are well done but the total product doesn't quite work out. Having said that its worth watching it for Meryl's performance – she takes on the role of a rockin' grandma like a duck to water.
Imitation Game, The (2014): The set designs/periodic props etc are quality. The casting is well done. The early parts of the film are the best before it seems to lose its way and ends up not doing justice to either Turing or the code breaking (watch the Bletchley Circle).
San Andreas (2015): Unimaginative plot and I didn't think some of the special effects were all that good – they looked like special effects. The acting was ordinary and we didn't need another intense performance from Giamatti.
Barney's Great Adventure (1997): Proof that you don't need to spend a lot of money to create a terrific character.
Alexander and the Terrible, Horrible, No Good, Very Bad Day (2014): The comedy is noisy and forced and wears thin after a short while.
Dillinger is Dead (1969): As Michel Piccoli says you will either love it or hate it.
Hellboy 2: The Golden Army (2008): The violence doesn't dominate which is unusual for this kind of film – there is some time for humour and the characters in the main are colourful & well done.
Piglet's Big Movie (2003): Lovely characters and no fuss animation make it ideal for young family members.
Grandes Manoeuvres, Les (1955): These well healed characters are typically shallow and they aren't that interesting but although the script is not at the Oscar Wilde level it is good enough.
Owl and the Pussycat, The (1970): If I remember this film it will be for Streisand's screeching voice (why would a singer risk damage?) – its a pity because although stagey it has some watchable segments.
Pee-Wee's Big Adventure (1985): Uneven but never dull. The better segments are worth waiting for. Some excellent set designs and the photography is easy on the eye & in rich colours.
Lake Mungo (2008): The characters and events are fictional.The plot follows an already well trodden path as a supernatural thriller.
Sci-Fi Boys, The (2006): Too much on the amateur film making period of the current crop of film makers and although Willis O'Brien was mentioned I don't believe his ground breaking exploits eg. in "King Kong" (1933) received any attention – after all he influenced Harryhausen
Good Lie, The (2014): Some lovely comedy touches without being disrespectful to the refugees. A story worthy of the telling.
Kingdom, The (2007): If you like machine gun fire then this is for you.
Leave It to Beaver (1997): A couple of good scenes make it worth a watch.
Laggies (2014): The plot idea has some originality and the cast are pleasant enough but the characters don't really represent people you can relate to or care about.
Book of Life, The (2014): Both the animation and the characters are very distinguishable. The colours used are very strong.
Boychoir (2014): Kathy Bates is fine but most other things are flat and predictable.
Jetsons - The Movie (1990): Great characters – they should stand the test of time for a while yet.
Con Air (1997): Malkovich looks threatening but Cage's drawl gets irritating after a few seconds (I hope for his family's sake he doesn't take it home). After an okay/expensive climax it gets soppy.
Charlie Bubbles (1967): Episodic – Colin Blakely and Liza M are fine the latter being a nice surprise but the best moments are with the excellent Billie Whitelaw. Some "nostalgic" urban northern locations (the slums on their last legs) and a surreal finish.
Hellion (2014): The first half is not too bad but the plot which doesn't really amount to much gets a bit predictable.
Most Violent Year, A (2014): On a first viewing it didn't do a lot for me although there were some good patches – will watch again.
Killer Bats (The Devil Bat) (1940): A great combination of Lugosi and bats.
Eat Drink Man Woman (1994): One of the more clumsier titles. The story is light entertainment but is well put together and acted. Its main drawback is that there is not enough in it for 2 hours – it probably has a character too many.; DVD ~~$20~~ $15
Entourage: The Movie (2015): The characters were not very interesting and neither the script or plot were very strong but other than that it was okay I guess.
Assassins (1995): Neverending but there is some interest in the younger versions of Antonio and Julianne.
Rock Star (2001): Uneven – Timothy Spall heads some acting talent in the support cast so there is usually something to fall back on.
Tin Cup (1996): Why is it every project that involves Costner takes over two hours? Some of the dialogue with Rene is soppy.
Curb Your Enthusiasm - Season 1 (TV Series) (1999): An interview with David explains that some of the "script" is ad lib but that's no excuse for the poor level of comedy. Maybe the series is intended to offer something other than comedy and I've missed it(?)
Mildred Pierce (1945): Easy on the eye black and white photography. The solid story keeps moving along. Good lead acting from Joan and in support from Eve Arden and in a small part from Butterfly McQueen.; DVD ~~$24.95~~ $18.70
Listen Up Philip (2014): I really don't know what this was about – if it was about something then Jonathan Pryce added value to it.; DVD $19.95
White Countess, The (2005): The story lags at times? Don't appreciate the excellent cast? Then admire the production values.
Fanboys (2008): Likeable comedy with a reasonable story – the characters aren't too irritating.
Lord of the Elves (Clash of the Empires) (2012): Its got nothing to recommend it but you feel some admiration for it sticking its fingers up the nose of some other films it has ripped off.
Funny Lady (1975): Two good musical numbers and one amusing segment but there is quite a bit of ordinary stuff in between.
Frog Dreaming (The Quest, The Go-Kids) (1986): Superior children's film for all ages – very good story – love the opening scene.
Hole, The (2009): A bit better than most of this sub–genre & has some scary bits which is unusual. Bruce Dern adds value.
Little Nicky (2001): The plot idea is funny but it just needed a script that comedy actors could use and adult audiences appreciate.
Water Diviner, The (2014): I didn't think it was possible to make a boring film with a WW1 theme. I knew we were in trouble when the beautiful Olga Kurylenko appeared.; DVD $39.95
High Crimes (2001): The plot is not convincing – Ashley is fine but what makes the film watchable is the impressive (again) Morgan Freeman.
A Second Chance (2011): The acting and story line will appeal more to the younger members but there are some good gymnastics for all ages.
Babette's Feast (1987): The visit of the General is contrived. The feast is of little interest to those of us who enjoy fish & chips but the Norwegian shore location is beautiful & can be appreciated as can the wardrobe.Overall an interesting blend of bleakness & subtle humour.
Pitch Perfect 2 (2015): No improvement in the musical numbers from the first outing.Pretty bland.
Anvil: The Story of Anvil (2008): Didn't have much affect on me on a first viewing – will try again.
Mad Max: Fury Road (2015): Charlize gets her hands dirty again but the story is very familiar and noisy.; Blu-Ray ~~$20~~ $15
Accidental Love (Nailed) (2015): The story goes off the rails but its watchable for the excellent female support cast – Keener,Alley and D'Angelo.
Bounty Hunter, The (2010): The two leads work well off each other but its undemanding fare.
Battleship Potemkin (1925): As well as its well deserved fame for editing the musical score by Edmund Meisel is outstanding. Odessa harbour looks beautiful. The intertitles help the pace of the story telling and maybe should be used by more film makers.
Wild China (TV Mini-Series) (2008): Top notch documentary – quality all the way through.
Legendary Weapons of China (1982): Entertaining with plenty of variety in the kung fu department.
Where the Boys Are (1960): Not as bad as it looks but the scenes where its girls only are the best plus those with Barbara Nichols.
Strangerland (2015): Considering the quality casting this was a disappointment – the acting was fine except the script required too many hysterics. Routine plot but the locations are outstanding at times.
Other Boleyn Girl, The (2008): Excepting the costumes and the quality casting of the support roles this doesn't amount to much – it often gets bogged down by its own importance.
Ninja Assassin (2009): Just another ninja assassin film with ketchup on top.
Fastest Gun Alive, The (1956): An intelligent western with the emphasis on the characters rather than the body count. Includes the great Broderick Crawford and an excellent dance routine from Russ Tamblyn.
Something to Talk About (1995): The plot idea is not exactly earth shattering but there is some interest in two really good actors in Gena Rowlands and Robert Duvall.
Gunman, The (2015): Elba and Winstone have short screen time and Bardem is flat for once. Rylance is good but nothing lifts this above the routine.
Land of the Bears (2014): It is worth watching just for the scenery never mind about the cuddlies.
Blue Velvet (1986): The bookends are gorgeous portraits but in between there is Dennis Hopper. Laura Dern is wonderfully innocent and contrasts with Isabella Rossellini whilst Dean Stockwell gives a memorable cameo. It is not faultless but it has won me over again.
League of Their Own, A (1992): Excellent story & the periodic props & set designs are well done.Geena is well assisted by Lori Petty with Rosie O'Donnell scene stealing & really looking/acting like a baseball player.However the film gets sidetracked too often and is therefore too long; DVD ~~$19.95~~ $14.95
Life Partners (2014): Normally "Oh My God" comedies make me cringe but not this one. The girls are terrific and so is the script. The dipstick male characters are also well played.
Insidious: Chapter 2 (2013): Doesn't really add anything new to the Supernatural Horror sub–genre.
Secret Life of Marilyn Monroe, The (TV Mini-Series) (2015): They've done well to get some good look a likes but her story has been thrashed to death.
Due Date (2010): Modest comedy.
Master, The (1994): The fight scenes are comedic rather than kung fuish – Jet Li is good and has some good sidekicks – enjoyable.
A Very Harold and Kumar Christmas (2011): For the those who are easily pleased.
While We're Young (2014): Very surprised that this was selected for the NZFF – its very light material and hardly worth the film stock – Naomi is fine as usual but Stiller struggles.
Fox and the Hound (1981): Wonderful characters and an enjoyable tale ensure this is successful.
Master and Commander - The Far Side of the World (2003): A real attempt has been made to get the props and the way of life on board right – a commendable effort. The action sequences are well done but unusually do not dominate the film. Excellent musical score particularly over the end credits.
First Knight (1995): The strong points are the set designs, costumes and performances from Julia and Connery (who seems to be coasting). The casting of Gere however is strange – he looks out of place – maybe because he is working with a different type of actor/acting method.
Blackboard Jungle, The (1955): Still has some interesting segments 60 years on.
Battleground (1949): Emphasises the buddy bits – chatting and joking near the front line etc. but the realism wears thin when you consider they were meant to be opposing some of the best of Germany's remaining troops.
Fast and Furious 7 (Furious 7) (2015): Although it takes ages over the closing scenes and uses slow motion to emphasise the action at times and fills in the space between the action with padding – it does very well to stretch it out to 137 mins.
Still Alice (2014): It needed someone of the quality of Julianne to make this plot watchable – these films are normally over dramatic, tearful and crappy.
Recess: School's Out (2001): Reasonable story and adequate animation.
Peter Pan 2 - Return to Neverland (2002): Excellent characters and easy on the eye animation.
Pacific Heights (1991): Too much hysteria in the acting department for my liking. The only highlights are the San Francisco locations and the house exteriors.
DUFF, The (2015): "Dogfight" (1991) covered similar territory and did it much better but Mae Whitman is very watchable. The film is a little too long but she does carry it very well. The plot also takes the mickey out of social media in a light hearted way.
Lazarus Effect, The (2015): I don't think the plot was over complicated (and was even familiar) but I couldn't follow it at times.
Pocket Money (1972): Considering the interesting cast it comes across a bit flat.
Last Airbender, The (2010): Ringer not convincing in the title role. The special effects were okay but in comparison to the many other special effects films do not standout.The highlights were the Greenland locations.
Bachelor, The (1999): There are some old hands in the support cast (Ustinov for example) that add interest but this plot goes off the rails and gets sillier and sillier.
Boys Town (1938): Crappy story and Rooney is awful.
All This Mayhem (2014): Some interesting skateboarding segments but overall the story is not that uncommon.
Hope Springs (2002): The romantic side is possibly okay but anyone looking for quality comedy will be disappointed. Having said that its a pretty good female cast.
Wait Until Dark (1967): Well cast and the performances are fine but its stage origins show and it needed to be a bit shorter to maintain the suspense a bit better.; DVD ~~$24.95~~ $18.70
Bambi (1942-2006): Bambi original = 4 stars – it reflects the curiosity and the fears of the young wonderfully well. Bambi 2 not quite as good = 3 stars but can still be recommended.
Must Love Dogs (2005): There seemed to be a hell of a lot of characters – a lot of them male and filling in as spare parts.Diane and the other older hands make it watchable.
Hot Pursuit (2015): Reese has nailed her character extremely well. Not a particularly original plot but Reese makes it enjoyable and watchable.
Addicted to Love (1997): It tries to be a bit more than a rom/com for which it should be commended.
King Kong (1933): Fay Wray is delightful. There is genuine suspense at times even for today's audiences.The animation is both enjoyable and admirable & has earned its place in cinema history.NB Watch "the Making of" – I rate it at 5 stars.
Jersey Girl (2004): Affleck really struggles with the acting component of his role.The plot makes you cringe at times.
Dirty Dancing (1987): When they are not pawing each other there are some good dance moves. The acting is pretty ordinary though.
Runaway Bride (1999): There isn't enough material for close to 2 hours – its a one joke scenario. Everyone is pleasant but Joan Cusack's is the only interesting performance.
Crazy Heart (2009): The broken down "has been" has been done before. The love relationship is not credible and in any case doesn't work nor help the film. Bridges is fine and so is some of the music.
Boxtrolls, The (2014): Quality animation and just as importantly quality characters.
Sweet November (2001): Give me the Charlize from "Monster" or "North Country" – not this one.
American Dreamz (2006): Christ a comedy that's actually funny. Quaid is not playing his often smug character which helps.The satirical plot is a good one.
Kill Team, The (2013): Sub titles would have helped as it is heavy on narrative. Hopefully some overall good will come out of this injustice.
Message in a Bottle (1999): Dreamy to look at.The pace of the film suits Costner. Nothing much happens but its done very well.
Laws of Attraction (2004): Not really worth 86 minutes but the two leads have good chemistry.
Almost Famous (2000): Strange decision to assemble a pretty useful cast with good material and then deliver a portrayal of the music scene in the 70's that Disney couldn't have done any better.There are some nice performances with Frances McDormand the stand out as usual.
Hannibal (2001): Pretty flat & lacks suspense – the length doesn't help – nor does the fact that we know Hannibal is the baddie from the off.
Project Almanac (2014): Another one of those films that believes it needs a hand held cameraman as part of the action to increase the suspense.
Doomsday (2008): Any good ideas that appear are soon squashed in the violence which is unrelenting and the film therefore doesn't hold your attention. The set designs are well done. Until McDowell appears the talented Bob Hoskins looks out of place.
Just Friends (2005): All the characters are pleasant enough and the plot harmless enough.
Dark Victory (1939): Straight forward plot that is watchable because of the performances of Bette and George Brent.
Sorcerer's Apprentice, The (2010): Uneven but there are some good bits especially the mop scene – a number of the special effects and plot ideas have been seen before but its well worth watching when Alfred Molina is on camera.
Dying of the Light (2014): It would pay to be a Cage fan as he "seems" to be in every minute of every scene.
Guest, The (2014): There's a fine line with black comedy.Reasonable first half but it gradually got sillier.
Last Days of Disco (1998): Another talkie like "Barcelona" – that wouldn't be so bad if the characters were a tad interesting.
Fantastic Four: Rise of the Silver Surfer (2007): If you are happy to watch special effects all day then this film will please – if you are looking for a bit more then look elsewhere.
Duke of Burgundy, The (2014): Serene at times – beautiful photography – excellent production values.; DVD ~~$25~~ $18.75
Gambler, The (2014): The plot idea of gambling addiction v unsympathetic loan shark plus the romantic sub plot of student and professor is old hat. Wahlberg however is believable, Jessica Lange has a great cameo and there is one great scene with the impressive John Goodman.
Hoot (2006): A familiar plot but the film is sincere and has been made for the right reasons.
Annie (2014): Not a very tuneful musical. The only real highlights are when the kids are left alone to do their dance numbers otherwise it does drag.
Top Five (2014): Rock can be a bit of an annoying motormouth and there is little respite at times.
Definitely, Maybe (2008): Except for the kid having an irritating voice all the actors are nice and the story line is nice. Waste of time really.
Brooklyn's Finest (2009): With that cast it should have been better – could have seen more of Ellen Barkin. Some good street scene location "shooting". Action fans might be happy with the body count and that every second person is a Mother F.
Stepford Wives, The (1975): A portrait of deprived America – the plot slowly unfolds etc.– its well performed by a seasoned cast – the photography is easy on the eye.
St Martin's Lane (Sidewalks of London) (1938): An enthralling performance from Laughton. The film makes an interesting comparison between the established musical theatre and (does it borrow from?)free form busking. The street scenes and the busking segments are nostalgic and captivating.
Country Bears, The (2002): The characters are a bit over gimmicky at times but the bluesy music and some Christopher Walken gets it through.
Storm in a Teacup (1937): The success of this comedy lies in its simple plot and its believable characters. The pompous Cecil Parker is the standout.; DVD $34.95
Maggie (2015): It didn't hold the attention this time but on another day it might. Refreshing to see Arnie in a restrained mood (most of the time). Not original but then not a total clone because of its pacing mainly.
Red Dragon (2002): The plot was unconvincing.There is a strong combined British and American cast but most of the screen time is taken up by Norton.
Pat and Mike (1952): The sporting segments are interesting and some good editing portrays Hepburn as the real thing. The repartee is fine.
Broken Rainbow (1985): Bastards. File under "Crime".
Bring Me the Head of Alfredo Garcia (1974): Unevenly paced and the interest level varies quite a bit – has some worthwhile cult segments.
Ex, The (Fast Track) (2006): Not as tiresome or frivolous as a lot of rom/coms – the cast are fine.
Get Hard (2015): Really weak material although the plot idea wasn't bad – lacks quality comedic moments.
Roman Spring of Mrs. Stone (1961): Acting okay except for Beatty's accent as the leech.
Humbling, The (2014): Although the acting deteriorates to over dramatics toward the end for the most part it is fine. A reasonably interesting story.
Into the Woods (2014): As a musical it is awful – the tunes are bland and the singing isn't proper singing.Some interest in the plot and casting.
Richie Rich (1994): The supporting cast were fine but these kind of films always benefit from Christopher Lloyd.
I Could Never Be Your Woman (2007): I rarely see the point of these rom/coms. As usual its about people wasting time. Michelle does a good Mrs Robinson impression.
Nanny Diaries, The (2007): The brat is a bit of a brat especially in the first half but then gets Disneyfied a bit which is no improvement. The film is best when Laura Linney (excellent as usual) & Scarlett J work off each other – the male characters are not really required.
Nick And Nora's Infinite Playlist (2008): Doesn't push against any boundaries – okay but you feel as if you haven't achieved anything by watching it.
King Kong (2005): Extended version: Didn't penalise it for being a remake as it was made as a homage to the original. Naomi deserves a star all to herself. The effects are top drawer but it takes twice as long as the original to tell the story so shoots itself in the foot; DVD ~~$15~~ $11.25
Petrified Forest, The (1935): Bette and Howard are in fine form and play off each other very well. Its a good script and not too long which helps you cope with the lack of movement in the surroundings and characters.
Maid in Manhattan (2002): When you have Fiennes, Richardson and Tucci the end product should be better, but I suppose even this kind of talent needs the material to succeed. On top of that there is a top drawer actor in Bob Hoskins with hardly anything to do. Didn't need the kid.
Dan in Real Life (2007): There must be something in it (which I missed) to attract the classy Juliette Binoche but she looks a bit out of place among this lot.
Anchorman: The Legend of Ron Burgundy (2004): Tries hard to show the behind the scenes of TV news broadcasting – as most of us are not privy to what goes on it is well worth a watch.
Echoes (TV Mini-series) (1988): The first part – ie. pre scholarship – is much better than what follows. Glorious locations and the wonderful brogue help. Geraldine James the acting highlight.
Great Gatsby, The (1949): There is a lot of talking and the overall impression is one of flatness.; DVD $14.95
Pleasantville (1998): The very good plot idea shows up well in the first half of the film but then the story telling gets stodgy and a bit preachy which is a shame – a talented cast in Macy,Allen,Daniels,Walsh and Don Knotts.The set designs are very good.
Somebody Up There Likes Me (1956): Loved the early working class street scenes – most of them were shot in the rain. Newman couldn't have been the obvious choice to play a boxer but he is fine– good performance from his mum Eileen Heckart. The bouts are hectic generally.
Beastmaster, The (1982): A bit long for the quality on offer but everyone tries hard and its not dull for too long at a time. The make up department have been busy with some of the characters.
Baby Mama (2008): It's good natured and the two leads provide enough vibrations to keep it interesting.
Sabotage (2014): Not exactly in Pumping Iron shape and like some other old action stars – bloated. Don't think Arnie would be needing to do this for the money or to fill in time – could be for the enjoyment(?) Its a useful support cast.
Hobbit, The - Battle of Five Armies (2014): Great special and noise effects and the make–up department has worked overtime.
Strangers, The (2008): Another home invasion with the strident sound effects.
Ballad of Gregorio Cortez (1982): A bit different to the normal.
Noble (2014): A story well worth telling and it doesn't appear to have been over dramatised. The childhood scenes are quality as far as props and design are concerned. O'Kane you would want on your side every day of the week and has a lovely brogue.
Water for Elephants (2011): Waltz gives a fine performance and is too strong for the other two – he in turn has to give centre stage to Rosie the elephant who is terrific. An uneven film but the scenes which involve Waltz or Rosie are worth it.
Show Me a Hero (TV Mini-Series) (2015): On a first viewing couldn't get into it – will watch again.
Cymbeline (Anarchy) (2014): The version I saw didn't have sub–titles and I found the plot of this not well known story a bit hard to concentrate on/understand.
Run All Night (2015): Neeson really needs to be careful not to be typecast as he has done a number of these pose with gun in hand roles – I make the same complaint about Denzel Washington – he can do much better.
Harvest, The (2013): Not a bad attempt to break the mould. Better than a lot of films of its type but Samantha Morton was a bit too hysterical at times and as done much better.
Big Eyes (2014): Richly photographed and the periodic props/set designs are spot on. Waltz is great as the male asshole but I couldn't think of a better casting choice than Amy Adams for her character.
Waterloo Bridge (1940): It probably works well as a romantic film but there isn't much else.
Bridges of Madison County (1995): Sedately paced. Meryl is fine as always but Clint is not the romantic type and anyway looks long past it.; DVD ~~$20~~ $15
AC/DC: Let There Be Rock (1979): The concert is fine – the interviews of those not in the band a bit on the arse licking side but watchable.
Delirious (2006): Watchable but it certainly works best when Buscemi is on screen.
Henry's Crime (2010): Reeves plays a nice but slow up top guy very well but Farmiga takes the honours. A silly but enjoyable plot.
Face in the Crowd, A (1957): The plot idea is very good but as presented it doesn't maintain interest over 2 hours.Patricia Neal is outstanding.
To Sir with Love (1966): The material is very dated 50 years on and has a Hollywood feel to it. What makes it worth a watch though are the nostalgic street scenes and for Lulu's singing.; DVD ~~$20~~ $15
Mad Money (2008): Maltin says this is a remake of "Hot Money" (2001) so no marks for that but worth it for Keaton (as always) especially and Latifah.
Big Bounce, The (2003): Its not as bad as it looks – Wilson is not too bad in this and not irritating for once – having Morgan Freeman in a number of his scenes probably helps. There are some good cameos that add interest.
Stepford Wives, The (2004): Not perfect but it has a strong plot idea and a Director who has ideas of his own plus a strong cast in Kidman, Close and Walken in particular.
Fifty Dead Men Walking (2008): Doesn't really stand apart from all the other political torture/ murder films.
New In Town (2009): Bit of a waste of time as the comedy aspect was non existent.
Wild Hearts Can't Be Broken (1991): Gabrielle is fine and cements the film with old hand Robertson adding interest. The romantic interest slows the film and we could have done with it – he is a bit of a drip anyway. The production values were very good and the plot okay.
Two of Us, The (Le Vieil Homme et l'Enfant) (1967): A lovely slice of life that has an air of authenticity. The director sets the scene in occupied territory and leaves it to the viewer to determine how serious the threats from the enemy are. Simon plays an Alf Garnett type character wonderfully well.
Young Guns (1988): Terence Stamp was taken out early and with him much of the interest. The violence dominates thereafter and is tasteless.
You're Not You (2014): The two female leads are fine and the film would have been better off without the males. Marcia Gay Harden underused – the plot's a bit melodramatic at times.
Finest Hour (2002): A good mixture of Churchill's propaganda and how it really was from eyewitnesses at the sharp end. "Finest Hour" was Churchill's phrase – a rallying call – whereas the working class who took the brunt used words like "cock up" but muddled through.
Mortal Kombat: Annihilation (1997): I rather enjoyed the special effects and set designs which didn't appear to be too expensive.You will watch worse. Soundtrack okay.
12 Years a Slave (2013): At the risk of being seen as disrespectful to these people's misery the film gets repetitive in relation to their beatings & murders and in doing so loses some of its impact. Good production values.
Pitch Black (2000): Some good segments and if you haven't seen too many space creatures you might appreciate the horror.; DVD ~~$15~~ $11.25
Swan Princess, The (1994): Undemanding animation of a timeless tale.
Pride (2014): For most of the time it avoids the traps. There are some very good segments. The female characters in particular are excellent.; DVD ~~$20~~ $15
Desert Fox, The (1951): A quality dramatisation that is supportive of Rommel but is not an in depth investigation of the man – its also an interesting "behind the scenes" look at the plot to kill Hitler. Mason is very good but the performance for me was that of Leo G. Carroll.
Days of Wine and Roses (1962): Lemmon's oscar type acting gets on your nerves and wears you down before too long. The plot is worthwhile and the musical score memorable.
Captive, The (2014): I thought Reynolds was a strange casting choice. I like the Director's body of work and was surprised that this one seemed verging on the mainstream but I may not have given this film proper credit after a first viewing.
Harper (1966): Its relaxing viewing – a low body count – a slight exaggeration of the characters – some easy on the eye locations. Newman is good enough to hold the film together and his helped by a more than useful supporting cast.
Anatomy of a Murder (1959): Stewart is another goodie goodie and gets most of the best lines.Would like to have seen more of Eve Arden. In the court room the highlight is the performance of Joseph Welch as the judge who scene steals. Scott in an early role is subdued. Far too long.; DVD ~~$25~~ $18.75
Something Wicked This Way Comes (1983): All the ingredients are there – good story and props plus a non boring adult cast – but it doesn't seem to work as well as it should. The kids voices were annoying.
Epic Movie (2007): The grubbiness is mostly kept in check which is some achievement for this franchise. Some watchable skits – the pirate one being the best.
Date Movie (2006): There was a good opening scene but it was all grubby and downhill after that.
Tenacious D in the Pick of Destiny (2006): I thought the opening credits were very stylish but then what followed was uneven – there were some good bits with originality but these were undermined by unnecessary grubbiness.
Night Of The Living Dead: Reanimated (2009): With all the different animators and their styles thrown together its probably not going to please any one camp. An interesting experiment but I don't think the audio melded in too well & it turned out to be more of a distraction.; DVD $29.95
Love Birds (2011): Sally Hawkins and Bryan Brown add a bit of solidity to the performances and make this okay comedy plot watchable.
White Lies (2013): Three understated performances complements the spot on periodic props/clothing and the film has a genuine atmosphere. The pacing of the film is just right and the photography is quality.
Theory of Everything, The (2014): Because the main aspects of the story are reasonably well known it is not that interesting but what makes it watchable are the production values and the performances.
Where the Buffalo Roam (1980): A really odd piece of work but needless to say with the casting and the subject matter is not boring.
Back to the Secret Garden (2001): A quality production with an excellent adult cast complemented by good performances from the youngsters.
American Pie 2 (2001): I thought Alyson Hannigan did okay but the plot is juvenile.Other comedies have done better with similar juvenile material.
Hannibal Rising (2007): A promising initial ten minutes then things get silly. A bit of restraint would have helped the viewer to maintain interest.I can never understand why female characters in films fall for the obvious bad guy – and in this case even a psychopath.
Buona Sera, Mrs. Campbell (1968): A very light scenario. Too much yelling and hysterics made the characters annoying.
Halls of Montezuma (1950): A more than useful cast helps make this better than average for its type.Its not all action as there is time for character development.
Alien Abduction (2014): The title is a dead give away so there is no suspense element. Treads a well trodden path with this kind of hand held camera realism horror.
Fall of the Roman Empire (1964): There is acting talent a long way down the cast list but poor Sophia has to carry the feminine load as this is a man's picture. What lifts this above the average epic are the performances of Guinness,Mason and especially Plummer who owns the stage.
Oculus (2013): A good plot and reasonably suspenseful.
Slumdog Millionaire (2008): I've seen this twice – after the first viewing my comment was "shots of the slums are the only redeeming feature." The second viewing confirms this film is pure commercialism – I'm sure the slums would have offered up a more worthwhile story.
Jupiter Ascending (2015): An impressive special effects actioner with excellent costumes and makeup.
House of Magic, The (Thunder and the House of Magic) (2013): Terrific entertainment about some interesting characters and animals.
Premature Burial (1962): Classic suspenseful material handled well by Corman and his crew.
Eternal Sunshine of the Spotless Mind (2004): Its a very good plot idea but its delivery is too arty for its own good. You would expect better when you have the acting talents of Winslet, Wilkinson and Ruffalo at your disposal.
Max Payne (2008): Had a couple of worthwhile scenes but overall its disappointing. I'm not a fan of slow motion at the best of times – its insulting to the viewer's intelligence – this one takes the cake in that regard.; Blu-Ray $34.95
One Million Years B.C. (1966): Even without the admirable special effects the story has a curiosity value plus I thought the set designs were great.
Playing It Cool (A Many Splintered Thing) (2014): Lacks substance of any kind – material or casting. Frothy or fluffy or whatever.
I Come with the Rain (2008): Love the title and the music pervades the film but in a positive way.Its not boring but then this moody film doesn't exactly hold the attention either.
Wolf Creek (2005): The first third is worth watching for the photography of the locations. Jarratt is very good but it would have worked better if the mayhem had been more restrained – it might have been more suspenseful that way.
American Pie 3 (American Wedding) (2003): It tries to offend those of us who appreciate good comedy and it succeeds.
Grimm Love (Rohtenburg) (2006): A little bit better than most other cannibal films.
Elsa & Fred (Elsa and Fred) (2014): Needless to say the acting is fine with both leads coasting through this one. Undemanding viewing.
Once Upon a Time in Punchbowl (TV Series) (2014): A comprehensive documentary on the trials and tribulations of a Lebanese community including how it was affected by events overseas.
Darling (1965): The paper thin characters do not hold the attention for long but the film's cynical view of these hedonists makes an impression. Some nostalgic location shooting.
Felony (2013): Not remarkable but well worth a watch – reasonable story and the performances are fine.
Phantom of the Opera (1943): The colour is easy on the eye and the singing easy on the ear.
Accidental Tourist, The (1988): Nothing much happens but in a way this helps the viewer in that you can concentrate on the performances – its slowly paced but again because little happens this doesn't matter.
Plus One (+1) (2013): The plot is a variant of a familiar theme. Watchable but the male children get a bit irritating.
Wild (2015): The flashbacks don't always help the narrative but overall its watchable with Reese W again performing well.
Pelican Brief, The (1993): I don't know why it took so long to tell a straightforward story – there are some good bits amongst the padding – its a good job Denzel was casted as he helps to pass the time.
Homeboy (1988): As with "The Wrestler" the back stage scenes (and those involving the great Christopher Walken) are the best. Gets a bit over dramatic at times especially the finale.
Cincinnati Kid, The (1965): Flattered to deceive – didn't need the romantic bits and it fell flat during the card games. The props were fine and the casting interesting.
Spy Kids 2 - The Island of Lost Dreams (2002): Its surprisingly good for a sequel – even for adults.
Ghosts Of Girlfriends Past (2009): Don't know why they need to bastardize a classic story other than to make a cheap profit.
While You Were Sleeping (1995): A bit of an old style situation comedy. The plot is watchable but the comedy would not have worked without the excellent casting of the older actors.
Cobbler, The (2014): Nothing wrong with the plot idea nor with the support casting but as with most one joke films its hard for it to last the distance. Good production values.
Foxcatcher (2014): Its good to see a drama about wrestling for a change – its a genuine sport. The wrestling training sequences are the best but the plot doesn't hold the attention over the distance.
He Walked By Night (1948): A strong film noir and is appropriately atmospheric.
Electra Glide in Blue (1973): Terrific locale. Robert BLAKE probably in his best role but there are some good performances from those in support. All the characters are interesting and the plot is simple but effectively told.
Cape Fear (1962): Mitchum is very good and looks menacing & is ably supported by Martin Balsam and Telly Savalas. The film is a little too long and a shorter offering would have maintained the suspense better.
Adventureland (2009): Achieves the basics of good comedy by getting the characters right with a script to match.
Three Musketeers, The (Mickey, Donald and Goofy) (2003): These unfailingly popular characters are always great viewing.
Terminator 3 - Rise of the Machines (2003): Has a true and tested formula – the effects are very good.
Batman: Gotham Knight (2008): Couldn't get too enthused over the plot/action but impressed by the art work.
Just Cause (1995): A more than useful and interesting cast make the time worthwhile.
Outland (1981): A good plot idea with the added interest of Connery leading the charge.
Selma (2014): Because it portrays a reasonably well known and documented story it loses much of its impact.
Jack Frost (1999): There are some good bits even for adults but its a bit uneven overall.
Company You Keep, The (2012): I'm not sure if anything happened in the film – if it did it happened slowly.There are 9 supporting actors who would normally have a lead role.Some may have been Redford's friends as in the cast interviews it was Bob this and Bob that.; DVD $29.95 | Blu-Ray $34.95
Coherence (2015): The plot idea is fine but your concentration is not aided by the wobbly cameraman.
3 Days of the Condor (Three Days of the Condor) (1975): Redford is not strong enough to carry a film of this length. However the supporting cast is very capable and there is some good urban location shots.
Wedding Party, The (2010): The characters are fine although the comedy is a bit forced at times.; DVD ~~$29.95~~ $19.95
Night Stalker, The / Night Strangler, The (1972-1973): Night Stalker: It might only be a telemovie but its above average – terrific cast.
Linsanity (2013): Its not really that interesting.
Cherrybomb (2009): Doesn't cover any new ground but it is watchable – none of the performances are irritating.
Daddy and Them (1999): Put Thornton and Dern together and you must have sparks.Wonderfully off beat with interesting characters and soundtrack.
Dames (1934): One classy tune but more than one classy production number. All the girls are good plus Hugh Herbert is the icing on the cake.
Taking of Deborah Logan, The (2014): It nearly broke the mould but too often reverted to type. Another project limited by the hand held camera.
Iceman (1984): A bit of a mixture but for one thing its not routine – refreshing in that sense. Location shooting in British Columbia helps.
Space Chimps (2008): Enjoyable characters zipping through space.
Horns (2013): Radcliffe was good in "Woman in Black" and "Boy Jack" but this is the second outing he has been poor. He might be trying too hard but he reminds of an out of control Sean Penn or an Elijah Wood. He ruins the film which otherwise is worth a watch.
John Tucker Must Die (2006): Hardly anything original but harmless viewing.
Dear White People (2014): The characters just aren't interesting enough to hold one's attention.
Icy Flesh (Icy Breasts; Les seins de glace) (1974): aka "Someone is Bleeding". The Claude Brasseur character was a bit annoying but could well have been because of the dubbing.Reasonable plot.
My Suicide (2009): Not that interesting after a short while into the film – repetitious – no character empathy.Aka "Archie's Last Project".; DVD ~~$29.95~~ $19.95
Watcher in the Woods, The (1980): Too much yelling and screaming from the kids for my liking but there is a very good British supporting cast and the atmospherics are fine.Bette doesn't have to do much – just look like Bette.
Infinite Man, The (2014): The time travel loop has been done before. It might have been more successful if it had undertaken the time travel for something a bit more important than a romantic interlude.
What's in a Name? (2012): The well healed male characters soon get tiresome with their useless chatter.
Bedknobs and Broomsticks (1971): Quality family entertainment.There's not a dull moment – only blip are the songs which are not memorable but at least are bearable.
My Name Is Nobody (1973): It's possibly one of those films that has lost something on DVD and needs to be seen on the wider screen.
Freddy Vs. Jason (2003): Its an attempt to milk every last drop from the two franchises. It misfires.
Green Berets, The (1968): It has its intentional lighter moments and will probably find a place in film history as a curiosity piece from the late 60's. It would have been a better proposition if it had lost an hour.
R.E.M. - When The Light Is Mine (The Best Of The I.R.S. Years 1982 - 1987) (1982-1987): I enjoyed the "extras" interviews and ad lib playing more than the main feature.
American Mall (2008): The dancing segments are worth a watch.
Lethal Weapon 3 (1992): The formula continues to work and has done well to last for 2 sequels.
Deadly Blessing (1981): Patchy but not a complete waste of time.
Warriors of the Rainbow: Seediq Bale (2011): The early scenes are the best where locals and invaders have to exist side by side. The locations throughout are beautiful but the battle scenes although well done go on forever.
American Sniper (2014): The fire fight scenes are well done but are now over familiar. Sniper on sniper benchmark set by "Enemy at the Gates".
Suspicions of Mr Whicher, The (TV Mini-Series) (The Murder at Road Hill House) (2011): Quality production – costumes and props represent the period very well. Interesting story.
W.E. (2011): Lovingly made by the Director I would suggest. Excellent production values but its hard to empathise with characters who have nothing useful to do.
Taken 3 (Tak3n) (2014): Liam is unlucky to experience a 3rd unfortunate event. By now though he has a tried and trusted formula which is fine for him but which becomes a bit predictable for us.
Rescue from Gilligan's Island (1978): Undemanding if light comedy.
Heist (2001): Too many routine bits. A tighter script would have brought the plot twists closer together and they would have had more effect.
Dumb and Dumber To (2014): I was able to get through it mainly because of Jeff Daniels.
Cold in July (2014): Worthy of a second watch – I watched it a second time and still can't make up my mind about it. It is better than a lot of its type but falls short of being very good but I don't know why.
Hour of the Gun (1967): The opening scenes are very good but then it loses its impact and becomes routine when Earp starts his killing spree. Robert Ryan the highlight but underused.
Once Upon a Time in China 3 (1993): A run of the mill martial arts actioner with the odd comedic touch.
Supermensch: The Legend of Shep Gordon (2013): One of those nod and a wink documentaries but there is the odd good segment particularly on Alice Cooper.I had never heard of Gordon and have no particular wish to find out more about him.
Night and Day (1946): Totally forgettable film – this musical genius deserved much better.
Adventures of Rocky and Bullwinkle, The (2000): It is different and shouldn't really fail with the cast it has.
It's a Disaster (2012): Very watchable and a good attempt to put some originality into proceedings.; Blu-Ray $39.95
Women, The (2008): As expected there's plenty of talking and "Oh My Gods". Ryan is comfortable in her role, Bening has a screen presence and Cloris Leachman shows how its done. The characters are too well healed to be interesting.
Apple Dumpling Gang, The (1975): Features the great Harry Morgan and the wonderful Don Knotts. The kids are fine and the story is okay – its very watchable.
Wild Bill (1995): If it had reduced the killing sprees a shade it might have made better use of its talented cast (wasted) and highlighted the excellent production values.
Desperate Journey (1942): Flynn and Reagan taking a relaxed approach to war.
Robin Hood: Men in Tights (1993): Not the strongest in the Brooks stable – but he still head and shoulders above most of his american contemporaries.
Boiling Point (1993): A weak offering – not even Dennis Hopper can save it.
Mummy Returns, The (2001): The makeup is very good and the special effects are okay – reasonable action adventure.
Corruptor, The (1999): Watchable but there aren't too many original moments.
G-Force (2009): Its all go.Now the world's a much safer place.
Passage to Marseille (1944): Patchy patriotic story but a terrific cast.
Fleming: The Man Who Would Be Bond (TV Mini-Series) (2014): Excellent period production values and cast but its more entertainment than a convincing historical record.
War Story (2014): Not uplifting and not an easy watch – Keener carries the film well.
Firewall (2005): Not particularly gripping.
Underdog (2007): Okay but it lacks originality.
Clown (2014): Has some refreshingly original elements to the plot.
Bandslam (2009): The love sick male kid ruins it. Lisa Kudrow is fine.
High School Musical 2 (2007): The kids are all shiny and the cast needed one or two with snotty noses. The tunes are forgettable or at least they can't be remembered. Dancing not bad.
Treasure Planet (2002): Non stop action with some interesting characters.
Thirty Seconds Over Tokyo (1944): Van Johnson has more screen time than anyone – can't make up its mind whether its a war film or a romance (maybe there is no difference). Takes a while to get going but the air combat scenes are good.
High School Musical 3: Senior Year (2008): Although the dance numbers are fine there is nothing memorable about the songs – you are not whistling one of the tunes afterward.
Candidate, The (1972): A different approach gives this political campaign dramatisation more interest than one would expect. Redford is not too bad in this one. Peter Boyle the highlight.
Inspector General, The (1949): The very talented Danny Kaye makes this entertaining for all ages.
Bite the Bullet (1975): Far too long – beautiful location shooting – the ending is hollywood i.e. crap.
Kansas (1988): Not much to recommend and it fails to hold attention – I suspect the state of Kansas would have wished for another title.
In a World... (2013): As far as I know the scenario is original and there are a couple of good segments.
Honeymoon (2014): Gets close at times to breaking the mould.
Punk Singer, The (2013): Hadn't heard of Kathleen Hanna so the documentary worth a watch – not sure how her fans would rate it.
Americanization of Emily, The (1964): The mixture of romance and black comedy doesn't meld in this instance but the black comedy aspect is worth watching.
Singles (1992): Really hard to get interested in characters who are killing time and wasting their lives.; Poster (U) $14.95
Fear Dot Com (Fear.com) (2002): Has that "Ring" of familiarity to it but watchable.
Shattered Glass (2003): The lead character attracts no empathy but Peter S particularly and Chloe S are impressive.
Love Guru, The (2008): No where near the standard of the Austin Powers films.
Harry and Son (1984): The Son part of the title appears too much. Most interest is in a lean Morgan Freeman and a young Ellen Barkin. Weird that Newman is playing a widower and Joanne W is in the film.
Hercules (1997): Some comical moments help the entertainment and the story telling.
Jump In! (2007): he kids are all a bit too shiny etc. but I'm a sucker for watching Double Dutch.
Accident (1967): Some idyllic scenes. We are privileged to witness a slice of life from the officer class. Bogarde has that ability of looking but not needing to talk. Vivien has a calming effect on proceedings. Nothing of importance happens but it doesn't really matter.
Sacrament, The (2013): Yet another hand held camera horror film. The scenario is familiar.
Bicycle Dreams (2009): Awesome – it would be as tough as biking around Wellington.
Blake's 7 (TV Series) - Series 1 (1978): It does extremely well to maintain a consistent standard over all episodes. The sets and effects add to the charm.
Ghosts of the Abyss (2003): 58 minute version seen.Thanks to Mr Cameron's millions we are privileged to see something that could well be unseeable.
Lethal Weapon 2 (1989): Stands up well alongside others in this action comedy sub–genre. Danny Glover looks comfortable in the role and he is the highlight for me.
People Under the Stairs, The (1991): As a horror story it works much better than the million others in this genre.
Final Analysis (1991): Failed to hold attention – too much romance and postering.
Crocodile Hunter, The (Collision Course) (2002): A bit of a "boys own" but watchable for adults as well.
Hundred-Foot Journey, The (The 100 Foot Journey) (2014): Helen Mirren is a TOP actress – I really don't know what she is doing appearing with this flimsy material other than taking a break.
Iron Man 2 (2010): There is little in it to justify the need for another Iron Man film.
Music of the Heart (1999): I really don't think it would have worked without someone of Meryl's ability steering things along.
Belle (2013): The props and costumes etc. are spot on – interesting story with an excellent cast.
Blended (2014): Its a pity Drew appears as she is letting her obvious talents down.
Crimes of the Heart (1986): Considering the quality female cast this doesn't work as well as it might.
Made for Each Other (1938): Not one of Carole's best but as always she worth the watch.
Heavenly Creatures (1994): Only "Lovely Bones" can compete with this as the Director's best movie.The period is extremely well portrayed and the performances are very good with Kate Winslet an inspired casting.
Red Badge of Courage, The (1951): Basically anti–war by emphasising the human element as well as successfully portraying the battle scenes. Enjoyed the small talk between the soldiers before and after a battle.
Web of Death, The ( Wu du tian luo) (1976): Offers more than the normal Shaw Bros. outing. A good story and interesting special effects.
Legends of Oz: Dorothy's Return (2013): Very easy on the eye to watch and it should bring back happy memories for those familiar with the story.
Walk of Shame (2014): Very light plot and material – the challenge for the viewer is to maintain attention.
Big Hero 6 (2014): Not too bad a story & the characters are very good.
Desert (2010): Not an easy watch but then its not an easy topic to portray without being melodramatic – which it is not.
Kings of Summer, The (Toy's House) (2013): Its one of those films that's easy to dismiss for a start but it grows on you – some easy on the eye photography and a very good and appropriate soundtrack.
Dead Pool, The (1988): Routine actioner but Liam Neeson and Patricia Clarkson are a strong supporting cast and make it watchable.
Herbie Goes Bananas (1980): The silliest and not the strongest of this very good series but Harvey Korman is entertaining.
Watching the Detectives (2007): The two leads are talented and do their best but it just doesn't work – seems forced to me.
Memphis Belle (1990): The production values are very good but the characters are bland. Crappy and predictable finale.
Crime Wave (w/ Decoy) (1946-1954): Crime Wave: Some nostalgic street location shooting and Hayden's tooth pick chewing.
Jonathan Strange & Mr. Norrell (TV Series) (2015): A well produced period piece with an interesting plot scenario.; DVD $39.95 | Blu-Ray $39.95
Air Force (1943): Obviously made to cheer up the tax payer of the time and to justify its existence.
Weird Science (1986): Juvenile plot idea followed by a complimentary script.
Rainmaker, The (1997): Its not just another American lawyer/courtroom drama but a long American lawyer/courtroom drama.
Horrible Bosses 2 (2014): I suppose if you were really desperate –––––––.
King Boxer (Five Fingers of Death) (1972): Shaw Bros. have produced a million of these.
Honourable Woman, The (TV Mini-series) (2014): Saw this on TV unfortunately by episodes but looked worthy of another viewing – Stephen Rea has made this type of role his own.
High School Musical (2006): The songs are not tuneful but no one has told the cast that who sing them with gusto. Unfortunately the kids have been Disneyfied but the dance numbers are very good.
Walking Tall (2004): Nothing original to report on – follows formula which I suppose is okay if you want predictability.
Great Ziegfeld, The (1936): Overlong biography but the dance numbers are at times top drawer and worth waiting for.
Police Story 3 (Supercop) (1992): Usual mixture of comedy and mild violence and the stunts are pretty good.
Flame and the Arrow, The (1950): Light costume entertainment with Burt with his annoying smile so you cheer for the baddies.
Transporter 2 (2005): A good opening scene but not much else although Statham is a notch above most that could have been cast in his character.
Exodus - Gods and Kings (2014): Being a biblical tale there is the usual quota of violence but the special effects are fine.
Four Rules, The (Search and Destroy) (1995): A dream cast makes it watchable but it doesn't really work.
Uncle Buck (1989): Although the script has its juvenile moments crucially the kids aren't irritating and John Candy makes it watchable.
Forget Paris (1995): There is nothing to distinguish this from all the other rom/coms – both the leads have been in much better films.
Destroy All Monsters! (1968): The rudimentary special effects add to the enjoyment – still very watchable.
Tall Men, The (1955): The romantic sub? plot drags the film down and lengthens it unnecessarily.The highlight is the dreamy and well photographed cattle drive sequences.
An American Haunting (2006): The noise effects are overdone and it suffers from being in a genre that's been thrashed to death. Its as good as most however, has good production values and is not too long.
Mule, The (2014): A single joke plot that soon wears thin and doesn't hold the attention.
D2: The Mighty Ducks (1994): A reasonable attempt to build on and make hay from the original.
State Fair (1945): Excellent musical and the background story is not too bad with some interesting supporting characters.; DVD ~~$20~~ $15
Insomnia (2002): Pacino, Swank and Donovan are a strong cast and perform well. The story is worthy of attention and there are some excellent locations.
Q: the Winged Serpent (1982): The "special effects" are most enjoyable. Moriarty lets his hair down.
Canyon Passage (1946): Excellent western with a little bit of this & a little bit of that – all the sub plots handled well. The photography uses its colours well.
Lovely Molly (2011): It tries hard to break out of the mold but doesn't really succeed – plenty of atmospheric noise effects.
Liar Liar (1997): I didn't think Carrey could get any worse than the Ace Ventura films but he topped them with this – an insult to any one that appreciates comedy. The star is for the other cast members.
Curse of Frankenstein, The (1957): A classy horror that should remain watchable for many years to come.
I'm Not Harry Jenson (2009): The main plot idea is very good but 100 minutes is a long time to maintain the suspense – in this case it may have been too ambitious.The sound track is very good.
Hector and the Search For Happiness (2014): Yet another film that starts off with a dream sequence. Excellent support cast but after some good early scenes the plot goes off the rails.
A Long Way Down (2014): Very good and interesting casting but not one of the writer's (Nick Hornby) best work.
Cadillac Records (2008): Could be seen as an appetiser for those not familiar with blues or rock n' roll history.The padding in between the musical numbers is not too bad. The soundtrack is (obviously) excellent.
All the Boys Love Mandy Lane (2006): Has all the ingredients of the typical Halloween/kill teens movie but not much more.
Whispering Smith (1948): Ladd is supported by a pretty useful cast led by a solid performance from Preston. The plot is nothing out of the ordinary though.
Mystery of the Wax Museum (1933): According to Maltin this was a long lost film. The early Technicolor is interesting. Has both suspense and comedic moments.
Torque (2003): Its never ending noisy action filmed in rich colours.
Poltergeist (1982): It looks like a lot of hard work went into the impressive special effects.Despite the horror (very effective) the film doesn't take itself too seriously and is all the better for it.It may be a shade too long however.
Sundowners, The (1960): I don't recall Mitchum looking so relaxed in a film. Deborah Kerr is excellent and Ustinov is Ustinov. Very enjoyable.
Trials of Muhammad Ali, The (2013): Whilst some of the footage has been seen before its good to have it all in compilation form.
Fifty Shades of Grey (2015): The story and the characters are one dimensional and failed to hold one's attention. Not a patch on Charlotte Gainsbourg's performance in "Nymphomaniac".Based on the film I would not be interested in reading the book. Only highlight is the soundtrack.
15 Minutes (2001): A mix of violence and comedy that works reasonably well. De Niro is fine but has to share centre stage with the Czech "nutter" Karel Roden & the Russian "nutter" Oleg Taktarov.
Frantic (1988): Ford's performance is poor (he's out of his depth) and as he is in just about every scene he drags the film down.
Cowboys, The (1972): Silly story with Bruce Dern the only highlight – Matt Clarke one of the better character actors hardly appears.
Planes: Fire & Rescue (2014): From the first rate Pixar team – not one of their strongest but very worth while.
National Treasure (2004): Nothing wrong with the plot idea but the film really didn't hold the attention for any length of time – maybe its because I'm not a Cage fan.
Hannah Montana: The Movie (2009): Good natured and harmless – the music is bland but there is a real highlight in the dance sequences shown during the end credits.
27 Dresses (2008): Heigl (she with the lovely smile) is fine but the plot idea is not really feature length. Watchable.
Star in the Dust (1956): Richard Boone as per usual is the highlight in this solid but nothing special western.
Emperor's New Groove, The (2000): Excellent and enjoyable – should appeal to all ages.
Bedtime Stories (2008): Not too bad but it would help to be a Sandler fan.
Reindeer Games (2000): The plot was reasonably entertaining and Affleck was beaten up in every scene which was also entertaining. Gary Sinise enjoys himself.
Operation Dumbo Drop (1996): The comedic moments are mainly centred around the elephant but are worth watching.
Color Me Lurid (1966): It is an interesting experience – reminds me a little of Guy Maddin's work.
Cheetah (1989): Solid – Disney have done this kind of film several times and to good effect.
An Extremely Goofy Movie (2008): I think the release date is 2000 with the Director being Douglas McCarthy(?). Excellent family entertainment as Goofy will always be a winner with all ages.
Die Hard 2 (1990): A bit better than the original with Willis giving an improved performance.
Austin Powers: International Man of Mystery (1997): Mike M has developed a successful character(s) – he is one of the few who can deliver smutty lines successfully.
Chappie (2015): The sci–fi is not actually mind boggling but there is violence aplenty – which seems about par for a lot of so called sci–fi films. The comedic elements are okay though.
Bonfire of the Vanities (1990): Great title – everyone tries a bit too hard I believe – Morgan Freeman is fine and Saul Rubinek does okay but Melanie Griffith has done much better.
A History of Violence (2005): The acting all round is great with the perhaps under rated Harris the standout.In hindsight the plot is straightforward but it is delivered in such a way as to maintain the suspense.
Pacifier, The (2004): Familiar plot with the usual token of violence and dangerous driving to inspire the teens.
Into the Storm (2014): The special effects are fine but once you've seen one tornado there is a bit of a sameness to proceedings for those that follow.
What If (2013): Zoe Kazan is very good and holds proceedings together but there is not enough material for the plot to last the distance.
Billy Liar (1963): A comedy/drama with a solid plot and a more than interesting cast. Tom Courtenay delivers yet again but Leonard Rossiter scene steals.Some "nostalgic" location shooting.
Dark Passage (1947): Interesting premise but the film although watchable doesn't really take off. It lifts a little when Agnes Moorehead is on camera but her appearances are infrequent. Some nostalgic street scenes.
Free Willy: Escape from Pirate's Cove (2010): A bit better than its predecessor but I wish the kid didn't shriek so much.
Free Willy 2 (1995): It has a good green message and the location is a ready winner – some of the boy kids are a bit irritating though.
Corrina Corrina (1994): Good natured – crucially the kids led by Tina Majorino are very good – however the story weakens toward the end because of an unnecessary love interest between Liotta and Goldberg.
Howard the Duck (1986): You really can't dislike it – original – and Jeffrey Jones is terrific.
Stranger on the Run (1967): Everything is solid and fine but you don't feel as if you've seen anything that you haven't seen before.
Female Trouble (1974): For its "type" it is very good but I found the voices penetrating at times.
Other, The (1972): Great story – the film is atmospheric and is beautifully photographed.
Die Hard (1988): 25 years on and the film looks pretty ordinary. The acting all round is pretty mediocre with the exception of Alan Rickman.; DVD ~~$25~~ $18.75
Best of Me, The (2014): Nothing happens which on reflection is probably a good thing.
Raising Cain (1992): It doesn't work but you have to give credit for originality and Lithgow's performance.
Peter Pan (1953): Entertaining and the story should be easily understood by the young ones.
Love is Strange (2014): It takes its time – the performances from the three leads are spot on – the end credits are scored perfectly.
Van Gogh (1991): There is a reasonable balance between biography (with a few snippets of other painters) and a slice of (easy on the eye) provincial life. Some no nonsense editing keeps the story moving. Acting honours to Gerard Sety as Gachet.
Hatchet For The Honeymoon (1970): I couldn't imagine Bava ever being boring.
Flipper (1963): You wish Chuck would put his shirt on – even if its only to promote sun protection.
xXx (2002): Some good stunt work.
Eden (2012): Bastards.
Lizzie McGuire Movie, The (2002): I didn't grow up with kids that have been disneyfide – my friends had runny noses and farted.
Hugh Hefner: Playboy, Activist and Rebel (2009): An eye opener for me even if the documentary might not be impartial. At least he's not as hypocritical as some of his detractors.
Defiance (2008): Far too long for the material – a half hour documentary would have sufficed.
Magic in the Moonlight (2014): Its the type of film that the British excel in. This one is well mounted but not that interesting. Eileen Atkins is the acting highlight (again).
Wish I Was Here (2014): Tries maybe a bit too hard but it doesn't quite succeed as a comedy nor a drama. However you could do a lot worse.
Horror of Dracula (1958): Classy cast includes Michael Gough – half expected Vincent to turn up.
Old Yeller (1957): The voice of the little snot would make anyone run a mile. Dorothy McGuire deserves a medal for her perseverance.
Darkest Hour, The (2011): The automatic weapon fire gets in the way of the sci–fi.
Monkey Shines (1988): Poor acting from the lead male – the monkey does him for a dinner on that count. The film is very uneven but is never boring and the better bits make it worthwhile.
Tarzan (1999): Very well done and very entertaining.
Enter the Dragon (1973): The violence distracts from the choreography and the martial arts – Lee has this silly expression on his face when fighting as if he is half pissed – I'm sure he wasn't. Some beautiful exterior location shooting.; DVD ~~$20~~ $15
Invasion of the Body Snatchers (1956): Has a timeless place in the genre.
Sleepwalkers (1992): This film succeeds because it doesn't take itself seriously. Great make up work and a great performance from Alice Krige.
Subject Two (2006): Give it some credit for trying to come up with an original script – worth a watch.
Assault On Precinct 13 (1976): Can be forgiven the high body count as it somehow seems to add to the entertainment. The film has some nice comedic touches amongst the suspense. Soundtrack is only used periodically but appropriately.
Jungle Book (1942): Timeless fantasy tale which includes an anti blood sports message.
Romeo Must Die (2000): Doesn't really break the mould but what it does do will please the fans of this genre.
Clash of the Titans (2010): Very noisy but the effects are worth a watch – its all be done before though.
17 Again (2009): Very light comedy – a hint of desperation is in the plot idea.
Taking Of Pelham 123, The (2009): Travolta's hysterical performance gets tiresome. If you have watched the original you should appreciate that version all the more.
Ruby Sparks (2012): Is a good short story but hasn't enough in it to last over an hour and a half. Frustratingly brief roles for Bening, Banderas and Gould.
Judge Dredd (1995): I think Sylvester is attempting to act in this one (watch the eyes) which adds to the entertainment. Step aside thespians Sylvester has arrived.
Never Cry Wolf (1983): Uneven – the good bits (particularly the animal performances) are very good but some of the other segments are mundane. The location is a winner.
Freebie and the Bean (1974): A lot of yelling and shouting is used, maybe to lift the action, but gets annoying after a while which is a pity as the casting is useful.The story doesn't quite work but at least they tried to be different.
A Christmas Carol (2009): Must be the most filmed story of all but the animation style gives it a fresh look.
Hannah Montana / Miley Cyrus: Best of Both Worlds Concert Tour (2008): Whilst the tunes aren't the best she certainly displays a lot of energy.
Serena (2014): Good production values – with the props and costumes representing the period very well – the photography is easy on the eye but it was all insufficient to maintain the attention.
I Melt With You (2011): The depiction of the characters as arseholes with a script to suit was well done.
Right Stuff, The (1983): If you make a 3 hour film you can't afford to have too much padding in the material or too many uninteresting character portrayals. Quaid with his Nicholson type smirk was just irritating.
Sicilia! (1998): Some beautiful peaceful interludes between the human conversation pieces.
Une Visite au Louvre (2004): The narration was too academic to be understandable by the fish and chip brigade.
Get On Up (2014): To its credit it gives a largely unflattering look at his off stage adult life. The musical extracts/segments are well done but the film doesn't need to be over 2 hrs – it lets itself down by not showing some restraint.
Ugly Truth, The (2009): Not a great deal to recommend about it.
Kid, The (2000): I don't know whose worse Willis or the kid. Lily Tomlin is fine.
Homeward Bound: The Incredible Journey (1993): The animals are fine but the humans seem to take up more screen time than the original film – particularly the wining kid – crappy ending.
Eastbound and Down (TV Series) (2009): S1 – Watchable if you can put up with the lead character.
Ninja Scroll (1993): Bit on the violent side but other than that good to look at the animated effects.
Barb Wire (1996): Doesn't take itself too seriously – they probably enjoyed making this one.
Where the Sidewalk Ends (1950): Thinking back on the film I don't recall any scenes shot in daylight. Good script solid acting.
Crossing Guard, The (1995): Succeeds in being somber and depressing but the story doesn't really need this length of film.The acting is fine.
Pink Cadillac (1989): Bernadette makes a nice change from Sondra Locke but the routine is much the same.
Bachelor Party (1984): Some of the skits have the potential to be funny but the characters wear pretty thin after a short time.
Chronicle of Anna Magdalena Bach (1968): Interesting perspective on his life – the musical extracts leave you wanting more.
Octagon, The (1980): About what you would expect – solid for its type.
Hunger (2008): Goes for authenticity and achieves it in spades – it should stand the test of time.
Privilege (1967): Loses a bit of impetus toward the end but a film that can only be admired for not following formula. According to the extra stuff Watkins studied Koenig's short film "Lonely Boy" (1962) on Paul Anka prior to filming.
Face to Face (1976): According to other reviews we need to watch the Swedish mini–series rather than this truncated version. The dubbing doesn't help but Ullmann is still impressive.; Blu-Ray $34.95
Across the Bridge (1957): Interesting plot twists. Good acting all round but all are out –staged by Doris (according to the excellent "Making Of" she was found in a pound).
How to Be a Serial Killer (2008): Tries hard and not the worst effort around.
Tammy (2014): The terrific cast do justice to a well written script. Its actually funny.
Zombie Holocaust (1979): Interesting interview with Roy Frumkes on bonus features who tells how this is a blend of more than one film. AKA Dr Butcher MD & other titles. Acting and action scenes are amateurish but who cares – the make up and horror are classy.
Walking With Dinosaurs - The Movie (2013): Excellent way of getting the message across.
Remember the Titans (2000): The story suffers from disneyfication and is worn out anyway but Washington (without a gun for once) and Patton are okay.
My Best Friend's Girl (2008): Cook is a male arsehole but Kate Hudson as usual is worth watching.
Tinkerbell (Tinker Bell Movie, The ) (2008): The animation is very easy on the eye – great choice of colours.
Wolf Creek 2 (2013): Great opening segment but it then follows formula and runs out of ideas. Jarratt looks the part.
Baby Maker, The (1970): You want the film to succeed because of Hershey's refreshing performance and the somewhat risky subject matter but the material doesn't quite last the distance probably because it gets sidetracked at times.
Mercury Rising (1998): The plot idea is okay but a lot of yelling and shouting passes for dramatic acting.
Heartbreakers (2001): Always going to be watchable with this cast but it doesn't work overall.
Bill and Ted's Excellent Adventure (1989): Still watchable although the characters get a bit irritating at times.
Goofy Movie, A (1996): Hard to fail with Goofy as the centre piece.
Obvious Child (2014): Although the subject matter is commendable the film didn't grab the attention and certainly didn't pass muster as a comedy.
Unleashed (Danny the Dog) (2005): The plot idea is not too bad but with all due respect to Morgan Freeman the film only takes off when the great Bob Hoskins is on camera.
52 Pick Up (1986): Poor acting particularly by Scheider doesn't help.
Two Jakes, The (1990): I kept thinking I was watching "Chinatown".
Boo (2004): Tries to be different but its hard to escape from the established formula – although its better than most.
Rare Exports - A Christmas Tale (2010): Original idea – but usual understated (love it) Scandanavian delivery.
D3: The Mighty Ducks (1996): The original freshness has gone and maybe this one wasn't such a good idea.
Let's Be Cops (2014): The plot idea is not the strongest but the inoffensive leads do their best.
Heartbreak Ridge (1986): Goes over well trodden ground plotwise. Miles too long.; DVD ~~$15~~ $11.25
Escape to Witch Mountain (1975): A pretty useful adult cast but the highlight is the well told and entertaining story.
Doug's First Movie (1999): The animation style and the characters should appeal to most families.
John Wick (2014): A ridiculous out of proportion body count doesn't help. A very good soundtrack.
That Darn Cat (1997): Many comedic moments – the two leads work well together.; DVD $14.95
Carnal Knowledge (1971): A talkie where nothing of value happens. It doesn't gell that someone that looks like Nicholson's character with a smile like a leech could be attractive.
Teacher's Pet (2004): Pretty solid family entertainment – interesting animation.
Tron (1982): Is still watchable over 30 yrs later – and deservedly so.
Ladies On the Rocks (1984): It works well for the most part in a bitter sweet kind of way but it goes on for a shade too long.
Amsterdamned (1988): Has some great touches and wonderful shots of the canals.Climaxed by a well enacted speedboat chase.
Batman Begins (2005): It oozes acting talent (deliberately so – see Making Of) but its not a film requiring great acting.The only real highlights are the depiction of Gotham City.
Love Punch (2013): Emma Thompson & Timothy Spall deserve and usually have better material than this.
Gauntlet, The (1977): Usual actioner, including biker gangs, with Eastwood and Locke. The ending is an insult to the intelligence.
Don't Say a Word (2001): Useful cast which includes Brittany Murphy but the story telling is not helped by flashy flashbacks.Noisy background score to aid the drama.
Man With Two Brains, The (1983): Uneven but there are some good bits.A story line with a difference.
Winter Kills (1979): An interesting portrayal – nothing by formula with this one – Huston and Perkins are worth the price of admission alone.
Immigrant, The (2013): Suitably sombre. The set designs and wardrobe for the period are fine but the main idea on which the plot is based has been done before.
Risky Business (1983): Of mild interest only when seen these days.; DVD ~~$20~~ $15
Pretty Baby (1978): Very easy on the eye production wise – the plot requires brave film making (even for today). Brooke Shields is very good as is Susan Sarandon as always but Keith Carradine struggles.; DVD $19.95
Lost in America (1985): Some very good bits but Brooks's hysterics are a negative. Julie H is good though.
Angel Face (1952): A very good courtroom scene followed by an excellent finish highlight the film.
Phyllis Diller: Not Just Another Pretty Face (1968): She has her own character which is very recognisable,a trademark laugh and a good delivery but her material is not the strongest.Terry–Thomas makes an appearance.
Greystoke: The Legend of Tarzan (1984): Sublime British support cast and production values. Best scenes are early in the film amongst the apes. Film makers should be commended for taking on a difficult plot.The film makes its point but maybe at the cost of some scenes coming across silly.
Ice Castles (1978): There is always suspense when watching ice skating so its a winner on that front.
Born To Win (Addict) (1971): Believable and gritty – aided by a pretty useful cast.
Shaft (2000): Extremely competent cast – the film has its moments – there is always one of the greatest theme tunes to fall back on.
Nobody's Fool (1994): The Americans tend to do these small town "dramas" rather well. Newman is great and supported by a terrific cast with Vince a standout.
Tequila Sunrise (1988): The ingredients are there but stronger casting than Gibson and Russell would have helped.
Zombie Flesh Eaters (1979): This is how zombies should be portrayed – these days its a tired genre.
Piano, The (1993): It captures the era very well i.e. when there was nothing to do. The piano score and the kid's voice grates. Some good location shooting. Unusual to see Holly and Harvey subdued.; DVD ~~$20~~ $15
A Bout de Souffle (Breathless) (1959): An insistent jazz score interrupts at times. A strange bed room scene of about 20 mins. where the combatants talk drivel otherwise mainly wonderful street locations.Interesting editing and continuity – watch Belmondo's cigarettes as he chain smokes.
Protector, The (Tom yum goong, Warrior King) (2005): Highly skilled martial arts with continuous action sequences – even if a bit noisy.
Duets (2000): Patchy with some good bits but silly ending – another intense performance from Giamatti doesn't help.
Game, The (1997): Failed to hold attention – would have been better to have been tighter to maintain the suspense – could have lost half an hour and an hysterical Penn.
Tucker and Dale vs Evil (2010): Tries hard to be different and funny.
Spies Like Us (1985): Uneven but there is some good comedy if silly at times especially in the early scenes.
Perfect World, A (1993): Silly plot that drags on forever – both Eastwood and Costner can't seem to operate under 2 hours – terrible ending – Costner just won't die – Laura Dern is the only redeeming feature.
White Fang (1991): Outstanding animal acting against a wonderful backdrop.
A Walk Among the Tombstones (2014): Great title. Neeson lifts this otherwise routine offering a notch. I hope he doesn't end up typecast as he's not really challenged in this kind of role.
Beowulf (2007): Impressive visual effects/creatures and unusually for an action film the action sequences are not boring.
National Lampoon's Christmas Vacation (Christmas Vacation) (1989): Hard to dislike.
Atlantis 2 - Milo's Return (2002): Great family viewing.
Accidental Spy, The (2003): Uneven but Jackie as usual provides some good moments.
Stitch! - The Movie (2003): Great characters.
Deal of the Century (1983): The plot idea is good but it doesn't come off. Sigourney is a bit placid in this one.
Cheetah Girls 2 (2006): The dancing is okay in this one even though the girls have got plumper since the original.
Straight Time (1978): The strong support cast steal the show – a young Harry Dean and a young Theresa in particular.
Tender Mercies (1982): Solid direction and a very good performance from the lead.
Nevada Smith (1966): Slow moving – very solid support cast – the location shooting helps.
Pocahontas 2 - Journey to a New World (1999): Serviceable animation.
Death Ship (1980): The set designs are very good – the premise has some originality and surprisingly for a horror movie some suspense.
Lion King 2: Simba's Pride (1998): Whilst the animation is not outstanding its effective in telling the story – the animal characters are very good.
Troy (2004): Pitt spends half the film in,yes the pit.Brian Cox makes a compulsory performance.The first twenty three battle scenes are okay but after that they fail to maintain the attention.
Ocean's Twelve (Ocean's 12) (2004): The stars fall over each other for screen time – Elliot Gould pops in from time to time to add interest – the plot is a well worn track.
Observe and Report (2009): Couldn't understand why Rogen's character had to be foul mouthed when the material he had to work with was good enough without it. The supporting characters were admirable with Faris scene stealing.
Pretty Poison (1968): Typecast Perkins and fresh faced Tuesday make great opposites.A fine script.
Ferris Bueller's Day Off (1986): Well casted with a simple but effective plot.The film belongs to Jeffery Jones whose character makes or breaks the film. He has developed his own comedic character and lifts this film a notch.
Wild, The (2006): Enjoyable animation – good choice of animals.
Inbetweeners 2, The (2014): No noticeable improvement on the first film. There is an art to being grubby.
High Fidelity (2000): There is no plot which doesn't help the paper thin characters.I felt sorry for the female actors. Black is annoying in this one.
Ice Princess (2005): Harmless viewing – highlight is the skating segment by the nippers.
Murder Party (2007): A cheapie but at least it doesn't overstay its welcome. You will see a lot worse.
Crime Busters (1977): The mayhem starts within the first 5 mins. Had an opportunity to finish within 90 mins but goes on for another 20 mins.
Freaky Friday (1977): Mum and daughter put in appealing performances and there are some genuine comedic moments from the supporting cast.
Leroy and Stitch (2006): Simple animation but it does its job – some good characters.
Lilo and Stitch (2002): Simple animation but it does its job – some good characters.
Cheetah Girls, The (2003): Wholesome Disney with plenty of flashing teeth to fill your screen. The moves are okay but the songs aren't that good.
On Deadly Ground (1994): Tired story line even for the 90's. The exteriors are worth a look. Not sure what Michael and Joan are doing in this.
Battle of the Sexes, The (2013): Go Billie Jean. Includes a good background to the inequality in incomes.
Thor: The Dark World (2013): Excepting the two leads the acting talent is there but this is a special effects film – the effects if a bit noisy are very good.
Cinderella 2: Dreams Come True (2001): A safe bet to entertain.
Tigger Movie, The (2000): Delightful.
Lord of the Rings - The Return of the King (2003): It drags on forever – the special effects and the make up are fine but you need a bit more to keep your attention.; DVD ~~$20~~ $15
Errol Flynn - The Signature Collection (Captain Blood; Dodge City; The Private Lives of Elizabeth and Essex; The Sea Hawk; They Died With Their Boots On; The Adventures of Errol Flynn) (1935-1941): Well worth it for Flynn fans – the documentary is very good even if the films have dated.
Adventures of Errol Flynn, The (2004): Well worth a watch.
Private Lives of Elizabeth and Essex, The (1939): Bette Davis is fine.
Dodge City (1939): Routine.
Bandolero! (1968): Run of the mill western.
Where Eagles Dare (1969): A now dated adventure which goes on forever. Not short of acting talent. Good photography.
Ringer, The (2005): The material is questionable at best.I don't know what attracted Brian Cox to it – he's usually busy working in films.
Thief (1981): Laudable attempt at realism in story and character. Top notch musical score.
Dracula Untold (2014): Much the same as a lot of other Dracula films.
Tarzan and Jane (2002): Nothing special but watchable.
Sugarland Express, The (1974): It was probably okay in 74 but dated now and has nothing of note.
Face Off (1997): The acting from the two leads is not too good and Cage is just silly at times – Joan Allen lends a bit of acting talent. The shoot outs between Cage and Travolta go on forever – they couldn't hit a barn door.
Duck Tales - The Movie (Treasure of the Lost Lamp) (1990): Recommended family viewing.
Sands of Iwo Jima (1949): Propaganda film but there is some useful documentary footage.
Hours (2013): Not very gripping and fails to hold attention.
Rush Hour 2 (2001): Stays within expectations – no surprises – 86mins is about right.
Robin Hood (1973): Not too long & the animation is easy on the eye.; DVD ~~$15~~ $11.25
Camp Rock 2 - The Final Jam (2010): Same comment as for the original – "Very routine plot – the music is very bland."
Any Which Way You Can (1980): Hard to dislike particularly when the big O gets in the action.
Pete's Dragon (1977): I think it would have worked better without the musical numbers.Some good segments otherwise.
Jackal, The (1998): Flat as a pancake – no life in the leading actors.
Sixteen Candles (1984): Have probably seen too many Hughe's films lately – Molly is okay – but prefer "Pretty in Pink".
Before I Go to Sleep (2014): Pretty useful cast but it failed to hold attention on a first viewing.
Alex of Venice (2014): Winstead is very watchable as usual.
Caddyshack (1980): Rodney Dangerfield is not too bad.Some of the skits are okay.
An Officer and a Gentleman (1982): The characters aren't very interesting and neither is the plot.
Memories of Tomorrow (2004): Not an easy watch.; DVD ~~$29.95~~ $22.45
Wayward Pines (TV Series) (2015): Reasonable plot but I thought Dillon looked uncomfortable in the role and has done better elsewhere.
Knick, The - Season 1 (TV Series) (2014): A very good attempt to recreate the period and the challenges of working in a hospital at the time. Clive Owen helps.
Life of Crime (2013): Doesn't take itself too seriously and is all the better for it. Aniston is not too bad in this one.; DVD $29.95 | Blu-Ray $34.95
Mortdecai (2015): Tries hard to entertain – maybe too hard.
Jersey Boys (2014): With the exception of Walken (underused) the acting is mediocre – the script is not much better. Just buy their music to listen to.
Herbie Goes to Monte Carlo (1977): Not the strongest in the series but it does have Don Knotts and Roy Kinnear.
Tell Them Willie Boy Is Here (1969): Very ordinary acting from the three leads two of whom keep losing their makeup.
Mist, The (2007): Creatures/effects are terrific but because of the film's length they lose much of their impact – too much screen time spent on the humans – they should have been eaten quicker (the kid first).Harden's character has been done before. Ending melodramatic.
Venus and Serena (2012): The highlight is the obvious love these sisters have for each other.
Witness for the Prosecution (1957): One of the better courtroom dramas. Watch it for Charles Laughton if for nothing else.
Light Sleeper (1992): Some good seedy atmospheric locations – the two leads are solid with Susan S giving the film a bit of backbone. Very good soundtrack.
Detroit Rock City (1999): Too many juvenile segments in the plot.
Marathon Man (1976): There is some very good location shooting.Olivier is fine but Hoffman gives a hysterical performance – we all have to go to the dentist at some time.
House Bunny, The (2008): Harmless – Anna Faris is very good.
Space Buddies (2009): Sure fire winner.
Trial by Jury (1994): The acting is fine but the plot is uninspiring.
To Catch a Thief (1954): Starts off very well but it deteriorates bit by bit when the romance takes over.
Hatari (1962): Although its too long and the characters and script are dated there is interest in the wildlife and the score.
God's Pocket (2014): More than useful cast – the plot has some unexpected black comedy touches – the characters are interesting and its not too long.
Riot Club, The (2014): Even when behaving like pigs its hard to make well healed characters interesting.; DVD $29.95 | Blu-Ray $34.95
Monsters University (2013): Some really good creatures and easy on the eye animation.
Interstellar (2014): Over ambitious.Better to have made a film about the dust storm country and another about space.Editing at times abrupt. "Won't be home for dinner off into space" scenario stretched credibility as did the weeping. The sci–fi & visuals were commendable.
Breakfast Club, The (1985): Has a couple of good scenes but at the end of the day the characters aren't interesting enough – watch "Kids" instead for another version of an American teen.
Planes, Trains and Automobiles (1987): Not John Candy's best but he's always worth the time.
Pretty in Pink (1986): Routine plot but Molly Ringwald gives a convincing performance.
Joe Kidd (1972): Has its moments – doesn't always follow formula.
101 Dalmatians (1961): Timeless.
Brother Bear (2003): Recommended both for its entertainment and animation.
Little Mermaid 3, The: Ariel's Beginning (2008): Recommended as animation and family entertainment.
Little Mermaid 2, The (2000): Recommended as animation and family entertainment.
Little Mermaid, The (1989): Recommended as animation and family entertainment.
She's Having a Baby (1988): Not as bad as it looks – there is one good comedic scene.
Blank Check (1994): Little smart arse.
Bolt (2008): The animation is strongest on the animal but not the human characters.; Blu-Ray ~~$39.95~~ $24.95
Incredible Journey (1963): Timeless.
Sons of Katie Elder, The (1965): Most interest is in the solid casting of the supporting characters including a wimpy Dennis Hopper.
Son of No One, The (2011): Has a little something that distinguishes it from the many similar films – its low key and its characters have some depth.
Major League (1989): Uninteresting – nothing to distinguish it from the other baseball movies.
Herbie Rides Again (1974): Delightful as a comedy.
Camp Rock (2008): Very routine plot – the music is very bland.
Driver, The (1978): Bruce Dern plays Bruce Dern and in doing so lifts this film a notch. Impressive stunt driving.
Equalizer, The (2014): Denzel is very good as usual but is untested as usual – he's played this part a thousand times.
Truman Show, The (1998): A very good concept and the set designs/props of the suburban housing very good.; DVD ~~$20~~ $15
Iron Will (1994): The kid's a bit annoying but a fine cast in support – Stiers,Spacey and Cox. The locations are a winner.
Maleficent (2014): The set designs, creatures and the visual effects are impressive.Acting honors go to the pixies.
Incredible Hulk, The (2008): Owes a debt to King Kong and other monsters. Some acting talent in Tyler, Hurt and Roth going to waste.
Eiger Sanction, The (1975): The location shots are worth waiting for – some interesting support performances from Jack Cassidy and George Kennedy.A good musical score from John Williams.
Devil's Knot (2013): Didn't really need another one.
Doc Hollywood (1991): A good idea until the romance takes over. A fine supporting cast.
Monster-in-Law (2005): Lightweight plot – Fonda is usually much better than this.
Gone Girl (2014): Failed to hold attention – too long – lightweight Affleck doesn't help.; DVD ~~$20~~ $15
Dave (1993): The unoriginal plot idea has some good intentions but doesn't last the distance. Always good to see Sigourney even if subdued but Frank Langella is the highlight.
Predator (1987): Has some originality.Action scriptwriters can't seem to resist the sick one liners – when Arnie pins an enemy to a tree with his knife he says "Stick around".
Fugitive, The (1993): Hard to maintain suspense over two hours. Some good segments but a more charismatic lead would have helped or at least someone with a bit of life.The "Making Of" is very good.
Lemony Snicket's A Series of Unfortunate Events (2004): The set designs and the special effects are outstanding – the toddler is terrific but some of the adult performances seem out of sync but then again I haven't read the book.
Flubber (1997): Delightful.
Holes (2003): Works best when Sigourney takes charge of a scene – Jon Voight tries hard.
Wild Rovers (1971): An above average western that strives for realism in character and dialogue. A good rapport between the two leads and impressive desert locations.
Wyatt Earp (1994): Hackman hardly appears. One very good early scene pre–Costner is of a street shoot out between two drunks. Photography and props very good but at the end of the (long) day you don't really care about any of the characters.
Behind Enemy Lines (2001): Another brought down behind enemy lines movie.A weak script and lightweight lead.
Hondo (1953): Routine western but as good as most.Musical score soppy at times as was Wayne. Didn't need the kid.The bonus features are very good.
Pooh's Grand Adventure: Search for Christopher Robin (1997): Solid family entertainment. Good characters.
American Gigolo (1980): Hard to make well to do characters interesting.
Mars Attacks! (1996): Not a classic but its good to see such star power prepared to enjoy themselves and be out staged by the aliens.; DVD ~~$20~~ $15
102 Dalmatians (2000): The animals and the parrot are great – enjoyable entertainment– Tim McInnerny shows his more esteemed cast members how to act comedy.
What's Up Doc? (1972): The fight scene and car chase are worthy of their predecessors.
Sharky's Machine (1981): Some good location shooting in the slum areas but otherwise follows formula – too long – the romantic scenes by the Director/leading man not required. Yet to see a film when Henry Silva doesn't get taken out.; DVD ~~$20~~ $15
Pooh's Heffalump Movie (2005): Makes you feel younger.
Alaska (1996): The boy kid was awful but the scenery nearly made up for him. Why would gun lobbyist Heston set himself up for more ridicule portraying a slaughterer of wildlife?
Inkheart (2008): Although Fraser seems a bit uncomfortable and out of place the rest of the cast deliver.Andy Serkis is a terrific villain. Plenty of variety in the entertainment.
Angels of Evil (2010): Paper thin ratbag characters – nothing to empathise with.; DVD ~~$29.95~~ $19.95
Turbo (2013): Some good animated characters even if the plot lacks a bit of originality.
L.A. Story (1991): Entertaining – there is some good off beat humour.
Day After Tomorrow, The (2004): The plot idea is good and the special effects but there are too many distractions and sub–plots.
Atlantis - The Lost Empire (2001): Wasn't too enthralled with the style of the animation.
Haunted Mansion, The (2003): Some very good segments and supporting cast.
Odd Couple, The (1968): A simple but well written story with two good lead characters.
As Above, So Below (2014): It might appeal more to those who don't mind hand held cameras.
If I Stay (2014): Mireille Enos is about the only highlight but does not appear too often.
Sky High (2005): Has a bit of this and a bit of that to keep you entertained.
Teenage Mutant Ninja Turtles (2014): Hasn't anything new to offer – would have more appeal as an animation.
Motel Life, The (2012): Excellent acting by the well cast leads – no frills – a solid indie offering.; DVD $29.95
Whiplash (2014): The scenario was fine but its portrayal with all the hysterics and tantrums didn't convince.Simmons good as usual.
Gunfight at the O.K. Corral (1957): Takes quite a few liberties with history. The highlight is the easy on the eye photography.; DVD ~~$20~~ $15
Johnny Handsome (1989): Uneven – there are some good gritty bits/locations – useful cast.
Hostage (2005): Not too much different from other hostage films.
Mr. Peabody & Sherman (Mr. Peabody and Sherman) (2014): Entertaining and a well produced animation.
Earth to Echo (2014): A bit hard to follow with the wonky camera – a bit smart for its own good – but there are some good scenes.
Moonwalker (1988): The formatting is a bit different (& messy) to the norm and even if you are not a Jackson fan it probably won't be boring.
Twins (1988): Its a good concept – light and entertaining.
Enforcer, The (1976): The plot doesn't stray from formula too much but there is the odd comedic moment and Eastwood and Daly work well together.
10 to Midnight (1983): A little nasty with no redeeming features.
Good Will Hunting (1997): Goes out of its way to be boring which is a pity because there are a couple of good actors involved in Minnie Driver and Stellan Skarsgard.
Justin and the Knights of Valour (2013): Well done and entertaining.
Full House (TV Series) (1987-1995): The kids are fine especially baby Michelle – light and undemanding – inoffensive characters.
Guardians of the Galaxy (2014): Very entertaining – the visuals are very good – some good animal characters.
S.W.A.T. (SWAT) (2003): Samuel L. is fine as usual – he coasts through this one.
Headhunters (2011): The first third is very good but then the plot gets more and more unbelievable. It keeps moving however and does not get boring.
Violet and Daisy (2011): Some very good black comedy aspects but overall its a bit uneven.
Rescuers Down Under (1991): Solid family fare.
Cinderella (1950): The cat is terrific with the mice not far behind (or should that be the other way round?).
Casual Vacancy, The (TV Mini-Series) (2015): Well written and casted – interesting characters.
Jinx, The (TV Series) (The Life and Deaths of Robert Durst) (2015): Interesting – did he or didn't he?; DVD ~~$20~~ $15
Joey (TV Series) (2004): Weak script not helped by the canned laughter. At least the characters aren't obnoxious.
Pret-a-Porter (1994): aka Ready to Wear.Couldn't see the point of a large number of stars as they could only prove a distraction to whatever message the film was making. Some of the lesser lights Lili Taylor, Richard E Grant & Sally Kellerman make a good fist of it.
Ghost and Mrs. Muir, The (1947): Some delightful moments in a good story line.The distinctive voice of George Sanders a bonus as are the seascapes.
Bronco Billy (1980): Some delightful moments – a bitter sweet film portraying a form of entertainment struggling to survive.
Jezebel (1938): Mainly a drawing room drama which is now a bit dated after some of the more recent BBC literary productions. The ensemble acting and costumes are fine and the yellow fever helps.
Rio Grande (1950): The b & w is easy on the eye.Chill Wills is good in a character part but Maureen O is subdued and wasted. The last couple of scenes are out of a boys magazine and are laughable.
Things to Do in Denver When You're Dead (1996): Uneven. Works best when Walken, Buscemi or Lloyd are involved but there are some other good supporting actors.
Maitresse (1976): It lacks any real substance and becomes just one encounter after another.
Open Range (2003): Another 2hr plus Costner movie .Locations are good to look at & the "final" shoot out is well done but then goes on for another half hour. Then the final final scene goes on and on & is romantic Hollywood – not only is it not required its embarrassing.
Fog, The (1980): Reasonable tension created – has a pretty useful cast.Some effective visual effects.
Tall T, The (1957): No frills – well written – good performances with Henry Silva making a good psycho. A top western.
Gladiator, The (1986): Doesn't have much to recommend it.
Generation Iron (2013): Main interest is in the unfamiliarity to most of us of this other sport.They seem nice enough guys – thank god.
Track of the Cat (1954): Does not hold the attention but does not follow any formula which is a plus. Some good location shooting when you are allowed out of the house.
Hercules (2014): The special effects were okay as was the casting of a terrific British supporting cast.
Escape from Alcatraz (1979): Well cast – the scenario as depicted seemed believable.; DVD ~~$19.95~~ $14.95
Under the Cherry Moon (1986): Bit of an oddball. It leaves no impression – maybe someone else directing the star would have helped.
Staircase, The (TV Mini-series) (Soupcons) (2004): Have to admire the tenacity of director and the editor who cut it down from a million minutes.A marathon watch but at the end I didn't really care whether he was guilty or not.Bonus documentary "Death on the Staircase" sums it up very well in 40 mins.
Racing with the Moon (1984): A young Penn and Cage before they develop being annoying into an art form.Not much to the story.
Therese and Isabelle (1968): Slowly paced and told mainly in flashback – some good moments but will appeal more to the romantic.
GI Jane (1997): Just gets silly and boring.Anne Bancroft is fine though.
Thirteen Days (2001): Another Costner film which is shot in real time. As a dramatisation its okay but a documentary treatment would have been preferable.
Dead Presidents (1995): Uneven but there are some good segments.
Thorne (TV Series) (2010): Good cast but not helped by too much yelling and screaming between the characters and flashy flashbacks.
Mark of Zorro, The (1940): Basil Rathbone the highlight.
Flirting with Disaster (1996): Good ensemble acting with Stiller not too bad in this one. Some good oddball situations.; DVD ~~$20~~ $15
Magnum Force (1973): Straight forward actioner with no frills.
Romeo and Juliet (2013): Props and costumes are very good. The plot feels familiar and I suspect its been filmed before.
Outlaw Josey Wales, The (1976): A superior western that makes an effort to make all the characters interesting. Just lets itself down by being a bit too long.
Lucy (2014): A very good plot idea but it really falls short in its delivery – there is some black humour comedy in there which I assume was intentional.
Django Unchained (2012): Some genuine funny moments. Waltz and Jackson take the acting honours.The set designs are impressive as is the stunt work (see "Making Of").The action gets more & more over the top – the film struggles to find an ending.
Van Helsing (2004): Must be one of the noisiest films ever made – not just in decibels but it seems there is no let up – continuous action. Some of the visual effects are well done as are the creature makeup.
She's All That (1998): Forgettable with nothing to recommend it.
Begin Again (2013): Well intentioned and undemanding but don't watch it for the music.
Grace of Monaco (2014): Its not as bad as it looks – interesting casting in Tim Roth and the cream of the cream Derek Jacobi certainly helps.
Hired Hand, The (1971): Aims for realism – couldn't get bored with this cast. Wonderful photography and an interesting musical score that's not over used.
Disclosure (1994): The characters are just not interesting enough for two hours although Donald Sutherland is watchable. You wish the two antagonists would grow up.
Groundhog Day (1993): If the plot is not original it hasn't been used too many times.
Hip Hop-eration (2014): Some uninteresting bits but at least its not too long (89min). Really needed a few more dancing segments. Some good shots of Waiheke.
Human Mind, The (TV Series) (1996): Excellent educational film – entertaining.One segment explains why teenagers act like teenagers.
How to Lose a Guy in 10 Days (2002): Silly plot but the two watchable leads make you feel less guilty for watching it.
Grease 2 (1982): Modest musical numbers but the odd good bit of dancing.Have seen a lot worse.
Harold and Kumar Escape from Guantanamo Bay (2008): If you really tried hard you could find some funny moments (if you are in the mood that is).
X-Files Movie, The (1998): I like the relationship between Duchovny and Anderson on screen.A good promotion for those who haven't experienced the series.
Hunter, The (1980): Not too bad – most interest in the supporting characters and the small time America locations.
Endless Love (2014): Why would you make a film about nothing? Total waste of everyone's time.
Bourne Supremacy, The (2004): Had trouble watching Bourne's amnesiac character. Damon really did look dead between the eyes. Lost interest in the film half way through. Brian Cox in another one and does well but Joan Allen a bit too strong for this lot.
Expendables 3, The (2014): Has the trademark character posturing to make sure they look tough and the one line jokes just before they kill someone. I predict that the last installment will have Stallone's character dying a heroic death – bring it on.
Reign of Fire (2002): The set designs weren't too bad and there was a depressing atmosphere which seemed authentic enough. Its a bit better before the Americans arrive.
Public Enemies (2009): Impressive attention to detail in props and set designs. It shouldn't have taken over 2hrs to tell a straight forward story though. The acting talent on display not really tested.Everyone had a hat and a machine gun so it was hard to pick who was who.
Evan Almighty (2007): Mind boggling plot even for a comedy – Monty Python may have got away with it.
Dirty Girl (2010): It at least tries to make the characters interesting.
They Live (1988): Good musical score throughout.Starts well and a good idea but which for the most part is swamped by gunfire.
True Grit (1969): Wayne plays a murdering verbose lawman whose time is past.Because the film is so long he has a lot of screen time, but this is compensated for in part by an interesting support cast among the "baddies" and the location photography.
Brave One, The (2007): What a stuff up – starts off well but then the plot gets silly losing any impact it had. Jodie is one of the producers so no excuses. A waste of her talent and the excellent street locales.
Godzilla (2014): Nothing is sacred – the Americans have taken over Godzilla. Godzilla belongs in Japan and in the 1950's.
He's Just Not That Into You (2008): Made no impression on me which I suppose I should be grateful for.
Chasing Papi (2003): Pure froth. The first half of the film is a recycling of a well worn theme. At least its short and harmless.
Transformers - Age of Extinction (Transformers 4) (2014): Goes on forever and loses its way – failed to hold attention.
Dukes of Hazzard (2005): I find Scott irritating and the plot is very familiar but there is entertainment from the supporting characters. A good soundtrack also helps.
Masquerade (2012): The photography and costumes are fine but this is a variation of a well known story. Looks like it was made for commercial purposes.
Out of Sight (1998): Too long – didn't need the romantic bits. Musical score fine. Some interest provided by the good support cast.
Evil Under the Sun (1981): At every turn there is a smashing cast oozing talent. The story telling may lack sharpness for some viewers.
Antiviral (2012): An intelligent screenplay and a good performance from Jones whose character as a permanent hangover.Good set designs and the use of lighting.If you like needles this one is for you.
Hitman (2007): Dead as a door nail.
Bulletproof Monk (2003): Not proper kung fu. Scott is annoying.
Simpsons Movie, The (2007): The animation is pretty basic but it suits the characters – funny in an american kind of way.
Decoding Annie Parker (2013): Not an easy watch but a story worth the telling.
A Gang Story (2011): The male posturing and bonding got a bit silly. The first 51 murders were interesting but it got a bit boring after that.
Fortitude (TV Series) (2015): Showed promise and includes the excellent Michael Gambon – will be better seen on DVD without the episode breaks experienced on TV.
Boynton Beach Club (The Boynton Beach Bereavement Club) (2005): Watchable with Sally Kellerman the obvious highlight.
About Adam (2000): A bit too anti–female for my liking – they are left looking silly.
Boy in the Striped Pyjamas, The (2008): A good premise. Most interest is in how the German family relationships change. David Thewlis well cast.
Deliver Us from Evil (2014): Not too bad.
Rob Roy (1995): Tim Roth and John Hurt are in top form (say no more) and Jessica Lange and Brian Cox are the icing on the cake.
Angels And Demons (2009): Goes on for ever – this is a problem when trying to maintain suspense – Hanks doesn't have the ability to hold one's attention & McGregor who normally would is either miscast or misdirected.
State of the Union (1948): Light comedy that's well written with some aspects still relevant over 60 yrs later. A good supporting cast of character actors. The b & w photography is easy on the eye.
Demolition Man (1993): You know what you are going to get (and not get) with Stallone. Reasonable premise though.
Hitchhiker's Guide to the Galaxy, The (2005): It was on a hiding to nothing after the book and the TV adaptation – a pretty good effort really.
After Hours (1985): The plot idea is fine but it didn't work as well for me this time several years after first viewing it.
Philomena (2013): Familiar story about a lost/stolen child. Coogan well cast as the irritant.; DVD ~~$19.95~~ $14.95
Dear Lemon Lima (2009): Refreshingly different.
Kidnapped (1960): Disney were pretty good at this time with this kind of story.
Free Ride (2013): Not too bad and the good thing is that its not too long.
Ghostbusters (1984): Is standing the test of time and can be enjoyed more than once.; DVD ~~$20~~ $15
Lord of the Rings - The Two Towers (2002): The great make up work,particularly to the people dressed as trees,is the only relief from a killing every 2 minutes with a near death experience in between.
Blue Valentine (2010): Although nothing happens in this slice of life drama it is well acted.
Fried Green Tomatoes (Fried Green Tomatoes at the Whistle Stop Cafe) (1991): The acting is fine as are the periodic details but it shoots itself in the foot by not knowing when to finish.; DVD $19.95 | Blu-Ray $24.95
Tom Horn (1980): The violence – which is well portrayed – soon bores but admire the locations shootings (joke). Farnsworth, Pickens and Geoffrey Lewis add interest.
Fury (2014): Tries to shock – american war crimes;running people and corpses over with tanks etc. – but its all been done before.
Never Been Kissed (1999): Another winning performance from Drew makes it worthwhile even if undemanding.
Running On Empty (1988): Although the story doesn't quite last the distance the acting of the female leads in particular is worth the watch.
Dawn of the Planet of the Apes (2014): Might be appreciated more by those who haven't seen the previous editions – otherwise its basically an action film.
Blue Murder (TV Series) (2003): Series 1 & 2 – rates well against Helen Mirren and "Prime Suspect".
Hell and High Water (1954): Having a woman on a sub is just silly distraction. The sub looked spacious at times – it needed to be as most of the crew were smoking.The odd good moment.
Prince of the City (1981): Hard work but worthwhile.
Under the Tuscan Sun (2003): Diane Lane is very good and Lindsay Duncan refreshing. A bit heavy on the romance unfortunately.
Conduct Unbecoming (1975): Pretty useful cast – interesting casting of Stacy Keach – the military posturing is captured quite well.
Sound of Music, The (1965): Pure Hollywood.Best scenes are the opening one before Julie strides into the picture and the final one when the humans have pushed off. Some of the songs are mushy and are not R & H's best. The plot has too many flat bits. Salzburg looks great though.
Draft Day (2014): Short for a Costner film. Some interest in "how things work" behind the scenes of the draft system. Useful support casting.
Where Do We Go Now? (2011): Delightful – unforgettable opening scene. This is the way to tackle religious differences – keep the men out of it and leave it to the women.
Savannah (2013): The highlight is the savannah but the plot and characters are entertaining enough.
Divergent (2014): The early segments were good but it faded into familiarity. A shorter film would have helped. Kate Winslet for once seemed uncomfortable with her role.
As I Lay Dying (2013): Not an easy watch – the dialect is hard to follow at times.
Prophecy, The (1996): Still don't know whether Walken was a good angel or bad angel but it doesn't matter – amongst a great cast only Amanda Plummer can get close to him.
Boyz N the Hood (1991): Influential and superior for its film type. Anti–gun.
Precious (Based on the Novel 'Push' by Sapphire) (2009): Great screenplay in handling a difficult subject. The location shooting is well used. Perfect female ensemble casting. The interaction between mother and daughter is well worth the admission alone. No need for males in this one.
Trial and Error (1997): Far fetched plot but it doesn't really matter too much – enjoyable.
Kill Your Darlings (2013): The props/clothes etc.were fine but the characters as portrayed weren't that interesting.
Trip to Italy, The (2014): We could have done without the natter and so enjoy the scenery that the great unwashed is normally not privileged to see.; DVD $29.95 | Blu-Ray ~~$34.95~~ $12.50
Sunlight Jr. (2013): The acting is fine but the story doesn't really hold the attention.; DVD $29.95
Autumn in New York (2000): Not much to comment on really.
El Cid (1961): The main man is in the saddle – highlights are the location shoots and some acting talent in the support cast (Horden et al.)
A Time to Love and a Time to Die (1958): The opening scene and the scene involving Klaus Kinski (looked the part)the best – pity about the casting of non–Germans in key roles. The differences in life style for the privileged away from the action covered quite well.
Old School (2003): Desperate – Juliette Lewis the only highlight.
Black Hawk Down (2001): Excellent action film but all the goodies look alike with or without helmets so there is little chance of character interest.
Guns (TV Mini-series) (2008): Didn't really hold one's attention.
Fault in Our Stars, The (2014): Undemanding and therefore too long. The kids are okay but Laura Dern pops in and out and shows what can be done.
Edge of Tomorrow (2014): The lead casting reveals its limitations but the visuals and creatures are good.
Revolutionary Road (2008): Kate leads a very good cast who all give solid performances. The period setting is authentic and photography excellent.
Hell Bent for Leather (1960): Well made and watchable.
Paul Blart: Mall Cop (2009): The character is well done and is likeable without being soppy.
Never Say Die (1988): Nostalgic urban location shooting. Tony Barry is terrific as usual.John Clarke has a cameo which he probably scripted himself and its worth the price of admission.
Gladiator (2000): As usual with blockbusters the acting talents are in support roles.Joaquin Phoenix and David Hemmings look the part. Peter Ustinov is normally in these kind of films and would have helped.A lot of the action scenes are just a waste of the tomato ketchup.
Your Highness (2011): Some juvenile bits but it ends up being reasonable entertainment overall.
Dogs in Space (1986): Definitely a cult film – would help if you appreciate punk music.
Fading Gigolo (2013): Relaxing entertainment for the most part – there is a jazz score to take the edge off a whining noise that occurs now and again. The highlight is the easy on the eye photography and the street scenes.
Lord of the Rings - The Fellowship of the Ring (2001): Far too long – fails to maintain attention although the admirable special effects are better on blu–ray.Frustrating to see so much acting talent underused in support roles – Wood is too lightweight for a lead. Well done the makeup and props departments.; Blu-Ray ~~$20~~ $15
Longest Week, The (2014): As with most of Jason Bateman's work – pleasant and light.
Fantastic Four (2005): Enjoyable – doesn't take itself too seriously.
Predestination (2014): Well done to the make – up department and Sarah Snook is riveting.The time–travel is simplistically done but effective. Great sound track.
Starsky and Hutch (2004): Look past the irritating leads and observe the interesting casting of Juliette Lewis,Chris Penn and Fred Williamson.
Inception (2010): Impressive visual effects. I thought there were too many main characters – a lesser number would have helped the flow of the film and we could have concentrated more on the excellent plot.
Salmonberries (1992): Takes its time. Gorgeous location shooting with an enticing sound track.
Devil and Max Devlin, The (1981): Reasonably entertaining – watchable.
Lady, The (2011): One strong lady. Its a bit long but she's worth it.
Count Arthur Strong (TV series) (2014): Weak script and the Delaney character doesn't work.
Mrs. Miniver (1942): The first half is very good and the early scenes have stood the test of time. Garson and Pidgeon are fine as a couple but Ney is a joke doing a Stewart impression.The ending is all hollywood and is crap.; DVD ~~$20~~ $15
Braveheart (1995): Some fine actors in small parts but McGoohan stands head and shoulders above the rest backhanding lesser mortals in the chops and using the Irish as canon fodder to save money on arrows. The other highlights are the locations.
Sex Tape (2014): Even for a RomCom this is pretty bad – juvenile at best.
Knights of Badassdom (2013): Doesn't succeed as a comedy but there are worse ones around.
Black Beauty (1971): Uneven but watchable – the early scenes with Patrick Mower are the best.
Saddle Club, The (TV Series) (2001-2003): "Storm" – Routine story accompanied by the normal dramas whatever they are.
Wuthering Heights (TV Mini-series) (2009): Solid. You can't really go wrong with this story – just add a few props and costumes.
Monster in a Box (1991): Monologue supreme.
Rapture, The (1991): My preference was for it to finish earlier after the climax in the desert – whilst what followed was good and different I don't think it helped the message it was trying to portray. Recommended viewing.
Transcendence (2014): A good sci–fi scenario not ruined by gun action.Got more out of this film after seeing it a second time.
Megamind (2010): Uneven but worth a watch.
Last Station, The (2009): Although the editing was noticeable at times the script is strong, the plot interesting,and the props/locations are great – but above all there is a top actress at the top of her form.
Tasting Menu (2013): Another cooking film with usual dramas of getting the grub to the table on time.As with a number of other cooking films there is a problem in making the characters interesting.
Black Beauty (1994): Not sure how this stands up to other versions but this has excellent production values and cast.
Fly Away Home (1996): You couldn't dislike this story if you tried.
Secretariat (2010): Good performance from Diane Lane. Watch the "Making Of" which includes filming the racing segments.
Lord of the Rings (1978): Great way to relate the story.
Nightmare Before Christmas, The (1993): Burton is different and so are the characters.The animation techniques are impressive.
Dirty Dozen, The (1967): Takes its time – Marvin is the glue, Cassavetes the highlight performance. Interesting "Making Of" and the issues surrounding some of the actors.
A Million Ways to Die in the West (2014): It didn't work as a comedy for me but not a total waste of time.
Bridge to Terabithia (2007): Very good creatures and the kids aren't annoying.; DVD ~~$15~~ $11.25
Jerry Maguire (1996): The cast try hard but there isn't the acting talent to carry a film of this length.
Nick of Time (1995): Considering the quality of the leads this should have been better.
A Courageous Heart (The Courageous Heart of Irena Sendler) (2009): A story well worth the telling.
Bad Neighbours (Neighbors) (2014): All seems very familiar.
Escape from Planet Earth (2013): Pretty good entertainment.
Two Faces of January, The (2014): Nothing memorable happens.; Blu-Ray $44.95
I Now Pronounce You Chuck and Larry (2007): Tries to insult everything and ends up being embarrassing.
Adult World (2013): Splendid and believable characters all round – a delightful Indie.; DVD $29.95
Spy Next Door, The (2010): Good family stuff – the violence is not too violent but seems to be necessary these days.
Highlander, The (1986): Some good location shooting. The plot is fine but a bit messy in its telling.
Bad Words (2013): Not really a black comedy – a film type which is hard to do – uneven.
Chronicles of Narnia: Voyage of the Dawn Treader (2010): The visuals are impressive – the ending is a bit prolonged – the music score is sappy.
Johnny Dangerously (1984): Not perfect but far from boring.
Castaway Cowboy, The (1974): Its not one of those cloying family dramas that can come out of Disney.
First Deadly Sin, The (1980): Solid enough with a reasonable amount of suspense.
CB4 (1992): It tries hard but doesn't quite come off.
Parents (1989): Different – good work all round.
House of Whipcord (1974): A bit different.
Guilty As Charged (1992): It would be doubtful if the religious right have the necessary sense of humour to appreciate this.
Blind Side (1993): Good cast – worthy viewing.
Congo (1995): The strangest casting is that of Laura Linney – she has a leading role.
Get Smart (2008): Some good parts – not the worst unnecessary remake around.
Maze Runner, The (2014): I have mixed feelings about this film. The kids didn't do anything for me – in their Lord of the Flies roles – but the sci – fi segments are well worth a look.
Adjustment Bureau, The (2011): Uneven but the sci – fi segments are worth watching.
Explorers, The (1985): Enjoyed the creatures.
Elizabeth - The Golden Age (2007): She's not a Glenda Jackson but Cate does well and looks the part.The costumes and props are fine but there seems little point in dramatising again this well known part of history.
Other Woman, The (2014): Diaz churns out another one of these. Pretty weak script.
Ace Ventura: Pet Detective (1993): I know there are Carrey fans out there – somewhere.
Ninja: Shadow of a Tear (2013): Okay but a touch familiar.
Terminator Salvation (2009): It didn't leave an impression.
Yes Man (2008): The basic plot premise is good. For those of us who need relief from you know who then check out Zooey.
As Good As It Gets (1997): Helen Hunt is fine but the material is not good enough for two hours
Stark (1993): A bit of an interesting oddball with a bit of this and a bit of that.
Bullshot (1983): Well made – not a great comedy but it is at least entertaining.
Naked in New York (1994): Doesn't work as well as it should considering the ingredients.
Titanic (1953): Not even Barbara can save this one (the film I mean).
In the Land of Women (2007): The highlight is another excellent performance from Meg Ryan.
Jack & Diane (Jack and Diane) (2012): The two leads are fine – the film is correctly paced.
Out of the Furnace (2013): Pretty useful cast but the material has been used before to a large degree.
Grand Seduction, The (2013): No real need for a remake of a perfectly good film.
Team America - World Police (2004): Why go to all the trouble and expense of making puppets and then spoil the film with some distasteful and unnecessary content.
Employee of the Month (2004): As a comedy it was pretty poor – bit of a mess overall.
Pretty Woman (1990): Very light entertainment.
Open Windows (2014): Has an interesting format but its impact goes out the window by the casting of Wood.
Giver, The (2014): Seems to spend most of the film explaining the plot which I don't think it did very well – but the "Making Of" helps.
Harry Potter and the Prisoner of Azkaban (2004): The editing makes it episodic – the scenes do not follow each other seamlessly. A whose who of British acting talent in support lead by the fabulous Alan Rickman. Impressive set designs.
Ride a Crooked Trail (1958): An interesting performance from a younger than normal Walter Matthau.
Michael Kohlhaas (1969): Routine plot and drama but handled differently.
Love and Anarchy (1973): The characters are influenced by Fellini(?)
Little Foxes, The (1941): Excellent cast feeding off an excellent screenplay.
Empty Canvas, The (La Noia) (1963): Horst as the spoilt brat is at his best when he stands still and says nothing.Great first scene of Bette handling a cigarette holder and dominating every scene she's in.
Happening, The (2008): Shows promise at times but doesn't follow through.
Canyons, The (2013): Totally boring characters.
Legally Blonde 2 (Red, White and Blonde) (2002): Reese's character is hard to dislike.
Fast and Furious 5 (Fast Five) (2011): Miles too long.
Mindscape (Anna) (2013): A bit of interest is generated by the scenario.
21 (2008): The young know it all smart asses get a bit tiresome.
Clifford's Really Big Movie (2004): Solid family stuff.
See Spot Run (2000): Harmless.
My Dog Skip (1999): Not too soppy.
Cats and Dogs (Cats & Dogs) (2001): CGI is lifelike.
Aviator, The (2004): It needed to be shorter.None of the characters were compelling enough to watch for over two hours.Extremely well made with some excellent aviation sequences. Frustrating.
Appaloosa, The (Southwest to Senora) (1966): The cinematography is the highlight.
Countess from Hong Kong, The (1967): Interesting failure considering the cast.
Ugly American, The (1963): Some very good early scenes with the Ambassador's arrival but doesn't maintain the same level of interest – dull subject anyway.
Night of the Following Day, The (1968): Great performance from Richard Boone who doesn't know how to be boring.
Lakeview Terrace (2008): Good idea but it doesn't really come off.Jackson works hard though.
Mean Machine (2001): Patchy but watchable – David Hemmings a bit over the top.
East, The (2013): Watchable.
Touchy Feely (2013): Your "Sister's Sister" was crap but this is nearly as good as "Juno". Excellent characters perfectly cast and directed at the right pace.
Double, The (2013): Interesting premise with some originality in parts.; Blu-Ray $24.95
Wild Horse, Wild Ride (2011): Reasonably interesting.
500 Days Of Summer (2009): Not as bad as most romantic comedies – the leads have some appeal.
Resident Evil: Degeneration (2008): The animation was effective – life like.
Oranges, The (2011): Hugh Laurie as a romantic doesn't gell. Weak plot and Keener and Platt are wasted.
Spud 2: The Madness Continues (2013): The plot is very weak and predictable.
Legends of the Fall (1994): The characters are hard work – just look at the scenery.
Black Pirate, The (1926): It doesn't matter how much mayhem is occurring on screen it is still relaxing watching a silent with a good musical score. Few human voices are worth listening to.
Ace Ventura: When Nature Calls (1995): Even for Carrey this is the pits.
Lethal Weapon 4 (1998): Danny Glover is fine but Pesci over does it.
Enemy (2013): Doesn't make the most of the premise.
Perfect Murder, The (1987): An oddball.At its best when it depicts India's way of life and customs. Some excellent location shootings.
Banshee Chapter (2013): As good as most in this well used sub–genre.
Legally Blonde (2001): Hard to dislike.
Underworld: Rise Of The Lycans (2009): More of the same.
And So It Goes (2014): As expected very light content but Diane Keaton always worth watching.
Yours, Mine and Ours (2005): Solid family stuff.
And While We Were Here (2012): Goes over well trodden ground – I don't know why they bother.
Kate and Leopold (2001): A bit better than froth with both leads charming.
Wedding Planner, The (2000): Absolute waste of time but its done not too badly.
300: Rise of an Empire (2014): If you haven't seen these kind of visual effects before then it might be worth watching.Eva's eyes dominate everything else.
Young Philadelphians, The (1959): Hampered by well to do characters – hard to make them interesting.
Captain America: The Winter Soldier (2014): The photo–genics deliver much of the same but Samuel L Jackson adds a bit of interest.; Blu-Ray $59.95
Passionate Friends, The (1949): Everything is solid but not that interesting.
Jedda (1955): Gorgeous locations – the first colour movie made in Australia(IMDB) – Ngarla doesn't say much but then she doesn't have to – her expression says it all. AKA "Jedda the Uncivilized".
Take, The (TV Mini-series) (2009): The violence soon becomes boring and meaningless.
Blackbeard's Ghost (1968): Its a Peter Ustinov film.
Chef (2014): Not just another cooking film but one with a kid in it.
Librarians, The (TV Series) (2007): Series 1: Treads the well worn path of office relationships – the comedy is a bit juvenile at times.
Calvin Marshall (2009): Watchable but Steve Zahn for once a little bit annoying at times.; DVD $29.95
Minister, The (2011): Top notch performance from Olivier Gourmet.; DVD $29.95
Enemy of the State (1998): We needed more of Hackman and much less of Smith and the yapping dog.
Tuck Everlasting (2002): Good story – the photography is easy on the eye.
Primer (2004): I've given it the benefit of the doubt – had trouble picking up the dialogue – no hard of hearing on my DVD – which added to the complexity.
Philadelphia (1993): Dated but watchable – Denzel is solid.
Easter Parade (1948): Some hummable tunes from a master. Great dancing from Fred and Ann Miller.
Rear Window (1954): Its origins are from a short story and it shows. Its a film makers film with great placement of camera and sound.Good set design.Watch any bonus feature about the making of any Hitchcock film.
40 Year Old Virgin, The (2005): Embarrassingly bad plot.
Face of Love, The (2013): Silly plot but Annette and Ed make it watchable for the most part.
Noah (2014): Some of the visuals are very good and the creatures are excellent but it doesn't need to be as long as the Old Testament.
Never Let Me Go (2010): Intelligent with an appropriate musical score. Carey Mulligan has the gift of not needing to speak to portray a message.
Edge Of Darkness (2010): Why re–make a critically acclaimed film?
Knocked Up (2007): Plays on your patience a bit.
Bodyguards and Assassins (2009): Has some good moments.
Muriel's Wedding (1994): The story takes quite a few dips but Toni Collette and Bill Hunter make it worth watching.; DVD ~~$20~~ $15
It's a Mad, Mad, Mad, Mad World (1963): It's not up there with Keaton, Chaplin or Tati's work but to keep up the enjoyment for nearly 3 hours is highly commendable. The cast are experienced comedians or comedy actors on a busman's holiday with standouts from Ethel Merman and Terry –Thomas.
On Moonlight Bay (1951): Some tuneful tunes and a harmless plot.
Pittsburgh (1942): Wayne is meant to be playing a capitalist arsehole – but his lack of experience in playing characters who are bad shows through.I suppose it could have been part of his contract that he not be depicted in poor light.
Pecker (1999): Its a John Waters film.
Dark City (1998): Director's cut an improvement on theatrical release. Interviews with the film makers explain the stuff ups by the money people, marketing, ratings board etc. with the original .Story still doesn't flow evenly but the art design/atmospherics impressive.
Falcon and the Snowman (1985): I'm not a Penn fan but he really is poor in this one. David Suchet the highlight. The story never really takes off.
Brief Encounter (1946): Nostalgic use of train platforms, subways and cafeteria. Joyce Carey scene steals and provides relief from the romance.
Afternoon Delight (2013): The female cast work well together. Good use of incidental music.
Kiss Me, Stupid (1964): Some interest provided by Ray Walston.
Yellow Rolls-Royce, The (1964): Starts of well with Rex Harrison and some good British supporting actors but loses its way after that. Joyce Grenfell pops up later though so stay with it.
Joe (2013): Its commendable to speak the local drawl but subtitles please. Gary Poulter the stand out as the main alcoholic.
Sounder (1972): Its worth it for the soundtrack. A good attempt to portray the life of sharecroppers at the time.
Fall, The - Series 2 (TV Series) (2014): Doesn't maintain the standards of the initial series.
Astounding She-Monster, The (1958): A good contribution to the genre.
American Teen (2008): Okay.
William Vincent (Shadows and Lies) (2010): It demands to be seen a second time – I couldn't follow all the nuances on a first watch. The leads are terrific and supported by an interesting and appropriately used soundtrack. Well done indie.
Upside of Anger, The (2004): Good story well told – Mike Bender does well in a support role but then there is Joan Allen (say no more).
Grudge Match (2013): De Niro seems to be concentrating on the lighter stuff at this stage of his career. Alan Arkin the only real highlight.
Fun With Dick and Jane (2005): Carrey is better in this one because he's not trying to be funny – he should give comedy away.
Storm Warriors, The (Storm Riders II) (2009): Okay – the characters spend more time flying around than on the ground.
Crime Story (1993): Saw English dubbed version which didn't help. A serious Jackie Chan doesn't help either.
They Came Together (2014): Forgettable – (I think there was something to forget).
Need for Speed (2014): Goes on forever – round and round – some good location shots otherwise fails to hold attention.
Viral Factor, The (2012): Great viewing for action fans otherwise give it a miss.
Lethal Weapon (1987): A good characterisation and performance by Glover.
Inside Man (2006): Good cast and director but not much else.
Scatter My Ashes at Bergdorf's (2013): Okay – but yet another fashion documentary.
We're No Angels (1955): The presence of Ustinov ensures the interest is maintained.
Penny Dreadful (TV Series) (2014): Excellent props/costumes depicting the period. It lifts a notch when Eva Green is on camera.
Shot at Glory, A (The Cup) (2000): Not the strongest of plots but Duvall makes it worthwhile.
Bring It On (2001): The stars are for the cheer leader routines.
Veronica Mars (2014): Routine and flat.
Virginia (2010): Doesn't amount to much.
Vampire Academy (2014): Not a great deal to remember it as being different from other vampire comedies.
3 Days to Kill (2014): Doesn't quite make it to 2 hours which is unusual for a Costner movie.
Office Space (1999): Very watchable. Some good supporting characters and performances from Root, Cole and others take the limelight.
Battle Cry (1955): Goes on for ever about characters who are not that interesting. A bit of war action included as an afterthought.
Nymphomaniac (Nymphomaniac: Vol. I & II) (2013): You hesitate to comment on an abridged version – this is brave film making particularly from Charlotte G – if the "Making of" becomes available will be interesting viewing – the beating scenes in II looked real.
Perfect Murder, A (1998): The ingredients are there but it doesn't work. It has the luxury of David Suchet hanging about in the wings.
Staying Alive (1983): Poor script and dreadful acting. To make matters worse some of the dance sequences are filmed in slow motion.
Titanic (1997): $ for $ the biggest load of **** a good example of the more you spend the better chance of it being the "best picture". The silly story is an insult to the working class lives that were lost in the tragedy.; DVD ~~$40~~ $30
Like Water (2011): Can't empathise with the sport but it seems genuine enough with some honour involved.
Railway Man, The (2013): The first half – particularly the props – is very good but the story weakens out in the latter half.; DVD $19.95
Standing Up (Goat Island) (2012): The kids do okay.
Monuments Men, The (2014): Follows the familiar "Dirty Dozen" theme when introducing the characters to the audience. When so many familiar faces are on show it can distract from the plot (Goodman would be a distraction in any ensemble). Commercial offering.
Labor Day (2013): Kate Winslet is right on the mark again.
Three Kings (1999): Starts off okay with the odd good if familiar moment but then gets a bit tiresome.
Grand Piano (2013): Brave film making to produce this plot and lead casting of lightweight Wood.
Ronin (1997): Very good cast including the interesting Jonathan Pryce. Has the requisite car chase with bazooka on winding roads and pavements plus machine gun battle in the middle of a busy shopping day.
Things We Lost in the Fire (2008): For the most part avoids the traps. Great casting young and old. Del Toro a standout.
We're No Angels (1989): Great cast of Ray McAnally, Wallace Shawn and De Niro (handling a lighter role well). Penn not too bad in this one. Production values excellent but the plot weakens the longer the film goes on.
Twixt (2011): Some atmospheric moments. Bruce Dern scene steals.
Miss Potter (2006): Don't know what accent Zellweger was employing – her enunciation was poor. Some good location shooting.
Amazing Spider-Man 2, The (Rise of Electro) (2014): Not too bad if you still have an appetite for more super hero movies.
P.S. I Love You (2007): Good female cast led by the great Hilary Swank but its far too long and gets soppy.
Mask, The (1994): A watchable Carrey film thanks to the visuals but above all the mask.
Love is All You Need (2012): Made for the commercial market/american audiences.; DVD ~~$29.95~~ $19.95
Crazies, The (2010): Doesn't add value to what already exists.
Searchers, The (1956): The acting is pretty ordinary but what will make the film survive are the locations and the photography.
Non-Stop (2014): Weak plot but Neeson and company try their hardest.
22 Jump Street (2014): These two lightweights can't carry a film.
Haunter (2013): Not enough originality to maintain interest.
Serendipity (2001): Provided you can raise some enthusiasm to watch it in the first place – its light fare.
Practical Magic (1998): Some interest in the performances of Dianne Wiest and Stockard Channing.; DVD ~~$20~~ $15
Dogfight (1991): Lili Taylor is excellent. An unusual romantic film in that it has a purpose.Great soundtrack used at the correct moments.
All is Lost (2013): Great script & a casting directors dream. The plot has been done to much better effect elsewhere. Boring.
13 Going on 30 (2004): Garner wins you over – great dance sequence.
Much Ado About Nothing (1973): Good to have a record of these performances on film.
Penelope (2006): Uneven but with the great cast and interesting plot could never be boring.
Twitch of the Death Nerve (Bay of Blood) (1971): aka "Blood Bath", "Carnage". Classy horror – it is also suspenseful which is something most horror directors find difficult to achieve.Some of the killings have a touch of the absurd and none are boring.
Absolute Power (1996): There's acting talent to burn but the story doesn't take off.
Spectacular Now, The (2013): Didn't think much of the young male lead or his character – the spunky Jennifer Jason Leigh totally wasted.
Boys Are Back, The (2009): The story borders on the routine but the location shooting makes it watchable.
Jack Ryan: Shadow Recruit (2014): We didn't really need another one of these.
Paranormal Activity: The Marked Ones (2014): More from this annoying hand held camera series.
Death at a Funeral (2007): Has stood up very well to a second viewing. Its tight and there are no blank moments. Excellent script with a cast that work well together.The screen time and laughs are pretty well shared.
Journey to the Centre of the Earth (2008): Entertaining – good effects and it doesn't go too long.
Fantail (2013): A credit to the industry and worthy of exporting. An embarrassment to our big budget productions.
Giselle (2013): Its good that these kind of performances are captured on film. The ballet looked okay, but I'd be more interested in the behind the scenes cock ups that would go with any production.
Nativity Story, The (2006): Less killing than normal for a religious film. Some good desert location shooting.
Sum of All Fears, The (2002): Even though it has a very capable support cast there is nothing to lift it above the normal.
Beautiful Girls (1996): Froth.
Transporter, The (2002): Doesn't take itself too seriously – Francois B. looks after the acting requirements.
Cold Mountain (2003): Assembled a great cast in Baker, Atkins, Gleeson, Hoffman, Sutherland and Winstone but they are underused. Couldn't understand a word Zellweger said so she was a waste of time. Some of the characters exaggerated and end up looking silly.
Buffy the Vampire Slayer (1992): Bit flat and dated 20 years on – Donald Sutherland character okay.
Phantom Of The Opera 25th Anniversary Concert (At The Royal Albert Hall) (2011): Although I'm not a Webber fan I have to admit there is one tuneful tune – you get to hear it plenty.
Love Never Dies (2011): Another bland musical offering from Webber.
Much Ado About Nothing (2012): Boring yuppie characters.
Respect Yourself - The Stax Records Story (2007): A documentary that captures the fight against racism in music – in this case a winning fight.
Hush, Hush, Sweet Charlotte (1965): Excellent acting – Agnes Moorehead scene stealing – atmospheric.
Whole Nine Yards, The (2000): Despite a useful supporting cast the comedy doesn't quite come off.
Princess and the Frog, The (2009): Enjoyable and easy on the eye.
Weight of Elephants, The (2013): The kids are good. The exteriors help establish the mood of the film.
Parer's War (2014): Solid drama but didn't need the romantic bits.
Of Human Bondage (1934): Fine acting.
Rain (1932): Dated now but nothing wrong with script or the acting.
Once Upon a Time in China 2 (1992): Entertaining – Jet Li skillful.
Rutles, The (All You Need is Cash) (1978): One of the best spoofs.
Nebraska (2013): A little gem. June Squibb is a standout. Wonderfully cast and well paced – strong simple story.
Ecstasy (Irvine Welsh's Ecstasy) (2011): Doesn't really get anywhere but I suppose that's the point of the film.
13 Rue Madeleine (1947): Dated but still watchable.
You Can Count On Me (2000): Excellent script and the performance of the 3 adults – the kid could have ruined it but he didn't – well done Kieran.
Pete Smalls is Dead (2010): Should have been better with this more than useful support cast.
Back to the Future 3 (1990): Christopher Lloyd is the difference between this series and others of a similar ilk.
Back to the Future Trilogy (1985-1990): Christopher Lloyd is the difference between this series and others of a similar ilk.; DVD ~~$25~~ $18.75
Back to the Future 2 (1989): Christopher Lloyd is the difference between this series and others of a similar ilk.
Once Upon a Time in China and America (1997): Entertaining with some good moves from you know who.
A Christmas Without Snow (1980): Main interest provided by the excellent John Houseman.
Are We Officially Dating? (That Awkward Moment) (2014): Dreadful script and immature characters.
Hudson Hawk (1990): Its not that bad. Pretty useful cast.
What a Way to Go! (1964): Not a bad supporting cast but this is Maclaine's film.
Hachi - A Dog's Tale (Hachiko) (2009): Loses some impact when Gere moves on. Joan Allen is fine.
Last Vegas (2013): Familiar plot – light and harmless.
Wolf of Wall Street, The (2013): Scorsese does well by giving shallow characters the shallow treatment.The last two hours are repetitive. McConaughey has a standout cameo.
Lucky Numbers (2000): Not sure what challenge Tim Roth and Bill Pullman saw in this.
Old Boy (2013): Great plot idea but the excessive violence gets boring and the film loses impact.
Harry Brown (2009): Stand out performances from the two leads plus Harris & Creed–Miles (best scene deleted). A near classic – body count a couple too high.Watch Caine's interview about his roots if available.
Under Milkwood (1971): Different. Quality casting.The soft photography and scenery is very easy on the eye.
World According to Miley Cyrus, The (2008): If you can tolerate the voice its interesting to listen to the wisdom of a Disney "teen" product. She and Jonas Bros. deserve each other.
Duplex (2004): Feels like a remake. There is talent in the support cast.
Jonas Brothers: The Concert Experience (2009): One reasonable song on the bonus disc. I thought this group was a spoof at first.They are pretty boring.
Down With Love (2002): Very light and not really required.
Winter's Tale (2014): Takes its time and the slow pace will be a change for the action stars. Photography is good.
Guns of Navarone, The (1961): Other than Stanley Baker its a lightweight acting cast its therefore made for commercial reasons only. Shepperton Studios do well with the props and set designs.
Inevitable Defeat of Mister & Pete, The (2013): Well worth a watch – the kids do very well.
Robocop (2014): No need for a remake – this one doesn't add value.
Breathe In (2013): How many times is this story line going to be recycled?
Lone Survivor (2013): A bit better than most of its type but we didn't really need another one.
Totally Awesome (2006): Enjoyable – doesn't take itself seriously – some good dance moves.
Burbs, The (1989): Good premise.Bruce Dern leads the oddball characters.
Harder They Come, The (1972): Hard to categorise.
Once Upon a Time in China (1991): The opening scenes are the best.
A Lady in Paris (2012): An actor's film with Laine Magi the glue.
Great Train Robbery, The (TV Mini-Series) (2013): Jim Broadbent is terrific as usual
Child's Play (1988): Impressive – superior to most of its type.
Save the Last Dance (2000): Usual problem of having to wade through the fill in scenes until the next dance segment arrives.
Rolling Stones - Stones in the Park (1969): Some interesting crowd behaviour/footage and the Stones reaction.
Body Heat (1981): The first 41 bedroom scenes have some curiosity value.
They Call Me Bruce? (A Fistful of Chopsticks) (1982): Good idea – some worthy skits.
Before the Devil Knows You're Dead (2007): Suffers from the over dramatics which is a pity considering the Director and cast.
When a City Falls (2011): Strong social history documentation.; DVD ~~$25~~ $18.75
Parkland (2013): A good dramatisation (if there is such a thing)of a possible version of the events.
Space Cowboys (2000): Takes its time which befits its aged cast. Good effects.
Frozen (2010): Poor kid has to yell and scream for half the film.Earns her money.
Mandela: Long Walk To Freedom (2013): The story is a bit too recent and therefore loses impact.
Frisco Kid, The (1979): Not too bad as a comedy but has some serious segments which fall flat.
A.C.O.D (Adult Children Of Divorce) (2013): Reasonable cast in a forgettable "comedy".
Eagle Has Landed, The (1977): Caine's German accent is laughable. Relax with a top cast in an old style adventure story.
Spartan (2004): Doesn't amount to much because of its familiar plot.
American Hustle (2013): Amy Adams is okay but the rest of the cast are boring.
Private Peaceful (2012): Depicts the period very well – Richard Griffiths in good form.John Lynch excellent.
Away We Go (2009): Krasinski got up my nose with his embarrassing behaviour & he detracted from the movie. Good soundtrack.
Since You Went Away (1944): Goes on forever but without being boring – excellent cast.
Open Road, The (2009): At its best when Bridges on camera – Harry Dean S underused.
Get Over It (2001): Good opening credits. Its best bits are better than average for this genre. Not too long.
Romeo and Juliet: A Love Song (2013): Didn't really need another rendition or another version. Some of the supporting characters okay.
Book Thief, The (2013): Good production values – dramatisation of a well documented period – looks to have been made with the oscars in mind.
Village, The (TV Series) (2013): Series 1: Wonderfully bleak – no reason not to believe it is a reasonable depiction of village life during this period.
Haunted (1995): Better than most for its type – good production values.Leads are okay but there is some quality in the support cast in Anna Massey plus John Gielgud and Maggie Smith pop in for a while. Didn't need the romance bits.
Hyperdrive (TV Series) (2006): Will be more appreciated if it is the first comedians in space film you see.
Baby Geniuses (1999): Worth watching for Christopher Lloyd and the special effects.
Flipped (2010): Despite a good lead performance from Madeline Carroll and the supporting cast – after starting very well it gets the hollywoods.
Winning (1969): Not very interesting apart from watching Joanne's performance.Wagner is annoying and Thomas weak.
Dilemma, The (2011): From one of Hollywood's best loved directors starring typecast Vince Vaughn.
My Favourite Martian (1999): Christopher Lloyd pulls it off again.
Dumb and Dumber (1995): Carrey turns my stomach, however I tried to look for other positives but struggled with the infantile gags. Agree though that this is Carrey's funniest vehicle.The star is for Mike Starr an old favourite.; DVD $14.95
Intimate Lighting (1965): Short and sweet – Tati would have approved.
Bingo, Bridesmaids and Braces (1988): Has lost most of its impact.
Dallas Doll (1993): An oddball – you don't know what is going to happen next. The dog is great.
Beetle Bailey (1989): Should be a hit with the kids.
Harlan County War (2000): Holly H is terrific. By being slightly too long the film loses some of its impact
Three Musketeers, The (1973): Richard Lester at the helm, Spike Milligan and Roy Kinnear in the supporting cast sets the tone of the film (how could it be otherwise).
Police Story 2 (1988): The Maggie/Jackie relationship is a bonus to the stunt work.
Blazing Saddles (1974): Brooks claims this to be the best comedy ever and Kahn the best comedienne. The opening railroad scene is memorable. Harvey Korman and Slim Pickens are great.Wonderfully racist and sexist.; DVD ~~$25~~ $18.75
Shanghai Noon (2000): The first half when Jackie is on his own is much the strongest.
Shallow Hal (2001): Its hard to see what the intentions of the film makers are – not a good choice of material.
A Few Good Men (1992): Story would have been better served by less star power. Cruise is out of his depth and poor.Unfortunately he's in most scenes.
Q & A (1990): Nolte relishes his role in this gritty thriller which contains some solid and well played characters. Too long however.
Harrison's Flowers (2000): The war scenes are confusing and done very well – the journalists end up looking ridiculous and out of place. The action scenes however lose their impact because they go on for too long.
Red Eye (2005): Not the strongest of plots. You wouldn't allow anyone that looks like Murphy on the plane in the first place.
Smokey and the Bandit (1977): Some good stunt driving – Jackie Gleason is good but takes a hammering.
Lost in Space (1998): Not that bad on Blu–Ray – watchable.
Rocketeer, The (1991): Lot of fun and inoffensive. Great supporting cast.
August: Osage County (2013): Top acting – Julia Roberts has never been better – the males do well to get noticed. Margo Martindale and my favourite Juliette Lewis do a bit of scene stealing.
Night at the Museum (2006): A good idea – Stiller is not too bad in this one but don't bother with the human characters – wait for the animals and other things to come alive.
Drinking Buddies (2013): I didn't realise the actors were improvising their dialogue (Aroview) while watching – well done everyone involved for being a bit different.
Closed Circuit (2013): I couldn't follow the plot – will watch again – has to be good with this cast.
Ali (2001): Unnecessary dramatisation of well documented events. As with "The Wrestler" the best bits are a look behind the scenes at the nuts and bolts of preparing for an event.
Hobbit, The - The Desolation of Smaug (2013): Although episode 2 is as boring as the first – full marks to the make up department and set designers.
Step Up 3 (Step Up 3-D) (2010): The space filling is crap but the dancing is terrific.
Gone in 60 Seconds (2000): Some good stunt work but the film does not stray from the formula.
Bates Motel (TV Series) (2013): Great idea but it doesn't really deliver anything out of the ordinary.
Resurrection (TV Series) (2014): Taking into account the strength of the material this is a pretty flat offering. Has set itself up for a second series.
Gold Diggers of 1933 (1933): A golden time for spectacular dance/musicals.
Illusionist, The (2006): Excellent production values but not a great deal comes out at the other end. A dead performance from Norton.
Last Samurai, The (2003): Cruise has problems with the acting part of his performance – it doesn't really matter as his character is ridiculous anyway.Timothy Spall is fine and so is the vegetation.An hour less would have helped.
Dallas Buyers Club (2013): A strong lead performance from Matthew I can't spell his name. A worthy dramatisation that avoids the traps.
Lara Croft - Tomb Raider (2001): Too much of it has been done before and done better.
Blood Ties (2013): An excellent cast spends all its time yelling at each other. Too long.; DVD $29.95 | Blu-Ray $34.95
47 Ronin (2013): Couldn't work out what Reeves was doing in this – they had a chance to kill him off after 20 minutes. Requisite amount of disregard of human life. Some gorgeous photography.
Something's Gotta Give (2003): Poor plot but Diane Keaton is great as usual – Frances McDormand is badly underused.
Escape Plan (2013): Only point of interest is whether a couple of creaky old action stars can make it to the end of the film.
Moo Man, The (2013): There is still a glimmer of hope for the planet.
Smashed (2012): Winstead and Paul work well together – short in length – makes its point and doesn't drag on.
Semi-Pro (2008): The comedy is not that funny but is watchable.
Smokin' Aces (2007): Could be seen as entertaining but the characters soon become tiresome. A pale imitation of whats been achieved by others.
Rumour Has It... (2005): Its interesting to see how the characters face up to the challenge of filling in their day. Shirley and Richard add a bit of quality to the proceedings.
Fargo - Season 1 (TV Series) (2014): Superb characters complemented by superb casting. Coen Brother fans will not be disappointed.
Patriot, The (2000): Stirring stuff – its a privilege to be allowed to see it.
Prisoners (2013): Far too long – if its not exactly boring its uninteresting.
Sunshine on Leith (2013): One good tuneful tune – Jane Horrocks and Peter Mullan always worth a watch.
Four Brothers (2005): John Singleton has done much better.
Silent Hill (2006): The make–up people do well with the creatures but the movie is far too long for what it has to offer.
Lockout (2012): There's really nothing to hold the attention for very long. Some hints at Sci fi but it is soon swamped by the violence.
Heart of the Dragon (Long de xin) (1985): Chan and Hung work well together.
Normal Heart, The (2014): Good cast,worthy subject – not an easy watch.
Vertigo (1958): Very slow. Stewart struggles and looks uncomfortable with the romantic scenes. Novac is a concrete post. Best parts are the beautiful location shots of San Francisco.Excellent bonus features.
Terminator 2: Judgement Day (1991): Plenty of shooting (every body has a gun) even at robots that can't be killed but the action from director James special effects Cameron soon gets boring.
Waterboy, The (1999): Kathy Bates tries hard but even she can't save this one.
In the Line of Fire (1993): Has some quiet bits and except for the silly hollywood finale its well done.
Wrestler, The (2008): Even though Marisa Tomei gives an impressive performance the "wrestling" backstage scenes are the best.; DVD ~~$15~~ $11.25
Gravity (2013): Will watch it again with subtitles – couldn't understand the mumblings inside the helmets. Story far fetched. Looks good but doesn't deliver all that much.
Sisterhood of the Travelling Pants 2, The (2008): Watchable – which is a bit surprising.
Return of the Living Dead Part II (1988): Not a total waste of time.
Columbus Circle (2012): Failed to hold attention.
Casablanca (1942): A couple of memorable tunes. The romantic pairing is not convincing as one of them looks to have been run over by a bus.The excellent support cast provide the main interest.; DVD ~~$20~~ $15
Longest Yard, The (2005): Strange casting of Sandler – James Cromwell solid as usual.
Game of Death 2 (1981): aka. "Tower of Death".
Win a Date with Tad Hamilton! (2004): There's nothing to comment on. Harmless viewing.
Paranoia (2013): Other than Gary Oldman this is lightweight casting. Hemsworth can't carry the film.
Frequency (2000): This worthwhile idea could have been handled better – it ends up with no credibility at all.
Carrie (2013): Julianne is good as usual but I don't know why they bothered remaking.
Sweet Home Alabama (2002): The best "Oh My God" comedy. Its said with real gusto. Hard to dislike.
Hotel Noir (2012): Plays like a play. Patient viewing required.; DVD $29.95 | Blu-Ray $29.95
Good Dick (2008): Whilst the male video store assistants are typical of male video store assistants everywhere – her character has originality and glues the film together.
21 and Over (2013): Moronic – immature humour.
Gifted Hands (2009): Does well to avoid most of the sentimental traps. Great performance from Elise.The medical procedures are portrayed authentically.
Seven Periods with Mr Gormsby (TV Series) - Series 1 (2005): The format of a teacher passing on life experiences to students is great and has endless possibilities if used correctly. To be able to do it with humour is a gift.; DVD $20
Attack on Leningrad (2009): Uneven and not as good as a documentary treatment.
Reds (1981): A lot of speechifying and other hysterics but there are many good bits. At least its about working class issues which make it more interesting. Diane Keaton looks after the acting requirements.
Siberian Education (Deadly Code) (2013): The accents are dreadful. Why couldn't they use Russian actors? Some good location shooting.
Righteous Kill (2008): Not a particularly strong script. Pacino and De Niro unchallenged.
Delivery Man (2013): A Vince Vaughn typecast comedy.Silly script.
Mystery Road (2013): Paced at local time. Some great overhead shots establish the expanse of the town and immediate area. Good performances from Pedersen, Weaving and Barry.
Heathers (1989): Easy on the eye cinema–photography. Winona is radiant and does a pretty good job in the acting department. Good script.; DVD ~~$25~~ $18.75
Kids Are All Right, The (2010): Bening, Moore and Wasikowska deserve better material than this mundane plot.
National Lampoon's European Vacation (1985): Of its type its not too bad. You need to be able to cope with Chevy Chase though.
Homefront (2013): From a script that makes full use of our wonderful language, at least that part which starts with f, this more than useful cast strives to look as if they want to be there.
Afflicted (2013): Has a bit of originality but at the end of the day its just another hand held camera movie.Its hard to shock the viewers of today.
Quo Vadis? (1951): Too much sermonizing makes it too long but the costumes for a cast of thousands and the set designs are worth a tick. Leo Genn does well as the chief sycophant and Patricia Laffan is great as Mrs. Nero but the film belongs to Ustinov.
Enough Said (2013): Its a pretty useful array of female actors but their characters spend all and every day talking drivel. I guess that's okay because nothing happens anyway.
Jackass Presents: Bad Grandpa (2013): The film lacked any obvious purpose – its brand of comedy has been overused and becomes boring quickly.
50 First Dates (2004): Pleasant enough mainly due to Drew's performance.
Harold and Kumar Go to White Castle (Harold and Kumar get the Munchies) (2004): Juvenile script but it might please 10 year olds.
Signs (2002): To its credit it has at least more Sci fi than action sequences although the water solution is a bit weak. The suspense around the invaders is well handled. Mel struggles with the acting bit of his performance but the kids see him through.
Anchorman 2: The Legend Continues (2013): Its better watched as a put down rather than as a comedy.
Blood Into Wine (2010): Couldn't really see the point of this documentary – don't know what it was trying to achieve – couple of old photos were okay.
Berlin Philharmonic Orchestra 2011 Season, The (2011): I wish the film makers would edit out the prolonged and unnecessary audience applause after the completion of each work.
Royal Wedding (1951): So so musical but hard to ignore the dancing.
Oklahoma! (1955): Top songs delivered beautifully. Timeless musical.; DVD ~~$25~~ $18.75
Show Boat (1951): Top songs delivered beautifully. Timeless musical.
Retreat (2011): As portrayed the plot is not really convincing. Some excellent location shooting. Bell is annoying in this one.
Darkness in Tallinn (1993): A bleak comedy based upon an excellent premise.
Sex and the City - The Movie (2008): Its hard to make characters depicting the well off interesting beyond a few minutes – the minimum would be a strong script. I don't know how much they paid the humping dog but I got sick of the sight of it. My comedy tastes are higher than that.
Just Like Heaven (2005): Plot premise seems a bit familiar. The two leads have been in and deserve much better.
Day of the Triffids (TV Mini-Series) (2009): Good casting with Brian Cox not playing a triffid. The visuals are very good and are based on one of Sci Fi's legendary stories.
When Night Is Falling (1995): The small cast is terrific with Don McKellar being the icing on the cake. The music is perfect. The Director/writer uses imaginative scene sets and creates an appropriate atmosphere. Those hard to please critics at "Time Out" like it so it must be good.
Jack Brown Genius (1994): A curiosity of local film making that deserves to be watched particularly by a Wellington audience. At least its different.
Queen Bee (1955): An actor's film. Joan at her bitchy best.
Tarzan the Ape Man (1981): Its that bad it deserves two stars.
Hyde Park on Hudson (2012): Excellent props. The casting of Linney is spot on.Excellent performances from Olivia Williams and Samuel West.; DVD $14.95
Blue Jasmine (2013): One that is not from the production line – characters move in this one. Good casting of Hawkins and Blanchett.
Jeffrey (1995): A little restraint would have helped the comedy.Classy support from Sigourney and Patrick Stewart.
Captain Corelli's Mandolin (2001): Cage and Bale struggle with their accents.John Hurt and David Morrissey take care of the acting requirements.Didn't really need the romance – good story without it.
Mountains of the Moon (1990): Not perfect – uneven but the story is compelling. Some great location shooting.
Armour of God (1986): Bit of a mixture but Jackie is rarely boring.
Family, The (2013): Its hard to mix comedy and violence and be successful.
Enough (2002): Not original but some watchable performances. Juliette Lewis adds interest.
After the Sunset (2004): Glossy characters, glossy locations, glossy lifestyle.Wears thin after 10 minutes.
Man of a Thousand Faces (1957): Flat performance from Cagney – I'm sure Chaney was more interesting than this.
Invisible Man Returns, The (1940): They don't make them like this anymore.Short and simple.
Miracle On 34th Street (1994): Father Christmas plays Richard Attenborough. Most of the sentimental traps are avoided.
Tenderness (2008): Restrained performance from Crowe and we are all the better for it.
Fury (1936): Solid screenplay.There are some Fritz Lang moments to be admired.
Pineapple Express (2008): Watchable in parts but you might get like me after a while and start cheering for Rosie Perez.
Sweet Vengeance (2013): The set design is well done in portraying the town and there are some good location shots. Jason Isaacs does well. What it needed to do was to have less over the top characters (one would have sufficed) and reduce the body count by 10 or so.
K19 - Widowmaker (2002): Silly title and casting of an american in charge of a Russian sub. Poor accents.Good props – the submarine looks real.
Rocker, The (2008): Couldn't take too much of Wilson – he's annoying in this. Film covers familiar ground.
Hustle and Flow (2005): Has a rough edge that's not over the top. Great performances from Terrence Howard and Taryn Manning.
Shanghai Knights (2003): Some good moments from Jackie Chan – unfortunately Wilson's nose protrudes into the proceedings.
It's a Great Feeling (1949): A Warner Bros. shop window – comes across as pretentious today.
I Love You, Beth Cooper (2009): Try and get through the opening scene – it can only get better – hard to dislike.
Cuban Fury (2014): Not breaking any new ground but enjoyable and inoffensive.
Armageddon (1998): There is no urgency to the early scenes – which is commendable considering the risk to the Earth – time for romance – then the special effects (very good) take over.Acting talents of Buscemi,Thornton,Patton not required.
Lake House, The (2006): If there is no story then it would be advisable to have characters who are at the least interesting.
Takedown: The DNA of GSP (2014): Has to make a living somehow I suppose.
Eastern Promises (2007): Viggo struggles a bit in this one, Vincent does a reasonable job as an arse hole but the acting honours go to Armin Mueller–Stahl. He is very convincing in his role. The other winner is the choice of some seedy locations.
Pacific Rim (2013): I couldn't imagine the end of the Earth taking 131 mins. Some of the "Blade Runner" type set designs were okay but the action scenes just got more boring and noisier.
Blue Caprice (2013): Intelligent.The dark atmosphere is assisted by the musical score.
Score, The (2001): Norton mumbling his lines doesn't help but the plot not too hard to understand.
Incredible Petrified World, The (1957): The 50's Sci Fi. films still have an appeal.
Fruitvale Station (2013): Worth watching – good acting from the lead.
Brass Teapot, The (2012): Silly story silly characters with the appropriate casting.
Step Up (2006): Routine plot with the compulsory love interest. The dance moves are okay.
Garden State (2004): A good comedy style with well thought out characters. Doesn't quite last the distance.
Rush (2013): Boring from Hollywood's favourite director. Shouldn't be promoting environmental killers today.
Deuce Bigalow: Male Gigolo (1999): A hint of desperation in the material on offer at times.Tries hard.
Just Married (2003): Frenetic performances. Brittany Murphy can act and has had much better material than this.
Take Me Home Tonight (2011): Juvenile plot, characters and acting.Otherwise not too bad.
Young Master, The (Shi di chu ma) (1980): Good fight moves and some funny Jackie Chan type moments.
Dragon's World - A Fantasy Made Real (2004): Excellent way to tell a story. Good visual effects.
Bruce Almighty (2003): Carrey turns my stomach but it was a reasonable plot if not entirely original.
Remember Me (2010): I find Pattinson hard to look at – I wish he'd find another occupation. Chris Cooper and Lena Olin are worth a watch as usual.
Ladder 49 (2004): A male film. A podgy Joaquin is fine as the lead.
Edgeplay - A Film about The Runaways (2004): Not as young as they were girls reminisce.Fans of the girls might find them interesting.
Weapons (2007): If they could have got rid of the hand held camera may have rated it a bit better. Director Larry Clark much better on American youth.
Resident Evil (2002): The sci–fi element (the intelligent aspect) is swamped by the action, walking dead but above all the noise.
Killing, The - Series 1 (TV Series) (Forbrydelsen) (2007): Excellent start but then the writers included so many red herrings in the plot that I took it as an insult – the writers didn't want it to finish – reminds me of a soap.However some good miserable and bleak location shots and excellent theme music.; DVD ~~$39.95~~ $29.95
Outsourced (2006): Harmless and watchable – topical subject matter – but they couldn't resist including an unnecessary romantic element.
Diana (2013): Not as boring as expected thanks to a good performance from Naomi.Its hard to portray these kind of characters as interesting.
Robin Hood (2010): Why so long? Some interest provided by the supporting performers Eileen Atkins, Mark Strong, Max Von S but really we didn't need another archery film.
Summit, The (2013): Its hard to feel sorry for those who challenge nature and lose. Some good location photography though.; DVD $29.95
Song for Marion (Unfinished Song) (2012): Terence Stamp just gets better. He and Vanessa are believable as a married couple.The proceedings don't hold up quite so well once Vanessa pops her clogs.
Holiday, The (2006): The only redeeming feature about this boring–thon is Kate Winslet – she earns the *.Jude Law is wasted.
Thanks For Sharing (2012): Was probably meant to be a comedy but just got silly and boring.
Runaways, The (2010): Not memorable.The noise the band makes doesn't help.
Shall We Dance? (2004): It might be an unnecessary remake but don't ignore the performances of Susan Sarandon, Richard Jenkins and Stanley Tucci.
We're the Millers (2013): Hard to dislike – Jennifer has an interesting role for once.
Against the Current (2009): There is a compulsory romance. Plot not really believable. Some nice river scenes.
Elevator to the Gallows (Lift to the Scaffold, aka. Ascenseur Pour L'echafaud) (1958): Excellent plot.Well paced.Minimum of violence.Low body count.
Ashes of Time (1994): Redux :Takes a while to understand the "plot" and whose who but there are some impressive visuals.
Welcome to the Jungle (The Rundown) (2003): Walken is great as usual and Rosario Dawson very good. Dwayne contributes by taking his shirt off.
Backdraft (1990): This is a MANS film. The extra * is for the special effects team.
There's Something About Mary (1998): Grubby at times which is a sign of desperation.There is not the cast or plot for this to last above an hour.
Taking Lives (2004): Excellent start but then Jolie's character appears and her casting revealed as being silly and the film doesn't really recover.
Sauna (2008): Set in a little known part of history its bleak in a Scandinavian kind of way.An intelligent horror.
About Time (2013): An un–credited Richard Griffiths plays his last film role. Bill Nighy and Lindsay Duncan are fine but there is no depth to anything else.
Exorcist, The (1973): The Version You've Never Seen:If you need to see an exorcism film then see this one. Some good "French Connection" street scenes.Well done to Linda Blair and the make–up artists.
You, Me and Dupree (2006): Matt Dillon has been in better films, Michael Douglas is in the wrong film and shows it but Kate Hudson is her usual watchable self.
Exorcism of Emily Rose, The (2005): Once you've seen one exorcist film they are all alike.However Laura Linney heads a fine cast.
Nights in Rodanthe (2008): One of the few romantic films that are not boring. The location helps.Richard Gere is playing a Richard Gere part but Diane Lane is excellent and makes the film for me.
Balto (1995): Balto – adequate animation. Balto 2:Takes advantage of the original. The animation is nothing special. Balto 3: Animation is a bit stronger.
Natural Selection (2011): There's a lot to like about Rachael Harris's performance but I couldn't care less about the plot.
Alatriste (2006): Excellent props and costumes etc.First two thirds impressive then it loses steam.Dreadful hollywood ending.
My Best Friend's Wedding (1997): Rupert Everett is too good for this lot – rest of the film is fluff.
Man of Steel (2013): The storm sequence was impressive.
Green Mile, The (1999): Excellent performance from Doug Hutchison and scene stealing from Harry Dean Stanton and Sam Rockwell.The film is patchy but there are some worthwhile moments among the melodrama.
Sweetest Thing, The (2002): You don't expect much from "Oh My God" comedies but the script in this one is purile.
Wasted on the Young (2010): Impressive.The bonus features gives a clue as to how well the cast and crew prepared and how well they got on with each other.
Payback (1998): Mel does well. Some good location shooting and story telling.
Utopia (TV Series) (2013): Neil Maskell is impressive with great support from old hands Geraldine James,Stephen Rea and James Fox.The story is complicated but compelling. All the characters are oddballs.
Astronaut's Wife, The (1999): Doesn't work as well as it could considering the worthwhile plot and the two leads it has casted.
Drop Dead Gorgeous (1999): Some genuine funny moments which is not typical of modern comedies from this part of the world.
Super (2010): Wilson is very good but when Page arrives on the scene everything goes up to the next level.
Falling Down (1993): After an excellent opening segment it would have helped if it had restrained itself a little instead of becoming too fanciful.
American History X (1998): Preachy. Give it a miss if you are not a Norton fan – possibly his best role and performance.
Break-Up, The (2006): If you can put up with a thousand words a minute from V V then this will have some appeal to those tired of paint by numbers rom coms. Highlight is a bit piece from the great Judy Davis.
Collateral (2004): Might have benefited from better casting in the lead roles.Failed to hold attention. Mark Ruffalo is fine in support.Some very good outside location shooting accompanied by an appropriate sound track.
What Lies Beneath (2000): I was having doubts of the abilities of the two leads during the film but both handled the double climax surprisingly well.
Kick-Ass 2 (2013): The good bits centered around our female hero are offset by some distasteful violence – film didn't seem to know what it was meant to be.
Confessions of a Shopaholic (2009): Hard not to like – good and dippy lead performance – excellent support cast.
Heartbreak Kid, The (2007): If you are not turned off by the juvenile script then Stiller B should see you off.
Miami Vice (2006): Much too long to remain interesting and distinct from the many others that are similar. Didn't need the romance.
Hello I Must Be Going (2012): Not sure if anything happened but if it did it was done very well.
Rocky Balboa (Rocky VI) (2006): Some good outside seedy location shots. Some memorable dialogue "I know nuthin about no dog". After the emotional speeches and underdog fighting the odds I'm sorry my eyes watered and I couldn't tell you the result of the fight.
Yards, The (2001): Great cast and great beginning but fails to go on with it.
Conjuring, The (2013): Excellent paranormal film. Failed to hold attention.
Analyze That (2002): The gangster talk wears a bit thin after a while – some good bits though.
Analyze This (1998): The gangster talk wears a bit thin after a while – some good bits though.
Fast Times at Ridgemont High (1982): Brave film making for its day and will stand the test of time.The boys are forgettable and only fill the gaps for Go Get Them Jennifer and Wise for Her Age Phoebe – both are great.
Telstar (Telstar: The Joe Meek Story) (2008): Excellent performance by Con O'Neill – it is not an easy watch.
Scorpion King, The (2002): Steven Brand is an excellent baddie – Bernard Hill is in the cast adding a bit of quality. Not much SF. mainly mayhem.
From the Earth to the Moon (TV Series) (1998): After having my usual moan about why dramatise when there are documentaries available – the series is watchable even though the subject has been thrashed to death.; DVD ~~$30~~ $22.50
RED 2 (2013): Smiling and making a joke whilst killing someone seems to be the norm (007 did it rather well) but when its done by class actors (Hopkins and Mirren– who should'nt be in the film in the first place) & they excel in it – it becomes distasteful.
Lovelace (2013): Amanda S does well in a role that must have taken a bit of courage to undertake.The film doesn't really work but if it brings attention to the arseholes that ripped her off all well and good.
Le Chef (Comme un chef) (2012): Yet another cooking film with all the snobbishness that goes with it. Inconsequential but the leads make it watchable. Best segment is the opening credits.
Bounce (2001): Middle of the road effort from middle class characters – in other words not very interesting.
American Violet (2008): Sincere and made for the right reasons. Solid casting and acting.
Luella Miller (2005): Sara Wiseman impressive. I thought the ending was well done – something a lot of film makers struggle with.
Unfaithful (2002): Both Diane Lane and Richard Gere are fine and experienced actors but both have to cope with a formalistic plot involving shallow well to do characters.Although they cope well they deserve better.
Harlock: Space Pirate (2013): Impressive Anime.
French Screen Icons: Alain Delon 2 (Icy Flesh, The Gypsy, Like a Boomerang, A Crime) (1974-1993): Boomerang:The cinematography is very easy on the eye.One good speeding car through busy street scene. Delon always worth a look but there is not a particularly strong ending to the film.
Runner Runner (2013): Does well to portray problem internet gambling. Not a particularly strong cast.
Peacemaker, The (1997): The plots a little bit better than painting by numbers – not really a Kidman type film.
Pain & Gain (2013): It doesn't take itself too seriously – some good comedic moments particularly from the excellent support cast.
Don Jon (2013): Has some good moments involving Julianne Moore and those around the family table with Tony Danza.
Imogene (Girl Most Likely) (2012): Likeable characters, well casted and a good script – unusual for a comedy from this part of the world.
Riddick (2013): At its best when Riddick is alone with the creatures – when the humans arrive it becomes a formulistic action movie. Good set design.
Wolverine, The (2013): The story line chopped and changed a bit too much for its own good.
Stone Roses, The - Made of Stone (2013): Didn't think it worked too well as a documentary but it has given me a taste to hear more.
Spider-Man 3 (Spiderman 3) (2007): The well established visuals are good but the romantic episodes just get silly.JK Simmons and James Cromwell appear too infrequently.
Before Midnight (2013): As boring as its predecessors – will appeal to yuppies maybe.
Captain Phillips (2013): Not the normal standard expected from Paul Greengrass. Watch the realistic "Hijacking" instead.
Lola Versus (2012): As per W Allen films it lacks a meaningful plot and characters. Greta G is okay but is no Parker Posey.
Wild Blue (1999): A routine and at times juvenile plot but admire the backdrop.
Tracks (2013): I have a soft spot for good looking actresses who get their hands dirty.She shares centre stage with the ship of the desert.
Entrapment (1999): Sean can afford to sleepwalk through this one.
Africa United (2010): Enjoyable – should please most age groups.
Don't Be a Menace to South Central While You're Drinking Juice in the Hood (1995): Patchy with some potentially funny moments that could have been handled better.
Frances Ha (2012): Showed flashes of promise but didn't hold the attention.
Gumball Rally (1976): Some good urban street location shots early on – thereafter for petrol heads.
Mortal Instruments: City of Bones (2013): Like the Twilight series the characters are boring. The creatures are fine.
Breakfast at Tiffany's (1961): Shallow characters talk their way through the best part of two hours. Rooney is ridiculous and his character racist. Memorable song.; DVD ~~$19.95~~ $14.95
Stoker (2013): Impressive performance from Mia W. The plot would have been even better with a couple of less bodies.
Butter (2011): The support cast are best especially Yara Shahidi and Rob Corrdry. Little originality in the plot but its watchable.
Poseidon Adventure, The (1972): Ignore the stellar cast and so so script but admire the special effects and set design. Memorable theme song.
Scrooged (1988): Not too bad but this story has been thrashed to death.
Bangkok Dangerous (2008): It threatened to take off at times.
Leave Her to Heaven (1946): As with most romances it doesn't go anywhere.Minor interest in Vincent Price role.
R.I.P.D (2013): The story line hard to follow.Hard to see how a film with Bridges, Bacon and Parker can't succeed.
Tangle (TV Series) (2009): A good solid soap.
One, Two, Three (1961): Good script. Cagney is perfectly cast but unfortunately is in every camera shot.
Hand Of Death (Shao Lin men) (1976): Its as good as a million other ones of its genre.
12 Rounds (2009): All out exciting action.
Every Day (2010): Helen Hunt is fine but the script is so so. Dennehy's character is suitably irritating.
Call, The (2013): Doesn't break through any boundaries but watchable.
Big Wedding, The (2013): The fine actresses Diane Keaton and Susan Sarandon untested by this light romp – must be having a break from the demands of acting.
Heat, The (2013): Cleaning up the language would help but then I guess it wouldn't be funny.
Behind the Candelabra (2013): The story doesn't amount to much – many couples fall in and out of a relationship – the appeal of the glitz soon wears thin.
Way Way Back, The (2013): Much better than the usual "Oh My God" comedy. Toni Collette and Sam Rockwell are excellent as usual but importantly the snot is fine.
Red House, The (2012): Worthy of a viewing.
Hills Have Eyes, The (2005): As far as remakes go this is not too bad. Saw the Uncut version.
Sublime (2007): An intelligent plot – which is not normal for the genre.
Did You Hear About the Morgans? (2009): Not much to recommend – probably a remake of something.
Miss Fisher's Murder Mysteries (TV Series) (2012): Series 2:Excellent periodic props and costumes – easy to look at.
A Case of You (2013): Plot must have been done a thousand times but at least the leads aren't objectionable.
Cure, The (2014): A good try with a reasonable plot.; DVD ~~$20~~ $15
Snitch (2013): Watchable in parts – but lacks an original story line.
First Position (2011): Familiar – takes a well worn documentary path.
Forbidden Kingdom, The (2008): Strictly familiar territory – takes a well worn path.
Gambit (2012): Just watch Alan Rickman – he's worth the price of admission.
True Detective - Season 1 (TV Series) (2014): Fantastic theme song – totally appropriate and sets the right mood. McConaughey has the most interesting character but unfortunately doesn't enunciate his words very well.I will watch again with sub titles.
Bitch Slap (2009): Neither boring nor attention grabbing.
Hummingbird (Redemption) (2013): Jason shows he can carry a proper film with this performance but thats really the only point of interest.
Drift (2013): Low key in an Aussie kind of way – didn't need the romantic subplot.
Secret Of Moonacre, The (2008): Not only for kids – Tim Curry and Juliet Stevenson always worth a watch.
Details, The (2011): Too much yelling and screaming. I don't know why the talented Laura Linney is in this.
Admission (2013): Inoffensive cast – has the great Wallace Shawn.
Sinister (2012): Owes a debt to the Japanese horror school. Don't know why Hawke wanders around the house without switching the lights on. It would have helped him if he had cut down on the sauce. Some of the horror relies on loud and imposing music.
Still Mine (2012): Without the blaring of trumpets the film has a simple but worthy message. The performances of James Cromwell and Genevieve Bujold are top notch.
Off Hours, The (2011): A solid indie – a bit depressing but it creates an authentic atmosphere.
Iceman, The (2012): You know what the victim's fate is so there is no suspense.
Blood (2012): Great cast with Brian Cox included as usual but the story doesn't really flow as well as it should.
Ray Donovan (TV Series) (2013): Works best when old hands Elliot Gould and Jon Voight are centre stage. A good scenario and Liev Schreiber does well as the glue.; DVD ~~$60~~ $45
Olympus Has Fallen (2013): Brainless story line which is a rehash of something else.
Happy Tears (2009): Interesting characters complimented by excellent casting.
Lullaby (Lullaby for Pi) (2010): Although it doesn't quite work Clemence Poesy has definate appeal. The jazz played will not be to everyone's taste.
Lifeguard, The (2013): Kristen Bell has some appeal but I don't know why they bothered.
Gatekeepers, The (2012): A surprise – I expected right wing raving but most of these men were rational and perceptive.
Killing Bono (2011): For the most part enjoyable with inoffensive characters. The plot does not extend to 114 mins however.Farewell Pete.
Grown Ups 2 (2013): Some of the skits were good but what was then required was some restraint in the grubbiness.
Reluctant Fundamentalist, The (2012): Too long – we didn't need the romantic subplot – an actors film – however it failed to hold attention.
Untouchables, The (1987): Excellent production values but there is little else once Connery departs.
Blood Work (2002): Travels at the Eastwood pace.
They Died With Their Boots On (1941): A history lesson it is not. Glorified and selective.
Sea Hawk, The (1940): Too long and suffers in comparison to Captain Blood. However the great Flora Robson adds class to the proceedings.
Captain Blood (1935): Enjoyable – Olivia de Havilland the perfect lead partner with Basil Rathbone the excellent adversary.
Hardware (1990): Its a frustrating watch – nothing is original and its very noisy but it still has some appeal.
Courage Under Fire (1996): Denzel unchallenged by the role – he must be the smartest actor in uniform. Meg just had to yell a lot. The ending was crap.
Dead Space (Downfall + Aftermath) (2008): Aftermath: Didn't think the animation was anything special but there was plenty of action.
First Spaceship On Venus (1962): Should be judged against those in its genre made at the same period – Certainly not strong but interesting and watchable.
Grudge 2, The (2006): The first shock scene the best – after that some immunity sets in.
Legion (2010): Some good ideas and the Sci–fi visuals okay – at its best when Paul Bettany involved – didn't need all the modern day action sequences.
Human Target (TV Series) (2010): A little different in that it has some substance to the characters and stories – which is not always the case with these kind of TV series.
Power Games: The Packer-Murdoch War (TV Mini-Series) (2013): Couldn't empathize with either party.
Paper Giants: Magazine Wars (TV Mini-Series) (2013): I've never seen Rachel Griffiths so subdued.
Line of Duty (TV Series) (2012): Not as good as "Shadow Line" but worthy of a watch.; DVD ~~$49.95~~ $30
Androcles and the Lion (1952): Timeless story telling.Robert Newton is terrific.
Crimes of the Future (1970): Probably best to see "Stereo" first but this is no easier a watch.
Stereo (1969): Hard watching but worth it.
Fast Company (1979): It depicts a way of life as much as being an actioner and therefore if not great a bit better than the ordinary.
Jennifer's Body (2009): Amanda Seyfried looks suitably bemused the whole film. Great supporting performance from J.K. Simmons. The film doesn\'t take itself too seriously and is all the better for it.
Mission: Impossible (1996): Although he does well with the stunt work its not enough for Cruise to carry the picture. He seems to be in every scene. Good that they have used the original theme tune – a classic.
Chasing Mavericks (2012): The kids look to be out of Disney – good to see Elisabeth Shue – the waves are also good.
Robbery Under Arms (1985): The lead characters don\'t have much to offer but as usual in an Aussie film the interest lies in the character bit part players.
American Jobs (2005): Short and to the point.
Rabid (1977): Not your usual vampire plot.
From Hell (2001): Depp strangely dead – its left to a classy supporting cast eg. Ian Richardson; Ian Holm; Katrin Cartlidge (miss you); Susan Lynch to breathe life into it.Some good props.
An Affair to Remember (1957): Nothing happens but its done pretty well.
Jurassic Park (1993): Great cast of Dern, Attenborough and Peck have little to do. The Monsters were fine therefore we didn\'t need the kids as well.
Men of Honour (2000): Reasonable story and good location shooting but the characters are \"shallow\".
Ice (TV Series) (2007): Useful addition to the genre.
Manolete (2008): You can\'t empathize with these blood thirsty bastards.Go the Bull!
Deadfall (2012): Pretty useful cast but it doesn\'t really take off. Summer viewing only.
Ghost Rider (2007): Good idea but it doesn\'t quite work. Peter Fonda stands out.
Lady in Cement (1968): A product of its time. As is normal with these kind of films the best bits are delivered by the support cast which in this case includes a couple of authentic dumb blondes.
Kill Bill - Vol. 2 (2004): The action abates a little when the story is in flashback but its never boring. Carradine is excellent and you wish that the relationship between Thurman and Hannah could carry on a bit longer.
World War Z (2013): Too action based – therefore fails to hold attention.
Mister Jerico (1969): Not great but watchable. Bonus features include interviews with Macnee and Lom on their careers and relationships with Rigg and Sellars.; DVD $14.95
Bullet to the Head (2012): Stallone might have had a face lift but he\'s still mumbling.; DVD $14.95
Harry Potter and the Chamber of Secrets (2002): Didn\'t think the editing was the best at times. The spider segment impressive. Cleese barely appears. Rickman steals his scenes as usual.
You Don't Mess With The Zohan (2008): The grubbiness gets in the way of any comedy there might be in the script.John Turturro the only redeeming quality.
Warm Bodies (2013): Not too bad – it tries to be a bit different in a genre that has been thrashed to death.; DVD $14.95
Memories of Duke Ellington (1980): One of the legends.
Stand Up Guys (2012): Christopher Walken doesn\'t say much – he lets his expression do the talking. Alan Arkin the icing on the cake.
Broken (2012): For a while its hard to understand the relationships of the characters because the film flits back and forward in time. Uneven but there are some very worthwhile scenes and performances.
Resident, The (2011): Hilary lifts this above the average for a genre which is running out of fresh ideas.
Seeing Other People (2005): It was always apparent that the material wouldn\'t last the length of a feature.Bryan Cranston looks to have been taking time out from his acting career.
Toomelah (2011): It is worthy of being used as a social commentary.
Constantine (2005): Okay story.The leads aren\'t anything to write home about and not enough is seen of Tilda and Pruitt.
Elvis '56 (1956): Has some useful information about the time he would have been at his best.
Indecent Proposal (1993): Nothing happens which is a relief because the acting and the script is pretty ordinary.
Last Exorcism, The (2010): Has the usual hand held camera and yelling and screaming supported by the usual sound effects and the usual music score.
George's Island (1989): The kids are not annoying – Ian Bannen in support.
Who Dares Wins (1982): aka \"Final Option\". Weak script. Judy Davis is too strong for this cast with the exception of the usually great Kenneth Griffith. Good bonus documentary on producer Euan Lloyd.
Devil Rides Out, The (1968): Interesting support cast – Patrick Mower,Paul Eddington & Charles Gray who is terrific. Strong script.
Warlock (1988): Enjoyable as it doesn\'t take itself too seriously – there are many comedic moments – Grant,Sands and Singer work well together.Strong script.
Omen, The (1976): A good script which is hard to see dating.There is enough acting talent in support of the lead to get him through.
Dangerfield (TV Series) (1995): Series 1:Part of the genre of small town Britain where the number of crimes exceeds the population.Washable (I mean watchable) but a bit soapy.; DVD $29.95, $39.95
Murder in the First (1994): Tries to shock but doesn\'t really amount to much more than a courtroom drama – pity with such an excellent cast.
Brood, The (1979): Cronenberg usually delivers something different and he doesn\'t disappoint.
Danger 5 (TV Series) (2012): Bit of a throw back to the 60\'s with crummy props and costumes – great stuff.; DVD $29.95
2 Guns (Two Guns) (2013): Denzel has been doing these on his ear for a number of years now. Its time for him to extend himself again.
When Brendan Met Trudy (2001): A romcom that works! Great script full of Irish one liners.
Host, The (2013): You think the film is going somewhere but then every seven and a half minutes it stops for a kiss and a cuddle.Some nice visuals and the start of the end credits are worth watching.
Ghost Town (2008): Good idea and the first half watchable but as with a number of one joke films doesn\'t stretch well toward the end.
Ice Harvest, The (2005): They got the characters right and its complimented by the right casting.
XIII: The Conspiracy (TV Mini-Series) (2008): Shows promise in part and at times.
Messenger of Death (1988): Pretty ordinary.
Fashion in Film (2009): Film has more important influences than that on fashion but I guess you have to keep the precious people happy.
Internship, The (2013): I perked up when John Goodman appeared albeit briefly.Wilson\'s nose dominates the film but he\'s hardly WC Fields.
Cosmopolis (2012): A fresh scenario – would have been even better with an actor playing the lead – not sure about last segment as Giamatti mumbles his lines.
Marooned (Space Travelers) (1969): Too long/flat.What keeps it alive are the effects. Acting requirements are nil. Why a talent like Hackman is required is beyond me – he just sits on his chuff. On the other hand this kind of film suits Peck who belongs to the concrete post acting school.; DVD ~~$19.95~~ $14.95
Odd Life of Timothy Green, The (2012): Light.For family viewing.
Man in the Iron Mask, The (1939): Very solid interpretation.
Sky Captain and the World of Tomorrow (2004): It throws quite a bit at you but very little sticks.Never the less it at least tries to be different.; DVD ~~$15~~ $11.25
Hancock (John Hancock) (2008): Nothing different – should have been better considering the quality of the supporting cast.
A Force Of One (1979): As good as most of this genre from this time.
Taken 2 (2012): He must have killed only half the population in the original – here\'s the rest.
Impossible, The (2012): Good effects – pity about the crappy music.
Last Drop, The (2005): Has early promise but when Michael Madsen is listed as the guest star don\'t expect too much.
Last Stand, The (2013): There seems to be an endless supply of this kind of movie. Harry Dean Stanton would have added value if he had have survived longer than one scene – but there was a brainless decision to take him out.
Purge, The (2013): The idea is fine but cannot be sustained over much of the length of the film without relapsing into formalistic action.
Lovely Bones, The (2009): The Director\'s best effort? Its not boring. Susan Sarandon and Stanley Tucci give the acting a lift.; Blu-Ray ~~$19.95~~ $14.95
Fast and Furious 6 (2013): Its the same length as Fast @ Furious 5.
Waitress (2007): It works because its independent and hollywood free.
Bill Bailey - Live at the Apollo (Part Troll) (2004): Multi talented – no dead spots. Does not have to resort to foul language.
Jobs (2013): Pretty exciting stuff. Kutcher struggles but tries hard with the hysterical bits.Jobs portrayed as an arsehole – this is probably right as Apple still owe me some money.
Zero Dark Thirty (2012): Just as boring as \"Hurt Locker\". A lot of yelling and screaming and this from those not being tortured. A documentary would have knocked this story off in half an hour.
Mabo (Mabo: Life of an Island Man) (1997): Extremely important story in the fight for aboriginal rights.
Chinatown (1974): Excellent story telling about an incompetent detective who opens up a can of worms. The pace of the film is just right and doesn\'t get sidetracked with unnecessary subplots. The photography and props are impressive. Excellent ending.
Rogue Trader (1998): McGregor is not Spacey but does a reasonable job. A good insight.
Funhouse, The (1981): Most of the scary moments are routine but the last segment is well worth the wait.
On the Nose (2002): Some good moments but not up to the standard of normal Irish fare.
Unknown (2006): Would have been better with less violence which was a distraction to the story.
Red Lights (2012): Talk about shooting yourself in the foot. Sigourney is written out early in the film and its left to Murphy to carry things. He is awful in this one.
Hetty Wainthropp Investigates (TV Series) (1996): Series 2: Excellent props and each episode has good supporting actors.; DVD $29.95
Magnificent Butcher (Lin shi rong) (1979): The action rarely pauses – when it does there are some good comedic moments – the choreography is impressive.
Love Butcher, The (1982): I think that all its faults deliberate or otherwise should give this film a permanent place in the cult library.
Lawnmower Man, The (1992): Bit of a muddle – doesn\'t really do justice to the concept.
Topper / Topper Returns (1937): Both films well written and blessed with a number of great comedic actors.
Fly Me to the Moon (Un plan parfait) (2012): Hilarious frothy comedy with characters that won\'t test your memory.; DVD $29.95
Rollercoaster (1977): A real 70\'s film. The opening scenes are very good and should have been able to go on with it considering the cast.; DVD $14.95
Small Town Saturday Night (2010): Has faults but I have seen a lot worse. The small town aspects of the film are believable and are what makes the film worthwhile.
Tommy (1975): Its a Ken Russell film.
One Hundred Steps, The (I Cento Passi) (2000): Heavily politicised but watchable if you can put with the male hysterics.
Stargate (1994): Great SF idea and some impressive visuals but the film gets sidetracked – maybe to give Kurt R something to do.
Jack the Giant Slayer (2013): With the exception of Ian McShane I didn\'t notice the cast –thats how good the visuals are.
Bling Ring, The (2013): Criminals aren\'t normally this boring.
42 (2013): The baseball scenes are well enacted but the film falls into the usual dramatisation trap of over sentimentality aided by crappy string music.Alan Tudyk is good as the mouth.
Priscilla: Queen of the Desert (Adventures of Priscilla: Queen of the Desert, The) (1994): Aka \"Adventures of––\". Hugo Weaving gives another dependable performance but the prize casting is Stamp. The musical numbers and the costumes are well done.
Byzantium (2012): As with other Neil Jordan films – uneven.Its hard to maintain attention during the ordinary bits. A shorter film would have helped.
View to a Kill, A (1986): Not a strong Bond outing when compared to its predecessors & although too long still has some good stunt sequences and one liners.
Spider-Man (Spiderman) (2002): Enjoyable special effects and an excellent cameo from JK Simmons.
John Dies at the End (2012): Hard to follow but enjoyable – different.
Returned, The (TV Series) (Les Revenants) (2013): Classy – atmospheric.Treats the walking dead with respect.
Elysium (2013): Sets off with a reasonable sci–fi premise but as in a number of other similar films gets sidetracked into becoming an \"actioner\".
About Face: Supermodels, Then and Now (2012): Not as bad as it looks.
Streetcar Named Desire, A (1951): After an excellent opening outside location shot it becomes stagey and claustrophobic.An actors film.
Lady in a Cage (1964): Olivia is excellent with some over the top acting from the support cast although James Caan is still learning the ropes.It does well to maintain the suspense with the action confined for the most part to a small physical area.
Austin Powers: The Spy Who Shagged Me (1999): Its hard to develop a distinctive character of your own but Myers has achieved this.Not perfect but there should be something for everyone.
Envy (1999): The first third is very good but it doesn\'t maintain the necessary suspense or originality.
Public Enemy, The (1931): The acting is distinctly 1930\'s. Some outside location shooting (filming that is) provides a great opening sequence.
Adoration (Adore) (2013): Nothing wrong with the location and the female actors – just needed some characters and a plot. Most un–Aussie like.
Way Back, The (2010): Never ending. The only saving grace is the location shooting. The accents are awful.
School of Rock (2003): Well done for producing an enjoyable film out of routine and overused material.
Cats and Dogs: The Revenge of Kitty Galore (2010): Hard not to like.
Untraceable (2008): Slightly better than the normal killing by internet drama.
Tunnel, The (TV Series) (2013): Clemence Poesy makes the most of one of the more interesting characters to appear on TV.There is a very dependable support cast.
Forever Strong (2008): Over dramatic at times and suffers from the \"hollywoods\".
Walking Dead, The (TV Series) (2010-2021): Season 1 – the problem it has is making zombies interesting after a surfeit of zombie films – the zombies that appear are just the standard normal fare.The living are boring.The best parts are the shots of deserted streets.
Transformers (2007): Noisy.Would have worked better if they had left out the humans.
Zathura (A Space Adventure) (2005): The plus is the visuals and the great creatures – which only just counterbalance the screaming argumentative kids.
La Regle Du Jeu (Rules of the Game) (1939): Both heavily censored and banned by the French/Nazis shows how much impact this film had on release. Some memorable scenes.It is a lot of things but it is above all a classic and has been imitated since.
Look of Love, The (2013): The characters were surprisingly boring.; DVD $29.95 | Blu-Ray $34.95
My Big Fat Greek Wedding (2002): Undemanding in all its aspects but enjoyable – especially the soundtrack.
Prime Suspect (TV Series) (1991-2003): Series 1,2 & 3:Terrific cast do justice to a solid script.Authentic atmosphere.; DVD $54.95
Red Heat (1988): Early scenes of Red Square are worthwhile – the rest is forgettable – Arnie strips off twice which may enhance the movie for some viewers.
Mistaken for Strangers (2013): Amateur documentary making – the subjects are boring.
A Hijacking (2012): \"Time Out\" film critics are very hard to please so it has good credentials.I thought it was well above average for a hostage film.Tom Cruise will probably do the inevitable remake with a different ending.; DVD $19.95
How to Make Money Selling Drugs (2012): Didn\'t really find this interesting thank god.
Shopping (2013): Has some good moments but doesn\'t quite pull it off.
Just Like a Woman (2012): Early promise but then a contrived plot which the film really doesn\'t compensate & make up for.; DVD ~~$29.95~~ $19.95
An Actor's Revenge (1963): Very stylistic and at times with dazzling cinematography.Some bizarre background music.
Safe Haven (2013): Routine and undemanding.
White House Down (2013): Nothing really to comment on.
Lumumba (2000): Solid but not sure why it was necessary to dramatise.
Flatmates Wanted (2004): The end credits are longer than the film – different and a notch above the normal.The profanity was unnecessary.
Toys in the Attic (1963): A talky with a great female cast.
Black Belt Jones (1974): Doesn\'t take itself seriously and is all the better for it.rn
Star Trek - Into Darkness (Star Trek XII) (2013): Cumberbatch and Weller add a bit of stability to proceedings. Not particularly interesting however.
Tents, The (2011): Essential viewing of essential people doing essential things.
Billy T - Te Movie (2011): The biographical background is the most valuable aspect of this film as his performances are available elsewhere.
Freakonomics (2010): The sumo wrestling segment is the one worthy of a watch.
Classic Albums - Queen (A Night at the Opera) (2005): An excellent series.
Crash Reel, The (2013): Another extreme sports offering.Its hard to empathise with the combatants.
Performance (A Late Quartet) (2012): Great cast gets sidetracked with romance etc.Terrible hollywood ending.
Playing for Keeps (2012): Totally routine – often used storyline.
Count of Monte Cristo, The (1934): Solid version.
From Paris With Love (2010): As far as action movies go this is excellent – otherwise it is formalistic.
Nine (2009): The dancing is the only saving grace for this musical.I couldn\'t bring myself to give any movie starring Daniel D two *; DVD ~~$20~~ $15
All Quiet on the Western Front (1979): The battle scenes are believable. Ernest Borgnine is terrific as is an excellent support cast.
Devil's Own, The (1997): A dead offering – fails to hold attention.
Man from Beijing, The (2011): Not a particularly strong plot and not aided by contrived situations.
Speed Racer (2008): Garish colours at times.Far too long even with the classy support cast.Bit of a mixed offering.
Trance (2013): Failed to hold attention. I was surprised when I saw who the Director was.
Murphy's War (1971): Too long but excellent action and a great cast.
Silver Linings Playbook (2012): A talkie and a loud one at that.
This is the End (2013): The comedy would be lost without the f word.
Incredible Burt Wonderstone, The (2013): Steve Buscemi hams it up well and good support from Alan Arkin.
Robinson Crusoe (1954): Restored version easy on the eyes.
Kath and Kimderella (2012): It would have to be Australian.
Come Rain Come Shine (2010): Gets soppy – only interest for me was Alison Steadman.
Emperor (2012): Handles a sensitive subject pretty well.
Most Dangerous Game, The (1932): Short and effective.
Thor (2011): Another special effects actioner.The visuals get the film through – no acting requirements which is quite ironic considering who the director is.
Zodiac (2007): Directors Cut: Takes its time – well researched. The Making Of shows how much effort went into the recreation of events and props.
Iron Man 3 (2013): Much of the same as before with an irritating kid as a bonus.
Oblivion (2013): Limited by the lead casting the film needs to rely on the visuals and plot and partly succeeds.
Promised Land (2012): In some ways it can be watched as a documentary – an important issue.Frances Mc.is terrific as usual.
Bones Brigade: An Autobiography (2012): Much of the action was filmed in the 80\'s and worth the watch.
Jess + Moss (Jess and Moss) (2011): A true indie.Undemanding, dreamy at times.
Cloud Atlas (2012): I gave up trying to follow the story – a second viewing will help – but much to admire with the visuals.Jim Broadbent in charge of the acting but well supported by a menacing Hugo Weaving.Well done to the make up dept.
Song Remains the Same, The (1976): Doesn\'t matter even if you are biased. Enjoy.
Electrick Children (2012): Its different and that\'s the least you can ask of a film. Good performances from Garner and Culkin. The playing of \"Hanging on the Telephone\" not overdone and therefore effective.
Bait (2012): The scenarios seem to be getting more extreme.
Cleanskin (2012): Sean Bean is impressively violent. They didn\'t need the acting talents of Charlotte Rampling or James Fox.
Bill Bailey - Dandelion Mind (2010): Succeeds at one of the harder professions.
No Reservations (2007): Froth.
Catacombs (The Woman Who Wouldn't Die) (1966): A talkie – a bit static.
Flying Swords of Dragon Gate (2011): Easy to look at. The violence is not too bad from the days when life was cheap.
Sarah, Plain and Tall (Winter's End; Skylark) (1991-1999): Winter\'s End – Okay – a subdued Christopher Walken – Jack Palance not the easiest to watch.
Storm Surfers: The Movie (2012): Some good water shots but of moderate interest to non surfers.
Assassin, The (Point of No Return) (1993): Highlight is Harvey Keitel doing his thing.
Hatchet (2006): A good approach to horror – has fun.
24 - Season 1 (TV Series) (2002): Season 1: Gimmicky with the required amount of gunfire and action words but an hour and a half should have sufficed.
House Of 1000 Dolls (La Casa De Las Mil Muñecas ) (1967): Not one of Vincent\'s best but watchable.
Django (1966): Classy in its own way.
Movie 43 (2013): A script would have helped.
Human Scale, The (2012): Supports a more intelligent approach to urban planning. One that we are not used to.
Gangster Squad (2013): Glossy but with irritating slow motion shots. Looks like a remake of something.
Bloodrayne (2005): Violent. The only interest is Udo Kier.
Death Proof (2007): A worthy attempt at something although I\'m not sure what.; DVD ~~$20~~ $15
Comanche Territory (1950): Maureen does her normal wild west thing.
Son of Frankenstein / Ghost of Frankenstein (1939): Ghost – routine if Frankenstein films can be routine.
Parker (2013): Starts off okay but then falls into an expected routine.
It's Always Sunny In Philadelphia (TV Series) (2005): Season 1&2: Some may find it funny.
Forks Over Knives (2011): Bit of a wake up call.
House of Flying Daggers (Shi mian mai fu) (2004): Easy on the eyes and on the concentration.
Friday Night Lights (TV Series) (2006): Season 1:The film makers are always behind the 8 ball by trying to make american football interesting.They try to make the characters interesting through use of close up shots.
Total Recall (1990): Some bizarre moments.The effects are pretty good but little attempt seems to have been made to futurise the clothing.Good to see that cellphones haven\'t survived to 2084.
Invasion U.S.A. (1952): Has a place in the Cult genre.
Monstrosity (The Atomic Brain) (1964): These kind of cult films have an appeal all of their own. Outlandish plot and poor acting – so what.
Master, The (2012): Another impressive performance from Phoenix. Unfortunately Amy Adams and Laura Dern don\'t get much of a look in.
Germany Year Zero (1947): An important historical document. The street scenes are unforgettable.
How to Steal a Million (1966): The leads are okay but the main interest for me are the supporting cast especially Wallach and Griffith. The plot does not justify the length.
Cromwell (1970): A few dead bits but worth attention for the quality cast.
40 Pounds of Trouble (Forty Pounds of Trouble) (1962): The 6 year old is not too bad.Good to see Phil Silvers.
First of the Few (Spitfire) (1942): Solid.
Lay the Favourite (2012): Rebecca Hall has had much better material.
G.I Joe: Retaliation (2013): Jonathan Pryce adds a bit of quality to the acting performances not usually found in this kind of film.
Commish, The (TV Series) (1991-1995): Season 1:The episodes remain watchable throughout the series. Chiklis is the cement as the common sense cop.
Client, The (1994): Has a great cast and Susan Sarandon excellent as usual.
Dazed and Confused (1993): Captures the time and place well.
10 Years (2011): An \"Oh My God\" comedy.
Drive (2011): Great opening segment.Excellent casting with Albert Brooks a revelation.Some unnecessary slow motion camera work.
Shoot 'em Up (2007): Funny in a violent kind of way.
Seeking Justice (2011): Lightweight cast does its best in this modest thriller.
Rise of the Foot Soldier (2007): Less than half the violence would have been adequate.
Australia (2008): The first hour and a half are worth it – the Outback is a winner – the usual great Aussie character actors in support.
Candy Snatchers, The (1973): Genuine suspense at times – the kid is great.
Bored to Death (TV Series) (2009): Season 1 – funny in an american kind of way. At least the characters don\'t irritate.
I Give It a Year (2013): Should have done better with this cast. Infantile script and the characters aren\'t much better.
Green Street Hooligans (2005): Mr lightweight Wood is convincing as a wimp in the early stages of the film. The casting of the rest of the hooligans is spot on particularly the Millwall mob.The stouches are now over familiar.Hollywood ending.
Killshot (2008): Diane Lane is good and J G–L gives a comical performance. Rourke looks like he\'s just emerged from a plastic factory.
McLintock! (1963): Another macho bullying character/performance from Wayne.
Sorcerers, The (1967): Excellent nostalgic opening scene. Boris\'s wife (Catherine Lacey) is really sinister.
Don't Knock the Rock (1956): The padded bits in between the musical numbers get longer and longer culminating in a social message.
Hell Ride (2008): Some distasteful moments don\'t help. The characters try a bit too hard to be bad.
Awful Dr. Awloff, The (1961): Some quiet moments but Dr. Awloff a worthy villain.
Starship Troopers (1997): Original – Enjoyable with great creatures. Starship Troopers 3: pretty routine fare (2 stars).
After Earth (2013): The visuals are not too bad but the kid is awful. Hopefully that\'s his last film.
Prom Night (2008): Don\'t know why they bothered. Routine in every sense.
Severed Ways (2007): Different.Interesting soundtrack.Great rustic locations.On the downside an unnecessary flashy camera at times and as is normal with authentic films the killing of animals in an effort to shock the audience.
Identity Thief (2013): Very light fare.
Babymakers, The (2012): Dreadful script.
Shihad: Beautiful Machine (2012): I had not heard of Shihad and the documentary didn\'t really give you a chance to assess their performances.Solid interviews.
Agatha Christie - A Life in Pictures (2004): Excellent props – always good to see Anna Massey.
Out-of-Towners, The (1970): Lemmon is dreadful and Dennis irritating.; Blu-Ray $34.95
Wall-E (2008): Another Pixar triumph – I hope Disney don\'t stuff Pixar up.
Flash, The (TV Series) (1991): Entertaining baddies and scenarios. Amanda Pays very good.
Dead Man Down (2013): Not too much change to whats expected of this genre of film.
Snatch (2000): Noticeable was the fair amount of screen time given to each character. Alan Ford steals it as Brick Top – which takes some doing among this wonderful array of characters blessed with a rich script. \"Making Of\" reveals the camaraderie of cast/crew.
Skyfall (2012): The stunt crew are exceptional.
How to Make it in America (TV Series) (2010): Series 1: The characters aren\'t interesting enough to carry it through a full series.
Dollhouse (TV Series) (2009): Season 1 – flat as a pancake and the characters aren\'t interesting enough.
Repo Men (2010): Some sci–fi in amongst the violence – the unrated version is very violent – too long.
Haute Cuisine (2012): The story dies a bit when away from the Palace. Catherine Frot is excellent and can fry my fish and chips any day.
Shanghai (2010): At its best when depicting street scenes. Glossy and easy on the eye.
Children, The (2008): Good atmospherics. Unrelenting once the action starts.
Godzilla (1998): Its strongest point is that the film doesn\'t take itself too seriously therefore Matthew Broderick is well cast.Go Godzilla & the baby Godzillas!
Cold Creek Manor (2003): Owes a debt to \"Straw Dogs\".Mike Figgis has done much better but worth watching because Juliette Lewis is terrific as usual.
Restless (TV Mini-Series) (2012): Strong performances from Hayley Atwell and Charlotte Rampling. The period is well depicted.
Act of Killing, The (2012): Its too long but full credit to the film makers for appealing to the egos of the criminals that enabled their story to be told.
Body Of Lies (2008): DiCaprio looks out of place but Mark Strong who should look out of place doesn\'t.Crowe does a Joe Don Baker/John Goodman impression.The plot is confusing with too many foreign characters involved.
Oz the Great and Powerful (2013): The characters don\'t rate too highly but the art design and effects are very good.
Grey, The (2011): Genuine thriller. Liam is perfectly cast as a leader in a situation not of his making. Must have been a tough film to make on location.
Welcome to the Punch (2013): They should have done a lot better with such a strong cast. A low point was a slow motion shoot out.
For a Good Time, Call… (2012): Its all been done before and without the grubbiness.
14 Blades (2010): Clonistic but there are some good locations.
Red Dawn (2012): Could well have been funded by the Republican Party.
Hilary and Jackie (1998): Excellent acting from the two leads – a warts and all biography.
Village of the Damned (1995): Kirstie is very good and stabilises proceedings.You will appreciate this more if you haven\'t seen the original.
Who Loves The Sun (2006): A talkie in need of decent dialogue and interesting characters.
Black Narcissus (1946): Kathleen Byron\'s performance is stunning. The photography of Jack Cardiff is even better on Blu–Ray.; DVD ~~$24.95~~ $18.70
Veronika Decides to Die (2008): Interesting plot – well acted.
Dreamgirls (2006): Singing fine but the songs are ordinary. Some good dance numbers help.
Prozac Nation (2004): Ricci and Lange bounce off each other and both need to be in top form. They don\'t disappoint.The males get swept aside.
To Do List, The (2013): Grubby but harmless. Watchable.
You Will Meet a Tall Dark Stranger (2010): Inconsequential. The quality cast deserve better.
Town, The (2010): Affleck and Renner dominate the screen time so there is little chance to see any acting. Postlethwaite and Cooper are wasted although Hall and Hamm make the most of their chances. Ridiculous climatic shoot out.
Bone Collector, The (1999): Denzel does an Ironside imitation.
In Their Skin (Replicas) (2012): The first half was fine but one home invasion movie is much like the rest and it ultimately failed to hold attention.
Grand Illusion (La Grande Illusion) (1937): The story weakens slightly after the escape in the farmhouse scenes but still a wonderful film. It examines the chivalrous relationships of some warring enemy officers in 1914.Based on fact according to Renoir.
Party's Over, The (1965): Read the BFI booklet accompanying the film describing the film\'s problems with the censors – it was made in 1963 but could only be released in 1965 in a version which Guy Hamilton disowned.The 1963 pre–release version is available.
Evil Dead (2013): Unless its a classic one thing a horror movie needs is humour to distinguish itself within the genre. This one lacks it in spades.; DVD $174.95
Warriors of Heaven and Earth (Tian di ying xiong) (2003): If you don\'t like death in every scene don\'t despair just admire the magnificent desert.
Devil's Advocate, The (1997): Too long and Reeves out of his depth but who wouldn\'t be with Pacino playing Pacino. Jeffrey Jones holds his own though and Charlize shows her ability to significantly change character. Best are the NY street shots.Deleted scenes commentary worthwhile.
No (2012): As the right wing violence is already well documented the film rightly does not overdo this aspect. It cleverly concentrates on the hypocritical advertising industry. A reasonable effort at giving a balanced account considering everything that happened.
Billy Elliot (2000): Bitter sweet – overwrought at times but with some delightful moments especially from Jean Heywood as Gran.Patrick Malahide has a cameo.
Business of Strangers, The (2001): An actor\'s film – well done ladies.
Tess (1982): The most interesting aspect was the portrayal in the period of rural working class life .
Killing, The - Series 2 (TV Series) (Forbrydelsen) (2009): Great theme music. The who dun–nit gets so over complicated I bet the writers got confused.Sofie worth a watch.; DVD $39.95
Trouble with the Curve (2012): It doesn\'t really work but Amy Adams,Clint and John Goodman always worth a look.
Doom (2005): There is some SF but it soon gets lost in the action – good creatures though.
Dredd (2012): I missed the reason for the bicycle helmets. Some good props and design work but the slow motion shots irritate.
Save Your Legs! (2012): Some good location shooting. The cricket scenes are re–enacted very well.Club cricketers who have \"toured\" will appreciate this.; DVD $24.95 | Blu-Ray $29.95
Big Hit, The (1998): Surprisingly comical based on some good characters. Action seems unending – well done to stunt and special effects teams.
Guilt Trip, The (2012): There is a lot of talking – Barbra Streisand is in it.
Norman (2010): Doesn\'t maintain early promise. Richard Jenkins compulsory appearance in this type of film.
Shape of Things to Come, The (1979): The subdued colour filming was easy on the eyes.I thought its \"cheesiness\" was an attribute and contributed to its charm.
Maverick (1994): Enjoyable – it doesn\'t take itself seriously. Best scene for me was that featuring Graham Greene.
Viva Las Vegas (1964): The songs as presented don\'t amount to much. Ann–M tries hard with the dancing and singing. Light entertainment.
Butch Cassidy and the Sundance Kid (1969): It doesn\'t take itself seriously which is good. Some beautiful location shooting which overpowers the story and characters but not to the detriment of the film.Good \"Making of\".
An Englishman in New York (2009): John Hurt is masterful in representing Quentin Crisp.; DVD $24.95
Freud (1962): Hard going – dry but sincere.
Made in Dagenham (2010): Great cast and props.Although Sally Hawkins excels there are great performances from old hands Bob Hoskins and Kenneth Cranham as unionist Monty Taylor.
Warrior's Way, The (2010): Bit different but not helped by distasteful violence. Ordinary violence would have done the job.
Lawless (2012): Boring characters – routine story.
Life Happens (2011): Light.
Return, The (2011): Sincere.Good performance from Linda C.
Don't Come Knocking (2005): Excellent musical score and landscape photography. The mining town Butte in Montana is among the locations starring in this road film.Good cast with Fairuza Balk scene stealing.
Tiny Furniture (2010): I had trouble with the poor enunciation (authenticity). Its a talkie with little happening – which normally is okay if the talking is worth listening to or the characters worth watching.
Way of the Dragon (1973): Some comical bits. Authentic martial arts.
Skins (TV Series) (2007): Series 5 – tries to shock.
Lincoln (2012): Dry. Daniel Day has the portrayal down pat.
House at the End of the Street (2012): Like any other house at end of street plot.
Hysteria (2011): The great props and costumes deserve a better story.
Expatriate, The (Erased) (2012): Fails to hold attention. Indistinguishable.
Jazz Singer, The (1927): A weepie. There are snippets of some 1920\'s location shots.; Blu-Ray ~~$15~~ $11.25
Color of Money, The (1986): Cruise is out of his depth and the film works better when he\'s not in it. Great shot of the Atlantic City Boardwalk.
Stake Land (2010): Has a bit more than most of today\'s vampire offerings.
LOL (2012): Will be essential viewing for someone somewhere.
Escape To Athena (1979): Beautiful location shooting on Rhodes – Anthony Valentine worth a watch.
Whisperer in Darkness, The (2011): Made with love.
Tin Man (TV Mini-series) (2007): Zooey holds the series together – some flat spots would suggest 3 parts is too long.
Psycho (1960): Great performance from Norman Bates. Watch the \"Making Of\" on the Ann. Edition – its not only better than the film but it makes you appreciate more the skills of the Director, Editor, Composer et al.
Magus, The (1968): Not an easy watch – patchy.
Seeking a Friend For the End of the World (2012): A good try – better than the usual rom–com crap. Good sound track.
One Night at McCool's (2001): John Goodman as usual steals the scenes when he appears.Good plot.
Return of the Swamp Thing, The (1989): Enjoyable. It doesn\'t take itself seriously.
Adventures of Milo and Otis (1989): Impressive live action. More than holds its place against animated counterparts.
Expendables 2, The (2012): Stallone (66) looks ridiculous leading a bunch of geriatrics. I think its meant to be a comedy.
American Graffiti (1973): Frustrating breaks to soundtrack back to dialogue.Bo Hopkins has the only interesting character.
Argo (2012): Handles the initial panic and shabbles okay but then only becomes interesting when Arkin or Goodman are centre stage.
Dread (2009): Not perfect but some real uncomfortable moments with a non–hollywood ending.
Mama (2013): Pretty good horror moments – well done to make–up department.
Fred Claus (2007): Pretty good support casting.
Wolf (1994): Silly and confused – but there is a great support cast in Kate Nelligan, Richard Jenkins, Christopher Plummer.
Flight (2012): Good to see Denzel without a gun. Film and musical score get the Hollywood treatment unfortunately. Highlight is a scene stealer from John Goodman.
Rollerball (2001): Limited futuristic value as today\'s driving habits have been portrayed as not changing. Best bit is the ride through the streets of San Francisco at the start although this has nothing to do with the rest of the story and may have been added on.
Bridesmaids (2011): Tries to make the characters interesting. Noisy.
Boot Tracks (2012): Stephen Dorff has his normal hound dog look throughout the film – uplifting.
Beverly Hills Cop 2 (1987): Watchable – some good moments.
Innkeepers, The (2011): Had early promise.
Wild Things (1998): Theresa Russell underused.
Girls - Season 1 (TV Series) (2012): Watchable but noisy. Tries to shock the audience a few too many times.
Scream, Blacula, Scream (1973): Some very good corny horror moments.
Red Planet (2000): The acting requirements aren\'t great but the photography is excellent.Shot on Mars.
Fugitive Kind, The (1959): Just watch the Joanne Woodward scenes.
Buried (2010): Some good location shooting. A casting director\'s dream.
Seven Psychopaths (2012): Only works when Christopher Walken is in the scene although Tom Waits is as usual hard to ignore.
Hope Springs (2012): Waste of Meryl\'s talents – a film not really required – a radio play would have sufficed.
Possession, The (2012): Some good bits but its hard to excel in a genre thats been thrashed to death.
Willy Wonka and the Chocolate Factory (Willy Wonka & the Chocolate Factory) (1971): Not all of the musical numbers are worthwhile but the set designs make up for them. Roy Kinnear under utilised.
One Direction - This is Us (2013): We don\'t really need another spoof – I hope it is one and One Direction are not real – what tuneless \"music\" from a bunch of goody goodies.
Now You See Me (2013): The plot was insulting to the audiences\' intelligence.Acting talent like Caine and Freeman should be embarrassed. Beware of the sequel.
House of Yes, The (1997): Static in movement but the script is worthy of attention. Indie queen Parker Posey is always worth the time.
Door, The (2012): I found the film uneven – but it was very good in parts making it worthwhile.
Cheerful Weather for the Wedding (2012): Spot on production values and acting performances.
Words, The (2012): Familiar plot but Jeremy Irons as usual is well worth a watch.
Go Fast (2008): Holds the attention better than most of its Hollywood countless counterparts.
End of Watch (2012): For those who consider hand held cameras enhance their viewing experience.
Cabin in the Woods, The (2011): First two thirds of the film covers familiar territory – borrowed from other films. The last third however is an enjoyable mish mash when all the stops are let out.
Death Race (2008): Good stunt driving and effects. The racing just goes round and round time and again – much like it does today.
Interview With the Vampire (1994): Patchy – as with some of the Director\'s other work it doesn\'t quite come off – but watchable.
Under the Dome (TV Series) (2013): Great premise but unable to maintain it over the series.
Barney's Version (2010): You need to be a Giamatti fan as he\'s on screen for over 2 hours giving at times an overwrought performance. Hard to empathize with his character.
Ip Man: The Final Fight (2013): Good production values.
Bang Bang Club, The (2010): All been portrayed before in other conflicts.
People Like Us (2012): Fails to maintain attention.
Les Miserables (2012): Only one worthy tune and the singing is generally awful – but the props aren\'t too bad.; DVD ~~$19.95~~ $14.95
Fall, The - Series 1 (TV Series) (2013): Gillian Anderson is top notch and anchors the series.; DVD $29.95
World's End, The (2013): You need to be a fan of Simon Pegg as he is in your face for the most part.
Not Suitable for Children (2012): Tasteless premise – could get away with being shown at midnight.
Struck by Lightning (2012): Lets hope the lightning does a better job next time.
Another Earth (2011): Thought provoking sci–fi. It may not be perfect but this is an independent movie where the crew have to multi – task. The soundtrack is intelligent and appropriate.
Birthday Girl (2002): Works best when Nicole and Ben are together without the Russkies.
Love, Marilyn (2012): Includes a lot of old ground – Marilyn in pose mode for much of the time. Don\'t know why it was necessary for today\'s stars to do the readings – must have been expensive.
Coming & Going (2011): Silly and noisy.
Get the Gringo (2012): A violent comedy – I prefer the 3 Stooges kind.
Sweeney, The (2012): Winstone the ideal casting for the part and nails it. Film let down though by including Hollywood shoot outs and a formalistic plot.
Adventures of Buckaroo Banzai - Across the Eighth Dimension (1984): Different.
Maiden Heist (2008): Perfect casting with an excellent script.
Code, The (2009): Totally routine – Morgan Freeman does his best.
Pusher (2012): Predictable plot.
Patrick (1978): It can claim to be different – it is not a clone – in my book this is important.
End of the Line (2007): Probably need to be in the mood to appreciate any differences it might have over splatter movies.
Bugsy Malone (1976): Hard not to like.
Awakening, The (2011): Classy production values. The bonus features are worthwhile back–grounding the grieving period following WW1.; Blu-Ray $19.95
Alien vs. Predator 2 - Requiem (AVPR) (2007): Special effects and noise dominate.
Jack Reacher (2012): Forgettable even if you wanted to remember in the first place.
Celeste and Jesse Forever (2011): Totally undemanding.
Resistance (2011): Promises much but fails to deliver.
Budrus (2009): The Israeli\'s lose their sense of direction in building a fence – which is understandable I guess when its in another country.
Breaking Bad - The Final Season (TV Series) (2013): High level not maintained quite to the end but at least its had a prolonged quality run.
Erin Brockovich (2000): Noisy performance from Roberts – no need for the Eckhart character – however still watchable.
Fight Club (1999): I\'m not a Norton fan so it was hard to maintain attention. The fight scenes were over the top and boring.Another batty performance from Helena was the highlight.
Dangerous Liaisons (1988): Not much happens as the story is about characters with nothing to do. Malkovich dominates as the lecher. Gorgeous props and costumes.
War / Dance (War Dance) (2007): You can\'t escape the impression that the children have been coached and their interviews staged but this barely detracts from the gut wrenching story of the villagers.
Tell Tale (2009): Interesting premise.
Man with the Iron Fists, The (2012): Routine Kung Fu actioner in costume.
Blue Streak (1999): Harmless light entertainment.
Medianeras (Sidewalls) (2011): Excellent plot development.
Banshee (TV Series) (2013): Came to rely more and more on the bedroom scenes.
Bunraku (2010): Huge body count – the violence which is distasteful at times becomes boring and detracts from the art design.
Fast and Furious (Fast and The Furious 4, The) (2009): The only thing of interest is the excellent stunt driving.
Flight of the Phoenix (2004): Quaid is awful. Some good Gobi desert shots though.
Pope Joan (2009): Good casting and very good attention to the props and details of the period.
Humpday (2009): A yuppie talkie about the important things in life if you have time for that kind of thing in the first place.; DVD $14.95
Two-Lane Blacktop (1971): Correctly paced. Oates as usual is terrific.
War of the Worlds, The (1954): A must for anyone interested in Sci–fi. The artwork and set designs are impressive.
Chrysalis (2007): Film makers have made an effort with the futuristic set designs – it is not a clone – even the many fight scenes fail to diminish the Sci–fi aspects.
Desperate Man Blues (2003): Essential viewing for USA blues/roots music. The film in itself is an important archival record whereas Bussard\'s collection is priceless.
V for Vendetta (2005): Natalie is a bit on the light side for this quality cast but as there are no great acting requirements she gets away with it. Hugo Weaving\'s mask is annoying – he doesn\'t really need one anyway.The bloodletting is amateurish.
Bruce Lee My Brother (2010): Not essential viewing – there are perfectly good documentaries available.
Big Boss, The (Fists of Fury) (1971): Might as well watch the master if Kung–Fu is on the agenda.
Blast of Silence (1961): Shot in grey New York. Wonderful location shooting in Harlem etc. Lionel Stander contributes as a great narrator. Everything would suggest it should be depressing but it isn\'t.
Marion & Geoff (TV Series) (2003): A different presentation to the normal.
American Mary (2012): The violence is not gratuitous – if you can capture the mood of the film.
S. Darko (Donnie Darko 2) (2009): A good try and certainly is not a clone of the original.
Hell and Back Again (2011): Worthy of attention among the now many films about recent American experiences.
Parental Guidance (2012): Bette and Marisa worth the watch.
To Kill a Mockingbird (1962): Pre–court scenes are best. Peck\'s best performance as it suits his method of acting (concrete post school).
Twilight (1997): Superb casting plays out a routine drama. The cast seem to respect each others space and the right to be there.
Cave of Forgotten Dreams (2010): A privilege that we have been given access to these paintings – thanks Werner.; DVD ~~$30~~ $20
Eclipse, The (2009): Worth watching if only for the excellent acting and location shooting.
Hansel and Gretel: Witch Hunters (2013): A violent fairy tale.
Won't Back Down (2012): Sincere – excellent female cast.
Mysterians, The (1957): Enjoyable.
Daredevil (2003): Director\'s cut – Some good gothic exteriors but not much else.
Scream 2 (1997): I agree.
Monster House (2006): Skillful film making and enjoyable to watch.
Somers Town (2008): A slice of life – gives the appearance of being unrehearsed and loosely scripted at times – I have no problem with that – good score.; DVD ~~$29.95~~ $19.95
Flash Gordon (1980): Impressive costumes and production visuals. Lead actors a bit weak and pushed aside by Max von Sydow and Brian Blessed with wings.; DVD ~~$15~~ $11.25
Final Destination 3 (2006): Opening segment very good – the remainders fill in time.
Falklands Collection, The (The Falklands Play, Tumbledown) (1986): Falklands – 5 stars – immaculate casting – the only criticism is that its pro thatcher when she needed the war to keep her in office. Tumbledown: 4 stars Anti – War but not an easy watch.
Season of the Witch (2011): If the actors could have kept out of it there was some nice location shooting to appreciate.
Wrestling With The Angel - Janet Frame (2004): Has great archival value.
Eight Legged Freaks (2002): Great creatures battle expendable humans.
Ironclad (2011): The costumes are good, Brian Cox is always in this kind of film but heaven\'s knows why the acting talents of Derek Jacobi are required for this.
Hills Have Eyes, The (1977): Classy in a grainy kind of way. The baddies steal the show – Egghead, Broccolihead and Sausage Nose.
Friday the 13th [Franchise] (1980-1989): Part 1 – atmospheric. Good use of musical effect.
Battle: Los Angeles (2011): No originality but plenty of noise and dramatic acting.
Appaloosa (2008): Hard to understand why it doesn\'t have any life with the casting – film maker seems to have gone out of his way to achieve realism above entertainment but the characters are boring. Full marks though for set design and props
Pink Floyd - The Story of Wish You Were Here (2012): Concentrates on Syd Barrett.
Robinson Crusoe on Mars (1964): Genuine sci–fi – don\'t believe it to be a clone. The art work and set design are impressive.
Sphere (1998): Best thing is the story but its not helped by a lot of yelling and screaming in confined places.
Five Easy Pieces (1970): Nicholson hasn\'t quite reached his I\'m bigger than the industry stage but he\'s still annoying at times. Great support performances make it worthwhile.
Hobbit, The - An Unexpected Journey (2012): Works best when Martin Freeman (great choice) is allowed to work on his own doing his hobbit thing otherwise just another action movie with make–up.; DVD ~~$19.95~~ $14.95 | Blu-Ray ~~$25~~ $18.75
War of the Worlds (2005): Very good creatures and visuals. Although Tim Robbins appears there are no acting requirements.
Professionals, The (1966): Strong cast and script.
World's Fastest Indian, The (2005): Virtuoso performance from Hopkins – without him it may not have succeeded.
Yellow Teddybears, The (Gutter Girls) (1963): A bit preachy at times perhaps but sincere and made for all the right reasons.
Ladies and Gentlemen...The Rolling Stones (1972): The sound is a bit better on Blu Ray which also has bonus footage.
Kolobos (1999): It promises more than it delivers but is better than most of its type.
Dead Zone, The (1983): A star for the story a star for the director and a star for the one who is perfect for the part.
Final Fantasy - The Spirits Within (2001): Too many action scenes which are nothing special. It is at its best when the visuals portray desolate landscapes.
Bel Ami (2012): Nothing much happens so Pattinson\'s casting is okay but its a waste of a good female cast.
Bachelorette (2012): Terrible script which relies on grubbiness and foul language for laughs.
Tortoise in Love (2012): Gentle humour linked to only slightly exaggerated characters make it work.
Tales From The Darkside: The Movie (1990): Patchy but watchable.
Incredible Shrinking Woman, The (1981): Good cast – not hilarious but passable comedy.
Two for the Money (2005): Unable to empathise with the money obsessed characters – another foul mouthed yelling performance from Pacino – I think Spacey would have handled it better.
Legend (1986): As usual Cruise is miscast but he gets a chance to show a bit of leg. The visuals are impressive.
Forbidden Planet (1956): Impressive set designs. Would be a good starting point for an appreciation of science fiction film.
Circle Of Iron (The Silent Flute) (1978): A real oddball.Has a bit of a lot of things.Cameo from Eli Wallach and Christopher Lee makes a compulsory appearance.
Defending Your Life (1991): Patchy. Slowed down by flashbacks. For it to compete with other \"heaven films\" needed to be shorter and snappier.
Sessions, The (2012): Strange subject matter – would pay to be in the mood. A poor relation to Diving Bell and Sea Inside.
Elephant (2003): Different and gets its message across in a short time frame.
Sisters in Law (2005): Excellent portrayal of these two women in ground breaking roles.
Shogun Assassin (1981): English dub but worthwhile viewing all the same. The excesses do not damage the experience.
Buzz Lightyear of Star Command - The Adventure Begins (2000): Isolates out his character. Worthwhile.
Field of Blood, The (TV Mini-Series) (2011): Realistic and low key. The period details are excellent.
Summer Coda (2010): Undemanding and generally relaxing – beautiful location shooting.; DVD $34.95
Rogue (2007): Superior crocodile movie. The visuals both natural and man made are impressive.
Red Dwarf (TV Series) - Series 8 (1999): Not particularly funny – more like American humour.
Red Dwarf (TV Series) - Series 7 (1997): Not particularly funny – more like American humour.
Red Dwarf (TV Series) - Series 6 (1993): Not particularly funny – more like American humour.
Red Dwarf (TV Series) - Series 5 (1992): Not particularly funny – more like American humour.
Quatermass and the Pit (1967): An excellent script is well portrayed on the screen.
Pete 'n' Tillie (1972): Good oddball couple – well played.
Twilight: Breaking Dawn Part 2 (2012): Kids in makeup and cloaks trying to act sinister. They could learn from observing a Christopher Walken smile. Lets hope this is the last installment.
Red Dwarf (TV Series) - Series 4 (1991): The canned laughter does its best but its not particularly funny. The characters are not irritating so it is watchable.
Red Dwarf (TV Series) - Series 3 (1989): The canned laughter does its best but its not particularly funny. The characters are not irritating so it is watchable.
Red Dwarf (TV Series) - Series 2 (1988): The canned laughter does its best but its not particularly funny. The characters are not irritating so it is watchable.
Red Dwarf (TV Series) - Series 1 (1988): The canned laughter does its best but its not particularly funny. The characters are not irritating so it is watchable.
Red Dwarf (TV Series) - The Promised Land (2020): The canned laughter does its best but its not particularly funny. The characters are not irritating so it is watchable.
Alex Cross (2012): Lacks the originality to maintain any interest by the viewer.
Take This Waltz (2011): Will appeal to non–romantics through the performance of the excellent Michelle Williams and the direction of Sarah Polley.
Deep End (1970): I am sure it will survive the test of time as a piece of social history. The only negative was the grating performance of Moulder–Brown.There is a 2010 Documentary \"Starting Out\" which is a retrospective and supplements the viewing of the film.
Fly 2, The (1989): Not too bad with impressive make up and visuals. Bonus includes documentary \"Fly Papers\" which covers the making of the various Fly films.
Cat's Eye (1985): An oddball but I won\'t criticise it for being that.
Wrecked (2010): Overwrought at times – Brody in a typical Brody part – watching the \"Making Of\" shows it wasn\'t an easy film to make on location.
Dracula (1979): Excellent opening storm scene but even with an excellent cast didn\'t really rise to the same heights afterwards.
Blott on the Landscape (TV Mini-Series) (1985): David Suchet somehow manages to steal it from a superb cast. Terrific screenplay.
What To Expect When You're Expecting (2012): I lowered the sound after the twenty sixth \"Oh My God\".
Friends with Kids (2011): Would have benefited with the help of a script. A few \"Oh My God\" take care of the comedic element.
Tourist, The (2010): Strange and unchallenging role for Depp. Nice canal shooting.
Dracula: Prince of Darkness (1965): An excellent example of how a vampire should be played.
Campaign, The (2012): A good supporting cast in Aykroyd and Lithgow helps.
You've Been Trumped (2011): File under crime.
Back of the Y - Masterpiece Television (TV Series) (2001): Deserves a star for energy.; DVD $35
Casa de mi Padre (House of My Father) (2012): Holds some interest stylistically.
Sharknado (2013): Has a couple of good scenes.
Love On A Branch Line (TV Mini-series) (1994): Has enduring appeal.Its very English. Adapted for television by the great David Nobbs (Reginald Perrin).
Innocents, The (1961): Classy in all departments.
Henry V (1944): Spot the talent in the cast. Wonderful presentation.; DVD ~~$20~~ $15
Rowing with the Wind (1988): Hugh Grant a bit irritating in this one but there is some nice location shooting.
Little Shop of Horrors (1986): A talented supporting cast ensure this musical doesn\'t go flat at any stage.
Portlandia (TV Series) (2011): Tries too hard to be funny.
Homeland - Season 1 (TV Series) (2011): This story could have been completed in an hour and a half instead of being dragged out.; DVD ~~$15~~ $11.25
We Have a Pope (Habemus Papam) (2011): Its good to see a film taking the piss out of the Vatican. A good performance as usual from Michel Piccoli.
Beetlejuice (1988): You really don\'t know whats going to happen next. Will please all ages. Great cast.; DVD ~~$20~~ $15
Devil (2010): It has its ups and downs but is better than most elevator films. The plot got unnecessarily confusing.
Shivers (They Came From Within) (1975): aka Parasite Murders. By some accounts groundbreaking at the time.; DVD $14.95
Bullitt (1968): Great San Francisco street location shooting. The bad guys are more interesting than the cops.
Knightriders (1981): Credit for being different but much too long.; DVD ~~$20~~ $15
Omega Man (1971): Hard to stuff up this kind of premise.
Revolver (Blood in the Streets) (1973): Routine but watchable.
Expresso Bongo (1960): Even if you are one of the millions who are not a Richards fan its worth a nostalgic look.
Rosebud (1975): Of interest mainly for the casting.
Under Capricorn (1949): Ingrid over acts a bit but the ship is steadied by Margaret Leighton.
Prestige, The (2006): Excellent production values but we didn\'t need the love interest.
Shawshank Redemption, The (1994): Loses a lot of its early impact by being too long. Those who are on the side of law and order are more interesting than the inmates.
Alvarez Kelly (1966): Nothing wrong with the casting and it has a reasonable plot but it doesn\'t really lift itself over most other westerns.
My Name is Khan (2010): First hour was entertaining then it followed many other films relating post 9/11 prejudices.
Arbitrage (2012): Tim Roth adds life and elevates the film from its middle class posturings.
Hugo (2011): Production values excellent.Blue Ray has a feature bonus on Melies.; DVD ~~$20~~ $15
Cinema Verite (2011): Waste of time about a waste of time.
Bullet Boy (2004): Aims for realism and mainly successful.
Shaun of the Dead (2004): This would need to be the last walking dead movie made.
Shadow Dancer (2012): Hard to follow because of the accent and at times whispering of the lines on top of a complex plot. But the tension is real and the performance of Andrea R is tops.
Thing, The (1982): The alien is impressive.
Eternal (2004): Male lead doesn\'t do anything for the film – the ladies try hard.
Nanny, The (1965): Classy horror – great cast led by Bette – the part could have been made for her.
All Quiet On the Western Front (1930): Timeless and still relevant today unfortunately.
Death Race 2000 (1975): Excellent futuristic prediction. Stallone is watchable in this one.
Kull the Conqueror (1997): Needs deep audience concentration.
Steel Dawn (1987): Good sandy location shooting.
Hot Tub Time Machine (2010): The comedy relies on bad language – not a good sign – at least in the unrated version.
Ace Attorney (2012): Miike doesn\'t know how to be boring.Different.; DVD $29.95
Killing Them Softly (2012): The film can\'t make up its mind what it wants to be. Very hard to balance violence and comedy and get it right.
Puncture (2011): Slow moving – the story should have been compellingly delivered to get its message across long before the end credits.
Legend of Hell House, The (1973): The British knew how to create an atmosphere back in the 70\'s.
Batman: The Dark Knight Rises (2012): Flat and could not maintain attention. Top acting talent pushed aside by effects.
Escape from Absolom (1994): Full marks for the prop and make up departments.; DVD ~~$15~~ $7.50
Father Came Too (1964): What a cast and Ronnie Barker is only in a supporting role.
Brain Damage (1988): Unusual.
Missionary, The (1982): The plot is not the strongest but the production values and the cast are excellent.
Love Story (A Lady Surrenders) (1944): Straight romance with little else.
Carve Her Name With Pride (1958): Take note all film heroines this is how it should be portrayed. Understated performance from Virginia based on the true story of Violette Szabo.
360 (2011): Everyone had a suit on = boring characters.; DVD $29.95
Snow Flower and the Secret Fan (2010): Moves from generation to generation and back again and within generations. Made for a western audience.Orchestral background – sappy.
Variety Lights (1950): The eccentric characterisations are apparent at the start of his directorial career.
Fightville (2011): Sad to see kids taking an interest in this.
Seems Like Old Times (1980): A younger Goldie is not as irritating as usual but just as noisy. Passable comedy moments.
Silent Night Deadly Night (1984-1987): Both films go out of their way to be nasty. If you can treat them as a comedy.
To Paris with Love (1955): Not really a vehicle for Guinness. Some good location shots.
Poseidon (2006): Acting requirements are nil.The Special Features on the Making Of etc. are more interesting.
Deep, The (1977): Underwater better than on land segments. Too long. Robert Shaw and Eli Wallach looking after the acting requirements. Great score from John Barry.
Safe (2012): The plot had promise but got lost in the endless machine gunning.
ABCs of Death, The (2012): Some of the subjects are unnecessarily grubby but as a rule they are well made.
Doors, The (1991): Much too long for Kilmer to hold this together although Meg Ryan does her best – a hard subject to dramatise in the first place and could have been left to the doco. makers.
Grave, The (1995): Much better than others of its type. Great southern soundtrack.
100 Feet (2008): Early promise but fails to maintain interest.
Diana Vreeland: The Eye Has to Travel (2011): Another fashion doco.Interviewees are arse lickers – there are no dissenting voices.Its hard to get excited about this non essential industry.
Day of the Dead (1985): Romero is a leading artist when it comes to zombie movies.
Land of the Dead (2005): A leading artist when it comes to zombie movies
Evil Dead 2 (1987): Enjoyable. An excellent \"Making Of\" which reveals how much the cast and crew also enjoyed the experience.
Help, The (2011): Too long – boring parts – covering old ground.Has the Disney feel about it unfortunately but the production values are there.
Paranormal Activity 4 (2012): The film makers have an established routine.
Autoluminescent: Rowland S. Howard (2011): Not a pretty sight.
Late Bloomers (2011): Great support cast includes Simon Callow. Interesting soundtrack.
Strength of Water, The (2009): Excellent photography.
My Brother the Devil (2012): Some good scenes – accented dialogue hard to follow, needs subtitles – plot doesn\'t last the distance and has a Hollywood ending.
Attack of the Giant Leeches (1959): Classy B offering.
Invaders from Mars (1986): Enjoyable – good to see Karen Black and Louise Fletcher together.; DVD ~~$20~~ $15
Mum and Dad (2008): A bit better than most of this type with a good performance from the main psycho.
King Solomon's Mines (1937): Solid – pretty close to being a true adaptation. Robeson sings.
Shut Up Little Man! An Audio Misadventure (2011): Different – but I can\'t escape the feeling that somebody got ripped off.; DVD $29.95
Death of a Superhero (2011): Thomas B–S does a good job but the scene stealing is the graphic art.
Killing, The (TV Series, US) (2011): Gave S1. away pretty early. Slugged through S3. but same problem – why is it so drawn out? Not for the viewers benefit – it borders on a soap at times – watch \"Shadow Line\" for gripping complex intensity.
Imposter, The (2012): Well put together as a doc–drama. Supported by a \"Behind the Scenes\" feature which helps.
Battlefield Earth (2000): The acting not up to much and story line a bit familiar but the visuals and make up make it entertaining.
Psych-Out (1968): Nicholson annoying but not to the extent of later years when he became too big for the screen. Compulsory casting of Stockwell and Dern.
Spiderwick Chronicles, The (2008): Male kids are annoying and all are noisy but the creatures and visuals make up for it.
Night of the Eagle (Burn, Witch, Burn) (1962): British horror from this period are very adapt at creating the right atmosphere.
Hobo with a Shotgun (2011): The cast seem to have enjoyed making it.
Lost Skeleton of Cadavra, The (2001): Better than a spoof – able to be judged on its own merits.
Necronomicon (1993): Interesting but not overpowering.
Way, The (2010): The journey and the scenery was ruined by innate chatter by the characters.
Robot and Frank (Robot & Frank) (2012): Great cast headed by the always watchable Frank Langella but the film disappoints overall.
Witches of Eastwick (1987): Uneven but never boring – good female cast.
Grabbers (2012): Gorgeous Irish scenery – worthy horror/comedy – the cast enjoyed making it.
Ransom (1996): Better than a lot of kids being kidnapped films – Gary Sinise as usual worth a watch.
Son of Rambow (2007): Very light but the kids are bearable.
Rock of Ages (2012): Recycled story – some good music at times – Alec Baldwin okay.
Repo! The Genetic Opera (2008): The music is flat but the film makes up for it in other areas.
Cold Sweat (De La Part Des Copains) (1970): Bit better than formalistic.
Ambushers, The (1967): Dated but harmless.
Ira & Abby (2006): A talky where nothing happens – occasional hint at humour.
Gene Simmons: Family Jewels (TV Series) (2006): Season 1 – Not sure why this was made but presumably there is a fan club somewhere. It has an underlying grubbiness.
We Need to Talk About Kevin (2011): Strong screenplay – interesting soundtrack – good acting from the child actors – Tilda Swinton is on camera for the majority of the time and gives a tour de force performance.
Taste of Money, The (2012): Not a strong plot but the characters make it interesting.; DVD ~~$29.95~~ $14.95
Animatrix, The (2003): The stronger episodes are worth the watch.
Big Picture, The (2010): Weak story line has little challenge for Duris.
Premium Rush (2012): Seems to be a desperation in the search for material to make a film at any cost.
Phantom Planet, The (1961): A good and worthy example of its genre.
Tommy Boy (1995): Farley is better than most at this type of humour.
Cinderfella (1960): Watch the solo Lewis sketches – he hasn\'t been able to be copied – Jim Carrey has tried and failed.
Of Gods and Men (2010): Takes its time and doesn\'t ram a religious message down your throat.
Compliance (2012): Lacks credibility but the acting by the two female leads is good.
New Statesman, The (TV Series) (1987-1991): Series 1 & 2 & special: Much of the political satire is still relevant today – the Tory twits are still with us.
This Happy Breed (1944): Easy on the eye cinematography from Ronald Neame.
O.H.M.S (You're in the Army Now) (1937): First half of the film with British locations the better – good turn from Wallace Ford.
Le Samourai (The Samurai) (1967): Minimal dialogue – other Directors please take note. The colours used by the cinematographer are easy on the eye.
Café de Flore (2011): A moving story – excellent acting.; DVD $14.95
Last Days Here (2011): Doco. doesn\'t include a great deal of music – more a grueling bio. of Bobby Liebling.
Breaking Bad - Season 5 (TV Series) (2012): Unusual for a season 5 to be of such a high standard.
Bletchley Circle, The (TV Series) (2012): Classy – excellent props – intelligent script.
Mirror Mirror (2012): Light.
Don't Wait Up (TV Series) (1983): Series 1 – Watchable for nostalgic reasons.; DVD $29.95
Big Bang Theory, The (TV Series) (2007): Season 5 – Needs a script writer.
Great Macarthy, The (1975): If you wanted a typical Aussie film ex the 70\'s then this would be it.
Come Back, Little Sheba (1952): An actor\'s film and they don\'t disappoint.
Funny Ha Ha (2002): An indie talkie that needs patience. Will watch again another time.
My Wedding and Other Secrets (2011): Inoffensive and undemanding.; DVD ~~$19.95~~ $14.95
Five Children and It (2004): Other than one of the boy kids being irritating – good all round entertainment.
How to Meet Girls from a Distance (2012): Not funny but manages not to be annoying which is an achievement.
Dr. Quinn Medicine Woman (TV Series) (1993-1998): Season 1 – Jane Seymour is a rock. Episodes are of a consistent standard.; DVD $59.95, $59.95, $59.95, $69.95
Suskind (2012): Would have been better served by a documentary. Crappy ending.
Moulin Rouge (2001): McGregor\'s singing is forced but there is movement aplenty throughout the film. Jim Broadbent looks after the acting and the comedy and is always worth a star.
Holy Roller, The (2010): Inoffensive.
Most Fun You Can Have Dying, The (2012): Not enough there to hold attention.
Love Story (2010): 1st viewing was a bit irritating – might be better after a second look.; DVD ~~$19.95~~ $14.95
Nights in the Gardens of Spain (Kawa) (2010): Covers old ground and would have been better if it had been made twenty years ago.; DVD ~~$19.95~~ $14.95
Bourne Legacy, The (2012): Renner is too lightweight to carry this off and Norton is annoying as usual.
Three Stooges, The (2012): Its done very well to capture the physical comedy of the originals – it might tempt younger viewers to look at the real thing.
Timeline (2003): Another case of action at any cost which interferes with SF and doesn\'t give an interesting cast a chance.
Mamma Mia! (2008): Story is crap. Julie Walters is wasted. Hard to dislike.
Army of Darkness (Evil Dead 3) (1992): Doesn\'t take itself seriously and is all the better for it.
Act of Valour (2012): Action word "NOW" is used a lot – but don't bother watching it now.
Ballad of Cable Hogue, The (1970): Great cast of american character actors – they could never be boring.
Third Rock From The Sun (TV Series) (3rd Rock From The Sun) (1996-2001): Season 6 – the material is weak – presumably the earlier series were funny – bizarrely John Cleese appears in an episode (to little effect.) The canned laughter tries its best.
This is Roller Derby (2013): Some interesting but brief history back to the 50\'s but then one brawl begins to look like the last and the next brawl.
Good for Nothing (2012): Great scenery.
Wrath of the Titans (2012): A special effects film that employs an excellent cast.
Unconditional Love (2002): Excellent cast with Kathy Bates terrific as usual. Story doesn\'t last the distance but the film doesn\'t take itself too seriously.
Wedlock (1991): Starts off okay but then falls into a predictable formula.
Black & White & Sex (2012): Different.
Imaginarium of Doctor Parnassus, The (2009): Because the visual effects scenes are so good it makes the "normal" life scenes a bit flat at times – but these still feature Christopher Plummer and Tom Waits.
Spud (2010): Can\'t free itself from a schoolboy script. However if the DVD has the bonus of the Q+A with John Cleese then get it.
Fat Albert and the Cosby Kids (TV Series) (1972-1984): There is a message for the kids in every episode.
Devil's Rock, The (2011): Failed to maintain interest.
Lassie (2005): Superior version. Excellent props and high production values.
Land of the Lost (TV Series) (1974): Series 3: Has a strange appeal.
Hunky Dory (2011): Patchy but Minnie holds it together.
Hick (2011): Juliette Lewis is the main draw card but only appears briefly.
I, Anna (2012): Rampling always worth watching but the story ends up in familiar territory.
Here (2011): Great road film but we didn't need the romantic bits – male a bit of a wimp.
Wild Bill (2011): Great casting – C–Miles excellent – overall performances great with Serkis scene stealing. Believable scenario with realistic characters.; Blu-Ray $34.95
Nitro Circus: The Movie (2012): Fails to maintain interest.
My Friend Flicka (1945): Has been copied many times.
Magician, The (The Face) (1958): Most scenes seem to be shot in half light which helps to keep the mood dark.
10,000 B.C. (2008): Harmless.
Hail (2011): Impressive – a film about real people without the glamour.; DVD $29.95
Gerry (2002): Great use of camera panning, sound and silence. Arthouse. Different.
Phantom, The (1996): Entertaining enough.
Alf (TV Series) (1986): Season 1 – Maintains a consistent standard from start to finish.
Spanish Fly (1976): Its worth it just to hear Terry–Thomas say \"you\'re a complete shower\".
Last Ocean, The (2012): Compulsory viewing for all New Zealanders and particularly those responsible for this disgraceful situation.
Fresh Meat (2012): Doesn\'t take itself too seriously – the horror won\'t shock today\'s audiences.
Thieves, The (2012): Starts of well but the photogenic cast fail to maintain interest over two hours with a familiar story line.
Goon (2011): Can\'t work out a reason for making this film unless it was to promote the sport.
Russian Snark (2010): Has some original and refreshing features.
Contact (1997): Has some excellent moments but the film can\'t ultimately escape being dragged down by religious bigotry. If it got rid of the McConaughey character it would be the better for it.
Toast (2010): Another cooking film but Helena keeps it interesting.
Hit & Run (2012): Fails to hold attention.
Resident Evil: Retribution (2012): There is gunfire every eighty one seconds.
Windom's Way (1957): Very solid – excellent screenplay.
Aftershock (2010): Over dramatic and suffers from the hollywoods.
Blood of a Poet (1930): Hard work.
Ten Empty (2007): Solid – not an easy watch.
Single Father (TV Series) (2010): Irritating kids don\'t help.
Man on the Eiffel Tower, The (1949): Charles Laughton to the fore in a quality story from a crime master.
Sherlock Holmes in New York (1976): Interesting scenario with a good cast.
Excision (2012): McCord is terrific. The impressive thing is that nothing is overdone (e.g. realistic body count) which is unusual for a horror film.
Mommie Dearest (1981): Much wailing and gnashing of teeth – best viewed as a comedy.
Mon Oncle D'Amerique (My American Uncle) (1980): Putting together the individual story lines whilst still making it interesting is successful.
Quiller Memorandum, The (1966): Classy supporting actors, script and theme tune.
John Carter (2012): Saved to some extent by its special effects.
Shoebox Zoo (TV Series) (2004): A BBC production – should be watchable by all ages.
Troll Hunter (2010): A nature / wildlife documentary back–dropped by beautiful Norwegian scenery.
Age of Reason, The (With Love... from the Age of Reason) (2010): Sophie holds the film together – hard to dislike.
Swimming with Sharks (Buddy Factor, The) (1995): The film can be divided into two – those scenes with Spacey in and those without.
Lost Bladesman, The (2011): Formalistic.
Warlords, The (Tau ming chong) (2007): Formalistic Asian slaughter film.
Hotere (2001): Whilst his painting is abstract his talent for making use of recyclable material is very evident in his home.
Pledge, The (2000): Excellent cast. Penn should stay behind the camera.
About Schmidt (2002): Understated performance from Nicholson for a change – good support from Kathy Bates.
Blackout (TV Mini-Series) (2012): It rains in most scenes – intense.
Greenberg (2010): An american talkie. There was nothing to empathise in stiller\'s character at least as depicted by him.
Arthur Christmas (2011): For everyone.
Adventures of Sherlock Holmes' Smarter Brother, The (1975): Marty Feldman as usual steals the show fighting off a determined but underused Roy Kinnear.
Race for the Yankee Zephyr (1981): Has the great Donald Pleasence.
Call Northside 777 (1948): Needs more of the great black and white location shooting and less of the god like stewart who plays another hero – this time an obnoxious reporter.
She'll Be Wearing Pink Pyjamas (1984): Walters could never be boring.
Snow White and the Huntsman (2012): Despite an excellent supporting cast it fails to hold attention. Another violent fairy tale.
Opal Dream (2005): Male kid a bit irritating but worth a watch.
Rebellion (2011): Low key – emphasis on realism.
King of Thorn (2009): Complicated plot as verified in interview with Director – should be able to be watched more than once.
Swerve (2011): Doesn\'t maintain its initial promise in the story department.
Smiley (1956): Classic family film – timeless.
Space Thing (1968): Hard to dislike.
Ghost Whisperer (TV Series) (2005): Season 1 – each episode has that copy and paste feel about it.
Brain from Planet Arous (1957): Unfortunately they don\'t make them like this anymore.
Smash His Camera (2010): The portraiture is fine is just that you wish he\'d spent his time photographing more worthy subjects.
This Must Be the Place (2011): Great soundtrack and cameos from Francis McD and Harry DS – the pace of the film also worthy of mention.
A Dangerous Method (2011): The props and costumes are superb but why waste them on a romance when there are more important things at hand.
Haywire (2011): Go girl!
Rabbit Proof Fence (2002): A tragedy that needs to be told.
Teeth (2007): It works – the hardest genre to work in – black comedy.
In Bruges (2008): It works – the hardest genre to work in – black comedy.
Anything for Her (Pour Elle) (2008): Okay but the plot becomes less believable as the film progresses.
Dust Bowl, The (2012): Superb documentary maker.
Ghost Rider: Spirit Of Vengeance (2011): Less action and more concentration on the story would have been better.
Don't Bother to Knock (1952): Doesn\'t quite work.
To Be or Not to Be (1983): Not one of Mel\'s strongest efforts but he\'s one of the few in that part of the world that has a grasp of comedy.
Free Samples (2012): Appealing performance from Jess W. Not overdone but kept to the correct length for a simple premise – commercial cinema take note.
Five-Year Engagement, The (2012): Dreadful script. Emily needs to escape from this kind of crap.
Journey 2: The Mysterious Island (2012): Michael Caine and the special effects are okay but the teen dickhead is irritating.
Gone (2012): Routine and fails to hold attention.
Higher Ground (2011): Needs patience and an interest in the subject matter.
Dictator, The (2012): Ben Kingsley is in the support cast.
Below (2002): Suspense effects overdone at times as they come automatically with any submarine story.
Alice's Adventures in Wonderland (1972): Identify the stellar cast in full costume. Spike is quickly revealed even though he\'s lurking silently in the background & then proceeds to steal the show.
50/50 (2011): JG–L does his best with this tired scenario
Big Easy, The (1987): At its best when the story and the actors are put to one side and the Cajun musicians are given centre stage.
Mother of Tears (La Terza Madre) (2007): Just about covers every aspect of the horror genre.
Clan of the Cave Bear, The (1986): At least its different.
Amazing Spider-Man, The (2012): Flat and long.
Jacknife (1989): Very good from the three leads De Niro, Harris and Kathy Baker.
A Cat in Paris (Une Vie De Chat) (2010): Short and to the point.
Life In A Day (2011): Don\'t think it will be of great value as an historical work. Fails to maintain interest at times. Compulsory slaughter of animal scene.
All of Me (1984): Lily Tomlin is always worth a watch.
Driving Miss Daisy (1989): Static – an actor\'s picture.
Salute of the Jugger (1989): Aka \"Blood of Heroes\" – routine.
No Retreat No Surrender (1, 2 & 3) (1985): Routine.
Total Recall (2012): Interesting story suffers because of the surfeit of action sequences. At its best during the Blade Runner street scenes.
Royal, The (TV Series) (2003): Good mixture of drama, soap and comedy led by Bill Maynard. Back–grounded by some good pop music.
Beginners (2011): Nothing happens but Christopher Plummer makes it worthwhile.
Surviving Picasso (1997): Hopkins enjoys himself – other cast not given the chance to compete with him especially Joan and Joss with only small parts. Story concentrates on his womanising and we are largely spared the crap about the abstract being art.
Mrs. Brown's Boys (TV Series) (2011): Swearing shouldn\'t be necessary in comedy. Canned laughter – the script writer (self inflicted) shouldn\'t have to compete with this unnecessary noise – it distracts from any comedic moments.Main character influenced by the great Les Dawson.
Pride and the Passion, The (1957): Sinatra uses a funny voice but on the positive side we are spared his singing.
Little White Lies (Les petits mouchoirs) (2010): When the characters spend half the film kissing everyone else there is not much hope.
Pacific, The (TV Series) (2010): Boring.
Albert Nobbs (2011): Terrific props. The film dies when Pauline Collins is not in the scene although Janet McTeer again impressive.
Band of Brothers (TV Series) (2001): No treatment in depth. Some good bits but it wouldn\'t matter if you missed an occasional couple of hours every now and then.
Face of Fu Manchu (1965): A straight forward no nonsense suspense film with nostalgic location shooting.
Nest, The (Nid de Guêpes) (2002): Couldn\'t follow who was who – who were the baddies or goodies? – plenty of shooting.
Red Riding Hood (1989): An oddity.
Paris 36 (Faubourg 36) (2008): Made for American audiences.
Sky Crawlers, The (2008): It was hard to distinguish the characters physically – even gender – but this might have been deliberate. Impressive action visuals and good story.
George W. Bushisms (2004): The pathetic thing was that Bush was applauded by his cronies every time he stuffed up.
Imagine Me and You (2005): Inconsequential – for yuppies.
Jig (2011): I did myself an injury just watching it.
Booth At The End, The (2011): A good example of a sedentary occupation.
Wagner and Me (Stephen Fry Wagner & Me) (2010): Intelligent.
London River (2009): A dignified performance from Kouyate.
Dead Europe (2012): Its hard to stay with it – it tries hard to make you feel depressed.
Element of Crime, The (1984): Hard work but refreshingly different.
Appropriate Adult (TV Mini-series) (2011): Compelling.
Pickup On South Street (1953): Solid. Great performance from Thelma Ritter.
Bobo, The (1967): Not his strongest vehicle doing his Gunga Din impersonation which he perfected in \"The Party\" the following year. Hattie has a part but is underused as is Kenneth Griffith.
Midnight in Paris (2011): Great photography especially in the opening scenes until wilson\'s nose blocks the screen.
Desert Flower (2009): Uneven story telling – but a story that needed to be told. Great support from Juliet Stevenson and Timothy Spall with Sally Hawkins stealing every scene she\'s in.
Bully (2011): This documentary should give impetus to reducing this widespread age old problem.
Avengers, The (Marvel's Avengers) (2012): Boring and formalistic.
Scrubs (TV Series) (2001): Season 1: Tries hard but there is only one Dennis Potter.
Madagascar 3: Europe's Most Wanted (2012): Recommended.
Good Die Young, The (1954): Doesn\'t quite work but the great cast worth a look.
Freddie Mercury - The Great Pretender (2012): Familiar story.
Here to Stay (TV Series) (2007): Series 1: Strong Chinese episode.; DVD ~~$19.95~~ $14.95, ~~$19.95~~ $14.95
Face to Face (2011): An actor\'s film.
Rise and Fall (Jew Suss) (2010): Made for an American audience.
Great St Louis Bank Robbery, The (1959): No frills.
Ides of March, The (2011): A talkie.
Rango (2011): Familiar story but the visuals are impressive.
One for the Money (2012): Failed to attract attention.
Big Miracle (2012): Would have been made for the right reasons.
World on a Wire (1973): There are two very good back grounding documentaries on the DVD. The film has many of Fassbinder\'s regulars and other interesting castings. The music is bizarre.
21 Jump Street (2012): Don\'t know why they bother.
Battle For Haditha (2007): Made for the right reasons.
On the Road (2012): Captures the seediness of the period well but not helped by actors mumbling their lines; DVD $14.95
Cool It (2010): Worth a listen.
Miss Bala (2011): Some tension.
Jarhead (2005): Some good moments – 2nd viewing not as good as the first – good soundtrack.
Bernie (2011): Beautifully photographed. Small town america steals the show.; DVD $14.95 | Blu-Ray ~~$19.95~~ $10
Inglourious Basterds (Inglorious Bastards) (2009): A remake.
Avatar (2009): Not a Cameron fan but the special effects are impressive if expensive – propose to watch on Blu–Ray.
King's Speech, The (2010): Memorable opening b/w scene.
Iron Sky (2012): The spoof doesn\'t work but the visual effects are impressive.
Hancock's Half Hour (1957-1961): Excellent script writers – its not just comedy but social commentary. Hancock\'s timing is superb. Always has an excellent support cast.
If a Tree Falls (2011): Arseholes.
This Means War (2012): Waste.
Rum Diary, The (2011): Doesn\'t work.
Star Trek - Generations (1995): Another solid offering from the series.
Our Idiot Brother (2011): Waste of a good female cast.
Route 66 Marathon Tour - Chicago to LA (2005): Interviewees becomes indistinguishable from each other – all have the same monotone & baseball cap. On the other hand there is some good social history.
Haunted Strangler, The (1957): Aka \"Grip of the Strangler\". – Solid.
Battlestar Galactica (1978): Has some historical aspects for those interested in the genre.
Lesbian Vampire Killers (2009): Better than most lesbian vampire killer movies.
Evening (2007): Vanessa lies on her death bed the whole film but still takes a great female cast to the cleaners.
Girl with the Dragon Tattoo, The (2011): If you need to watch this version don\'t see the original first.
Battleship (2012): Special effects actioner.
Dad's Army (TV Series) (1968-1977): Complete Collection – admire – most projects can\'t maintain the initial standard into a second series whereas this achieves it through to series 9 – great writing /characters & character actors. Timeless.
Puberty Blues (1981): Because of the amateur casting there are no posturing distractions. The film seen today can be appreciated as a time capsule.
Sherlock Holmes 2: A Game of Shadows (2011): Didn\'t realise that SH could be so violent.
Woody Allen - A Documentary (2012): Made for allen fans by allen fans. The extra star is for Diane Keaton and Mia Farrow whom I always felt sorry for.
Sitter, The (2011): The extra star is for its shortness.
Chasing Madoff (2010): 60 mins. would have covered it as the scenario is all too familiar.
Journey to the Centre of the Earth (1959): Great entertainment – a strong fantasy.
Big Year, The (2011): Why try and make it into a \"comedy\"?
Torchwood (TV Series) (Children of Earth; Miracle Day) (2006-2011): Children of the Earth – the Sci–Fi takes precedence.rnMiracle Day – not quite as good as it doesn\'t have the British casting of C of E.
Marina Abramovic: The Artist is Present (2012): Nothing happens but you will be moved.
Himizu (2011): Strange and different.
Girls in Prison (1956): Bit preachy at times.
Searching for the Wrong-Eyed Jesus (2005): Relaxing.
Outcast (2010): James Nesbitt has plenty of opportunity to put on the stare.
Martha Marcy May Marlene (2011): Found the first viewing a bit confusing – a positive sign.
Grand Theft Parsons (2003): Interesting and undemanding.
Like Crazy (2011): Nothing happens but its well done.
Triangle Wars (2011): Familiar story – little guys taking on the greedy bastards.
Extraordinary Adventures of Adele Blanc-Sec, The (Adèle Blanc-Sec) (2010): Indiana Jones is boring, this is the real thing. Great lead performance – great make up to bring the mummies to life.
A Film Unfinished (2010): Interesting to a point.
Savage Honeymoon (2000): A lot of yelling and shouting – dramatic.
Amreeka (2009): An effective way to show up western bigotry. Great lead performance.
Vow, The (2012): Don\'t know what this was about if anything.
Man on a Ledge (2012): Fails to maintain attention.
Last Train to Freo (2006): An actor\'s film.; DVD $34.95
Look Both Ways (2005): Intelligent.
Star Trek - Insurrection (1999): Solid.
Wilby Wonderful (2004): Another good little america movie from Canada.
Strigoi (2011): Doesn\'t quite deliver on the strong start.
Till Human Voices Wake Us (2001): First section pre–Pearce the best but some beautiful location shooting throughout.
Visioneers (2008): A good attempt at something different.
Darling Lili (1970): Well made but it could have been shorter if some of the unnecessary romance was cut out.
When Worlds Collide (1951): In the 50\'s they made proper Sci–fi. films.; Blu-Ray $34.95
Devil Inside, The (2012): Another exorcism film.
Wunderkinder (2011): Should appeal to American audiences – has a touch of the Hollywoods.
That's My Boy (2012): Puerile.
Mosaic (Stan Lee presents Mosaic) (2007): Good story.
American Pie: Reunion (American Reunion) (2012): Infantile.
A Bunch of Amateurs (2008): Its always an interesting comparison when Hollywood meets the cream of British acting talent.
Love Live Long (2008): Even though nothing happens Figgis is adept at creating an atmosphere.
Soapdish (1991): Everyone is yelling.
I Inside, The (2003): Sarah Polley is always worth a watch even if you can\'t follow the plot.
Star Trek - First Contact (1996): James Cromwell is in it – if you can find him among the special effects.
Flemish Farm, The (1943): Solid except we didn\'t need the romance.
Chronicle (2012): Some good bits despite the annoying hand held camera and Jackass scenarios.
First Men in the Moon (H. G. Wells' First Men in the Moon) (1964): Timeless special effects. Lionel Jeffries is the icing on the cake. Good to see Britain was first to the moon.
Citizen Kane (1941): Fails to hold attention.
Killer Elite (2011): Fails to hold attention.
Don't Be Afraid of the Dark (2010): Nothing new here.
Keith (2008): Characters and the story lack depth.
Blindness (2008): An interesting and different scenario.
Street With No Name, The (1948): Solid.
Teenagers from Outer Space (the Gargon Terror) (1959): Maltin doesn\'t like it (who cares) but it has some classic moments.
Guitar, The (2008): Strong performance from Saffron – the make up department would have had its work cut out to make her look gaunt and ill.
Good Life, The (2007): Sincere story and well acted.
Chernobyl Diaries (2012): Impressive use of locations.
Bark! (2002): Tries to be different.
Newcastle (2008): Predictable with the required juvenile script and situations.
Your Sister's Sister (2011): If you want to waste time watching a film about people wasting their time then this film is for you. Juvenile script. What's Emily doing in this?
V/H/S (VHS) (2012): Hand held camera annoying. 1 scary bit.
Kiss of Death (1947): Everyone wears a hat.
Listening, The (2006): Keeps above the routine level.
Beast from 20,000 Fathoms, The (1953): Classic.
Them! (1954): Classic.
Bonjour Timothy (1996): Likeable.
Pirates!, The - Band of Misfits (2012): Aardman have their own style.
Uncle Boonmee Who Can Recall His Past Lives (2010): Languid, spiritual, different – a lovely change from western cinema.
Wanderlust (2012): Don\'t know why they bothered.
Just Add Water (2008): Off beat comedy is hard to do – makes a good fist of it.
Imaginary Heroes (2004): Doesn\'t last the distance but Sigourney is always worth watching.
Art and Copy (2009): We\'re told by the interviewees that they are creative people – they can\'t resist selling their trade to the film makers – beside the bullshit its still worth a watch.
Afterschool (2008): Good enough to be selected for Cannes.
Ferry to Hong Kong (1959): Good interaction between Welles and Jurgens.
Classic Albums - The Who (Who's Next?) (1997): Great series
Garden of Evil (1954): Usual Hollywood scenario of beautiful woman out west and the love interest but some beautiful location shooting.
Boogie Woogie (2009): The strong cast make the grubby characters watchable.
Role Models (2008): The dialogue is unrefined – which is okay if you have a Billy Connolly.
Fantastic Fear of Everything, A (2012): Doesn\'t quite work.
How I Won the War (1967): Its got Roy Kinnear in it with the wonderful Michael Hordern.; DVD ~~$20~~ $15
King is Dead!, The (2012): Funny in an Aussie kind of way.
Dolphin Tale (2011): Uplifting.
Men in Black 3 (2012): At its best when the special effects take over.
Young Adult (2011): Charlize choses another unflattering role.
Black Balloon, The (2008): Handled very well. Toni Collette as usual is terrific.
All the Real Girls (2003): Better than most yuppies looking to fill in the day feeling sorry for themselves films.
I.Q. (1995): The leads work well off each other.
Zozo (2005): Effective way of portraying the tragedy of Lebanon. Complemented by unobtrusive soundtrack.
Last Starfighter, The (1984): Light.
Adrift in Manhattan (2007): A restrained American talkie.
Prometheus (2012): The special effects overwhelm the characters – never seen Charlize with so little to do – other than use a flame thrower.
Evil Dead, The (1981): Enjoy.
Harry Potter and the Philosopher's Stone (2001): A tour De force from Alan Rickman with Maggie Smith and Richard Griffiths the icing on the cake.The kids are good thank god.
Curse of the Fly (1965): Solid black and white and British.
It Came from Outer Space (1953): From a period when they made proper sci–fi. films.
Molly Maguires, The (1970): Great props and a good Brit.cast
Pallet On the Floor (1986): The alcoholic was a bit irritating but a good slice of life from the 80\'s.
Paris Blues (1961): Flat but some good outside shots.
High Anxiety (1977): Patchy but deserves to been seen.
New Year's Eve (2011): Not a typical Hilary Swank film – what\'s she doing in this?
A Bell For Adano (1945): Didn\'t need the inevitable love interest.
Back Door to Hell (1964): Short and to the point.
Looper (2012): Idea okay but the sci–fi diluted by the reliance on violence.; DVD ~~$20~~ $15
Watch, The (2012): Not really sci–fi but watchable.
I Wish (2011): Japanese do these films very well – simple story simply told.
Machine Gun Preacher (2011): Fails to hold attention.
Blackthorn (2011): Nice scenery.
Wild Grass (Les Herbes Folles) (2008): Simple story told in an unusual way.
Resurrection Man (1997): Excellent Irish cast – violent.
Joyful Noise (2012): For gospel fans.
Gentle Gunman, The (1952): Some good outside location shooting.
Operation Amsterdam (1959): Some good outside location shooting.
Dexter (TV Series) (2006): Season 1 – There is not enough to sustain a viewing beyond the first episode never mind a whole Season.
Orchestra Rehearsal, The (1978): Absurd.
Horseman, The (2008): Good acting from McMurray but the revenge scenes become more and more of the same.
List Of Adrian Messenger, The (1963): Covers a wide spectrum of British society – the working class scenes are nostalgic.
Appointment with Venus (1951): Good mixture of comedy and drama.
King of New York (1990): Story line doesn\'t last the distance but Walken is close to top form.
Judy Moody and the Not Bummer Summer (2011): The kids are not obnoxious – its well done.
Descendants, The (2011): Well handled and acted.
Silver Fleet, The (1943): Solid.
That Riviera Touch (1966): Timeless duo.
Magnificent Two, The (1967): Silly but who cares with this pairing.
Texas Killing Fields (2011): Uneven – shows promise then stuffs it up with flashy editing making the storyline unnecessarily hard to follow at times.Hollywood ending but soundtrack on end credits worthwhile.
We Dive at Dawn (1943): A realistic war film.
Seeker, The - The Dark is Rising (2007): Nothing new but watchable.
What Doesn't Kill You (2008): Patchy but some good scenes.
Bush Christmas (1983): Kids adventure tale.
Over the Edge (1979): Should stand the test of time.
Red (2008): Routine story but well handled by Brian Cox.
Margaret Mahy: A Tall Long Faced Tale (2008): Refreshing – no ego.
Final Destination 5 (2011): More of the same.
Wallander (TV Series) (2005): Repetitive.; DVD $44.95
Shameless (TV Series, US) (2011): Would benefit from being toned down a bit.
Lemmy (2010): nothing special.
Double, The (2011): Formulistic.
Dog Pound (2010): Well done but not original enough.
Produced By George Martin (2012): His background in comedy recordings will be of interest to anyone who likes Peter Sellars and other British comedy of that era.
I Don't Know How She Does It (2011): An \"Oh My God\" comedy.
Hugh & Heke (Hugh and Heke) (2010): Enjoyable.
We're Here to Help (2007): Nicely put over.; DVD ~~$24.95~~ $18.70
Straw Dogs (2011): Couldn\'t detect any improvements in the remake.
Moonrise Kingdom (2012): Doesn\'t quite work but it is different and pleasing to look at.
Kickboxer (1989): Unpredictable.; DVD $19.95
A.I. Artificial Intelligence (2001): The snot detracts from the film which in itself is uneven. On the positive side is a good story line. The street scenes seem to be influenced by \"Blade Runner\".One of Spielberg\'s better efforts.
Warrior (2011): Starts off okay – Tom Hardy looks the part – but the story line gets an attack of the Rockys.
Somersault (2004): A directorial debut to be proud of. Abbie Cornish is terrific as the lead.
War Horse (2011): Good production values but the story suffers from an attack of the Hollywoods.
Burning Man (2011): Incapable of completing a scene through flashy editing makes the story unnecessarily complicated. Talent of Kerry Fox and Rachel Griffiths criminally underused.
We Bought a Zoo (2011): Male kid does his best to ruin it but Matt gets it through.
Three Blind Mice (2008): Comes across as if it was written as a play.
Contagion (2011): Flat but Kate Winslet is worth watching in another \"gets her hands dirty\" performance.
Trespass (2011): Whats Nicole doing?
200 Motels (1971): Zany.
Lost, The (2005): Great character depiction and an even better soundtrack.
Godfather, The (1972): Classic.; DVD $19.95
Godfather Part 2, The (1974): Even improves on the excellent part 1.
Quadrophenia (1979): A time capsule.
Meaning of Life, The (Monty Python's Meaning of Life) (1983): Timeless.
Back to the Future (1985): Christopher Lloyd steals it.
Bodyguard, The (1992): Another Costner vehicle that exceeds 2hrs.
Forrest Gump (1994): Boring – it deserves its oscar.
Borat (Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan) (2006): Stomach turning.
Darjeeling Limited, The (2007): I\'m not a Wilson fan but film is different enough to warrant a watch.
Art of Getting By, The (2011): Shallow characters.
Decoy Bride (2011): Kelly is always worth a watch.
Cleopatra (1963): Although it won 4 oscars its not that bad. Watch the documentary \"Cleopatra: The Film that Changed Hollywood\".; DVD ~~$24.95~~ $18.70
49th Parallel (1941): Aka \"The Invaders\". Very solid story telling from a top director. Excellent performance from Eric Portman.
International, The (2009): Bit of a comedown for the Director but the underlying message of the film is worthy of a look.
Attack the Block (2011): Not original but in this case who cares.
Sons for the Return Home (1979): Gets its message across in a low key and simple way.
23 Paces To Baker Street (1956): Great British supporting cast.
Four Minute Mile, The (1988): Worthy record of the event.
OC, The (TV Series) - Season 1 (2003-2004): The heartbreaking situations are hard to bear.
Shirin (2008): AKA \"My Sweet Shirin\". Different. Beautiful use of light and shadow.
Underworld: Awakening (2012): More of the same.
Blue State (2007): Fails to hold attention.
Tim (1979): Good supporting actors.
City Heat (1984): Inconsequential but harmless.
Jack and Jill (2011): Chronic.
Tremors (1990): Doesn\'t take itself seriously – special effects effective.
Honkytonk Man (1982): Long. Matt Clark is in the supporting cast.
Not Quite Hollywood (2007): You\'ll find yourself collecting cult Aussie films.
Paris: The Luminous Years (2010): Contains important historical film.
Client 9: The Rise and Fall of Eliot Spitzer (2010): Good exposure documentary.
Tall Man, The (2011): Arseholes.
Life in Movement (2011): You slowly get drawn into the story.
Whistleblower, The (2010): Based on fact.
Pina (2011): Took a while to warm to this film but it leaves an impression which is more than can be said for most films. Should be even better after a second watch.
Mission: Impossible - Ghost Protocol (Mission Impossible 4) (2012): Cruise as Producer = casting as heroic leading man. Also gets to take his shirt off – don\'t know why.
Big Night, The (1951): Young Barrymore weak.
Faces in the Crowd (2011): Promising at times.
Happy Thank You More Please (2010): Don\'t know what this was about – if anything.
Journey From the Fall (2006): Tragedy of the Vietnamese people.
British Isles: A Natural History (TV Mini-series) (2004): BBC quality documentary.Excellent transfer of knowledge.
Great Escape, The (1963): The prisoners are portrayed as well dressed which doesn\'t seem authentic – but the camp was more civilised than those operated by the Gestapo or Japanese. Watch the bonus feature edition which has excellent interviews and historical film.
Classic Albums - Tom Petty And The Heartbreakers (Damn The Torpedoes) (2010): Excellent series continues.
From Dusk Till Dawn (1996): 51 zombies too many. Clooney appears uncomfortable in his acting & must have improved after this film.Last scene by far the best.; DVD ~~$20~~ $15
Illustrious Energy (1987): Superior NZ film – excellent photography in unique Central Otago.
Leading Edge, The (1986): For tourists.
Mad Max (1979): Still watchable 30yrs on.
Magical Mystery Tour (1967): Groundbreaking but probably owes a debt to Spike Milligan.
Sometimes in April (2005): Okay but better handled elsewhere by documentarians.
Trade (2007): Sordid.
Amadeus (1984): Patchy overall however special performance from Jeffrey Jones and costumes, make up etc excellent.; DVD ~~$20~~ $15
Shaker Run (1985): Nostalgic location shooting.
Paranormal Activity 3 (2011): Another hand held camera film.
30 Minutes or Less (2011): Immature script.
Il Bidone (The Swindlers) (1955): Fellini is never boring. Interesting casting.
Speed (1994): Escapist only – gets boring after a while even with Dennis Hopper in it.
Thunder Rock (1942): Interesting premise.
Fish Called Wanda, A (1988): Palin steals the show.
Abduction (2011): I think Sigourney and Alfred must have walked onto the wrong set.
Guardian, The (2006): Strange to see Costner playing a hero. Unusual also that he is in a movie more than 2 hours long.
Horrible Bosses (2011): They got half the title right.
Scary Movie 3 (2003): You couldn\'t keep Leslie Nielsen out of this one.
How to Start a Revolution (2011): Deserves to be seen.
Vacancy (2007): Fails to hold attention.
Counterfeiters, The (Die Fälscher) (2007): Typical academy award winner – shallow and not challenging enough.
Menace II Society (1993): Excessive and needless violence a turn off.; Poster (G) $9.95
Mega Python vs. Gatoroid (2011): Excellent mix of comedy and \"horror\".
Sword and the Sorcerer, The (1982): Plenty of screaming to support the high body count.
One Last Dance (2005): Has an underlying comic theme.
Damn the Defiant! (H.M.S. Defiant) (1962): AKA \"H.M.S. Defiant\". Strong cast – beautifully shot.; Blu-Ray $34.95
Green Zone (2010): Emphasis is on authenticity which is the Greengrass trademark. Real vets are used as extras.
Mother of Rock - Lillian Roxon (2010): Interesting subject matter but film doesn\'t handle any aspect with any depth.
Ma Mere (My Mother) (2004): Brave filming. Huppert as usual is excellent.
Breach (2007): Chris Cooper and Laura Linney a class above the rest.
Wolfman, The (2010): Production values are excellent.
Bright Star (2009): High production values.NZFF 2009. Beautiful scenery and photography.
Blitz (2011): A Jason Statham film – any need to say more?
Real Steel (2011): All the film\'s early promise went down the drain when the Snot appeared.
Dracula 2000 (2001): Great start to the film.
Among the Cinders (1984): Excellent John O\'Shea production.
Tightrope (1984): Patchy but some good scenes.
Visitors, The (1972): Woods first film I believe.
Cat Run (2011): Janet McTeer is terrific as a psychopath but can\'t save it.
Rock 'n' Roll High School (1979): Energetic.
Ladies of the Chorus (1949): Interesting.
Upside Down: The Creation Records Story (2010): Not a fan of the music but the documentary is well done.
Funny Face (1956): As a musical it doesn\'t rate very high for me – the tunes aren\'t that tuneful but there is enough in the dancing to rate a watch.
Urban Legend (1998): Routine.
Cass (2008): A tribute to thatcher\'s Britain.The Making Of–– reveals how realistic the fight scenes are.
Insatiable Moon, The (2010): Touching story. Have rated the film on the world stage.
Immortals (2011): Plenty of killing etc. John Hurt adds a bit of needed class to the proceedings.
What's Your Number? (2011): Froth but at least Faris is not irritating.
Gambler, The (1980): Harmless.
Night People (1954): Peck isn\'t too bad in this one.
Gantz (2010): Bit repetitive but special effects spectacular.
Shock Corridor (1963): Brave film making.
Salvador (1986): Gutsy and realistic.; DVD $19.95 | Blu-Ray $24.95
Red Baron, The (Der rote Baron) (2008): High production values.
Monte Carlo (2011): Froth.
Mrs. Carey's Concert (2011): You have to feel for the kids.
Kung Fu Panda 2: The Kaboom of Doom (2011): Maintains standard of original.
Win Win (2011): Not enough new ground attempted.
City Island (2009): Alan Arkin has a cameo otherwise too much yelling and shouting.; Blu-Ray $29.95
Chairman, The (1969): Peck plays a professor and tries to look intelligent. Propaganda film.
Wanderers, The (1979): Plays like a musical. The kids have got the strut and posturing right.
Three Musketeers, The (2011): If you need to watch another remake of this story have a look at the 1974 version – it has Spike Milligan in it.
Alice (TV Mini-Series) (2009): Different – includes adult violence.
Fair Game (2010): Naomi does well but its hard to follow the plot when Penn is yelling and his nose is blocking the action.
Footloose (2011): Remake not necessary but the dancing is worth it.
From Time to Time (2009): High production values and needless to say the acting is top rate with Pauline Collins and Timothy Spall scene stealing.
Manster, The (1959): They don\'t make them like this anymore.
Breath of Scandal, A (1960): I find Chevalier annoying but there is some good acting from the supporting cast and the technicolor is easy on the eyes.
Alice Through The Looking Glass (1998): Episodic telling which allows the brilliant cast (Holm, Richardson et.al) full reign in their cameo appearances.
Lemonade Mouth (2011): Disney photogenic kids along with tuneless turnes.
Red State (2011): Not even John Goodman can save this one.
Thunderbirds Are Go! (1966): The animation is easy on the eye.
Killing Room, The (2009): Fails to maintain interest.
Hell Drivers (Hard Drivers) (1957): What a cast.
Clockwise (1986): Cleese and Steadman – say no more.
Porco Rosso (Kurenai no buta) (1992): Another classic from animations top stable.
Howl's Moving Castle (2004): See it.; DVD $29.95 | Blu-Ray $39.95
Hotel Rwanda (2004): Powerful.
North Country (2005): Charlize is magnificent.
Matthew Barney - No Restraint (2005): Different as expected.
Once (2006): Basic but what more do you need?; DVD ~~$20~~ $15
Young @ Heart (Young at Heart) (2007): Moving and worthy of a foot tap or two.; DVD ~~$20~~ $15
Noise (2007): Different.; DVD ~~$19.95~~ $14.95
I Am Legend (2007): Atmospheric.
Vicky Cristina Barcelona (Vicky Christina Barcelona) (2008): Barcelona is beautiful and is the only thing worthwhile from this film from the over–productive Allen.
Green Lantern (2011): The special effects are good to look at and some good sci–fi at times.
Dead and Deader (2007): Starts off okay.
Colombiana (2011): The violence gets boring.
Good Wife, The (TV Series) (2009-2016): Season 1 – consistent standard across all episodes.
Nuit et Broulliard (Night and Fog) (1955): Haunting.; DVD ~~$19.95~~ $14.95
B-Girl (2009): The rating is for the dancing.
Something Borrowed (2011): The plot is puerile.The star is for Kate Hudson.An \"Oh My God\" comedy.
Hook, Line and Sinker (Hook, Line & Sinker) (2011): Gets a bit melodramatic at times – understandable I suppose when one considers what stress the characters are going through.; DVD ~~$19.95~~ $14.95
Red Lights (Feux Rouges) (2004): Darroussin\'s portrayal of a tired alcoholic husband is impressive.
Cedar Rapids (2011): Hilarious.
Julian Assange - A Modern Day Hero? (Inside the World of WikiLeaks) (2011): Should be seen in conjunction with doco. \"WikiLeaks – Secrets and Lies\" (2011) to get a balanced view on events.
Rest for the Wicked (2011): Tony Barry always worth a look.
Conan the Barbarian (2011): Stephen Lang is suitably threatening and Rose McGowan seemed to be enjoying herself.
Last Grenade, The (1970): A romantic subplot doesn\'t help – but good to see a strong British cast from the near past.
Tower Heist (2011): Wanting to be both an action film and a comedy might be its downfall – it doesn\'t do justice to either.
Winning Season, The (2009): Excellent casting all round. Avoids the pitfalls when filming a familiar subject.
When a Stranger Calls (2006): Bit better than normal for this type of horror.
Jiro Dreams of Sushi (2011): Another cookery film but watchable.
Letters to Father Jacob (2009): Basic and beautiful.
King of Devil's Island (2010): Bleak and very good.; DVD ~~$20~~ $15
Secret Life Of Bees, The (2008): Good story and even better acting.
Classic Albums - Paul Simon (Graceland) (1997): Excellent series.
Deja Vu (2006): Good attempt at an original story line.
Essential Killing (2010): Full marks for an authentic portrayal of a man on the run. Gallo in another tough part. Recommend that its best watched in our warmer months.
Norwegian Wood (2010): I find it hard to empathize with anyone who only has a single interest in life – in this case the opposite sex – but a beautiful film to look at.
Cowboys and Aliens (2011): Entertaining – a bit of everything – doesn\'t take itself too seriously – thankfully free from a romantic subplot.
Eurythmics - Ultimate Collection (1980-1990): Not boring.
One Day (2011): Not a great deal to comment on – harmless though.
Matter of Heart, A (Questione di cuore) (2009): AKA \"Stroke of Luck\". Usual romantic Italian comedy with inevitable conclusion.
City of War (John Rabe) (2009): A documentary without the dramatisation would have done more justice to the man.
Island of Dr Moreau, The (1977): Even the original concrete post Michael York moves in this one.
Tess of the D'Urbervilles (1998): Strongest parts who those not depicting the romantic aspects – ie. the working lives of the peasants.
At the Edge of the World (2009): Arseholes.
Europeans, The (1979): Quality production values.
Extra Man, The (2010): All those involved in this project seem to have no feel for comedy.
Chase, The (1966): What a cast.
Ride In the Whirlwind (1965): Cameron Mitchell stars.
Shooting, The (1965): Different and not just because Warren Oates stars.
Visit, The (1964): Great story – the mood is expressed better in black and white.
Passenger, The (1975): Switching of time and place can be confusing. Penultimate scene unforgettable.
Great Raid, The (2005): Scenes within prison camp easily the best.
Fright Night (2011): Doesn\'t take itself seriously – well done.
How She Move (2007): Ignore the required non story and teenage posturing – there are plenty of steps to admire.
New Town Killers (2008): Lacks suspense.
Harry Belafonte: Sing Your Song (2011): Documentary\'s main focus is on his civil rights campaigns.
Miss Marie Lloyd (2007): Jessica Wallace gives a spunky believable performance.
Bande a Part (Band of Outsiders) (1964): Unforgettable dance sequence.
Black Snake Moan (2007): The two leads are excellent and work together in a father/daughter type relationship.Buy the soundtrack.
Twister (1996): The effects are impressive.
Thing, The (2011): Scary Thing. I\'m glad i missed it on the big screen.
Hanna (2011): A child as assassin is a distasteful subject.
Chinese Takeaway (2011): A low key delight.
Margin Call (2011): Not many can outshine Jeremy Irons. This is a Kevin Spacey film.
Anton Chekhov's The Duel (2010): Gorgeous.
Rise of the Planet of the Apes (2011): Takes an age to get going then follows the normal routine action genre.
Celestine Prophecy, The (2006): Bit flat bit of a mixture.
Space Between, The (2010): A sincere offering.
Jane Eyre (2011): Slow but who cares(?) Quality as usual from BBC.
Forgotten, The (2004): Nearly very good. Julianne is helped by a good cast.
Hell (2011): Impressive visually by a first time feature director. Not really a horror film but a depiction of what life will be like unless we get rid of the right wing governments.; DVD $29.95
Dracula's Daughter (1936): Great black and white.
Man in the Moon (1960): Still enjoyable today.
Lost World, The (1925): Beautiful music. Interesting effects.
Jersey Shore (TV Series) (2009): Season 1 – A benchmark for all TV series. It actually has a \"deleted scenes\" section which I didn\'t have the courage to watch.
Viva Riva (2010): Not perfect but it ain\'t boring.
Salvation Boulevard (2011): Good cast.
Captain America: The First Avenger (2011): Looks good.
All Good Things (2010): Lacks intensity but Frank Langella and Kirsten Dunst worth it.
Take Shelter (2011): Americans normally stuff these kind of films up – this time they\'ve mainly succeeded in avoiding the traps. Shannon impressive.
Change-Up, The (2011): Hilarious.
Thirteen (13) (2010): If you\'ve seen the original there is no suspense left in this remake.
Guardian, The (1990): Enough originality to warrant a watch.
Death Warmed Up (1983): Good attempt to be scary.
Super 8 (2011): Any chance of following the plot destroyed by screeching kids.
Scream 4 (2011): Reaches the required noise level.
Flypaper (2011): Familiar plot – remake? Good to see Pruitt Taylor Vince.
Everlasting Moments (2008): Bittersweet tale. Excellent production, photography and acting.
People Like Us (TV Series) (1999): The humour derived from a strong script is not in your face which makes a nice change.
L'Amour Fou (2010): Hard to empathize with people who produce nothing useful and who belong to a circle that exchange wealth between themselves.
I Love You Too (2010): Weak script – lack of the usual Aussie characters.
Phasma Ex Machina (2010): Low key, different, effective suspense.
Jacques Tati Boxset (Jour De Fete, Mon Oncle, Mr. Hulot's Holiday, Playtime, Trafic, Parade) (1948-1967): All timeless classics.
Sophie Scholl: The Final Days (2005): A portrait of guts.
Beat My Heart Skipped, The (De battre mon coeur s'est arrete) (2005): Duris is superb.
Chuck Close (2007): Can be appreciated by non–artists.
Cool School - Story Of Ferus Art Gallery, The (2008): Hard watching for the uninitiated.
Chevolution (2008): Part biographical but the main emphasis is on Korda\'s photographic image. A well researched and balanced account.
Trip, The (2010): Try and ignore the protagonists and enjoy the glorious scenery.; DVD ~~$34.95~~ $19.95 | Blu-Ray ~~$39.95~~ $24.95
2001: A Space Odyssey (1968): Masterpiece from which others have spawned.; DVD ~~$20~~ $15
Deliverance (1972): Timeless.; DVD ~~$20~~ $15
Killing Fields, The (1984): Sickening.
L.A. Confidential (1997): It loses something when Spacey departs and its left in the hands of Crowe and Pearce.
Wondrous Oblivion (2003): Realistic comedy situation
Playtime (1967): A masterpiece.
Ten (10) (2002): Able to produce an effective political message with a minimum of resources.
Respiro (Grazia's Island) (2002): Cinematic.
Return, The (Vozvrashcheniye) (2003): Basic. Wonderful.
Wendy and Lucy (2008): Independent cinema close to its best.
Summer Hours (2008): Avoids the obvious traps.
I've Loved You So Long (Il y a longtemps que je t'aime) (2008): Take a step toward the top Kristin.; DVD ~~$20~~ $15
Gomorrah (2008): Not glamorous.
Camino (2008): Takes an effort to get through to the end.
Source Code (2011): Good plot idea. Gyllenhaal\'s character got a bit irritating.
Mad Men - Season 1 (TV Series) (2007): Good to look at. Does well to make one dimensional characters watchable for the most part.
Diary of a Wimpy Kid 2: Rodrick Rules (2011): Steve Zahn worth a watch.
Hangmen Also Die (1943): Solid stuff. Some good exterior location shots.
Smurfs, The (2011): Undemanding.
Dances with Wolves (1990): Costner can\'t do anything under two hours.
Kingdom, The (Riget) (1994): Mesmerising.
Twentyfour Seven (1997): Hoskins superb.
Lolita (1997): Watch Jeremy Irons – he said he took a big risk playing the part – he wasn\'t employed again for a while.
Work of Directors, The - Boxset Vol. 1 (Spike Jonze, Chris Cunningham, Michel Gondry) (2003): Excellent series.
Work of Director Spike Jonze, The (2003): A director with a refreshing different slant on things.; DVD $24.95
Blues Film Collection, The (Soul of a Man, Red, White and Blues, Feel Like Going Home, Godfathers and Sons, Piano Blues, The Road to Memphis, Warming by the Devil's Fire) (2003): Superb.
Shake Hands With the Devil (The Journey of Roméo Dallaire) (2004): Sickening war. Dallaire stands tall and dignified and human.
Ax, The (Le Couperet) (2005): Great dark humour.
Four Minutes (Vier Minuten) (2006): Superb acting.
Annie Leibovitz: Life Through a Lens (2006): Okay for the genre.
Redacted (2007): Suffers from everyone being over iraqued.
English Surgeon, The (2007): Inspirational – a humanitarian.
My Year Without Sex (2009): A one joke film.
Messenger, The (2009): Considering the cast could have been better.; DVD ~~$34.95~~ $19.95
Down Terrace (2009): Unusual – great.
Page One: Inside the New York Times (2011): A valuable record at a crucial time for the industry.
Paper Clips (2005): Well meaning doco.
Bonnie Parker Story, The (1958): No gloss on this version of the story.
Welcome (2009): Believable.
Teenage Paparazzo (2010): Irritating little arsehole at times.
Exit Through the Gift Shop (2010): You got the feeling at times that the audience was being had.
X-Men: First Class (2011): Repetitious after promising start. The great Kevin Bacon only bright spot.
Pirates of the Caribbean 4: On Stranger Tides (2011): More of same.
Behind the Mask - The Rise of Leslie Vernon (2006): Some promise at start.
Zookeeper (2011): Another talking animal picture but Kevin James carries it through.
Trust (2010): turgid.
Hoodwinked Too! Hood vs Evil (2011): Undemanding.
Kill the Irishman (2011): Plenty of action and male posturing from a well worn gangster cast.
Vicious Kind, The (2009): Needs patience. Didn\'t think much of the script.
Shoot the Pianist (Shoot the Piano Player) (1960): Excellent mix of action and comedy.
Dororo (2007): Never boring.
Love Like Poison (2010): Adolescence in the beautiful French countryside.
1941 (1979): The director\'s best film.
Michael Moore Hates America (2004): Bit repetitive.
I Love You Phillip Morris (2009): Carrey turns my stomach so rating may be biased.
Quai Des Orfevres (1947): Classy.
Carry Me Back (1982): Doesn't quite last the distance but entertaining.
Lonely Hearts (2006): Effectively tells a tale in an entertaining manner.
Letter to Three Wives, A (1949): Solid all round.
Red Dog (2011): Includes a great soundtrack.
Gremlins 2: The New Batch (1990): Too scary for adults.
Priest (2011): Early promise to be better – even had a touch of the Blade Runners – but in the main it let the violence and special effects take over.
People vs. George Lucas, The (2010): I couldn\'t give a stuff about Star Wars but found some of the material worth while.
House (1986): good balance between horror and comedy.
End of the Affair, The (1999): Solid.
Daydream Nation (2010): Just misses on being good.
$5 A Day (Five Dollars a Day) (2008): The wonderful Christopher Walken enjoying himself.
Mr. Untouchable (2007): Another true American crime story.
Operation 8: Deep in the Forest (2011): Congratulations to the film makers and producers. Even for those less interested in the Urewera case the historical research demands to be seen.
Rise and Rise of Michael Rimmer, The (1970): Excellent satire that is still relevant today. Stellar cast of comedians and character actors.
Eagle, The (2011): More of the same.
Classic Albums - Meat Loaf (Bat Out Of Hell) (1997): Timeless album. Excellent documentary series.
Rosebery 7470 (2006): Refreshingly different.
Womb (2010): Eva Green acts through her eyes. Great story.
Spider Baby (1964): Deserves to be a cult classic. The Director\'s cut includes the making of and the subsequent history of the film.
Black Angel (1946): Great cast – Peter Lorre v Broderick Crawford.
For Colored Girls (For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf) (2010): Got turned off with all the bickering.
Run for the Sun (1956): American character (the goodie) v baddie played by british actor.
La Tropical (2002): If music is to your taste it will rate higher.
Everything Must Go (2010): for the most part worth the watch. Ferrell a low key performance for a change.; DVD $14.95
Johnny Apollo (1940): Solid supporting character actors.
Far East (1982): Some lovely location shots.
Long Day Closes, The (1992): Anyone who lived through the 50\'s in Northern England will relate to this film in spades. Superb.
This is Not a Film (2011): Able to maintain audience interest out of very little.
Love Ranch (2010): A bit too much Pesci language.
Jigsaw Man, The (1984): Solid British cast makes it worthwhile.
Emperor of the North (1973): Good train action.
Cracks (2009): Eva Green goes through the emotional spectrum – great performance. Superb production.
Gangs Of Oz (TV Series) (2009): who needs fiction.
Chasing The Ghost: New Zealand's P Epidemic (2009): Okay.
Raw Deal: A Question of Consent (2001): Plays like a mockumentary.Contrived.File under comedy.
Up (2009): Its a Pixar. Watch the bonus features on DVD.
Sucker Punch (2011): some good parts.
Muppet Treasure Island (1996): Best when the muppets are interacting.
Prom (2011): Hope our kids aren\'t like this.
Bad Teacher (2011): An american comedy.
Tabu (1931): remarkable for its time.
Triage (2009): well intentioned.
Fire Of Conscience (For Lung) (2010): An action film.
Mother and Child (2009): Avoided all the traps.Outstanding from Bening and Watts with strong supporting cast.
Shrooms (2007): the mushrooms were okay.
Mean Creek (2003): its weakness is that it lacks originality but its strength is that you are given time to empathize with the young characters.
On The Beat (1952): Released in 1962(?).Harmless fun.
Investigator, The (TV Series) (2008): good alternative viewpoint.
Arthur (2011): Not too bad. The Arthur character is well supported in this and the original.
Black Death (2010): an uplifting film – one to raise the spirits on a wet sunday.
Fall, The (2006): not sure which audience is was made for. Childish fantasy layered liberally with violence. Will watch a second time and maybe rate higher.
Godfathers Of Ganja (Square Grouper) (2011): interesting social/criminal interviews.
Loss of a Teardrop Diamond, The (2008): an american talkie.
Until Proven Innocent (2009): good effort.; DVD $25
Lincoln Lawyer, The (2011): two hours is too long for a film in which there are no characters to empathize with.
Submarine (2010): lead kept getting the adrian mole\'s. some good bits which are good.
Mad Bastards (2010): a sincere movie that deserves viewing.Terrific soundtrack.
Terri (2011): runs out of steam.
Repo Chick (2009): Different. Very enjoyable. Done on a shoestring – up the academy.
House of Fools (Dom Durakov) (2002): roller coaster ride of emotions. Acting of lead Julia Vysotsky superb.
Reluctant Infidel, The (2010): being irreverent is its best aspect.
State's Evidence (2006): student philosophizing is a bit hard to put up with, but the film\'s intentions seem sincere. Ending over done.
Just Another Love Story (2007): the story is vaguely familiar but worth another look.
Melissa P. (2006): interesting handling of youth problems from an italian perspective.
Madame Sin (1971): good British support cast makes it worthwhile.
Vanishing on 7th Street (2010): promising start to film.
That Was Then, This Is Now (1985): a young Morgan Freeman appears.
Tillman Story, The (2010): file under crime.
Home (2009): repeats the message of similar documentaries but well worth the watch.
Heckler (2007): these \"comedians\" would not survive in a British pub as a stand up act – the hardest school.rnthe pub heckler would be funnier than this lot.rnthe american comedian doesn\'t have the wit to cope with heckling and criticism.
Griff the Invisible (2010): as good as any other super hero movie.
Romantics, The (2010): a waste of time about people who waste time.
Lipstick (Why I Wore Lipstick to My Mastectomy) (2006): watchable. Avoided usual traps.
Just a Beginning (2010): great intermittent soundtrack.
I, Claudius (TV Series) (1976): what more is there to say.; DVD $59.95
Who is Harry Nilsson? (And Why is Everybody Talkin' About Him?) (2010): great voice. hard life style.
Shadow Line, The (TV Series) (2011): complex story – compulsory viewing – powerful performances particularly from Rea and Sher.
Swinging with the Finkels (2010): infantile situation and script.
Gia (1998): earnest endeavor but maybe a bit long.
Mechanic, The (2011): no improvement on the original.
Oswald's Ghost (2007): well balanced.
Agatha Christie Code, The (2005): interesting.
Unknown (2011): fails to hold attention and too much shouting – but good to see Bruno Ganz.rnrnFrank Langella does usual scene stealing.
Mr. Nice (2010): david thewlis is worth the watch.
Company Men, The (2010): in other hands this film might have been stuffed up ie. yuppies feeling sorry for themselves.; DVD ~~$34.95~~ $19.95 | Blu-Ray ~~$39.95~~ $24.95
Twilight: Eclipse (2010): the three leads are boring.
Candyman - The David Klein Story (2010): a story that deserves to be told – and well told at that.
Pontypool (2008): some originality.
Berlin Alexanderplatz (TV Series) (1980): an experience.
Easy (2003): undemanding.
Factory Girl (2006): a minor character.
Rite, The (2011): why do we need another exorcist film?
Suicide Killers (2007): looking for a short term career?
Expelled: No Intelligence Allowed (2008): thought provoking.
Room in Rome (Habitación en Roma) (2010): 100+ minutes is too long for the limited scenario.
Arranged (2007): this film represents the best way to cut through religious bigotry.
Duane Hopwood (2005): a nice surprise. David S very good.
Hall Pass (2011): immature script.
Conspirator, The (2010): doesn\'t quite work but production values and acting are good.
Jucy (2010): harmless.
Story of Marie and Julien, The (Histoire de Marie et Julien) (2003): slow but worth sticking with (if only to try and understand the plot).
Accident (Yi ngoi) (2009): intelligent thriller.
Center of the World, The (2000): the two leads are worth the watch.
Tron: Legacy (2010): special effects ok.
15 (2003): works well with its soundtrack. familiar theme but worth the watch.
Slammin' Salmon, The (2009): described as a comedy. crude.
His & Hers (His and Hers) (2009): ok.; DVD ~~$29.95~~ $15
True Grit (2010): uninspiring.
Outside the Law (2010): ok.; DVD $29.95
Next Three Days, The (2010): flat.
A Wall in Berlin (2008): a history depicting both the big issues and eye witness accounts from those most affected.
Broken Embraces (2009): bit light.
Last Train Home (2009): after seeing this you will want to get out and stretch your legs.
Love Crime (2010): shallow plot – implausible – but worth a watch.
Wings of Nature (2003): maintains high standard.
Mo' Better Blues (1990): good to see Denzel without a gun.
Jacob's Ladder (1990): different.; Blu-Ray $29.95
Hot Spot, The (1990): none of the hollywood crap.
Field, The (1990): sheridan/harris/hurt.rnrnsay no more.
No Strings Attached (2011): puerile script.
Band's Visit, The (Bikur Ha-Tizmoret) (2007): understated humor
Borderland (2007): the "based on true events" is supported by bonus material.
Nothing Men, The (2010): ending lets it down but good performance from Colin Friels and as usual in Aussie films good character actors.
White Material (2009): a smashing actress. Director not bad either.
Story of O, The (1975): udo kier is in it.
Thin Blue Line, The (1988): unforgettable.
Every Jack Has a Jill (Jusqu'à toi) (2009): not a waste of time. Laurent good.
Abigail's Party (1977): timeless.
Withnail and I (1986): memorable.
Rita, Sue and Bob Too (1987): working class comedy.
Holly (2006): a sensitive film – handled and acted extremely well – a little gem.
La Danse: The Paris Opera Ballet (2009): a well observed portrait.
Disgrace (2008): uneven but watchable.
Valentino - The Last Emperor (2008): watchable but hard to empathise with bullshit.
13 Tzameti (2005): saw it 2 years ago and i can still remember most of it.
Man In The Hat, The (2009): a snapshot of time past.; DVD ~~$19.95~~ $14.95
Dorian Gray (2009): it would be a depiction of a Young Nat. if it wasn\'t for the wit and wisdom.
Love The Beast (2009): hard for mature viewers to watch immatures. not worth filming in the first place; DVD ~~$19.95~~ $14.95
Edward Scissorhands (1991): get stuffed hollywood.
Commitments, The (1991): timeless.
My Cousin Vinny (1992): good.
Fargo (1996): classic low key effort from everyone – a winner.
English Patient, The (1996): great cast but boring.
Full Monty, The (1997): timeless.; DVD ~~$20~~ $15
Tigerland (2001): refreshing.
Enemy at the Gates (2001): you are there – on the front line.
Phone Booth (2002): disappointing.
History Boys, The (2006): richard griffiths and frances de la tour are always worth a watch.
Fountain, The (2006): well done for trying.
Michael Clayton (2007): competed in one of the few strong oscar years.
Shutter Island (2010): david lynch has complicated story lines & even he doesn't understand the endings – his films you watch every frame entranced. this film fails to maintain interest – being shorter would have helped.
Book Of Eli, The (2010): i still don\'t know whether denzel can act. how many films has he appeared in without a gun?
Che: Part One (The Argentine) (2008): one of the few dramatic recreations that is able to challenge the documentary format.
Che: Part Two (Guerilla) (2008): an anti–hero film with a non–hollywood ending.
Fat Belly: Chopper Unchopped (2009): a self described psychopath (hope that doesn't upset him) tells mostly all – can't be boring.
Calendar (1993): superb
Topsy-Turvy (1999): superb.
Crossing the Line (2006): bit boring; DVD $29.95
King of the Hill (El Rey de la montaña) (2007): suspensful.
Dennis Potter - The Last Interview (1994)
Boy Meets Girl (1994): a bit different – well done
End of the Line, The (2009): arseholes
Tree, The (2010): beautifully done – a heartfelt little film.
Facing Ali (2009): not one boring interview – an interesting collection of characters – a well put together documentary – who needs fiction?
Concert, The (Le Concert) (2009): a good reason to get rid of the Best Foreign Film Cat. at the oscars. – this would appeal to an american judging panel – the french should do what they do best and make good films.
Sherlock Holmes (2009): flashy camera and editing work don't help – another special effects actioner – if you can last out till the end credits there is a great track from the Dubliners.
White Lightnin' (2009): the violence is impressive. the soundtrack superb – it goes on long after the end credits have finished. pity there wasn't a bit more dancing. a breath of foul air – recommended.; DVD ~~$29.95~~ $19.95
Whatever Works (2009): another talky from w allen about an old man and a young woman.
Rain of the Children (2007): embarrasses other local efforts of late. Best to see the short doco's on which it expands first.
Doubt (2008): an actors film.
Balibo (2009): would be better served by a documentary.; DVD $19.95
Bomb the System (2002): could have done without the elaborate camera work.; DVD $29.95
Wilbur Wants to Kill Himself (2003)
Soundtrack for a Revolution (2009): white disgrace
Forgotten Silver (1995): what a waste of money.
Love Comes Lately (2007): enigmatic lead performance.
Everything (2005): different.
How To Be (2008): if there was a story it failed to hold attention. snippets of harmonica playing okay.; DVD $34.95
Shoot on Sight (2007): predictable.
This Is It (Michael Jackson's This Is It) (2009): some good assembly dancers. too much arse licking for my liking "is this okay michael? etc etc. – still its better than looking at his face.
Friends (1971): story line falls away as film proceeds but a lot to like about it – idyllic setting.; DVD ~~$20~~ $15
Undead (2002): another zombie comedy
Suddenly (1954): has a orrible kid in it. the black and white photography wasted on the mainly indoor scenes. At least sinatra didn't sing.
Spriggan (2000)
Unforgiven (1992): male power acting.
Pulp Fiction (1994): class.
L'Appartement (The Apartment) (1995)
Microcosmos (1997)
Tea with Mussolini (1999): maggie steals the show from the stellar cast.
Bucket List, The (2007): nicholson not as obnoxious as usual.
Wild Child (2008)
Fool's Gold (2008): donald and ray are worth a watch
Whiteout (2009)
Imagine That (2009): cute
War Within, The (2005)
Queen, The (2006): well done Helen – a good try.; DVD $14.95
4 Months, 3 Weeks and 2 Days (4 luni, 3 saptamâni si 2 zile) (2007): you are there
Too Late The Hero (Suicide Run) (1970): good British character actors led by the great Denholm Elliott make this worthwhile. Michael Caine is pretty good as well.
Twenty Thirty Forty (20 30 40) (2004): very satisfying
Tenure (2009)
Old Dogs (2009): Travolta not too bad
Ivans xtc (2000): Anti–hollywood.
Garth Method, The (2004)
Piece Of My Heart (2009): patchy bit soapy at times; DVD $25
Fighting (2009): boring
Hallam Foe (Mister Foe) (2007): Quirky

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Tubbs’s Film Reviews