The human figures although an intrusion on the magnificent scenery do help by giving some idea of scale. The photography though is equal to the occasion.
The screenplay is more about Coogan and Brydon interplaying rather than a work of literature so it doesn't rise to any great heights – it could have done because there was plenty of acting talent hanging around.
It is a very worthwhile crack at portraying realism. It is shot during an eclipse which also adds interest. The gunfight with Geoffrey Lewis is memorable.
Aka "The Rubbish Collectors" but at least the Vogels weren't trying to profit & were sincere. It tells you something about the art establishment however & you would think that a more discerning future generation of curators will toss most of it out.
It gets past halfway very well but then the screenplay loses its way and ends up being too long. However, including the opening credits, the art and design work is terrific.