A no–frills South Islander. She brings you back down to earth – she is what Kiwis think they are but after witnessing her life story we realise how frivolous, materialistic and meaningless we have become.
Unable to stop comparing the Lighting Director's dreams of Delpy & Binoche with the rough looks of Lavant & thinking there is hope for us yet. The dialogue degenerates into romantic drivel but the stylistic screenplay & casting of Piccoli offsets this.
Screenplay is fluid rather than structured. Some comedy moments relieve the strain of trying to follow the plot. Best photography happens at night when we are travelling the lonely winding roads. Amongst the mayhem is a wonderful performance from Naomi.