The first half of the documentary is it strongest with good use of archival film, gimmickry, and slick editing. The second half is more typical of band histories – arguments and split–ups etc. – but it is interesting enough.
I couldn't understand much of what Alex Honnold said through his poor enunciation but he handles the climbing segment of the documentary much better. Some good location scenery.
What started off as a well–intentioned message–driven screenplay takes on more than it can chew and weakens out quite badly, relying on plot contrivances and finally descends into melodrama.
It introduces an interesting conspiracy theory but then the viewing gets harder when the documentary maker interviews her own family about her father with unsettling results.
With all due respect to the talented Charlotte Gainsbourg if they had have shot this in Polish with Polish actors it would have given the screenplay a much better chance of succeeding.