The screenplay intelligently avoids getting bogged down in philosophy but keeps moving through some realistic situations helped by some smart editing. The lead actress is not bad (again).
Considering its director and cast it doesn't work as well as it might have, but still, there are some very good scenes around the excellent female ensemble. The set designs and artwork are commendable.
Whatever its faults it doesn't stay on the Western's worn path. It always holds some interest with the "he who doesn't know how to be boring" Donald Pleasence popping up from time to time.
65 years on this still appeals. The creature, so obviously belongs to 1950's cult cinema that it will never be out of date. The humans only use was to antagonise the creature & so draw it into the screenplay & maybe provide it with something to eat.
The setting is deliberately bleak – on a cold wet night in a depressed location – the screenplay is played out by characters who are at odds with each other. I only remember one light–hearted scene. It is not uplifting but it is well done.